Re: [NetBehaviour] Sidestepping the Known/First Experiences of Reading
wow, super kewl idea! On Sun, Feb 15, 2015 at 7:14 PM, mez breeze netwur...@gmail.com wrote: Wonderful Edward! Great stuff. I'll do some promo-ing of it as well when I'm not knee-deep. I really do hope fellow NetBehaviouralists send you some stonkingly lovely entries *looking round the NB forum hall..* ;) On Mon, Feb 16, 2015 at 2:31 AM, Edward Picot edw...@edwardpicot.com wrote: Mez (and others) - I've done it! I've set up a new page on my blog, entitled 'First Experiences of Reading', which you can find at http://edwardpicot.com/blog/first-experiences-of-reading/. People can either add comments to the page, or they can send me an email ( edw...@edwardpicot.com) and I'll upload it for them. I've taken the liberty of introducing the page with a brief quote from your article, Mez - I hope that's okay - I've linked back to the full article in Cordite - and I'll be interested to see if anyone else feels like making a contribution. I'll try to send round publicity-notices about the project within the next couple of days. - Edward ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -- | mezbreezedesign.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Fwd: New Chapbook / eChapbook from limit cycle press
Catherine Daly has published a new chapbook, available (online, http://limitcyclepress.blogspot.fi/) and in print from limit cycle press. This was written using the different ways a nintendo controller functions in different games -- the games were actually the free previews of games in a hotel room where I was very ill, about ten years ago. My original intent was then to take these behaviours, and use them to play various books and paintings. It could still happen... http://www.amazon.com/Controller-Seedbed-Catherine-Daly/dp/1500209821/ref=sr_1_5?ie=UTF8qid=1403731373sr=8-5 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Glitcherature in Emacs
this was an ack ack day of rain where I live, but this entirely has made my evening. Many thanks, Catherine Daly On Mon, Feb 24, 2014 at 5:22 PM, Rob Myers r...@robmyers.org wrote: On 17/02/14 10:05 PM, Rob Myers wrote: Glitcherature is glitch literature, glitch aesthetics applied to text. Kathy Acker uploaded by Bryce Lynch, as I said of Orphan Drift's novel Cyberpositive. I've converted my earlier glitcherature Python code experiments to a mode for the powerful and easily hackable Emacs text editor. You can get the code here: https://gitorious.org/robmyers/glitcherature/ I've added some more functions, this time based on the wonderful Well Sorted Version: http://www.wellsortedversion.com/ Commands to sort texts by character or word, and commands to apply operations to words, sentences and paragraphs. More to come, including further Well Sorted-ness and a visit to The Matrix... - Rob. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Code Is Not Literature
this is a very interesting discussion, but Alan points out, audience and purpose... my first thought was use -- I will watch this opera in order to make a subsidiary work; I will (re)use part of this code, and, hella, maybe I cite it, maybe I wont if it works, it is good is it elegant whois all part of this discussion... On Thu, Jan 23, 2014 at 6:56 PM, Pall Thayer pallt...@gmail.com wrote: Everything needs to be decoded but it comes down to context. Someone attempting to decode my perl example as code might become very confused. It doesn't serve a purpose as a computer program. If you approach perl code as always having a useful function, it's not going to push your buttons. I could even see a serious perl programmer overlooking the serious message of the text. Who knows... perhaps I really am asking someone to push me off a cliff... but that's not what the code means. It has nothing to do with pushing a person, much less pushing a person over a cliff. It's simply adding an element to an array. And then, to top it all off, the array doesn't get used. Makes no sense. Or does it? On Thu, Jan 23, 2014 at 9:38 PM, mez breeze netwur...@gmail.com wrote: On Fri, Jan 24, 2014 at 1:19 PM, Pall Thayer pallt...@gmail.com wrote: And, as a reply to Seibel's comments, do we not decode literature? Mezangelle certainly needs to be decoded. Sometimes I even help out with that [but only by translating/unpacking it into a diluted English version, like here: http://wishforyouand.me/2014/01/23/day-20/ ]. -- | facebook.com/MezBreezeDesign http://www.facebook.com/MezBreezeDesign | twitter.com/MezBreezeDesign | en.wikipedia.org/wiki/Mez_Breeze ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -- * Pall Thayer artist http://pallthayer.dyndns.org * ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] 'Twixt The Cup The Lip
you might like my To Delite and Instruct book; there are some sound files online, I think at puppyflowers -- All best, Catherine Daly c.a.b.d...@gmail.com On Tue, Mar 20, 2012 at 9:38 PM, Curt Cloninger c...@lab404.com wrote: http://lab404.com/video/cup/ documentation of all five of my performances in this series. black mountain boulder chicago providence. john cage theodore darst mark amerika jeff tweedy vanessa place. best, curt ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] wikipedia blackout
how're we supposed to play how many steps to Jesus now? Catherine ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] OOQ – Object-Oriented-Questions.
