[NetBehaviour] London Psychogeophysics Summit Monday 2 to 7 August

2010-07-27 Thread info
London Psychogeophysics Summit Monday 2 to 7 August

>From Hyde Park spread their vegetating roots beneath Albion
In dreadful pain the Spectrous Uncircumcised Vegetation,
Forming a Sexual Machine; an Aged Virgin Form.

[William Blake. Jerusalem]

Across Hackney, East and South London and within its various streets
and rivers an assembled crew of tinkerers, thinkers and artists will
perform diverse pyschogeophysical investigations and actions within
the first week of August. The summit will culminate in a large outdoor
celebration and exposure of such endeavours on Saturday the 7th day of
August within a divined public space or garden.

Actors will engage in measurements of various fields pertaining to the
sun, earth and moon, to determine how these elements might influence a
person's humours, wills and wishes. Tinkerers will make comprehensive
study of material composition at diverse locations and of how these
properties might affect the faculties of individuals within such
neighbourhoods. Both parties will set themselves towards the end of
revealing sites of execution and memory throughout London.

The summit will commence with an open meeting and luncheon within
SPACE on Mare Street in Hackney at midday on Monday the 2nd of
August. Workshops, walks, river drifts and investigations originate
each weekday from eleven at SPACE. Speculations will be unveiled from
seven in the evening each day at the same location. On the evening of
Thursday 5th August (8PM) a programme of public lectures and
entertainments will take place at HTTP gallery in Haringey.

Activities are including:

Dark Heart of Codeness, a .walk: A .walk into computational darkness,
Tuesday the second of August 2010 commencing three in the afternoon at
the entrance of the Royal Observatory in Greenwich Park.

Self-execution for the plague year2012, the repurposing of common
household devices and found objects for excitation, detection and
measurement.

The camera obscura as a steampunk digital camera.

Diverse investigations of the thoughtographic city.

Will-o'-the-Wisp, psychogeophysicals of the ghostly light.

Shooting of the sky, studying the atmospheric propagation of
electromagnetic emanations.

Bitnik instructional drift telephony.

Please await the next playbill with more details to be issued on
Monday 2nd August.

Those taking part include: Bitnik, Alejo Duque, Kathrin Guenter,
Graham Harwood, Martin Howse, Ryan Jordan, Petr Kazil, Jonathan Kemp,
Martin Kuentz, Tom McCarthy(TBC), Christian Nold, Eleonora Oreggia,
Nick Papadimitriou(TBC), John Rogers(TBC), Karen Russo, Gordan
Savicic, Suzanne Treister, Danja Vasiliev, Wilfried HJB Bourdin.

Further information: 
http://www.psychogeophysics.org/wiki/doku.php?id=summit:desc

Please join the mailing list: http://mail.wintermute.org/mailman/listinfo/psych

IRC: irc.freenode.net: #psychogeophysics

Full workshop fee: 40 pounds including subsistence

With thanks to: SPACE Media Arts, openmute.org and HTTP
gallery/Furtherfield.

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Re: [NetBehaviour] inside uure uumaginary * (text / images)

2010-07-27 Thread Martha Deed




James and Alan--

These are remarkable images.  I am jealous!
Martha
The Lost Shoe
http://www.chapbookpublisher.com/shop.html

The Lost Shoe video
http://www.sporkworld.org/Deed/lostshoe.mov

this is visual poetry by Millie Niss
http://thisisvisualpoetry.com 
27 March 2010 release

Heat (Released July 2010)
http://chapbookpublisher.com/tiny-shop.html



Alan Sondheim wrote:

  
Can you photograph them? Really curious to see. These (the images I took) 
were from desert/scrub in a very dry highlands - not that high, maybe 
5000' - area.

- Alan

On Tue, 27 Jul 2010, James Morris wrote:

  
  
On 27 July 2010 00:12, Alan Sondheim  wrote:



  * http://www.alansondheim.org/mag1.jpg
* http://www.alansondheim.org/mag2.jpg
* http://www.alansondheim.org/mag3.jpg
* http://www.alansondheim.org/mag4.jpg
  

Love these images Alan. The mag2.jpg is stunning, beautiful colours!.
Mag3.jpg looks like a small toy! Mag4.jpg reminds me of Ernst's
"Robing of the Bride".


