[NetBehaviour] The Unintentional Art of Digital Cultures Communities
The Unintentional Art of Digital Cultures Communities: From 4chan to cam4 beyond… an Upgrade! Chicago event organized by jonCates FRIDAY DECEMBER 10 2010 7 PM FREE The Nightingale 1084 N. Milwaukee Chicago, IL 60642 The Unintentional Art of Digital Cultures Communities: From 4chan to cam4 beyond… WITH ARTISTS Natacha Stolz, Ei Jane Janet Lin Miao Jiaxin IN PERSON What happens when contemporary Performance Art meets Digital Cultures online? How is New Media Art conversational? Who is having these conversations and what are their expectations? Natacha Stolz performed her Interior Semiotics project at an exhibtion/event called FOREVER(21) in Chicago, Illinois on March 27, 2010. Stolz uploaded video documentation of the performance to YouTube on May 8. Then, as Know Your Meme reports, “During the week of August 5th, the video was posted to 4chan. Many more threads were posted and the video soon went viral.” The collective entity/4chan-/b/-based identity known as Anonymous mobilized, responding to the video in various ways including threatening Stolz with violence and rape. Anonymous posted her personal contact information online to facilitate these threats, leaking personal photos that Stolz had previously posted to Facebook while her YouTube video continued to climb in popularity, at one moment gaining 200,000 views in 48 hours. Stolz watched within the feedback and feedforward loops of Digital Culture and responded as all of this activity occurred. Her online responses complicated and confounded Anonymous, enfolding 4chan into her project and causing many to speculate that she was in fact ‘trolling the trolls’ or in other words, entangling 4chan in her performative art process and practice: http://knowyourmeme.com/memes/interior-semiotics Ei Jane Janet Lin Miao Jiaxin interact with the online community of cam4 in explicitly Performance Art oriented interventions. The website cam4 describes itself accurately as being dedicated to “Free Live Sex Webcams - Free Live Cams Sex Chat”. Lin and Jiaxin’s performances play with the expectations and limits of the cam4 community, flowing in and out of variously experimental erotic, comedic and theatrical moments. Their collaborative performances have been met with enthusiasm, attention, dismissal and denial. In particular, their works, although all performed live and in realtime, are often accused of being video playback and therefore violating the rules of the cam4 site and community. This tension between the expectations, realities and performativity of their projects underscores the complexity of their relationships to power exchanges in art and pornography: http://www.vimeo.com/linmiao Natacha Stolz, Ei Jane Janet Lin Miao Jiaxin will present their work, discussing the intended and unintended results of their projects. Nick Briz will facilitate a discussion following their presentations. Nick Briz, an organizer of GLI.TC/H and curator/participant in the Critical Glitch Artware event, will moderate the discussion following presentations by the artists: http://www.nickbriz.com Upgrade! Chicago is the local Chicago-based node of the international Upgrade! network, an emerging network of autonomous nodes united by art, technology, and a commitment to bridging cultural divides. Its decentralized, non-hierarchical structure ensures that Upgrade! (i) operates according to local interests and their available resources; and (ii) reflects current creative engagement with cutting edge technologies. Upgrade! Chicago presents new media projects, engages in informal critique, and fosters dialogue and collaboration between individual artists. Upgrade! International functions as an online, global network that gathers annually in different cities to meet one another, showcase local art, and work on the agenda for the following year. http://upgradechicago.org Upgrade! Chicago meets @ The Nightingale 1084 N. Milwaukee, Chicago, IL 60642 The Nightingale is a rough and ready microcinema dedicated to screening emerging work across film, video, and new media genres and aims to support Chicago vibrant cinema community. http://nightingaletheatre.org ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Invitation to join me
Xzibit (pronounced as ex-hib-it) meets Karen Blissett in an IN.F3XXX10N.US online art exhibition: http://in.f3xxx10n.us/post/874443916 // jonCates HTTP://IN.F3XXX10N.US July 1 - 13 2010 online ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Invitation to join me
hi Ann + all Ann, this particular part of yr msg in my inbox was particularly delightful to me: __ Information from ESET NOD32 Antivirus, version of virus signature database 5271 (20100712) __ The message was checked by ESET NOD32 Antivirus. http://www.eset.com __ Information from ESET NOD32 Antivirus, version of virus signature database 5275 (20100713) __ The message was checked by ESET NOD32 Antivirus. to me the questions of if an online identity is or isnt stable, clean, trusted, etc are always engaging esp in rltn to if this online identity is an art project i have written previously on Furtherfield + stated publicly that i believe Netochka Nezvanova (the nameless nobody mentioned earlier in this thread in rltn to the new arrival of the Karens) to be the most important/influencial New Media Artist + Artware Developer of the turn of the 21rst Century those comments + sum Media Art Histories reflections on/of those moments can be found in an unfinished series of posts that i started last year on my Furtherfield blog in that unfinished series of posts (which i should finish but drifted aways from for various reasons) called lists, boards, friends + feeds, i start w/a comparison/connection to 4chan + in particular the /b/ or Random channel of 4chan. Christopher moot Poole (the formerly secretive founder of 4chan) has recently been appearing publicly + discussing 4chan as a project @ events such as Paraflows 09 Festival and Symposium, TED2010, ROFLCon 2010, etc... in these talks Poole defends a concept he is fwd'ing of pro-anonymity in/on online networks + communities. this position + the range of activities of /b/ + Anonymous are relevant to our interests i thin these concepts + activities are complex, conflictual + resist reduction into clearly definable discursive terms jonCates http://blog.furtherfield.org/?q=blog/594 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Invitation to join me