My unpublished next installment in my long work is called OOD (Object-Oriented Design) and uses some of the work of the Objectivist poets, and some neo baroque embedded devices and ... here, we see the spectre of the posthuman, which has little to do with programming techniques, languages, etc. Just an opinion, Catherine Daly OOQ – Object-Oriented-Questions. Jussi Parikka I can’t claim that I know too much about object oriented philosophy. It’s often more about my friends or colleagues talking about it, enthusiastically for or against. Indeed, I have been one of those who has at best followed some of the arguments but not really dipped too deeply into the debates – which from early on, formed around specific persons, specific arguments, and a specific way of interacting. Hence, let me just be naïve for a second, and think aloud a couple of questions: - I wonder if there is a problem with the notion of object in the sense that it still implies paradoxically quite a correlationist, or lets say, human-centred view to the world; is not the talk of “object” something that summons an image of perceptible, clearly lined, even stable entity – something that to human eyes could be thought of as the normal mode of perception. We see objects in the world. Humans, benches, buses, cats, trashcans, gloves, computers, images, and so forth. But what would a cat, bench, bus, trashcan, or a computer “see”, or sense? more... http://jussiparikka.net/2011/12/21/ooq-object-oriented-questions/ ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Fwd: Oh, Bleek Strategies at the Newberry Library
-- Forwarded message -- From: Dan Godston dgods...@gmail.com Date: Wed, Sep 14, 2011 at 1:06 AM Subject: Oh, Bleek Strategies at the Newberry Library To: poet...@listserv.buffalo.edu Oh, Bleek Strategies” at the Newberry Library Wednesday, October 5, 2011 (6-8 p.m.) Newberry Library 60 West Walton Street Chicago, IL 60610-3380 You are invited to attend Oh, Bleek Strategies, a Chicago Calling event that includes literary, musical, kinetic, and multidisciplinary performances that creatively play around with and pay homage to Oblique Strategies. Oblique Strategies is a deck of creative strategy cards created by Peter Schmidt and Brian Eno; Peter Schmidt would have been 80 this year. This event is free and open to the public. Oh, Bleek Strategies is part of the Sixth Annual Chicago Calling Arts Festival and Chicago Artists Month. Oh, Bleek Strategies includes— • “The Red Thread Project: Oh, Bleek Strategies Knitting Circle,” with Lindsay Obermeyer (Chicago), Corinne D. Peterson (Chicago), and other participants. • H. V. Cramond (writer editor, Chicago) and Seth Berg (poet sculptor, Chaska, MN) • Erin Teegarden (Chicago), Mairead Case (Chicago) and other participants • “Oh, Bleek Surrealist Taxis” – with Helen Scarlett O’Neill (curator performance designer, London), Harry Ross, curator director, London), Anthony Poretti (percussionist, Chicago), Michael Erzen and his artbot (kinetic sculptor), Chicago), Mari Frogner (dancer, London), and Dan Godston (writer, Chicago). This performance will involve a live video feed with London. Performers at the Newberry Library will be using Oblique Strategies cards to help direct a surrealist taxi in London. 2011 CHICAGO CALLING ARTS FESTIVAL The Borderbend Arts Collective presents the Sixth Annual Chicago Calling Arts Festival, a multi-disciplinary collaboration festival that happens during Chicago Artists Month. During Chicago Calling, people in the Chicago area work with people outside of Chicago -- both here in the U.S. and abroad. These collaborations include a range of art forms, such as music, dance, film, literature, and intermedia -- and they are prepared or improvised. Some Chicago Calling events involve live feeds between Chicago and other locations. Many Chicago Calling events also include partnerships with local arts organizations and other institutions. CHICAGO ARTISTS MONTH Chicago Artists Month is a citywide, collaborative effort showcasing Chicago visual artists and their work throughout the month of October. Coordinated by the Chicago Department of Cultural Affairs and Special Events in partnership with the Chicago Office of Tourism and Culture, Chicago Artists Month showcases over 200 events, ranging from exhibitions to open studio tours and neighborhood art walks presented by museums, galleries, cultural centers, artist collaboratives, and other organizations throughout the city. The primary goal of Chicago Artists Month is to raise awareness of the extraordinary quality and depth of our visual arts community. Explore this site to see what happened during Chicago Artists Month 2010! This year's theme, Artful Networks,” explores the communities that nurture and inspire Chicago artists and their work. The people with whom artists choose to work can be supportive in encouraging creative growth, experimentation, dialogue among peers, and community building. Ranging from traditional residency programs to collaboratives to informal relationships, our communities impact the way we create, support and appreciate art. In celebration of the Alliance of Artists Communities' 20th Anniversary Conference, which takes place in Chicago from October 19 to 22, Chicago Artists Month 2011 looks at the various ways artists in Chicago are influenced by their social environments. www.borderbend.org == The Poetics List is moderated does not accept all posts. Check guidelines sub/unsub info: http://epc.buffalo.edu/poetics/welcome.html ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] fyi Postcard Protest
Open to all struggling US self-identified professional visual artists.* Mat Gleason posted: I want to curate a show of artists with 50 grand or more of student loan debt that they are behind in paying. Oh wait, there is not a gallery big enough for this exhibit That got a lot of us talking, and got me thinking... I ran my idea past Mat, broadened the scope; this project is the result. 1) Make a postcard ... The aim is to make a powerful, unified, statement; to that end: • Don't deviate from any of the guidelines please, consistency is key. • Use a standard postcard size: 4x6 or 5x7. • Keep it flat, it's a postcard. • Don't be hostile, we want them to listen. • Make it good, we're saying art is worth supporting, show it. 2) Write: * • Artists and the Economy • A statement or two related to your finances (suggestions below) • Please donate to the Smithsonian American Art Museum. * A lot of people have asked to broaden this even further, comprehensively in fact. Support is lovely, so, yes, absolutely - BUT - in order to keep the message clear, please write: • Support Artists and the Economy • A statement clearly defining your relation to struggling artists: - what art means to you as a viewer - the fact that you are another (non-visual) type of artist, etc... - the fact that you are a RARE example of a thriving artist • Use your judgment- does your work belong in the Smithsonian? 