Last w/e I met Henry, a bearded dragon, owned by my partner's Mum and
her Husband. I wasn't particularly taken with him. He eats locusts. I
found them quite (the locusts) quite beautiful to look at.

The meadow at the back of our place is full of crickets/grasshoppers
singing all day and night. Me and my girlfriend came back from a bike
ride on Sunday and found one in the shed sitting on old bag. He/she is
not as beautiful as the cricket/grasshopper in mag2.jpg but still
intriguing.

This morning I'd been inspecting our chilli plants in the (tiny cheap
plastic) greenhouse and suddenly spotted this massive (IMO) bright
green grasshopper sat on the (yet to be installed) water butt.

http://jwm-art.net/grasshopper/grasshopper1.jpg
http://jwm-art.net/grasshopper/grasshopper2.jpg
http://jwm-art.net/grasshopper/green_grasshopper1.jpg
http://jwm-art.net/grasshopper/green_grasshopper2.jpg
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==
email archive: http://sondheim.rupamsunyata.org/
webpage http://www.alansondheim.org
music archive: http://www.espdisk.com/alansondheim/
==
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Re: [NetBehaviour] [Fwd: bblackboxx.ch]

2010-07-27 Thread Wolfgang
Ein Installateur (Handwerker besucht eine Galerie.
Er schaut sich die Bilder an und spricht mit dem Künstler.
Also Sie sind der Künstler?
Antwort: Ja.
Und können Sie von Ihrer Kunst leben?
Antwort: Nein.
Also sind Sie ein Hobbykünstler.

Sorry for that, chief

Wolfgang

If you want I will translate it in english/french/katalan

- Original Message - 
From: "Andreas Jacobs" 
To: "NetBehaviour for networked distributed creativity" 

Sent: Tuesday, July 27, 2010 7:48 PM
Subject: Re: [NetBehaviour] [Fwd: bblackboxx.ch]


> Well, if you insist, so be it.
>
> Nevertheless in some cultural circles 'Liebhaber' is/was used as a
> synonym for 'Amateur' from French language i.e . Amant: someone who
> loves someone or something.
>
> And I intented to use it with that particular meaning in mind, maybe
> you took the word too literal.
>
> And I definitively did not meant lay, else I would have used that.
>
> Sorry if I made me misunderstood
>
>
>
> Andreas Jacobs
>
> e: aj...@xs4all.nl
> m: 31 6 16 732 018
>
> w: http://www.nictoglobe.com
> w: http://burgerwaanzin.nl
>
> On 27 Jul 2010, at 19:18, "Wolfgang"  wrote:
>
>> Andreas Maria Jacobs
>>
>> Liebhaber means lover
>> amateur means Hobby or dilettant => Laie
>>
>> sorry for that chief
>>
>> Wolfgang
>>
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Re: [NetBehaviour] inside uure uumaginary * (text / images)

2010-07-27 Thread Alan Sondheim


Can you photograph them? Really curious to see. These (the images I took) 
were from desert/scrub in a very dry highlands - not that high, maybe 
5000' - area.

- Alan

On Tue, 27 Jul 2010, James Morris wrote:

> On 27 July 2010 00:12, Alan Sondheim  wrote:
>
>> * http://www.alansondheim.org/mag1.jpg
>> * http://www.alansondheim.org/mag2.jpg
>> * http://www.alansondheim.org/mag3.jpg
>> * http://www.alansondheim.org/mag4.jpg
>
> Love these images Alan. The mag2.jpg is stunning, beautiful colours!.
> Mag3.jpg looks like a small toy! Mag4.jpg reminds me of Ernst's
> "Robing of the Bride".
>
>
> Last w/e I met Henry, a bearded dragon, owned by my partner's Mum and
> her Husband. I wasn't particularly taken with him. He eats locusts. I
> found them quite (the locusts) quite beautiful to look at.
>
> The meadow at the back of our place is full of crickets/grasshoppers
> singing all day and night. Me and my girlfriend came back from a bike
> ride on Sunday and found one in the shed sitting on old bag. He/she is
> not as beautiful as the cricket/grasshopper in mag2.jpg but still
> intriguing.
>
> This morning I'd been inspecting our chilli plants in the (tiny cheap
> plastic) greenhouse and suddenly spotted this massive (IMO) bright
> green grasshopper sat on the (yet to be installed) water butt.
>
> http://jwm-art.net/grasshopper/grasshopper1.jpg
> http://jwm-art.net/grasshopper/grasshopper2.jpg
> http://jwm-art.net/grasshopper/green_grasshopper1.jpg
> http://jwm-art.net/grasshopper/green_grasshopper2.jpg
> ___
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>
>