HALLO KAREN BLISSETTs!!! what a wonderful turn of online art events :) Karens, i was vry happy to read yr introductions + invitations. in fact they were brought to my attn by my collaborator Jake Elliott (no relations, or mayhaps... distant relations +/or relatives?) in anycase, this is a fortuitous moment for us, b/c we agree w/you when you say that this is: the right time to experiment with openness, freedom vulnerability on a more personal level you see, we, have been experimenting w/you also + w/other forms of radical inclusivity in online art whirlds environments for awhiles now. our most recent experiment is running now + is called IN.F3XXX10N.US this is an online art exhibition, organized initiated by myself Jake Elliott, running now from July 1 - July 31 2010 @ IN.F3XXX10N.US a domain which will expire, effectively ending our control of the exhibition but opening the opportunity to anyone who wishes to purchase the domain and continue the project in whatever form they may imagine best. we have been giving away the login + password everywhere online in announcements + posts since we began this project: OUR EXHIBITION EMAIL IS: inf3xxx...@gmail.com OUR EXHIBITION LOGIN IS: http://www.tumblr.com/login OUR EXHIBITION PASSWORD IS: N01XXX3F since beginning less than 2 weeks ago we have been infected by over 30 different artists/identities/projects/accounts etc + we remain up + running in a realtime stream of multiple collective subjective consciousness. naming a few identifiable identities would incl: Anonymous, Andy Warhol, Marcel Duchamp, ANON, Rrose Sélavy, 4chan, dump.fm, TRIPTYCH.TV, Shane Mecklenburger, ARAM BARTHOLL, POP.NET.ART, René Magritte, Rosa Menkman, maxcapacity, Wolf D. Schreiber, veterraga, Sian Amoy, The Internet Traveler, kittenglitches, ipretended, i thought i had a virus, etc... ...or rather in Animated GIF format: http://static.tumblr.com/11nbn83/lhtl5fxdq/wildcards.gif TRIPTYCH.TV (AKA jimpunk, abe linkoln + mr tamale) +/or those who may be representing themselves as if they are TRIPTYCH.TV have been in particular among the most active + @ times aggressively active, participating in partially confrontational but still creative, conversational + constructive ways. this is what is most engaging to me personally in the sense of, as Eduardo Navas writes, a complex act of resampling and reinterpreting material previously introduced, which is obviously not innovative but expected in new media. in other words, that we can take for granted as current forms of communication this ongoing animated complex communicative social flow/exchange of media/moments/memes also, as you mention Identity is now a glitch we are exxxcited by these glitches + glitches as/in vocabularies @ the edges of encoded communities as these glitch vocabularies become pervasive affects. or as we have said before: “The” becomes “teh” and “owned” becomes “pwned” as mistakes fold into the language, dirty glitch becomes linguistic atom moving horizontally + playfully rather than being controlled by linguistic legitimacy. we wrote then that our use of l33t was an attempt to play rather than render our activities illegible but as mez writes we are also interested in the unstable boundaries between spam + art Spam Art the unstable boundaries between illegibilities online off this is a vry engaging hyperthread Karens we look fwd to you + all those interested other parties to participate w/you: http://in.f3xxx10n.us/post/801386850/in-f3xxx10n-us-is-an-online-art-exhibition jonCates http://blog.furtherfield.org/?q=blog/594 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] wanna IN.F3XX10N.US ?!
IN.F3XX10N.US ?! http://in.f3xxx10n.us IN.F3XXX10N.US is an online art exhibition, organized and initiated by jonCates Jake Elliott, running from July 1 - July 31 2010. During the run of the exhibition you can infect us @ IN.F3XXX10N.US! On July 31 2010 this domain will expire, effectively ending our control of the exhibition but opening the opportunity to anyone who wishes to purchase the domain and continue the project in whatever form they may imagine best. OUR EXHIBITION EMAIL IS: inf3xxx...@gmail.com OUR EXHIBITION LOGIN IS: http://www.tumblr.com/login OUR EXHIBITION PASSWORD IS: N01XXX3F WHOIS: jonCates Jake Elliott have run various experiments in radical inclusivity in online art whirlds environments including: the Critical Glitch Artware event @ NOTACON and BLOCKPARTY 2010; developing an open archive for the OpenFrameWorks project (which was initiated by Jon Satrom for the r4WB1t5 micro.Festival); Jake Elliott's folksonema screening series; and criticalartware's BLIT:SCREEN project. they can be found online @ the following: http://systemsapproach.net http://dai5ychain.net ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Southbridge Slow Electronics today 4PM - 6PM CST AKA 11PM - 1AM CEST
an excerpt from our most recent Southbridge Slow Electronics Sundays on http://glitch.fm event is now online here: DOWNLOAD: http://bit.ly/cWUrSe ARTISTS: jonCates Jake Elliott TITLE: eight minutes fiftyfour seconds from 2010.06.06 Chicago Linz ALBUM: Southbridge Slow Electronics glitch.fm sessions RELEASE: slow_eightminutesfiftyfourseconds http://slowelectronics.com http://soundcloud.com/southbridge http://twitter.com/southbridge http://glitch.fm/slowelectronics_v2 http://www.facebook.com/group.php?gid=90743658549 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Southbridge Slow Electronics today 4PM - 6PM CST AKA 11PM - 1AM CEST
our Southbridge Slow Electronics show transmits today Sunday 2010.06.06 on transatlantic nets to connect Chicago .US, Linz .AT internets radio from 4PM - 6PM CST (Chicago .US) AKA 11PM CEST (Linz .AT) AKA now. via: http://glitch.fm ...listen to the slow streams within streams of recursive machines inna feedbacked whirld we live in live every Sundaze: http://glitch.fm/slowelectronics_v2 http://slowelectronics.com http://soundcloud.com/southbridge http://twitter.com/southbridge http://www.facebook.com/group.php?gid=90743658549 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] WIN! CRITICAL GLITCH ARTWARE CATEGORY at BLOCKPARTY and NOTACON 2010!!!