3) Address it to: President Obama The White House 1600 Pennsylvania Avenue NW Washington, DC 20500 4) Take a photo of the front and post it to this page. 5) Drop it in a mailbox for POSTMARK: Friday, 2 SEPTEMBER 2011. (Prior completely my fault- forgot PO is closed Labor Day. Thanks!) THOUGHT POINTS / SUPPORTING QUOTES • Your degree, your school, your student loan debt • Your day job(s) • Self-supporting or being supported? • Artists are generally more educated than the workforce as a whole. NEA • Artists generally earn less than workers with similar levels of education. NEA • Artists are 3.5 times more likely than other workers to be self-employed. NEA • About 60 percent of artists and related workers are self-employed. BLS • Only the most successful fine artists are able to support themselves solely through the sale of their works. BLS • Most fine artists have at least one other job to support their art careers. BLS • [A]rtists advance professionally as their work circulates and as they establish a reputation for a particular style. BLS • [T]he demand for artwork is dependent on consumers having disposable income BLS • Nationally, the nonprofit arts and culture industry generates $166.2 billion in economic activity every year Americans for the Arts • To remain competitive in the global economy, America needs to reinvigorate the kind of creativity and innovation that has made this country great. Barack Obama • [A]rts education is the most important known factor in influencing arts participation trends. NEA • If [the decline of childhood arts education] continue[s], the health of the arts ecosystem will be in jeopardy. NEA • Ensure Tax Fairness for Artists: Barack Obama supports the Artist-Museum Partnership Act [amending the Code regarding charitable contributions] Barack Obama • American artists, performers and thinkers - representing our values and ideals - can inspire people both at home and all over the world. Barack Obama __._,_.___ Reply to sender utilis...@yahoo.com?subject=Re%3A%20Postcard%20Protest | Reply to groupla_artgi...@yahoogroups.com?subject=Re%3A%20Postcard%20Protest| Reply via web posthttp://groups.yahoo.com/group/LA_ArtGirls/post;_ylc=X3oDMTJxNmFiMXBjBF9TAzk3MzU5NzE0BGdycElkAzE5MzY3ODkzBGdycHNwSWQDMTcwNTAxNTQ5MwRtc2dJZAM1NzYzBHNlYwNmdHIEc2xrA3JwbHkEc3RpbWUDMTMxMzAzMTc3NA--?act=replymessageNum=5763| Start a New Topichttp://groups.yahoo.com/group/LA_ArtGirls/post;_ylc=X3oDMTJmbWF2dWV0BF9TAzk3MzU5NzE0BGdycElkAzE5MzY3ODkzBGdycHNwSWQDMTcwNTAxNTQ5MwRzZWMDZnRyBHNsawNudHBjBHN0aW1lAzEzMTMwMzE3NzQ- Messages in this topichttp://groups.yahoo.com/group/LA_ArtGirls/message/5761;_ylc=X3oDMTM1amtuZGx2BF9TAzk3MzU5NzE0BGdycElkAzE5MzY3ODkzBGdycHNwSWQDMTcwNTAxNTQ5MwRtc2dJZAM1NzYzBHNlYwNmdHIEc2xrA3Z0cGMEc3RpbWUDMTMxMzAzMTc3NAR0cGNJZAM1NzYx( 3) Recent Activity: Visit Your Grouphttp://groups.yahoo.com/group/LA_ArtGirls;_ylc=X3oDMTJmb3Fhb3FuBF9TAzk3MzU5NzE0BGdycElkAzE5MzY3ODkzBGdycHNwSWQDMTcwNTAxNTQ5MwRzZWMDdnRsBHNsawN2Z2hwBHN0aW1lAzEzMTMwMzE3NzQ- [image: Yahoo! Groups]http://groups.yahoo.com/;_ylc=X3oDMTJlY2U4a2Q2BF9TAzk3MzU5NzE0BGdycElkAzE5MzY3ODkzBGdycHNwSWQDMTcwNTAxNTQ5MwRzZWMDZnRyBHNsawNnZnAEc3RpbWUDMTMxMzAzMTc3NA-- Switch to: Text-Onlyla_artgirls-traditio...@yahoogroups.com?subject=Change+Delivery+Format:+Traditional, Daily Digestla_artgirls-dig...@yahoogroups.com?subject=Email+Delivery:+Digest• Unsubscribe la_artgirls-unsubscr...@yahoogroups.com?subject=Unsubscribe • Terms of Use http://docs.yahoo.com/info/terms/ . __,_._,___ ___ NetBehaviour
Re: [NetBehaviour] sh[k]ibb[le.d]ó[XX]leth_
shibboleth excellent riddle! On Sat, Aug 6, 2011 at 4:06 PM, mez breeze netwur...@gmail.com wrote: _ _sh[k]ibb[le.d]ó[XX]leth_ [or: i've always been the cavalry_] 08:41am 07/08/2011 _ kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS ||| kibble|_i've._|eOXdribbleOS ||| kibble|_always._|eOXdribble ||| kibble|_been._|eOXdribbleOS ||| kibble|_the._|eOXdribbleOSS ||| kibble|_cavalry._|eOXdribbl ||| kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS --- 4 those. not in. the. kibble_kno: kibble.dox+kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS kibbledoXXkibbleOXdribbleOS [grind][out][Mount][Calvary] u.kno. u.want.2. |_don.t.u?_| -- Reality Engineer Synthetic Environment Strategist Game[r + ] Theorist. ::http://unhub.com/netwurker :: ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] should we not react about what happened Aaron Swartz?
It is just this institutional affiliation that's the problem. It effectively undermines independent scholarship. I've never lived anywhere that had a public library subscription. I guess the solution is to visit San Francisco and get a card there Catherine Daly Any attempt at painting JSTOR as a bad guy is pretty absurd. They're a non-profit organization that provides an invaluable service that most individual users don't pay for. They get free access through institutional affiliation. For those who don't have that sort of affiliation, many public libraries also make JSTOR available to card holders. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] should we not react about what happened AaronSwartz?
San Francisco will issue any Californian a card if one applies in person. NY charges $100 to non-residents but doesn't have JSTOR. I used to adjunct at UCLA for library / databases access. Darn, I just found out library access is only $100 a year. I bet it doesn't include faculty access to unshelved materials, but Bruin Online might be better than nothing. C ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Riot as Performance Art
Lovely, given that Gil-Scott Heron just died, but -- so did some other person, unnecessarily, violently, and I argue, to no end. It makes more sense, I suppose, than LA rioting when it wins. Because of the gender balance, the looting of MAC (don't those looters know if they claim to be actors, they get a powerful discount???), the lack of substance *abuse* -- can this be less or more articulate as a statement? Running wild (as I wrote this a coyote walked down the middle of the sidewalk, in daylight, followed above by crows)? I'm also curious about this engagement between forum and frustration. I mean, I think it IS this bad, but... I rooted for the Bruins... XO Catherine Daly ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] just forwarding.... Emergencies now before it is too late
May 24, 2011 [image: Art and Education]http://interspire.e-flux.com/link.php?M=186469N=454L=33F=H [image: may24_biennalist.jpg]http://interspire.e-flux.com/link.php?M=186469N=454L=722F=H Biennalist Emergencies NOW BEFORE IT IS TOO LATE www.emergencyrooms.orghttp://interspire.e-flux.com/link.php?M=186469N=454L=721F=H Share this: Facebookhttp://interspire.e-flux.com/link.php?M=186469N=454L=21F=H| Twitter http://interspire.e-flux.com/link.php?M=186469N=454L=179F=H BIENNALIST, THE ACADEMY OF EMERGENCY ART, and PHOTOGRAPHY CALLING! are setting up an action camp to express about Emergencies NOW BEFORE IT IS TOO LATE. Together we will daily activate Emergency art, Critical Run, Penetrations, Slow Dance Debate, Art Flash Mobs, Photography Calling!, Rumor Art, Debate Raves, Quadridimensional Journalism. Through these different formats we will question WHAT ARE THE EMERGENCIES TODAY? WHAT MAKES US APATHETIC? WHY ARE BIENNALES LYING TO US AND HOW? ARE BIENNALES DANGEROUS? CAN ART BE IN ADVANCE OF THE BROKEN ARM? IS THE THEME OF THE VENICE BIENNALE PERTINENT? CAN FREEDOM OF SPEECH BE CURATED? CAN CRITIC BE SPONSORED? and other questions that we will be burning to express about, simply not possible to ignore at this specific moment. To join these 6 days of intensive education (May 30–June 4, 2011) you will have to apply to 1...