==
email archive: http://sondheim.rupamsunyata.org/
webpage http://www.alansondheim.org
music archive: http://www.espdisk.com/alansondheim/
==
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Re: [NetBehaviour] [Fwd: bblackboxx.ch]

2010-07-27 Thread Andreas Jacobs
Well, if you insist, so be it.

Nevertheless in some cultural circles 'Liebhaber' is/was used as a  
synonym for 'Amateur' from French language i.e . Amant: someone who  
loves someone or something.

And I intented to use it with that particular meaning in mind, maybe  
you took the word too literal.

And I definitively did not meant lay, else I would have used that.

Sorry if I made me misunderstood



Andreas Jacobs

e: aj...@xs4all.nl
m: 31 6 16 732 018

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On 27 Jul 2010, at 19:18, "Wolfgang"  wrote:

> Andreas Maria Jacobs
>
> Liebhaber means lover
> amateur means Hobby or dilettant => Laie
>
> sorry for that chief
>
> Wolfgang
>
> ___
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[NetBehaviour] A little something. . . (in memory, Michael Current)

2010-07-27 Thread Alan Sondheim


Michael Current, co-founder of Cybermind and Fiction-of-Philosophy, which 
became Wryting-L, he died on Thursday or Friday

-- Forwarded message --
Date: Wed, 20 Jul 1994 02:48:15
From: Michael Current 
To: ALAN SONDHEIM , sondh...@newschool.edu
Subject: A little something. . .
Resent-Date: Mon, 1 Jun 1998 21:10:47 -0400 (EDT)
Resent-From: Alan***Sondheim 
Resent-To: sondh...@panix.com

I wrote this while sitting at the cafe tonight, much to my surprise.
Comments?  Please be gentle, this is not something I am used to/
comfortable with.

CARE OF THE BODY


A stranger writes to me of the body.  Of his concern for the body.
Answering my e-mail, he tells me he is skeptical of e-mail, concerned
about the detachment of thought and affect from the fleshbonesandblood.
An ethical matter, a concern that we will abandon our environment, that
our being-in-the-world will be replaced by being-in/being-with/being-
one-with/becoming-with the machine. . . .

Tracing back through endless stacks of mail headers, we find the
stranger at his home, on a quiet street in a Midwestern college town,
around midnight.  He is reading my message, addressed not to him but
to a multiple that includes him, that he intersects.  There is soft
jazz in the headphones from a beat-up old cassette deck as he reads,
sitting, naked, in a chair in the corner of his bedroom, books on
every side, the screen propped to the proper height by a pile of books
and a couple of dusty old manuscripts.

He is reading, deleting, saving, replying; _harvesting_ the list which
grows, in fits and starts, but grows, in its non-organic medium.  His
hands move on the keyboard, and sometimes, unconsiously, during the
reading of a long message, they slip from the keyboard to the pile of
books to his left side, books long unread.  Sometimes, unconsciously,
he caresses the books.  Sometimes, too, unconsciously, his hand slips
from the stack of books into his lap, unto his semi-erect penis which,
from time to time, unconsciously, he also caresses. . . .

Reading my post he feels concern.  He needs to speak to me.  He wonders
if I cannot see the irony of discussing embodiment by e-mail.  He wonders
what I look like, what I am doing at that very moment, and what would
happen if we were to meet in the flesh.

He must reach out to me, touch me with his concern.  His hands linger in
his lap as he pounders the words, stroking himself.  Then they move to
the keyboard and he begins to type, sharing with a disembodied stranger -
who has not, in any case, addressed _him_ exactly - his concern about
the abandonment of the body.  Carefully, he composes clear, direct,
generous sentences, filling them with more than he dare say or even
acknowledge he is thinking about.  We must not abandon the body.