The criticalartware crew is very pleased to announce the WINNERS of the CRITICAL GLITCH ARTWARE CATEGORY at BLOCKPARTY and NOTACON 2010!!! http://criticalartware.net/winners/ We invite you to come virtually to the CRITICAL GLITCH ARTWARE CATEGORY event which will be streamed live in realtime on glitch.fm on Friday April 16th via: http://glitch.fm The realtime event features performances by: Jon Satrom + James Connolly Eric Pellegrino with DJ sets by the BAD NEW FUTURE CREW. The WINNERS! in the Glitch Art screening program curated by Nick Briz include: Rosa Menkman, Evan Meaney, Jimmy Joe Roche, Johnny Rogers, Brian D. Mckenna, Jon Satrom, Melissa Barron, Theo Darst, jonCates, + Nick Briz The WINNERS! of the CRITICAL GLITCH ARTWARE CATEGORY at BLOCKPARTY and NOTACON 2010 are in randomized orders: Max Payne CHEATS ONLY / - JODI (2004) http://maxpaynecheatsonly.jodi.org/ WINNER! Cheats-only Subcategory FPS #00 población - Juanjosé Rivas (2007) http://www.youtube.com/watch?v=1loH4MALHMs WINNER! Realtime Subcategory photostream - glitch-irion (2009) http://www.flickr.com/photos/glitch-irion/ WINNER! Star Glitches Subcategory Unwriting - Barbara Lattanzi (2010) http://www.wildernesspuppets.net/yarns/unwriting/ WINNER! Live cinema software for media riffing Subcategory 73H 0r3g0n 7r41L - Melissa Barron (2009) http://melissabarron.net/ WINNER! Apple ][ Art Mod/ROM Hack Subcategory midwest - Valerie Brewer (2008) WINNER! Youtube Screengrab Photobooth Subcategory Super Mario Movie - Cory Arcangel + Paper Rad (2005) http://www.beigerecords.com/cory/Things_I_Made_in_2005/super_mario_movie.html WINNER! Experimental Machinima Subcategory ByteMolester - Kiripolszky Károly (2008) http://charface.extra.hu WINNER! Molestation Subcategory Sunrise Over Baghdad (study 3) - Benton-C Bainbridge + Bobby Previte (2008) http://www.benton-c.com/sunrise.htm WINNER brutal and wry Subcategory mario_is_drowning - Myfanwy Ashmore (2004) http://myfanwy.ca/html/mario_drowning.html WINNER! Mario Subcategory It's all full of lights http://igetyourfail.blogspot.com WINNER! I Get Your Fail Subcategory Everything I Do is Art, But Nothing I Do Makes Any Difference, Part II Or: How I Learned to Stop Worrying and Love the Gallery WINNER! Institutional Critique Subcategory retroyou_nostalg(2)_ series - retroyou (Joan Leandre) (2002 - 2004) http://retroyou.org WINNER! Retro Subcategory retroyou nostal(G) series - retroyou (Joan Leandre) (2002 - 2003) http://retroyou.org WINNER! Retro Subcategory SimCopter Hack - RTMark (1999) WINNER! SimCopter Subcategory ROM 0 - jon.satrom (2007) WINNER! Experimental Machinima Subcategory Boomerang - Richard Serra (1974) WINNER! Video Art Subcategory Window - Peter Luining (2004) http://www.runme.org/project/+Window WINNER! Empty/Broken Windows Subcategory WrongBrowser - JODI.ORG (2001) http://www.wrongbrowser.com WINNER! Web Browser Subcategory avatar nude sex second life performance - Alan Sondheim (2007) http://www.youtube.com/watch?v=VcQgQ3Lz730 WINNER! avatar nude sex second life performance Subcategory Walking backwards to see the destruction in my wake - Pall Thayer (2009) http://pallit.lhi.is/microcodes/ WINNER! Microcodes Subcategory J + C Feedback Factory - Jon Vaughn and Carrie Gates (2007) http://www.otherartists.com/projects/jncfeedbackfactory/index.html WINNER! Live video and audio mixing using “no-input” Subcategory Satromizer - Ben Syverson (2009) http://bensyverson.com/software/satromizer WINNER! multitouch glitch tool Subcategory Destroy 2000 Years of Culture - Atari Teenage Riot (1997) http://www.atari-teenage-riot.com WINNER! Digital Hardcore Subcategory GlitchMonkey - youpy (2007) http://d.hatena.ne.jp/youpy/ WINNER! Firefox extension Subcategory Museum Meltdown - Palle Torsson Tobias Bernstrup (1996 - 1999) WINNER! Institutional Critique Subcategory Databenders Yahoo Group (2001 - present) http://launch.groups.yahoo.com/group/databenders WINNER! Digital Communities Subcategory [the] x [reader] - ap/x (2006) http://1010.co.uk/x_publication.html WINNER! Publications Subcategory WEBCRA.SH - JODI Dennis DEBEL (2008) http://webcra.sh WINNER! Exhibition Subcategory retroyou (RC) series - retroyou (Joan Leandre) (1999 - 2001) http://retroyou.org WINNER! Retro Subcategory Heritage Gold 1.0 - Mongrel (1998) http://www.mongrelx.org.uk WINNER! Socio-economic Image Editor Subcategory GLITCH - Olga Goriunova + Alexei Shulgin (2008) WINNER! Software Studies Subcategory SCREENFULL - jimpunk and abe linkoln (2004 - 2006) http://www.screenfull.net/stadium/ WINNER! STADIUM ROCK NET.ART Subcategory Divide by Zero Shadow Mapping http://igetyourfail.blogspot.com WINNER! I Get Your Fail Subcategory databending glitch - stallio (2007) http://www.flickr.com/photos/stallio/collections/72157600187639823/ WINNER! databending glitch Subcategory DataDada - August Black (2004) http://aug.ment.org/datadada/download.php WINNER! DADAistic Data Subcategory
[NetBehaviour] CRITICAL GLITCH ARTWARE CATEGORY OPEN at BLOCKPARTY and NOTACON 2010!
