[NetBehaviour] even after death it keeps yammering, yakking away
even after death it keeps yammering, yakking away as much sense as when it was alive somebody gave birth to this monstrosity it won't ever shut up http://www.alansondheim.org/deathspeak.mp4 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Instructional guides for desperate times
More instructions for desperate times: Mix a dough, flour, water and salt. If you squatter or don't have a oven let the dough on the sun several hours and you can have it baked by the sun. Ana, moving to South America tomorrow and going to practice a lot of hints about gerilla gardening, open source software and many other things :) On Sun, Oct 2, 2011 at 9:18 PM, Andreas Jacobs wrote: > Excellent! > > Keep on the good work! > > > > Andreas > > > On Sep 30, 2011, at 4:07 PM, dave miller wrote: > > > Please print this out - A4 black and white. > > Then fold into a booklet according to these instructions: > > http://library.thinkquest.org/J001156/makingbooks/minibook/index.htm > > > > all the best > > Dave___ > > > > NetBehaviour mailing list > > NetBehaviour@netbehaviour.org > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > ___ > NetBehaviour mailing list > NetBehaviour@netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- http://www.twitter.com/caravia15852 http://www.scoop.it/t/art-and-activism/ http://www.scoop.it/t/food-history-and-trivia http://www.scoop.it/t/gender-issues/ http://www.scoop.it/t/literary-exiles/ http://www.scoop.it/t/museums-and-ethics/ http://www.scoop.it/t/urbanism-3-0 http://www.scoop.it/t/postcolonial-mind/ mobil/cell +4670-3213370 "When once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been and there you will always long to return. — Leonardo da Vinci ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Instructional guides for desperate times
Excellent! Keep on the good work! Andreas On Sep 30, 2011, at 4:07 PM, dave miller wrote: > Please print this out - A4 black and white. > Then fold into a booklet according to these instructions: > http://library.thinkquest.org/J001156/makingbooks/minibook/index.htm > > all the best > Dave___ > > NetBehaviour mailing list > NetBehaviour@netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] the stench is everywhere
the stench is everywhere it's offensive http://www.alansondheim.org/deathmusk.mov ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] A Call to Bring In Art Works to the Archive of (trans)Yugoslav Feminist Art
Zagreb, Ljubljana, Sarajevo, Croatia, Slovenia, BiH Event dates: 2011/2012 RED MIN(E)D Perpetum Mobile A Call to Bring In Art Works to the Archive of (trans)Yugoslav Feminist Art The Bring In Take Out Living Archive is a collaborative art project that works on the principals of sharing, information exchange, and ‘collective vs. individual knowledge’. With this continuous open call we are looking for information, documentation of art works and art works of women and feminist artists from the (trans/post)Yugoslav space. The main feature of the project’s public display are (working) stations like: curated exhibition, live interviews, artist’s talks, reading room, digitalizing and uploading on the spot, video archive and similar. The first public display will happen in Gliptoteka Gallery in Zagreb, in the framework of the REDacting TransYugoslav Feminisms: Women’s Heritage Revisited, October 13 - 16, 2011; the second in Ljubljana, at Red Dawns Festival, in March 2012; the third in Sarajevo, in September 2012, the fourth in Vienna, at Open Systems, in October 2012. For the Perpetuum Mobile station we are calling for video art works - to be screened at the curated exhibition. For legal reasons we can only accept video art works in public domain, as a gift or simply as a copy. For Reading Room and Digital Owen we are looking for any kind of documentation: photo, exhibition photos or information on video and audio material etc., preferably in digital format. The main objective is to collect the information of a specific project (or art work, artist, group, event …) and to make it available and visible, either on the occasions of public displays and/or online. The intention of Bring In Take Out Living Archive is not to build a material archive with the original works and materials. It is primary a mobile and digital platform where collaboration is not an intention but rather an unavoidable act, not a commodity to be praised but a challenge to explore. It is a continuous process where openness and inclusiveness are considered as a strategy and not as a final and firm possibility. In case you are able to share, collaborate and add anything of (your personal) interest to Bring In Take Out Living Archive please send it by email, file sharing services or snail mail (see addresses below or the following address: CRVENA – Association for Culture and Art Hamdije Čemerlića 11/1, 71 000 Sarajevo). Please feel free to ask or inform us for/on details, credits etc. The deadline for the first public display in Zagreb is October 11, 2011. Deadline: 11/10/11 Contact: MINA, Institute of Socially Engaged Art and Theory Za Gradom 4 1000 Ljubljana Slovenija bringintake...@gmail.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] One Minute Festival open contests...