Finishing the message, he hits the key sequence that will send it off
to me, feeling satisfied that he has pointed out the danger he sees,
and something else, too, has been communicated, something that should
not be brought to the level of thought. . . .  He hits a switch and
powers down the computer, stands and turns out the lights.  A sudden
breeze through the window makes him aware, for a moment, of his body,
and he muses, absently, for a moment, at how he has managed to become
erect during the hour he has spent carefully reading, deleting,
filing, replying. . . .

He crawls into bed, mind wandering from the pleasant sensation of cool
sheets on his cock, balls, nipples to vague, tangential thoughts about
my message, his reply - for a moment imagining himself speaking to me,
his words convincing, compelling - and about Marx, Sartre, Immanuel
Wallerstein. . .thoughts of pleasure and the lack of it rising and
receeding in Kondratiev waves across the longue duree of his life.  At
some point he is asleep, dreaming.

Fifteen, he is on the beach, with Wendy, his hands reaching and reaching
for the clasp that holds on her bikini top.  A couple of weeks ago, he is
peering out the window for a second and then a third time at the smooth,
well-formed chest of the tanned boy who is mowing the lawn, feeling all
the different kinds of difference that seperate the boy's body from his
own.  Last night, he is in my bedroom, watching me read the reply he has
written, pleased to see that I, too, am at home, alone, naked in my
bedroom before my terminal reading the text of his desire.  His mind is
touching mine.  Dreaming of me, he wakes to find his chest sticky, his
hand on his slowly receeding erection.  We wipes his hand on the sheets
and turns over, feeling, for a moment, as he falls back into sleep -
something like. . .concerned.  "We must not abandon the body," he
murmurs. . . .

In the corner, the computer listens for his breathing to steady, then
switches itself on and dials, disks spinning with anticipation.









-- 
---Michael J. Current
  mcurr...@picard.infonet.net -or- @ins.infonet.net -or- @nyx.cs.du.edu
Specializing in P

[NetBehaviour] the promised land

2010-07-27 Thread Alan Sondheim



the promised land

which isn't in the valley but in the valley in the minutes
for an instant i saw it, in other words i was witness
then it disappeared forever, shall i add it to virtual worlds
are virtual worlds promised lands, are there many
are there many or are there one

http://www.alansondheim.org/glory1.jpg
http://www.alansondheim.org/glory2.jpg

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Re: [NetBehaviour] [Fwd: bblackboxx.ch]

2010-07-27 Thread Wolfgang
Andreas Maria Jacobs

Liebhaber means lover
amateur means Hobby or dilettant => Laie

sorry for that chief

Wolfgang

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[NetBehaviour] Trajectories: How to Reconcile the Careerist Mentality with Our Impending Doom. Alternative Knowledge Part 4.

2010-07-27 Thread marc garrett
Trajectories: How to Reconcile the Careerist Mentality with Our 
Impending Doom. Alternative Knowledge Part 4.
http://www.furtherfield.org/displayreview.php?review_id=396

by Ellie Harrison

 From September 2008 - June 2010, Ellie Harrison undertook a Leverhulme 
Scholarship on the Master of Fine Art programme at Glasgow School of 
Art. The thesis published forms one of the major outcomes of her 
research during this period. This is part one of four weekly articles to 
be published on Furtherfield.

How Can We Continue Making Art? - which questions whether there is a 
place for art in a world which is fast approaching environmental 
catastrophe, and Altermoderism: The Age of Stupid 
(http://tinyurl.com/32a3wr7) published on Furtherfield (26/8/09) - which 
uses Nicolas Bourriaud's Altermodern exhibition at Tate Britain in 2009 
as a paradigm for exploring the art world institution's lack of 
acknowledgement and action over climate change.

Trajectories: How to Reconcile the Careerist Mentality with Our 
Impending Doom, addresses the ethical implications of continuing to 
choose the career of artist in the twenty-first century. It is a 
manifesto of sorts, written from the personal perspective of a young 
UK-based artist looking to identify worthwhile reasons for continuing 
down this 'self-interested' path, given that the future we are likely to 
face as a result of climate change, is so different from how we dreamt 
our careers might pan out whilst growing up under Thatcher and New 
Labour. It explores how we should aim to evolve our roles as artists, in 
light of this, and what form a new 'reconciled practice' might take.