CRITICAL GLITCH ARTWARE CATEGORY OPEN at BLOCKPARTY and NOTACON 2010! The criticalartware crew invites you to participate in the CRITICAL GLITCH ARTWARE CATEGORY OPEN at BLOCKPARTY and NOTACON 2010! Hosting the ARTWARE CATEGORY at BLOCKPARTY and NOTACON 2010, we invite submissions of Critical Glitch Artware to be exhibited and experienced in the context of the largest running North American demoparty! The ARTWARE CATEGORY will feature experimental works of Noise New Media Art; Realtime Audio-Video Performances; Art Mods and Art Games as well as a Glitch Art screening program curated by Nick Briz! The CRITICAL GLITCH ARTWARE CATEGORY opens on Friday April 16th. Entries to the CRITICAL GLITCH ARTWARE CATEGORY should be sent to criticalartware by Tuesday April 13th 2010. CONTACT us to SUBMIT your PROJECTS to the CRITICAL GLITCH ARTWARE CATEGORY: criticalartware AT gmail DOT com ABOUT THE ORGANIZERS The criticalartware crew won first place in the 'Artware' category at BLOCKPARTY 2008 and revealed their secret source codes at BLOCKPARTY and NOTACON 2009. BLOCKPARTY and NOTACON 2010 mark the first public opening of the ARTWARE CATEGORY as organized by criticalartware. The criticalartware crew has participated in and organized Artware events internationally in Chicago, Mexico City, Helsinki, San Francisco, Vienna, Bejing and Aarhus: http://criticalartware.net The criticalartware crew is currently constituted by jonCates, Jake Elliott, Tamas Kemenczy and Mark Beasley. Nick Briz curates Glitch Art and exhibits his own work internationally at festivals such as the Images Festival in Toronto, the Chicago Underground Film Festival, the FILE Media Arts Festival in Rio, Brazil and the Sidney Underground Film Festival: http://www.nickbriz.com ABOUT THE EVENT Blockparty is the largest running North American demoparty. Founded in 2007 by Jason Scott and Christian RaD Man Wirth, it has partnered with Notacon in Cleveland, Ohio: http://www.demoparty.us Notacon (pronounced not-a-con) is an art and technology conference which takes place annually in Cleveland, Ohio: http://www.notacon.org ... http://criticalartware.net/ CRITICAL GLITCH ARTWARE CATEGORY DEMO INVITE by m4k3r aka Mark Beasley (2010) http://criticalartware.net/nfo/ ONLINE NFO http://criticalartware.net/img/CGAC.jpg WWWEB FLIER * * the CRITICAL GLITCH ARTWARE CATEGORY was made possible in part by the Satromizer by Ben Syverson: http://bensyverson.com/software/satromizer/ Jon Satrom (on whom the Satromizer is based) + Ben Syverson (the artware developer who created the Satromizer) are founding members of previous versions of criticalartware. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] LEONARDO SCHOLARSHIP FOR MediaArtHistories MA awarded to Fran ILICH
LEONARDO SCHOLARSHIP FOR MediaArtHistories MA awarded to Fran ILICH From a field of applicants from twelve countries from four continents, Mexican media artist, author, and researcher Fran Ilich Morales Muñozhas been awarded the first Leonardo Scholarship in the Media.Art.Histories MA program at the Department of Image Science at Danube University, Austria. The jury, consisting of Edward Shanken, jonCates and Oliver Grau selected Ilich from a highly competitive group of candidates based on his extraordinary accomplishments, intellectual sophistication, independent vision, and entrepreneurial spirit. Ilich is Director of the Literature Department at the Centro Cultural de Tijuana, Founding Director of Possible worlds.org and Founding CEO of Spacebank. He was Co-founder and Moderator Nettime-Latino and has contributed essays to Wired News, Modem.txt, and Al Fin. His videogame artwork, Banner (with Blas Valdez) was exhibited at 01 San Jose (2009) and ARCO XX, Madrid (2001). His Internet soap opera, Fea y Rebelde was exhibited at Documenta 12, Kassel (2007). He was General Director and Curator of the Borderhack! festivals in 2001, 2002, and 2005. = LEONARDO SCHOLARSHIP FOR MEDIA ART HISTORIES The scholarship is planned to answer the critical challenges of the 21st century, which require mobilization and cross-fertilization among the domains of art, science and technology by supporting the studies of a new researcher or artist. = FIRST INTERNATIONAL MASTER OF MEDIA.ART.HISTORIES (low-residency; English language, international faculty) The postgraduate program MediaArtHistories conveys the most important developments of contemporary art through a network of renowned international theorists, artists and curators like: Erkki HUHTAMO, Lev MANOVICH, Christiane PAUL, Paul SERMON, Edward SHANKEN, Jens HAUSER,Sean CUBITT, Christa SOMMERER, Gerfried STOCKER, Knowbotic Research, Frieder NAKE, Oliver GRAU and many others. Artists and programmers give new insights into the latest software, interface developments and their interdisciplinary and intercultural praxis. Keywords are: Strategies of Interaction Interface Design, Social Software, Immersion Emotion and Artistic Invention. Using online databases and other modern aids, knowledge of computer animation, netart, interactive, telematic and genetic art as well as the most recent reflections on nano art, augmented reality and wearables are introduced. Historical derivations that go far back into art and mediahistory are tied in intriguing ways to digital art. Important approaches and methods from Image Science, Media Archaeology and the History of Science Technology will be discussed. http://www.donau-uni.ac.at/mah =DANUBE UNIVERSITY KREMS - located in the UNESCO world heritage Wachau, 70km from Vienna, is the only public university in Europe specializing in advanced continuing education by offering low-residency degree programs for working professionals and life long learners. Our students faculty members come from the USA, Italy, Canada, Syria, Austria, Mexico, Hong Kong, among others. Without interrupting their career, students have the opportunity to learn through direct experience, social learning in small groups and contacts with labs and industry. They gain key qualifications for the contemporary art and media marketplace. The Center in Monastery Goettweig, where most MediaArtHistories courses take place, is housed in a 14th century building, remodeled to fit the needs of modern research in singular surroundings. = LEONARDO/ISAST - Leonardo creates opportunities for the powerful exchange of ideas between practitioners in art, science and technology. Through publications, initiatives andpublic forums, Leonardo/ISAST facilitates cross-disciplinary researchin these fields, seeking to catalyze fruitful solutions for the challenges of the 21st century. Among the challenges requiring cross-disciplinary approaches are establishing sustainable environmental practices, spreading global scientific and artistic literacy, creating technological equity, and encouraging freedom of thought and imagination. =LEAF - The Leonardo Education and Art Forum promotes the advancement of artistic research andacademic scholarship at the intersections of art, science, and technology. Serving practitioners, scholars, and students who are members of the Leonardo community, LEAF provides a forum for collaboration and exchange with other scholarly communities, including the College Art Association of America (CAA), of which it is an affiliate society. Further Information: http://www.donau-uni.ac.at/mah http://www.leonardo.info http://www.virtualart.at http://www.mediaarthistories.org ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Tobias Bernstrup and Palle Torsson interview - jonCates (2007)