Event dates: 2011 One Minute Festival 1 minuto One Minute Festival open contests www.minutefestival.com/oneminutefilmfestiva The One Minute Festival was created in 1991. It is today the biggest video festival in Latin America, having inspired minute festivals in several countries around the globe. There are 4 contests this year: Melancholia Make a video for the theme Melancholia: 1. The condition of feeling unhappy or sad for no obvious reason. 2. Film of the director Lars Von Trier (2011). Submit your 1 minute-video and you can win a US$ 500 award. Deadline November 30th! Laziness Make a video for the theme Laziness: 1. Averse or disinclined to work, activity, or exertion; indolent. 2. Causing idleness or indolence: a hot, lazy afternoon. 3. Slow-moving; sluggish: a lazy stream. Submit your 1 minute-video and you can win a US$ 500 award. Deadline November 30th! Autobiography One Minute Festival wants to know your history, what do you have to tell about yourself. The best autobiographical video will win a US$ 500 award. Until November 30th! Nano Minute The challenge is make a nano minute (ten seconds video)! The best video wins US$ 250 + minute trophy! Deadline November 30th 2011! Deadline: 30/11/11 Contact: One Minute Festival Brazil Brazilija cont...@minuteplanet.com www.minutefestival.com/oneminutefilmfestiva ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] European Pépinières Programme Call for Applications for residencies in different countries
European Pépinières Programme Call for Applications for residencies in different countries (deadline: 15 October) The map 2011-2012 programme is a extension of the map programme, which has been initiated by the Pépinières européennes pour jeunes artistes. In order to address the different movements of the young generation of artists, this program offers a panel of artists mobility concepts led by partner places. It is open to artists between 18 and 35 years old, living in one of the program’s member countries: Austria – Belgium – Bulgaria – Cyprus – Czech Republic – Denmark – England – Estonia – Finland – France – Germany – Greece – Hungary – Iceland – Ireland – Italy – Latvia – Lithuania – Luxembourg – Malta – Netherlands – Poland – Portugal – Quebec, Canada – Romania – Serbia-Montenegro – Scotland – Slovakia – Slovenia – Spain – Sweden – Turkey. This residency must be outside of their country of origin and/or residence. In the framework of the map 2011-2012 programme, you can apply for the following residencies: Buitenwerkplaats, Starnmeer, Netherlands KIK, Nijeveen, Netherlands Plaatsmaken, Arnhem, Netherlands NP3, Groningen, Netherlands Transcultures, Belgium M4m (M for mobility) is M4m is an artistic mobility programme supported by European Commission and initiated by 7 cosignatories and 12 associated partners in order to facilitate encounters, exchange and common work between emerging artists and professionals from the creative and cultural world taking part in the different steps of an art production. This programme is dedicated to young artists and young professionals from the creation and cultural world from all fields of expression over 18 years old and living in a European country. Every artist or professional can apply for only one residency, which must be outside of its country of origin and/or residence. In the framework of the M4m programme, you can apply for the following residencies: MU, Eindhoven, Netherlands EKWC, Den Bosch, Netherlands Heidenspass, Graz, Austria TAM Teatro Musica, Padua, Italy You will find full details and application guidelines on: http://www.art4eu.net/ http://www.transartists.org ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] CALL FOR PAPERS: evomusart 2012
CALL FOR PAPERS evomusart 2012 1st International Conference and 10th European Event on Evolutionary and Biologically Inspired Music, Sound, Art and Design 11-13 April 2012, Malaga, Spain Part of evo* 2012 evo*: http://www.evostar.org evomusart: http://www.evostar.org/2012/call-for-contributions/evomusart/ evomusart 2012 is the tenth European event on Evolutionary Music and Art. Following the success of previous events and the importance of the field of evolutionary and biologically inspired music, sound, art and design, evomusart has became a evo* conference with independent proceedings. Thus, evomusart 2012 is the tenth European Event on Evolutionary and Biologically Inspired Music, Sound, Art and Design and the first conference on the field. The use of biologically inspired techniques for the development of artistic systems is a recent, exciting and significant area of research. There is a growing interest in the application of these techniques in fields such as: visual art and music generation, analysis, and interpretation; sound synthesis; architecture; video; poetry; design; and other creative tasks. The main goal of evomusart 2012 is to bring together researchers who are using biologically inspired computer techniques for artistic tasks, providing the opportunity to promote, present and discuss ongoing work in the area. The event will be held from 11-13 April, 2012 in Malaga, Spain as part of the evostar event. Accepted