Part 1. Setting the Scene.
http://www.furtherfield.org/displayreview.php?review_id=393
Part 2. A Rude Awakening.
http://www.furtherfield.org/displayreview.php?review_id=394
Part 3. Plan of Action.
http://www.furtherfield.org/displayreview.php?review_id=395


>

Other Info:

A living, breathing, thriving networked neighbourhood...

We are on identi.ca & Twitter

http://identi.ca/furtherfield
http://twitter.com/furtherfield

Other reviews,articles,interviews
http://www.furtherfield.org/reviews.php

Furtherfield – online media arts community, platforms for creating,
viewing, discussing and learning about experimental practices at the
intersections of art, technology and social change.
http://www.furtherfield.org

HTTP Gallery – physical media arts Gallery (London).
http://www.http.uk.net
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[NetBehaviour] 14 Revolution 2012 with Adrian Stimson.

2010-07-27 Thread info
14 Revolution 2012 with Adrian Stimson.

Program dates: January 5, 2011 - February 22, 2011

Application deadline: August 31, 2010

For the ancient Maya, December 12, 2012 is the end of the “Long Count” 
calendar. Is this a possible end or a celebratory beginning? The Hopi 
prophecy speaks to the transition from the fourth world to the fifth 
world, “the great day of purification” by fire. The Mohawk seventh 
generation is here, marking the time to restore stewardship of the earth 
to indigenous people. Handsome Lake, an Iroquois visionary, prophesized 
four beings coming from four directions to punish humankind for their 
destruction of the universe. The Cree fortold of big winds, like the 
fingers of the creator coming down to purify the earth.

Revolution 2012 will examine these and other familiar and lesser known 
prophetic ideas. It will also look at the role First Nations, Métis, and 
Inuit artists play in interpreting and understanding our contemporary 
world in the light of prophesy. This residency will embody the 
importance of community in the building, shaping, and the fulfillment of 
artistic ideas. It will look at the interconnectedness of worldviews 
through critical analysis taking into account spiritual, physical, 
intellectual, and emotional being. As well as highlighting the tensions 
between secular and non-secular ideas, as well as personal and tribal 
knowledge that may or may not include prophetic traditions.

How do First Nation, Métis, and Inuit artists view their own cultural 
prophesy? Does western religion, new age spirituality, and science 
positively influence or burden indigenous prophetic knowledge? Is this 
the “great mystery” and is it true that “we are the ones” who may 
experience this revolution?

more info...
http://www.banffcentre.ca/programs/program.aspx?id=955
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Re: [NetBehaviour] [Fwd: bblackboxx.ch]

2010-07-27 Thread Andreas Jacobs
James,

It is non-visual art, so we can easily close our eyes for it.

When we do not see or touch it, it ceased to exist in a material world

The remnants are immaterial socially constructed imagination exercises  
for and by 'Liebhaber', German language for amateurs.

Not intending to be insulting, but I do think James made a point with  
his, maybe exaggarated, remarks.

Me personally, like more anti-social art forms but that is because of  
my particular societal conditions

Best

Andreas Maria Jacobs

e: aj...@xs4all.nl
m: 31 6 16 732 018

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On 27 Jul 2010, at 13:10, James Morris  wrote:

> On 27 July 2010 12:00, James Morris  wrote:
>> 2010/7/27 info :
>>> dears
>>>
>>> james and i are will be artists in residence for
>>> the woodland on the border between switzerland and germany in basel
>>> hosted by bblackboxx from 5-14 august 2010
>>>
>>> landscape includes trees, rivers, refugee detention centre,  
>>> industrial
>>> wasteland, sex workers and dog walkers
>>>
>>> our main focus will be extreme sports training for mobile phones
>>> and their owners
>>>
>>> for example, there will be workshops for tree climbing, flight and  
>>> sub
>>> aqua exploration
>>>
>>> hope to see you and your phone there
>>>
>>> heath
>>
>>
>> sorry dear, can't make it. too busy fucking packing plastic punnets.
>>
>
> Sorry. It makes me angry. If this is art, art is shit. I mean, sure,
> it sounds great fun, but it to call it art is a stretch. And you are
> calling it art, otherwise why the need for artists in residence. Why
> can't artists specialize in art instead of spreading like some
> pestilent virus into every desperate little niche they can sink they
> grimy little claws into. Bastards. Break a leg.
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Re: [NetBehaviour] [Fwd: bblackboxx.ch]