i am currently releasing an interview that i did w/Tobias Bernstrup and Palle Torsson on the Art Game Studies platform which i introduced here: http://bit.ly/apCkM8 Bernstrup and Torsson collaboratively created a series of Art Games in the form of Art Mods called Museum Meltdown from 1996 to 1999. these Art Mods are among the first of their kind, New Media Art interventions into the site of their own exhibition which utilize the possibilities presented by First Person Shooters and level editing. i interviewed Bernstrup and Torsson in 2007 to discuss these Media Art Histories for an essay of mine called Running and Gunning in the Gallery: Art Mods, Art Institutions and the Artists that Destroy Them, which will appear in From Diversion to Subversion: Games, Play, and Twentieth-Century Art, edited by David Getsy. our discussion is both technical and conceptual, involving questions of Institutional Critique, site specificity and personal reflections of the often self-relfexive process of making museums meltdown... jonCates Chicago 2010 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Danielle Wilde @ Upgrade! Chicago TUES FEB 9
Film, Video New Media and the Upgrade! Chicago present: Danielle Wilde! Swing that Thing : moving to move pairing technology with the body to poeticise experience …a presentation on Wilde’s New Media Art of “body-worn devices for performance and play, that encourage people to move in unusual ways”! TUESDAY FEBRUARY 9th 2010 6 PM FREE The School of the Art Institute of Chicago MacLean building, Room 1307, 13th floor 112 South Michigan Avenue Chicago, IL 60603 Australian artist and scholar Danielle Wilde will elaborate an emergent definition of poetic body-worn devices for performance and play, that encourage people to move in unusual ways; and a series of non-augmented devices that explore how we might conceive of and develop technologies that we can’t yet imagine. By extending the body, mechanically, gesturally and sensorially we can encourage people to move in extra-normal ways, so view and experience their bodies from perhaps hitherto unknown perspectives. This affords insight into how our bodies can move and what this feels like, and the idiosyncratic nature of personal, corporeal expressiveness… extends the body with soft prosthetics to remind us of an inner state and encourage magical thinking! Danielle Wilde has an MA in Interaction Design from the Royal College of Art in London, and is completing a practice-based PhD at Monash University, Melbourne; at the CSIRO, Belmont; and from March 2010, at Tokyo University, Japan. Her investigation is concerned with how extending the body with technology might extend our poetic and expressive potential, and what this might mean. Outcomes include cultural artefacts, as well as tools for supporting an integration of the poetic in Rehabilitation and Disability – engaging the body through the imagination and the imagination through the body to form an emergent, embodied, creative feedback loop that can impact experiences in everyday life. Underlying these concerns is a pragmatic examination of the impact of different choices relevant to the development of physically engaging body-worn technologies, including interface; interaction; and where the attention of observer and participant might lie at any time. http://www.daniellewilde.com http://upgradechicago.org http://www.saic.edu/degrees_resources/departments/fvnm/ ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Art Game Studies Resource
i am releasing a new + open collaborative/community-based resource on/for Art Game Studies here: http://bit.ly/5GdzNL this list is primarily drawn from classes that i teach at the School of the Art Institute of Chicago where i have developed the New Media curriculum in the department of Film, Video New Media. the list includes works that i + others have taught, played, researched, written on, developed, screened + exhibited as well those that have been developed by my students, colleagues, peers, fellow artists + myself. as such, this resource is subjectively crafted from my own experiences but hopefully objectively useful as a contribution to the field of Art Game Studies + Media Art Histories. the resource will be used in my upcoming course Art Game Studies, a new Media Art Histories course being offered by the Art History, Theory Criticism department + Film, Video New Media. this course is both an overview of Art Games as well as introduction to the theories + discourses of Game Studies. the research for this resource also comes from + contributes to my ongoing work in this field, such as my essay, Running and Gunning in the Gallery: Art Mods, Art Institutions and the Artists that Destroy Them, which will appear in From Diversion to Subversion: Games, Play, and Twentieth-Century Art, edited by David Getsy, to be published by Penn State Press. i am offering this resource freely + openly to anyOne who wants to contribute to or comment on these histories. i will be revising the version that i use in my classes based on your contributions + comments. i hope that artists, academics, researchers + theorists of Art Mods, Art Games, Artware + New Media Art (1) in general find this resource engaging + useful as an open + collaborative/community-based resource that we can develop together, to help document these emerging theorypractices. (2) jonCates CHI .US 2010.01.25 http://systemsapproach.net 1. a note on taxonomies + my approach: in my thinking/feeling on the subject, Art Games are a subset of Artware (or Software Art) which itself is a subset of New Media Art. i will use the term New Media Art, as it is used in the field by authors such Michael Rush in his New Media in Late 20th-Century Art from 1999 or Mark Tribe + Reena Jana in their collaborative book simply entitled New Media Art. i am also using the phrase New Media Art as we use it in the Film, Video New Media Department. When we use the phrase New Media we refer to time, screen + code based Digital Art that is connected to the histories + theorypractices of Media Art, i.e. Film Art + Video Art. we are primarily concerned with experimental Media Art + we see New Media Art in relation to all other forms of experimental Media Art such as Film, Video, Animation, Installation, Art Games, Machinima, Realtime Audio Video, Web Art, Software Art + Free Open Source Software. i also take this perspective from two of my own professors, Lev Manovich + Sean Cubitt. For Cubitt + Manovich Video Art and New Media Art are (respectively) both hybrid categories of creative cultural work, meshworks of interconnections that are socially situated technological forms. i am similarly motivated to understand Art Games in this manner. 