@colonel.dk or negotiate with us on the spot. Participants will get a Biennalist diploma if they accomplish the missions and training successfully. The camp is an Art format by format artist Thierry Geoffroy/Colonel more known for his Emergency Room format and Critical Run format as well as for his Academy of Emergency Art. Melina Peña and Copyflex will also be active artists in the format as well as some of the artists from the Emergency Room segment coming to the camp. PHOTOGRAPHY CALLING! is an upcoming exhibition of the Sprengel Museum Hannover in cooperation with the Lower Saxony Savings Bank Foundation. PHOTOGRAPHY CALLING! supports the Biennalist edition at the Venice Biennale 2011 as well as the Thierry Geoffroy/Colonel project space “PHOTOGRAPHY CALLING/ EXTRACTEUR in the exhibition. www.sprengel-museum.comhttp://interspire.e-flux.com/link.php?M=186469N=454L=720F=H . PHOTOGRAPHY CALLING! is curated by Inka Schube, Curator of Photography and Media Art at the Sprengel Museum Hannover, and Thomas Weski, professor of Curatorial Cultures at the Academy of Visual Arts in Leipzig. More information: www.emergencyrooms.orghttp://interspire.e-flux.com/link.php?M=186469N=454L=721F=H Contact: 1...@colonel.dk __,_._,___ ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] mind freeze re: net art and craft
PHEW, I'm feeling a little bit more thawed. THANKS. I am feeling the strong current -- almost infraverbal -- about the structures of information, and visual... craft... visual thesaurus and the brain mapping, and the wig / hair nets, and the ol' knot binary... People wanting to chime in on the -- gotta be TEXT related -- textile/craft/language anthology we're group editing, sign up on womprose @ google groups, an old listserv I run... I'm also very fascinated by jacquard vis a vis punch cards, of course... Catherine Daly c.a.b.d...@gmail.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Pure Data read as pure data
This is really cool. Especially if your eyesight is going (like mine is), and you first read it as pure dada, and then as pure data! Catherine ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] mind freeze re: net art and craft
Hi. I'm rounding up things at the intersection of text and textile, and there's a lot of net.art I've seen with embroidery, and making nets, and even knitted machines? I think -- but I have completely forgotten names and urls for this sooo... cool stuff at the intersection of new media, old media (particularly fabric and decoration methods) and text... help! Thanks, Catherine ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] mind freeze re: net art and craft
oh, yes, she's editing a section already!!! there are some European artists in particular, though -- I can see what the work looks like in my memory, but... no names attached. On Sat, Apr 9, 2011 at 11:49 AM, Alan Sondheim sondh...@panix.com wrote: Hi - Have you looked at Maria Damon's work? Check out http://hyperpoesia.blogspot.com/ - one of my favorite sites on the web, amazing. - Alan ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Cariou vs. Prince: THE COPYRIGHT BUNGLE
I guess I would be more sympathetic if he didn't do a line for Louis Vuitton based on a fake book project. Is he now going to do a line of guitars? Or cameras? ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Cariou vs. Prince: THE COPYRIGHT BUNGLE
It is actually pretty consistent with recent decisions in music and literature re: copyright. Plus, he's appropriated 40 entire images and superimposed on them. He hasn't altered the base image of the one picture I saw. Here's something from a lawyer blog: To evaluate fair use of copyrighted material, the courts consider four factors set out in 17 U.S.C. 107http://www4.law.cornell.edu/uscode/17/107.html : 1. the purpose and character of the use 2. the nature of the copyrighted work 3. the amount and substantiality of copying, and 4. the market effect. For most courts, the most significant factor in this analysis is the fourth factor–effect on the market. It seems part of his intent was to reduce the marketability of the original images (not of the small pieces of other images). But his greater profit than the maker of the base images is very much on point. But, is this fair use because it is parody? All best, Catherine On Fri, Apr 1, 2011 at 9:05 AM, Rob Myers r...@robmyers.org wrote: On 01/04/11 16:53, Catherine Daly wrote: I guess I would be more sympathetic if he didn't do a line for Louis Vuitton based on a fake book project. Is he now going to do a line of guitars? Or cameras? ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] My Youtube account disabled and censored
Sorry I didn't follow this thread sooner. Am applying for jobs. In any case, from what I remember, Viacom is a french parent company, and they purchased (whether or not still run --??) Paramount and Simon and Schuster in the 90s. So you can see that, as a company heavily involved in early telecoms/inet AND owning a movie studio AND a major publishing house, they may be seeking to act against certain sorts of video streaming, especially that on You Tube (which is owned by Google now) and Vimeo, etc. And apparently they are doing it differently from Disney. I would press Viacom for detailed written comment on your particular case, and then consider a formal response to circulate (if it is, as I suspect, an exercise of a new policy). For example, I'm sure the You Tube policy includes right to terminate at any time, but you are saying Viacom claim a copyright issue. FYI, I just got a new terms of use -- change in privacy policy -- from SONY today... All best, Catherine Daly ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] My Youtube account disabled and censored
An important message to you from the PlayStation(R)Network team at Sony Computer Entertainment America LLC. On April 1, 2011, Sony Computer Entertainment America LLC (SCEA) will transfer its online services operations, including your wallet and the funds in it, to Sony Network Entertainment America Inc. (SNEA). It begins... It seems more innocuous than it is, because they are commandeering rights to transfer permissions around companies, holding companies and vendors... On Fri, Mar 25, 2011 at 4:13 PM, Alan Sondheim sondh...@panix.com wrote: You might be right here; as far as I know I'm the only Alan Sondheim around, but my account might have been hacked. It's more than confusing to me. From what Rob sent, they're at odds with YouTube. Maybe it was the other video that caused the 'real' problem, but I can't see why from their description. Sorry for all this, Alan On Fri, 25 Mar 2011, Carolyn Guertin wrote: Yes, I realize, but I meant in reference to the repeat offender category. Perhaps they are referring to a history they have had with another account. Or they are just copyright barons, doing their thing ;-). c. On Fri, Mar 25, 2011 at 6:10 PM, Alan Sondheim sondh...