2010-07-27 Thread anniea
better go for a walk James, because you are insulting
and I hope you regret that


On Tue, Jul 27, 2010 at 1:10 PM, James Morris  wrote:

> On 27 July 2010 12:00, James Morris  wrote:
> > 2010/7/27 info :
> >> dears
> >>
> >> james and i are will be artists in residence for
> >> the woodland on the border between switzerland and germany in basel
> >> hosted by bblackboxx from 5-14 august 2010
> >>
> >> landscape includes trees, rivers, refugee detention centre, industrial
> >> wasteland, sex workers and dog walkers
> >>
> >> our main focus will be extreme sports training for mobile phones
> >> and their owners
> >>
> >> for example, there will be workshops for tree climbing, flight and sub
> >> aqua exploration
> >>
> >> hope to see you and your phone there
> >>
> >> heath
> >
> >
> > sorry dear, can't make it. too busy fucking packing plastic punnets.
> >
>
> Sorry. It makes me angry. If this is art, art is shit. I mean, sure,
> it sounds great fun, but it to call it art is a stretch. And you are
> calling it art, otherwise why the need for artists in residence. Why
> can't artists specialize in art instead of spreading like some
> pestilent virus into every desperate little niche they can sink they
> grimy little claws into. Bastards. Break a leg.
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>



-- 

Documentation of Huis Clos / No Exit - On Translation
Video, reactions of the performers and the public, photos and  the
performance protocol
http://bram.org/huisclos/ontranslation/indexfr.html

Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
Maria Chatzichristodoulou in Digimag 54 May 2010
http://www.digicult.it/digimag/article.asp?id=1793
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Re: [NetBehaviour] inside uure uumaginary * (text / images)

2010-07-27 Thread James Morris
On 27 July 2010 00:12, Alan Sondheim  wrote:

> * http://www.alansondheim.org/mag1.jpg
> * http://www.alansondheim.org/mag2.jpg
> * http://www.alansondheim.org/mag3.jpg
> * http://www.alansondheim.org/mag4.jpg

Love these images Alan. The mag2.jpg is stunning, beautiful colours!.
Mag3.jpg looks like a small toy! Mag4.jpg reminds me of Ernst's
"Robing of the Bride".


Last w/e I met Henry, a bearded dragon, owned by my partner's Mum and
her Husband. I wasn't particularly taken with him. He eats locusts. I
found them quite (the locusts) quite beautiful to look at.

The meadow at the back of our place is full of crickets/grasshoppers
singing all day and night. Me and my girlfriend came back from a bike
ride on Sunday and found one in the shed sitting on old bag. He/she is
not as beautiful as the cricket/grasshopper in mag2.jpg but still
intriguing.

This morning I'd been inspecting our chilli plants in the (tiny cheap
plastic) greenhouse and suddenly spotted this massive (IMO) bright
green grasshopper sat on the (yet to be installed) water butt.

http://jwm-art.net/grasshopper/grasshopper1.jpg
http://jwm-art.net/grasshopper/grasshopper2.jpg
http://jwm-art.net/grasshopper/green_grasshopper1.jpg
http://jwm-art.net/grasshopper/green_grasshopper2.jpg
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Re: [NetBehaviour] [Fwd: bblackboxx.ch]

2010-07-27 Thread James Morris
On 27 July 2010 12:00, James Morris  wrote:
> 2010/7/27 info :
>> dears
>>
>> james and i are will be artists in residence for
>> the woodland on the border between switzerland and germany in basel
>> hosted by bblackboxx from 5-14 august 2010
>>
>> landscape includes trees, rivers, refugee detention centre, industrial
>> wasteland, sex workers and dog walkers
>>
>> our main focus will be extreme sports training for mobile phones
>> and their owners
>>
>> for example, there will be workshops for tree climbing, flight and sub
>> aqua exploration
>>
>> hope to see you and your phone there
>>
>> heath
>
>
> sorry dear, can't make it. too busy fucking packing plastic punnets.
>