2. a note on the contents of the Art Game Studies resource: this resource is not intended to be comprehensive but rather as i described above, collaborative + open. not all works in this list can be included in any given syllabus, courseware, research project, published essay, book, etc. still, i believe it is very important to openly compile + discuss such lists in order to respect + encourage multiple parallel Media Art Histories to develop. in this initial version i have not included many commercial mainstream or mass market gaming products or services in terms of chronologies of hardware (i.e. particular consoles) or software (i.e. specific games). in the cases where i have included these they are primarily in place to document the development of a genre (such as the First Person Shooter) or a crossovers between markets (such as in the case of Electro Plankton by Toshio Iwaii). COPY-IT-RIGHT 2010 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] ::Curating::Exhibiting::Collecting:: MediaArtHistories, CP
The next MediaArtHistories modules in November 2009 and May 2010 will focus on Curating, Exhibiting and Collecting Media Art with the best experts in the field like Steve DIETZ, Christiane PAUL, Gunalan NADARAJAN, and others. These two modules complete a Certified Program in MediaArtHistories :: fully accredited with 30 ECTS (post graduate), offered low residency, parallel to employment, in English. The CP can later be extended to complete the full Master of Arts program incMediaArtHistories or used as study-abroad credits. www.donau-uni.ac.at/mah-cp The November module will start with an excursion to Berlin and end in a workshop with Lev MANOVICH. The May module will include a excursion to the relevant Ars Electronica sites and workshops with main players in Linz. Module 1. Nov 2-12, 2009 Berlin and Goettweig/Krems Module 2. May 1-11, 2010 Goettweig/Krems and Linz The postgraduate program MediaArtHistories opens a passageway into the most important developments of contemporary art through a network of renowned international theorists, artists, curators and many others. Using online databases and other modern analysis instruments, knowledge of computer animation, net art, interactive, telematic and genetic art as well as the most recent reflections on nano art, CAVE installations, augmented reality and wearables are examined. Historical derivations that go far back into art and media history are researched in intriguing ways with media art. Important approaches and methods from Image Science, Media Archaeology and the History of Science Technology are extensively integrated into the program. The MediaArtHistories MA modules are based on the international practice and expertise in Curation, Collecting, Preserving and Archiving and Researching in the Media Arts. Thus setting the conditions necessary for wider consideration of media art works and the integration of new media into the international contemporary art scene. New databases and other scientific tools structuring and visualizing data provide the contexts to enhance and develop new understanding in the histories of media art. DANUBE UNIVERSITY - located in a UNESCO world heritage site is the first public university in Europe which specializes in advanced continuing education offering low-residency degree programs for working professionals and lifelong learners. Students come twice a year for 2 week blocks to Monastery Göttweig in Austria. The Wachau is voted #1 Places Rated by National Geographic. http://www.nationalgeographic.com/travel/sustainable/pdf/destination-scorecard.pdf http://www.donau-uni.ac.at/mah http://www.virtualart.at http://www.donau-uni.ac.at/telelectures Department for Image Science Danube University Krems Contact - application information Andrea Haberson andrea.haber...@donau-uni.ac.at Contact - course and content questions Wendy Coones wendy.coo...@donau-uni.ac.at ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] my recent presentation @ DOCAM's Media In Motion Symposium
hi Netbehaviouralists my recent presentation @ DOCAM's Media In Motion Symposium in Montreal @ McGill University on the Phil Morton Memorial Research Archive is now online + available here: http://copyitright.wordpress.com i would love to hear any comments or feedback you have via comments on the blog or replies/responses to this thread // jonCates Assistant Professor Film, Video New Media The School of the Art Institute of Chicago http://joncates.blogspot.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] IX by H3XEN @ DEADTECH this SATURDAY May 10
inline: IX_webflyer.jpg IX by H3X3N @ DEADTECH Saturday May 10 7 - 10 PM FREE H3X3N is a group of Computer Witches who have built an enchanted cube that casts magical spells on computers. This cube, called IX, is a New Media Artwork that will be shown at DEADTECH, an art and technology center and gallery in Chicago, this Saturday May 10. The IX cube casts spells on Windows, Macintosh and Linux computers, hacking and hexing these operating systems. IX combines traditional stage magic tricks and irony as elements of Hacker culture to create an Interactive Installation and Software Art project. IX has been exhibited previously at the Interactivos? exhibition at the Media Lab Madrid in Madrid, Spain. H3X3N, a collaborative computer witchcraft club from Chicago, Mexico City Mexico and Linz Austria, is currently composed of Mark Beasley, Sandra Rosas Ridolfi, jake elliott, tamas kemenczy, Alex Inglizian, Nina Wenhart and jonCates. Come play with the cube and cast spells that beautifully break computers at DEADTECH, 3321 W. Fullerton Ave. Chicago IL 60647 from 7 - 10 PM. IX by H3X3N http://h3x3n.net H3X3N blog http://h3x3n.wordpress.com DEADTECH: art and technology center and gallery 3321 W. Fullerton Ave. Chicago IL 60647 http://www.deadtech.net ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] HARDcoded on SAT 2007.12.08 @ EN3MY (FREE!)