papers will be presented orally at the event and included in the evomusart proceedings, published by Springer Verlag in a dedicated volume of the Lecture Notes in Computer Science series. Topics of interest The papers should concern the use of biologically inspired computer techniques - e.g. Evolutionary Computation, Artificial Life, Artificial Neural Networks, Swarm Intelligence, other artificial intelligence techniques. - in the scope of the generation, analysis and interpretation of art, music, design, architecture and other artistic fields. Topics of interest include, but are not limited to: -- Generation - Biologically Inspired Design and Art - Systems that create drawings, images, animations, sculptures, poetry, text, designs, webpages, buildings, etc.; - Biologically Inspired Sound and Music - Systems that create musical pieces, sounds, instruments, voices, sound effects, sound analysis, etc.; - Robotic Based Evolutionary Art and Music; - Other related artificial intelligence or generative techniques - in the fields of Computer Music, Computer Art; --Theory - Computational Aesthetics, Experimental Aesthetics; o Emotional Response, Surprise, Novelty; - Representation techniques; - Surveys of the current state-of-the-art in the area; identification of weaknesses and strengths; comparative analysis and classification; - Validation methodologies; - Studies on the applicability of these techniques to related areas; - New models designed to promote the creative potential of biologically inspired computation; --Computer Aided Creativity and computational creativity - Systems in which biologically inspired computation is used to promote the creativity of a human user; - New ways of integrating the user in the evolutionary cycle; - Analysis and evaluation of: the artistic potential of biologically inspired art and music; the artistic processes inherent to these approaches; the resulting artifacts; - Collaborative distributed artificial art environments; --Automation - Techniques for automatic fitness assignment; - Systems in which an analysis or interpretation of the artworks is used in conjunction with biologically inspired techniques to produce novel objects; - Systems that resort to biologically inspired computation to perform the analysis of image, music, sound, sculpture, or some other types of artistic object; Important Dates Submission: 30 November 2011 Conference: 11-13 April 2012 Additional information and submission details Submit your manuscript, at most 12 A4 pages long, in Springer LNCS format (instructions downloadable from http://www.springeronline.com/sgw/cda/frontpage/0,11855,5-164-2-72376-0,00.html) no later than November 30, 2011 to site http://myreview.csregistry.org/evomusart12 The reviewing process will be double-blind, please omit information about the authors in the submitted paper. -
[NetBehaviour] CuratingYouTube presents: ANONYMOUS: SHARED IDENTITY IN THE ERA OF A GLOBAL NETWORKED SOCIETY.
CuratingYouTube presents: ANONYMOUS: SHARED IDENTITY IN THE ERA OF A GLOBAL NETWORKED SOCIETY. http://www.curatingyoutube.net/anonymous/index.html On September 29th, 2011 on the occasion of the festival 'TodaysArt 2011', CuratingYouTube will open the online exhibition „Anonymous: Shared Identity in the era of a global networked Society' at the Speed show 'Landscape Deconstructing Social Networks and Web 2.0'. The exhibition attempts to give an overview of the movement of the Internet-activists 'Anonymous' through a comparative and aesthetic investigation in the form of a series of video-grids including videos that were made by the activists in the course of their protests activities. 'Anonymous' is applying the medium 'web video' in order to announce its activities taking place on the Internet and in real space, as well as call for others to participate. Thus, the videos should be seen as an important interface between the Internet and the so-called real world. Due to their specific aesthetics, the videos have constituted a kind of 'corporate identity' related to 'Anonymous'. Their film language, their aesthetic appearance and their style were therefore constitutive of the entire movement. As explicitly leaderless group with a political orientation, centered around human rights like free speech and free access for information, 'Anonymous' makes use of the network structures and the social network, its services and platforms like Twitter, IRC, 4chan, youtube, etc. by using these forms of communication to organize upcoming peaceful protests. Although the members act anonymously, some user groups such as 4chan, the Chaos Computer Club and The Pirate Bay are associated with 'Anonymous'. In 2008 'Anonymous' became generally known with the 'Project Chantology', an extensive protest against the Church of Scientology. That campaign already revealed the specific culture of protest that 'Anonymous' is using to this day: Internet-organized real-world demonstrations combined with Internet activism as DDoS attacks, video messages and video documentation of the protests, with the call to join them. Since then, a series of so-called 'anon-operations' followed: e.g. 