Sorry. It makes me angry. If this is art, art is shit. I mean, sure,
it sounds great fun, but it to call it art is a stretch. And you are
calling it art, otherwise why the need for artists in residence. Why
can't artists specialize in art instead of spreading like some
pestilent virus into every desperate little niche they can sink they
grimy little claws into. Bastards. Break a leg.
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Re: [NetBehaviour] on holiday

2010-07-27 Thread jennie
Hi, Thanks for getting in touch. I am away on holiday until 9th August and 
won't be able to access my emails,
please send a text in an emergency.

best wishes
jennie





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Re: [NetBehaviour] [Fwd: bblackboxx.ch]

2010-07-27 Thread James Morris
2010/7/27 info :
> dears
>
> james and i are will be artists in residence for
> the woodland on the border between switzerland and germany in basel
> hosted by bblackboxx from 5-14 august 2010
>
> landscape includes trees, rivers, refugee detention centre, industrial
> wasteland, sex workers and dog walkers
>
> our main focus will be extreme sports training for mobile phones
> and their owners
>
> for example, there will be workshops for tree climbing, flight and sub
> aqua exploration
>
> hope to see you and your phone there
>
> heath


sorry dear, can't make it. too busy fucking packing plastic punnets.
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[NetBehaviour] [Fwd: bblackboxx.ch]

2010-07-27 Thread info
dears

james and i are will be artists in residence for
the woodland on the border between switzerland and germany in basel
hosted by bblackboxx from 5-14 august 2010

landscape includes trees, rivers, refugee detention centre, industrial 
wasteland, sex workers and dog walkers

our main focus will be extreme sports training for mobile phones
and their owners

for example, there will be workshops for tree climbing, flight and sub 
aqua exploration

hope to see you and your phone there

heath

http://www.bblackboxx.ch/
http://irational.org/heath/
http://sparror.cubecinema.com/james-kennard/
http://status.irational.org/visualisation/maps/A1014_a_mobile_telephone_customer.pdf.html

--

PHONE HOME HARAGA: Heath Bunting, James Kennard (Bristol)

Abenteuer-Trainings-Camp für Mobiltelefone und ihre menschlichen 
Begleiter

Heath Bunting und James Kennard aus Bristol sind eigentlich das, was man 
in Nordafrika als â??Haragasâ?* bezeichnet, denn sie sind meisterhafte 
Grenzübertreter. Seit vielen Jahren erproben sie urbane 
�berlebensmethoden, die sie als künstlerische Aktivisten in 
partizipativen Aktionen und Workshops demonstrieren. Ihr widerständisches 
Engagement gegen die Gefährdung der Privatsphäre und der individuellen 
Freiheit durch gesellschaftliche Kontrollsysteme, praktizieren sie in 
unterschiedlichsten Medien:

Bunting ist sowohl Begründer der Sport-Art Bewegung als auch des seit 
1996 bestehenden Internetnetzwerks â??irational.orgâ??, ein 
internationales System für die Verbreitung â??irationalerâ? 
Informationen, Services und Produkte für Herumziehende und Heimatlose. 
Kennard bezeichnet sich selbst als â??force of natureâ? und entwickelt 
meist kämpferische Szenarien und Wettbewerbe, in denen elementaren Jagd- 
und Kampfwerkzeugen (Steine, Stöcke und Seile) sich in 
Gebrauchsskulpturen für den Libertin verwandeln.

In der bblackboxx widmen sich die Künstler der Rolle von Mobiltelefonen 
und Möglichkeiten der Mobilität in den prekären Lebensumständen des 
Fluchtkontexts. Täglich ist der Ort Schauplatz eines 
Abenteuer-Training-Camps, in dem mit dem Handlungsspielraum von 
Mobiltelefonen experimentiert wird und die Gerätenutzung den 
persönlichen Bedürfnissen der TeilnehmerInnen angepasst werden soll. Der 
Luftraum wird dabei nicht ausgeschlossen. Ausserdem erlernen die 
teilnehmenden Mobiltelefone und ihre menschlichen BegleiterInnen 
alternative Fortbewegungsmethoden im Grenzgebiet, wie Baumklettern, 
Seilschwingen oder Flussüberquerungen, sowie spezielle 
Steinwurftechniken.  Schliesslich werden Touristen gesucht, die sich in 
nächster Zeit in die Heimatländer von Asylsuchenden begeben (Nordafrika, 
Balkan, Sri Lanka etc.) und bereit wären, mit ihren Mobiltelefonen 
Bildmaterial aus der Heimat mitzubringen, das sie an die hiesigen 
Flüchtlinge weiter geben. Bitte melden !