inline: HARDcoded_webFlier.gif HARDcoded :: Digital Punk Magicians SAT December 08 2007 1 PM - 9 PM @ EN3MY 1550 N. Milwaukee Ave 3rd Fl. Chicago, IL 60622 FREE + OPEN! ++ simultaneously streaming @ CentroMultiMedia + BORDER Mexico City DF, Mexico HARDcoded is an ongoing collaboration between newMedia artists in Chicago + Mexico City, that explore the cross-over between digital noise, punk, + magic. HARDcoded is a wordplay between embedded/non- mailable data sets in software development, like End User License Agreements (or EULA) or closed-source proprietary computer applications, + the xXxHARDCORExXx ethic of Punk culture. Our (artists + organizers alike) approach to reconstruct/disrupt the controlled environment of digital technology by breaking these social devices with wizardry. Here, wizardry is informed by Tolkien references in early moments of information technology + digital networking, as well as playfully applying narratives of spell casting, enchantment, + fantasy to the otherwise dull architecture of cyberspace. This wizardy of course would be nothing without magic. This magic, which serves as ironic term with a critical bent, can break the spell of traditional methods of cultural communication + sharing in an ever-growing oppressive state. HARDcoded seeks to create a space where ruptures in our digital playing field (glitch, noise, + hacked/repurposed material/tools) can take precedence over the norms of our contemporary static digital landscape. The collaboration borrows from a Punk ethics/ethos + the necessity for a sustainable break away from the normative practices of commercial platforms. By invoking these ideologies/methodologies HARDcoded hopes to provide/facilitate a DIY/DIT network of subversion. In attempting to approach this task, HARDcoded wishes to provide a social platform of workshops, talks, + performances (and hybrids of these three) to enable these fissures to break through the veil of our closed-source expectations + reliance. The Program consists of workshops/talks by :: [1PM – 2.30PM ] Alex Ignlizian + Mark Beasley + Cassandra Rosas (Hardware Hacking/Building) [2.30 PM – 3 PM] Jake Elliot dai5ychain.net (Reprogramming Computer Literacy) [3 PM – 3.30 PM] Marisa Plumb Working Engineer, Pathegon corp. (Lecture/Performance) [3. 30 PM – 4.30 PM] Temporary Services temporaryservices.org (Lecture on Urban Hacktivism) [4.30 PM – 5 PM] criticalartware criticalartware.net (Media Art Histories Lecture) [5 PM – 7 PM] Installation By :: Mark Beasley (DotMatrix Printer + Sound Installation) Paul Hertz collaboratory.nunet.net/phertz/ (Ignotus the Mage, Performance/Installation) [7 PM – 9 PM] Nightly Performances/screening by :: Valerie Brewer (Machinima Video) Professor Pangaea (Machinima Video) CHHO (The Chicago Hacked Hardware Orchestra, Performance from Workshop) criticalartware w/ Morgan Higby Flowers criticalartware.net (Realtime Artware Development Performance) I 3 Presets ilovepresets.com (Realtime Audio/Video performance) @ EN3MY in Chicago, IL, United States. Simultaneously, in Mexico City the HARDcoded Program consists of an open invitation for completely horizontally organized discussion + reflection @ CentroMultiMedia in Mexico City, Mexico + Performances/Screenings by Ezequiel Netri, Lalo Melendez, Jaime Villarreal, Eusebio Bañuelos + an open jam session @ the BORDER in Mexico City, Mexico! ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Fwd: MA MediaArtHistories Summer Program and Public Lecture Series
// fyi, below is a msg from the MediaArtHistories program that i attend // in the Department for Image Science @ the Danube University Krems // in Krems, Austria // jonCates // http://systemsapproach.net Begin forwarded message: Dear all, we would like to let you know about the high calibre faculty of our May-Module 2007 in the international low residency university course “MediaArtHistories, MA”. The module program features some of the most acclaimed speakers in the field: May 18 - Exhibition devices and new media strategies, Sylvia Grace BORDA May 19 - Design of Knowledge Spaces, Wolfgang STRAUSS (netzspannung.org) May 20 - Design of Educational spaces, Monika FLEISCHMANN (netzspannung.org) May 21 - Christa SOMMERER on Interface Design, Oliver GRAU on Genetic Art May 21 - FiresideTalk with Gerfried STOCKER (Director of the Ars Electronica Festival) May 22 - Contemporary Media Art Genres - various Presentations and Case Studies EXCURSION: May 23 - 26 to ZKM Karlsruhe, with guided tour “behind the scenes” (Bernd LINTERMANN) and lecture by Margit ROSEN May 27 - Workshop with Artist Paul SERMON, UK May 28 - 29 Christiane PAUL, Adjunct Curator of New Media Arts at the Whitney Museum of American Art and the director of Intelligent Agent, on “Curating and Preservation Aspects of Media Art in Museums” May 31 - Micromovies - Workshop with J. JOERGES, GER Be there online STREAMING TALK Curating, Collecting and Archiving MediaArt During the last decades media art has grown to be the art of our time, though it has hardly arrived in our cultural institutions. The mainstream of art history has neglected developing adequate research tools for these contemporary art works, they are exhibited infrequently in museums, and there are few collectors. Media art is hardly being archived and systematically preserved like ancient and traditional forms of art. This loss of data our society is facing because of the change in storage media and operational systems threatens to result in a total loss of our contemporary digital art. Which practices and strategies in curating and documenting of media art do experts in the field suggest? With - Christiane PAUL, curator for New Media, Whitney Museum for American Art, NY - Paul SERMON, media artist and scientist at the University of Salford, UK ! You can join the event live in MUMOK or watch the lecture online! On Sun, the 27th of May the course MediaArtHistories, MA invites you to the 3rd Danube TeleLecture from the MUMOKin Vienna - Time: Sunday, 27th of May 2007 - Start: 17.00h CET (also start of streaming) Full course descriptions can be found at http://www.donau-uni.ac.at/mah New Publication: Oliver Grau (Ed.): MediaArtHistories, Cambridge, MIT-Press 2007. http://www.mediaarthistories.org/pub/mediaarthistories.html Bios of the faculty members at: http://www.donau-uni.ac.at/en/studium/medienkunstgeschichte/06318/ index.php Admissions New students with rolling admissions can apply starting now. The November- module features amongst other lectures by Lev MANOVICH, Steve DIETZ and an excursion to the conference re:place 07 in Berlin. Please note there are only a limited number of places for participation left. Admissions will be granted upon date of arrival. Further information and application Sabine Lindner Danube University Krems Department for Image Science Dr.-Karl-Dorrek-Straße 30 A-3500 Krems, Austria Tel. +43 (0)2732 893-2569 Tel. +43 (0)2732 893-4551 [EMAIL PROTECTED] http://www.donau-uni.ac.at/dis ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] (A) 2007.01.05 r4WB1t5 micro.Fest!