@panix.com wrote: Hi Carolyn, Not really in this case - they're referencing two particular tapes. - Alan, thanks On Fri, 25 Mar 2011, Carolyn Guertin wrote: I wonder if perhaps there's a different Alan Sondheim who is an offender on their books or in their records. Carolyn On Fri, Mar 25, 2011 at 6:06 PM, Alan Sondheim sondh...@panix.com wrote: Thank you for this! Whatever I filed, it's supposed to go to Federal District Court somewhere in the US. They have nothing better to do. - Alan On Fri, 25 Mar 2011, Rob Myers wrote: -BEGIN PGP SIGNED MESSAGE- Hash: SHA1 On 25/03/11 21:12, Simon Biggs wrote: Viacom are a film company. They're also the corporation who sued YouTube and lost: http://www.pbs.org/mediashift/2010/07/what-the-viacom-vs-youtube-verdict-m e ans-for-copyright-law183.html If you have been sent a bogus DMCS takedown notice regarding a work on YouTube you can file a counter-notice: https://www.google.com/support/youtube/bin/answer.py?answer=59826query=co u ntertopic=type= If you've received a DMCA (or EUCD in the EU) notice, send it to: http://www.chillingeffects.org/ There's a perfect (shit)storm of idiot rightsholders and lawyers in the US and the EU at the moment baying for art to be destroyed (literally in some cases) in order to save intellectual property. They can google Arkell v. Pressdram. If they are telling artists their motivation is to protect artists' commercial interests they can google the Pirate Bay's response to Apple. - - Rob. -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.11 (GNU/Linux) iQEcBAEBAgAGBQJNjRBQAAoJEOqcdhxmxssCWaAH/RmliLJjR3TlMWBnQ1bZtCUC Cyv3rXnPqc4TpuC6SCZkhnTyhm9tRKQbrd2E3OvJwSGdO9U2kds4bDNsG3O8ClXP xe3wWcxR4qmGvuI5h5I4GFOQ0CS4xWS3Z/BwFMBBjx9m9J5KXhDeNfswkWJCYmPL KGJtc6fLuhbe7T08ZDz3wigOc+dIau3gPmQuVhIOimmsScpyjrMtW1wJjSIOJGe+ TGVWdAa6Ov6/G3W9q9rJ/4qgJXmU4zHRJnAs+nA0NDe+IhRYAEZMcU50nmNcb2EY EAxlz+OjYgwWD5XxpcSgRa6cbrOmSwR0eM3qxum4YH3s3HHTkzei0cTRyssXZ4s= =60gM -END PGP SIGNATURE- ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour == email archive: http://sondheim.rupamsunyata.org/ webpage http://www.alansondheim.org music archive: http://www.espdisk.com/alansondheim/ current text http://www.alansondheim.org/qy.txt == ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -- Carolyn Guertin, PhD Director, eCreate Lab Department of English University of Texas at Arlington Website: https://mavspace.uta.edu/guertin/portfolio/ Email: carolyn.guer...@gmail.com Skype: carolyn_guertin == email archive: http://sondheim.rupamsunyata.org/ webpage http://www.alansondheim.org music archive: http://www.espdisk.com/alansondheim/ current text http://www.alansondheim.org/qy.txt == -- Carolyn Guertin, PhD Director, eCreate Lab Department of English University of Texas at Arlington Website: https://mavspace.uta.edu/guertin/portfolio/ Email:
[NetBehaviour] Oprah Magazine Scandal Rip-Off
while not completely on point, is convergence in obvious areas an accident? Forwarded from Kate Durbin As some of you may know, Oprah Magazine recently did a feature on poets and fashion. Unfortunately, there is a strong chance that the magazine ripped off my work with felt letters, as the editor and I had been in correspondence prior to the execution of the feature in the magazine. I'd appreciate if you would pass along the following blog post (feel free to post it in the body of an email or to forward as a link or both). I am also more than happy to stand up for any of you if similar circumstances befall you--I know how yucky it feels to be robbed and erased. Such violence. http://katedurbin.blogspot.com/2011/03/o-magazine-rip-off-scandal.html Yours, Kate Durbin ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Ubuntu with Kim Cascone.
Beard of Bess' Gnoetry is built in Linux -- so I have Ubuntu as a second OS on this machine -- but can't get the text parser to work (buggy? I'm more of an idiot than I thought?) Anyway: http://mchainpoetics.wordpress.com/gnoetry-0-2-download-and-install-howto/ http://mchainpoetics.wordpress.com/gnoetry-0-2-download-and-install-howto/ http://beardofbees.com/ http://beardofbees.com/ On Sat, Mar 19, 2011 at 4:04 AM, helen varley jamieson he...@creative-catalyst.com wrote: hi, is there a podcast of this? (do you podcast all of the resonance interviews? i can find downloadable links for some but not all i hardly ever can listen live because i have deutschkurs in the evenings) thanks, h : ) On 17/03/11 4:55 PM, marc garrett wrote: Hi Alan, On resonance FM last night, myself Jake Harries (live on air) were discussing artists use of free open source software and Linux. ( http://www.furtherfield.org/radio/160311-jake-harries-felicie-destienne-dorves ) This is also a good time to mention that we played one of your tracks last night - 'Violin Plucked and Bowed' Sara Ayes's track 'What is the Past but a Dream of the Future', from the Furthernoise.org compilation 'Explorations in Sound, Vol.4 The Sound of Live Performance'. My first experience with Linux was in the early nineties, with Red Hat. But of course, have used most of the linux based OS's now. Have been playing with pure:dyne a lot, also when it was dynobolic in its earlier state. I always approach Linux as an amateur learning new things. When using Microsoft or mac, I feel like I am a customer to some extent. On my old dusty laptop I have pure:dyne Fedora, on my cuter smaller laptop (eee PC netbook) I have Ubuntu but considering a partition and adding another operating system. Strangely perhaps, because Ubuntu for me now seems too perfect (I know)... wishing you well. marc -- ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] job in Arizona
The School of Art in the Herberger Institute for Design and the Arts at Arizona State University seeks an exceptional Intermedia artist/practitioner/theorist who engages with the public sphere to fill a full-time tenure-track appointment at the Assistant Professor level beginning fall 2011. The School of Art benefits from its presence within the Herberger Institute (which encompasses the Schools of Arts, Media + Engineering, Architecture + Landscape Architecture, Music, Theatre and Film, Dance, and the ASU Art Museum) as well as within ASU, one of the largest public research universities in the United States and a leader in educational innovation. Located in one of the most expansive metropolitan centers in the United States, and situated in the Sonoran desert, the school supports a broad range of art practice and inquiry. Programs within the School of Art lead to degrees of Bachelor of Arts (BA) in Art History or Museum Studies, Bachelor of Fine Arts (BFA) in Art Education or Art (with concentrations in a broad number of media), Master of Arts (MA) in Art History or Art Education, and Master of Fine Arts (MFA) in Art. In addition, the school participates in the Doctor of Philosophy programs in Design, Environment, and the Arts and Art Education housed within the Herberger Institute and the Mary Lou Fulton Teacher's College. With several nationally ranked programs and one of the largest comprehensive art programs in a public research university in the United States. The School of Art plays a prominent role within the Herberger Institute for Design and the Arts at ASU and is located on the Tempe campus. The successful candidate is expected to actively participate in the MFA and BFA degree