'Operation Payback,' which was directed against the opponents of Wikileaks, or 'Operation Didgeridie' and 'Operation Tunisia'. In the course of both operations, 'Anonymous' accused the governments of Australia and Tunisia of violating the right to freedom of expression. Since 2010 state agencies reinforced their investigations against 'Anonymous' and began arresting alleged members of the movement. Currently 'Anonymous' participates in the campaign 'Operation Wall Street' or '#occupywallstreet', that has been taking place since the 17th September 2011 in the form of an occupation of Wall Street following the example of peaceful demonstrators of 'the Arabic spring' or those who occupied public squares in Spain. The usage or the performance of a shared identity began on image-boards like 4chan where users posted pictures and comments using the multiple-user-name 'anonymous'. Shared identities can be designed in the form of a 'character' (avatar or fictional character) or in a more abstract way with the aim to identify common goals and philosophical or political ideas. A shared identity is formed by the users while building internal rules and recurrent or recognizable concepts and signs such as linguistic or pictorial patterns that are used in a heraldic form (using simple design tools in an interpretive way) not only in order to be a part of the corporate identity for a self-chosen period but also in order to shape it. 'Anonymous' uses YouTube as a publishing platform. Frequent copies and remixes of the videos as part of the shared identity 'Anonymous' as well as of the common usage of YouTube can also be understood as an emphatic process of transformation from the specific languages of videos (what is an artistic and aesthetic activity) into a political statement. The videos on YouTube are arranged through a simple recognition effect based on theirs formal language, although, at the same time, these forms of identification become dynamic because of the the permanent modifications, adaptations and rearrangements made by the users. The specific 'Anonymous-style', its common practice of appropriation, citation, modification and rearrangements of video-sequences, sounds and texts, finds its 'natural environment' on YouTube while spreading out on the Internet in a viral and dynamic way. To provide the complexity of the iconography of the web video - film language, the exhibition has put together a series of multi-channel-video-installation-grids. In the merging and contrasting of different videos that were posted by 'Anonymous' on YouTube, the exhibition visitors are encouraged to consider the specific means of representation and self-presentation of a new form of protest culture and 'artificial
[NetBehaviour] crystallized network energy
"Children born from 2013 are crystallized in both their aura and physical body, but also in their network energy. They are therefore very conscious of who they spend time with and why. Right from childhood, they often feel they are closely related to humans they still have not met in their physical life, or with people who are not immediately logical to feel connected to. This is simply because they recognize a fuller picture of totality, not inside themselves as they are already whole as Crystal Individuals, but in a fulness or wholeness in their network with others in a bigger picture." http://www.auratransformation.eu/auraKrystal.htm -- http://jwm-art.net/ image/audio/text/code/ ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] 'To Dream Tomorrow: Ada Byron Lovelace'
'To Dream Tomorrow: Ada Byron Lovelace' Film Screening National Museum of Computing, Bletchley Park Saturday 8th October 2.30pm To celebrate Ada Lovelace Day 2011 the National Museum of Computing is proud to present Flare Productions film about Ada Lovelace, followed by a discussion with the Directors John Fuegi and Jo Francis. ‘To Dream Tomorrow’ is the story of Ada Byron Lovelace (1815-1852) and her contribution to computing, a hundred years before the start of the computer age. Daughter of a mathematically gifted mother and the 'mad, bad, and dangerous to know' poet Lord Byron, Ada was 17 when she began studying a prototype mechanical calculator designed by mathematician Charles Babbage. By the time she was 27, she had moved beyond her famous contemporaries and predecessors such as Leibniz & Pascal, to describe universal computing much as we understand it today. Alan Turing, who also worked at Bletchley Park, was familiar with Lovelace’s work. The screening is kindly made possible by a grant from the School of Humanities, Kingston University, London. Curated by Ele Carpenter, Goldsmiths College, University of London. The National Museum of Computing Block H Bletchley Park Milton Keynes MK3 6EB On Saturday 8th October the Museum will be open 1-5pm. Entrance £5 / £2.50 concessions. The National Museum of Computing http://www.tnmoc.org/ Flare Productions http://mith.umd.edu/flare/lovelace/ Ada Lovelace Day http://findingada.com/ To Dream Tomorrow: Ada Byron Lovelace, Color, 52 minutes. Directed and Produced by John Füegi and Jo Francis, 2003. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