Zusammen mit dem bblackboxx Team der Woche gibt es zusätzliche Aktionen 
und Lesungen, siehe Programm.

*HARAGA (Arabisch) = Grenzübertreter; Schwarzfahrer; â??illegalerâ? 
Migrant; der, der das Stopschild verheitzt (Im Sinne von nicht beachten).
ABENTEUERTRAINING

Anmeldung und Info über HOTLINE: ++41 (0) 79 79 100 43

DO 5. August, 14 Uhr: Abenteuertraining Level 1> Baumklettern, 
Seilschwingtechnicken, Kunst des Steinewerfens.

FR 6. August, 14 Uhr: Abenteuertraining Level 2> Baumklettern, 
Seilschwingtechnicken, Kunst des Steinewerfens.

FR 6. August,  18 Uhr: AuQuarellclub sans frontières â?? SPECIAL mit 
Heath Bunting und James Kennard (siehe facebook: 
AuQuarellclub-sans-frontières)

SA 7. August, 14 Uhr: Bekleidung & Heime für Mobiltelefone â?? Workshop 
zur Verbesserung der Lebensqualität von Mobiltelefonen.

Anschliessend Fashion Show für Mobiltelefone (genaue Uhrzeit nach Ansage 
per Newsletter)

SO 8. August, 14 Uhr: Stock  & Stein Masterclass.

Anschliessend Selbstverteidigungskurs gegen Diebstahl für Mobiltelefone 
(genaue Uhrzeit nach Ansage per Newsletter)

MO 9. August, 14 Uhr:  Abenteuertraining für Mobiltelefone und ihre 
menschlichen Begleiter.

DI 10. August, 14 Uhr:  Pilotentraining für Mobiltelefone und ihre 
menschlichen Begleiter.

MI 11. August, 14 Uhr:  Segelschule für Mobiltelefone und ihre 
menschlichen Begleiter.

DO 12. August, 14 Uhr:  Unterwassertraining für Mobiltelefone und ihre 
menschlichen Begleiter.
THEORIEFREITAG, 13. August

14 Uhr: Abenteuertraining für Mobiltelefone und ihre menschlichen 
Begleiter

17 Uhr: Ortsspezifischer Vortrag der Medienwissenschaftlerin  Ute Holl 
(Universität Basel) über mobile Medien und Migration.
SPECIALS
FR 6. August,  18 Uhr: AuQuarellclub sans frontières

â?? SPECIAL mit Heath Bunting und James Kennard

Info: Facebook â??AuQuarellclub-sans-frontieresâ?
SA, 7. August, 19 Uhr: HARAGA! Youtube-Lesung

Die Hausreporterin Suzanne Zahnd liest adaptierte arabische Kommentare zu 
den Youtube Handyfilmen, die auf den Ã?berfahrten von Nordafrika gedreht 
wurden.  Ã?bersetzung: Naim Dhraif (Haraga, Tunesien).
DO 12. Au

[NetBehaviour] IMPORTANT STATEMENTS CCXII

2010-07-27 Thread manik
OMG...POW...LOL...WOW...URGHHH...

   MANIK...JULY...2010...___
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[NetBehaviour] Cliffs in West Jordan, Utah

2010-07-27 Thread Alan Sondheim


Cliffs in West Jordan, Utah

You might find a mormon cricket hiding but you'd have to go into the weed
forests across the street for the mantis. You might find that it's better
to speed towards dissolution, corrosion, than attempt to decry obstinately
the forces of rampant subversion. For nothing operates but development and
the church and that leaves the rest of in a nowhere with names like
Branding Iron Lane. http://www.alansondheim.org/cliffs.jpg

The cliff slope guarantees that runoff from the western slopes won't be
absorbed by the retainer ponds, oddly positioned on the other side of the
houses and basements - so there's flooding. You might dig a channel along
the cliff base, but then you might have to contend with the natural order
of a stream. No HOA (home owners' association) would stand for it.

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