programs and it is desirable that she/he can participate in a multidisciplinary PhD program. It is desired that applicants have research interests and experience in the Intermedia field and publicly situated practices. This candidate is a dynamic, cross-disciplinary colleague with outstanding conceptual and critical thinking skills as well as a firm understanding of grant writing, public art commissions, and interface with community and/or audience. The successful candidate should be able to engage students and audiences in Intermedia, the School of Art, the university, as well as the local, national, and global community. The successful candidate will demonstrate excellence in teaching with the ability to formulate interdisciplinary curricula and course offerings on both undergraduate and graduate levels, teaching studio courses, lecture/seminar courses, mentor graduate student thesis projects, and pursue a creative research agenda in one or more of the following areas: -- Relational aesthetics/social sculpture -- Tactical Media -- Site-specific public art -- Networked and social media practice -- Collective and collaborative strategies *Required Qualifications: *Master of Fine Arts degree, or equivalent terminal degree, and strong evidence of professional activity in the field. *Desired Qualifications: *PhD in Art Practice or related field. Demonstrated excellence in teaching, research and/or scholarship appropriate to rank. Demonstrated potential to achieve national or international recognition in research and/or scholarship. *Instructions to Apply: * Please submit a letter of interest, addressing creative research, teaching and work experience. Include curriculum vita, evidence of both teaching and creative work in the form of a digital PDF portfolio, and three letters of references with contact information to: Chair, School of Art Search Committee, Intermedia c/o Natalie Pinkelman, Specialist to the Director School of Art, PO Box 871505 Arizona State University Tempe, AZ 85287-1505 Applications by facsimile or e-mail will be considered. *Application Deadline: * Review of applications will begin January 20, 2011; if not filled, then weekly thereafter until the search is closed. *Background Check Statement: * ASU conducts pre-employment screening for all positions, which includes a criminal background check, verification of work history, academic credentials, licenses, and certifications. For information on the Herberger Institute for Design and the Arts, please visit our website: http://herbergerinstitute.asu.edu/. Arizona State University is an Equal Opportunity/Affirmative Action employer. Applicants with international and intercultural backgrounds are strongly urged to apply -- ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Submissions Now Open for Irrational Exuberance: A Recession Art Show.
I'm glad people are mentioning it, because there seems to be a very large group of even otherwise economically and politically aware artists who have no problem with submission fees. While I understand the ideal that even guerilla administrators (curators, fundraisers, pr people, and the like) ought to be respected for their work, perhaps by payments of money or reimbursement for expenses... at the lowest level, one is paying a fee for a service or product that one can execute alone. And why? But when did it become ok to charge fees, in time? On Fri, Jan 7, 2011 at 7:28 AM, Michael Szpakowski szp...@yahoo.com wrote: Except under *very* exceptional circumstances I don't submit for things that involve fees and I've backed out of shows when even a small one has been retrospectively raised. If people want to mount shows they should do the proper preparation and raise funds, preferably enough (although I appreciate this *is* entirely unrealistic) to pay a fee the artists they show . An interesting test is whether the person behind the call is salaried/in receipt of a fee... cheers michael ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] C.I.A World Factbook (map).
they're hiring weapons targeting analysts... ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Capt. Beefheart's 10 Commandments of Guitar Playing
Captain Beefheart's 10 Commandments of Guitar Playing [image: Beefheart]http://blog.wfmu.org/.a/6a00d83451c29169e201156e9691d1970c-popup1. * Listen to the birds*. That's where all the music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren't going anywhere. 2. *Your guitar is not really a guitar Your guitar is a divining rod*. Use it to find spirits in the other world and bring them over. A guitar is also a fishing rod. If you're good, you'll land a big one. 3. *Practice in front of a bush* Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush dosen't shake, eat another piece of bread. 4. *Walk with the devil * Old Delta blues players referred to guitar amplifiers as the devil box. And they were right. You have to be an equal opportunity employer in terms of who you're bringing over from the other side. Electricity attracts devils and demons. Other instruments attract other spirits. An acoustic guitar attracts Casper. A mandolin attracts Wendy. But an electric guitar attracts Beelzebub. 5. *If you're guilty of thinking, you're out* If your brain is part of the process, you're missing it. You should play like a drowning man, struggling to reach shore. If you can trap that feeling, then you have something that is fur bearing. 6. *Never point your guitar at anyone* Your instrument has more clout than lightning. Just hit a big chord then run outside to hear it. But make sure you are not standing in an open field. 7. *Always carry a church key* That's your key-man clause. Like One String Sam. He's one. He was a Detroit street musician who played in the fifties on a homemade instrument. His song I Need a Hundred Dollars is warm pie. Another key to the church is Hubert Sumlin, Howlin' Wolf's guitar player. He just stands there like the Statue of Liberty-making you want to look up her dress the whole time to see how he's doing it. 8. *Don't wipe the sweat off your instrument* You need that stink on there. Then you have to get that stink onto your music. 9. *Keep your guitar in a dark place *When you're not playing your guitar, cover it and keep it in a dark place. If you don't play your guitar for more than a day, be sure you put a saucer of water in with it. 10. *You gotta have a hood for your engine* Keep that hat on. A hat is a pressure cooker. If you have a roof on your house, the hot air can't escape. Even a lima bean has to have a piece of wet paper around it to make it grow. -- ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] 17 cell phone images of front desks in City of London offices
I was struck by how modern the interiors were. In New York and here in LA, it seems there are half new ones, but then there are half old ones with really forbidding black marble and guys in uniforms all around... is the modernity (the glass, as someone noted) part of it? I have long been creeped out by lobby flowers -- and I used to work for a florist! They are such *odd* flowers, always. All best, Catherine ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] A brief history of P2P education in the visual arts.
there's a popular article in the ny times today about the appropriateness of college for all students, and is looking at the success of especially people with computing experience but not necessarily degrees; people are pointing out, though, that those without degrees -- even in jobs which don't require them (or needn't, though it might be a requested qualification) generally have less successful work lives, aren't promoted/are fired more readily, find switching fields, communicating on the job, etc. more difficult... basically the same experience now with not having a BA as then -- when far fewer had a BA! cooper union in art, here in the us -- well, my sister and a few friends at least have always been impressed at the way in which those students were prepared to be able to support their art making throughout their lives -- All best, Catherine Daly c.a.b.d...@gmail.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Fwd: [LA_ArtGirls] New Media Film Festival
=X3oDMTJmZTg1N2RiBF9TAzk3MzU5NzE0BGdycElkAzE5MzY3ODkzBGdycHNwSWQDMTcwNTAxNTQ5MwRzZWMDZnRyBHNsawNudHBjBHN0aW1lAzEyNzE2NTM5ODc- Messages in this topichttp://groups.yahoo.com/group/LA_ArtGirls/message/4447;_ylc=X3oDMTM1dHQyb2U0BF9TAzk3MzU5NzE0BGdycElkAzE5MzY3ODkzBGdycHNwSWQDMTcwNTAxNTQ5MwRtc2dJZAM0NDQ3BHNlYwNmdHIEc2xrA3Z0cGMEc3RpbWUDMTI3MTY1Mzk4NwR0cGNJZAM0NDQ3( 1) Recent Activity: Visit Your Grouphttp://groups.yahoo.com/group/LA_ArtGirls;_ylc=X3oDMTJmMGZpbm9qBF9TAzk3MzU5NzE0BGdycElkAzE5MzY3ODkzBGdycHNwSWQDMTcwNTAxNTQ5MwRzZWMDdnRsBHNsawN2Z2hwBHN0aW1lAzEyNzE2NTM5ODc- MARKETPLACE Stay on top of your group activity without leaving the page you're on - Get the Yahoo! Toolbar now.http://us.ard.yahoo.com/SIG=15omu73rf/M=493064.13983314.13965207.13298430/D=groups/S=1705015493:MKP1/Y=YAHOO/EXP=1271661187/L=3dc4f05a-4b72-11df-b093-4b8ac14e8166/B=OTHoCmKImlA-/J=1271653987915538/K=SuvZC4_0xt2h_FPTPw26PA/A=6060255/R=0/SIG=1194m4keh/*http://us.toolbar.yahoo.com/?.cpdl=grpj -- Welcome to Mom Connection! Share stories, news and more with moms like you.http://us.ard.yahoo.com/SIG=15or1k4vj/M=493064.13814537.13965224.10835568/D=groups/S=1705015493:MKP1/Y=YAHOO/EXP=1271661187/L=3dc4f05a-4b72-11df-b093-4b8ac14e8166/B=OjHoCmKImlA-/J=1271653987915538/K=SuvZC4_0xt2h_FPTPw26PA/A=6042764/R=0/SIG=11jbo19n3/*http://advision.webevents.yahoo.com/momconnection -- Hobbies Activities Zone: Find others who share your passions! Explore new interests.http://us.ard.yahoo.com/SIG=15on577ml/M=493064.14012770.13963757.13298430/D=groups/S=1705015493:MKP1/Y=YAHOO/EXP=1271661187/L=3dc4f05a-4b72-11df-b093-4b8ac14e8166/B=OzHoCmKImlA-/J=1271653987915538/K=SuvZC4_0xt2h_FPTPw26PA/A=6015306/R=0/SIG=11vlkvigg/*http://advision.webevents.yahoo.com/hobbiesandactivitieszone/ [image: Yahoo! Groups]http://groups.yahoo.com/;_ylc=X3oDMTJlZGMxYmZrBF9TAzk3MzU5NzE0BGdycElkAzE5MzY3ODkzBGdycHNwSWQDMTcwNTAxNTQ5MwRzZWMDZnRyBHNsawNnZnAEc3RpbWUDMTI3MTY1Mzk4Nw-- Switch to: Text-Onlyla_artgirls-traditio...@yahoogroups.com?subject=change+delivery+format:+Traditional, Daily Digestla_artgirls-dig...@yahoogroups.com?subject=email+delivery:+Digest• Unsubscribe la_artgirls-unsubscr...@yahoogroups.com?subject=unsubscribe • Terms of Use http://docs.yahoo.com/info/terms/ . __,_._,___ -- All best, Catherine Daly c.a.b.d...@gmail.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] UCSD CFP
*2010 CALL FOR PROPOSALS* The 4th annual UCIRA State of the Arts Conference Future Tense: Alternative Arts and Economies in the University November 18-21, 2010 University of California, San Diego *2010 CALL FOR PROPOSALS* *Deadline: May 28, 2010* The University of California Institute for Research in the Arts (UCIRA) and the University of California, San Diego are pleased to announce the 4th annual UCIRA State of the Arts conference, to take place at UCSD November 18-21, 2010. Proposals are currently being accepted which address the theme Future Tense: Alternative Arts and Economies in the University. *The Conference Theme* The last two years have witnessed an unprecedented crisis on college campuses around the world, as the social compact that governed higher education in the United States and Europe for the past half century has begun to collapse. Universities from London to Sussex, from Athens to Vienna, and from Berkeley to Santa Cruz, have experienced protests, occupations, walkouts and other actions directed against the encroaching privatization of public education. This crisis has been particularly acute at the University of California, the flagship public university system in the United States. Dramatic funding cutbacks, layoffs, furloughs, and fee hikes have been combined with an upsurge in the sort of racist and sexist attacks that often accompany periods of economic turmoil, as the perception of dwindling resources leads to the predictable search for scapegoats. This complex mix of economic, cultural and social forces places particular pressure on the status of the arts within research universities, and the very notion of the university itself as a haven for liberal arts education. New tensions have opened up, between the arts and humanities and engineering and science, and between public and private funding sources and priorities, even as new solidarities have emerged, among and between staff and faculty, graduates and undergraduates, disciplines and departments. This conference seeks to address the following questions: · How can the arts respond to this crisis? · What new alliances can we form both within the university campus and the communities beyond its walls? · What alternative economies exist for the support of artistic research? · What new pedagogical models and new forms of knowledge production can the arts offer as our educational mission is both threatened and, potentially, transformed? · And what forms of creative practice have been mobilized by the protests, walkouts and occupations? · As the campus itself becomes a field of symbolic resistance and contestation, from swastikas at UC Davis to Klan hoods at UC San Diego, what are the limits and the political implications of freedom of expression? We seek proposals for presentations, performances, projects, workshops, conversations or panels that address the past history, present moment and future possibilities of the arts in a university setting. *Application:* All applications must be submitted in pdf form to ZouZou Chapman ( zchap...@ucira.ucsb.edu) by 5pm on Friday, May 28th, and should include: (1) a fully completed cover sheet (download HEREhttp://www.ucira.ucsb.edu/2010Conference%20Application.doc ) (2) a c.v. for each of the lead applicant(s) (3) A detailed description of proposed activities (1-2 pages single-spaced) (4) [optional] work samples (3 @ 250k or smaller, jpeg format) or links within your application to external image/video hosting services (i.e. Vimeo,YouTube, etc.) and/or personal or departmental webpages as appropriate. Participants may choose to submit written papers before or after the conference for possible inclusion in the UCIRA project publication series. -- All best, Catherine Daly c.a.b.d...@gmail.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Iowa Review on the Web
___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -- All best, Catherine Daly c.a.b.d...@gmail.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] [stuff-it] FW: Only 33 per cent of Americans believe in evolution (fwd)
belief is not a requirement for science or art, and artists and scientists share the problem that new things, paradigms, whatnot are unbelievable there are a few unchurched loons who are unconvinced evolutionary biology has a basis in fact despite abundant evidence or how about, although organized religion and faith play a small role in the lives and thought of the majority, the history of human thought is continually erased in favor of abject misreadings of three texts most of my work is sited such that rather than a poem containing history, it contains heresy heresy is often literary criticism (critical thinking applied to texts), and this is what it was in my first book; also, Inquisition heresy, which was basically in the divorce between logic (computer...) and love in my new book, I am trying to extend that (in the first section) to the ways in which the ideas of modern algebra (chip design), most famously by Galois the revolutionary but unfortunately also by Lagrange, Laplace, et.al., the defense contractors of their time, were also ideas of cosmology, i.e. ideas of creation / origin the protestant female heretics are a bit different; the concern was what would happen if just anybody tried to read sacred texts -- it seems clear that while the notion is elitist and sexist, history has taught us what happens when people who don't know how to read or what text is for read or claim they are reading I've gone on long enough, but I also want to add that here in the US as well in many theocracies -- and this was what was striking about the original survey (although far too few people were surveyed to really indicate anything) -- cries of censorship and free speech very effectively have been used to silence thoughtful people and confuse the majority All best, Catherine Daly c.a.b.d...@gmail.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] [stuff-it] FW: Only 33 per cent of Americans believe in evolution (fwd)
just listened to a radio show where someone called Doctor somebody or other answered listener questions about reading the bible which books are at the throne on judgement day? is the book of life the same as the lamb's book of life? what is written in the book god is reading? plainly, no one involved with the show can read the book of revelation. -- All best, Catherine Daly c.a.b.d...@gmail.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] CFW: Building Bridges, Tehran, London, LA
DO contact Marjan with any questions; she's very interested in building up her gallery in Iran, in particular. Note that blogging is now illegal inside Tehran; oftentimes snailmail through the gallery is the only way university students can contact artists. It would be especially exciting to include more net.art, though it can't be live especially since Marjan's previous show, in MOCA Tehran, included works by Bill Viola and Masami Teraoka. Works that query ideas of globalization, censorship, women's and minority rights, 1M signatures, etc. particularly welcome. http://buildingbridges.me/Bulding_Bridges/BuildingBridges2oO9.htmlhttp://www.cclarkgallery.com/dynamic/artwork_detail.asp?ArtworkID=1074 Film/ Video Submissions: for a fee of $25 you can include up to 3 films/ videos for our judges to consider. 1. 1. •Everyone who is accepted will be shown at all three different locations: 1. •Park-e-Lalaeh - which is where MOCA Tehran is located, 2. •Tehran University, 3. •As well as Building Bridges favorite gallery in Tehran- (due to the nature of this exhibition. We are not able to release the name of the gallery/ site of Masami Teraoka’s solo / the third screening at this time.) 4. •(These screenings may also travel to other cities such as: London, Istanbul, Dubai, Los Angeles and NYC.) 2. 1. •Building Bridges will also include the names, bios, artists statement, links to sites and still frame shots of ALL film or video submitted in our on line catalogue. 1. •For all Film/ Video Submissions PLEASE make sure to include a still frame shot of your film or video for our catalogue. 2. •FREE initial Artist Registry included with the Film/ Video Submissions fee. 3. Only Join the Artists’ Registry for initial fee of $20. Page includes bio, artists statement, contact info up to 4 images (additional pages may be added free of charge to include more pix- up to 20 images). Update fee is $10 for adding new images or text. Please make your checks payable to ‘BB c/o Marjan Vayghan’ and mail to: Building Bridges.me 1422 Brockton Ave # 5 Los Angeles, CA, 90025. Please visit www.BuildingBridges.me http://www.buildingbridges.me/ for more details. Please feel free to contact Marjan if you have any questions: marja...@gmail.com http://www.marjanvayghan.com/ www.MarjanVayghan.com http://www.marjanvayghan.com/ -- All best, Catherine Daly c.a.b.d...@gmail.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] We won't fly for art : Take the Pledge
Hi, I don't have a high-flying art career. I have a pretty big carbon footprint, though. But it seems as though this project is negatively motivated, minimalist through purification, not simplicity: stop, avoid, less,careering. I feel that we've just gotten to the point where outside the major cities more than one sort of lettuce is available and more than one ethnicity is represented, where, rather than short wave radio and inter-library loan and mail and phone, we can actually see and communicate more, with more people. Which is why, now, counter-cultural types are turning back toward the local. relate differently to their own local cultures and to connect more imaginatively to other cultures not everyone is suited to fighting the good fight against fundamentalism and anti-intellectualism in small towns by day and making wild and free art alone in a barn / basement server room of one's own by night; not everyone wants to join an art colony or commune or live on a college campus; not every practice thrives on solitude; not every practice thrives on jetting around networking with important people -- All best, Catherine Daly c.a.b.d...@gmail.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