+
+ (A) 2007.01.05 r4WB1t5 micro.Fest +
+
2007.01.05 ONE NIGHT ONLY
REALTIME A/V JAMBOREE
7PM - ON
PILOT LIGHT
106 E Jackson Ave
Knoxville, TN 37915
http://www.thepilotlight.com
* FREE + OPEN
2007.01.05 THRU 2007.01.27
Distribution Religion exhibition
- featuring 0P3NFR4M3W0RK + R4WD10PL4Y84CK800M80X0R
OPENING 6PM - 11PM
The Art Gallery of Knoxville
317 N Gay St
Knoxville, TN 37917
Gallery Hours: Friday - Saturday (3-8pm)
http://www.theartgalleryofknoxville.com
* FREE + OPEN
share, {exchange|distribute} ++ create crossroads of digital punk,
blues musics + freak folktronics as forms of protest + resistance to
current socio-economic situations + political contingencies!
+++ (A) r4WB1t5 micro.Fest @ Pilot Light +++
(A) r4WB1t5 rocks digital systems @ Pilot Light, with a realtime
audio and video jamboree by r4WB1t5 participants from Knoxville,
Chicago and beyond with:
Curt Cloninger - lab404 (Asheville NC .US) performing realtime audio
video
http://lab404.com/video/francis.html
Fecal Japan (Knoxville TN .US) playing experimental noise musics
http://www.myspace.com/fecaljapanolecularization
Cindy Latham (Knoxville TN .US) screening digital video
http://www.cindylatham.com
Operators of E.D.E.N. (Chicago IL .US) operating a utopian switch
board system
http://geocities.com/operatorsofeden
AND MORE! in an open cybernated jam session including these artists
as well as the r4WB1t5 micro.Fest organizers themselves, Chris
Molinski, jonCates, jon.satrom and jake elliott. a folksonema
screening opens the night @ Pilot Light with metatagged media from
all across the global interweb super sprawl.
+
+ (A) r4WB1t5 micro.Fest @ The Art Gallery of Knoxville +
+
++ @ The Art Gallery of Knoxville, upload art to 0P3NFR4M3W0RK
(images) + R4WD10PL4Y84CK800M80X0R (audio) to make a mashed up cinema
machine! 0P3NFR4M3W0RK projects your digital images into an open
golden frame on the Gallery wall while R4WD10PL4Y84CK800M80X0R
transits your audio files on a micro.Radio station broadcasting to
olde skool boomboxes!
++
+ (A) r4WB1t5 micro.Fest network connections +
++
http://r4wb1t5.org/2007.01.05
http://www.myspace.com/pilotlightclub
http://folksonema.nothingistrueeverythingispermitted.com
http://www.flowerglass.net
http://0p3nfr4m3w0rk.org/install
http://del.icio.us/tag/0P3NFR4M3W0RK
http://www.flickr.com/photos/tags/0P3NFR4M3W0RK
email: [EMAIL PROTECTED]
http://r4wd10pl4y84ck800m80x0r.org/play
email: [EMAIL PROTECTED]
http://del.icio.us/tag/R4WD10PL4Y84CK800M80X0R
http://www.theartgalleryofknoxville.com
___
NetBehaviour mailing list
NetBehaviour@netbehaviour.org
http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] folksonema.006 tag :: theInternetIsASeriesOfWormholes
!URGENT MSG FWD RESENT FROM FOLKSONEMA DEVELOPER JAKE ELLIOT! http://folksonema.nothingistrueeverythingispermitted.com CALLING ALL TAGGERS PLEASE TAG NOW theInternetIsASeriesOfWormholes the new year is coming on fast, folksonemae. FAST. it’s, what, the 27th now? fuck i thought it was the 26th!??! WAIT A GODDAMN MINUTE WHY IS IT SO DARK. time and space seem to be bending in under and through one another: near+far, past+future, small+big, cat+dog: all intersecting at a single point in 23-D parameter space! what does this mean for folksonema? 1. The next folksonema screening will be on Friday, January Fifth Two- Thousand and Seven - despite the fact that this is not a Wednesday as per usual. 2. The next folksonema screening will occur simultaneously at the Pilot Light in Knoxville, TN and the Flowershop in Chicago, IL through the use of magical internet wormhole technology. 3. You may know that folksonema was inspired by a component of the r4wb1t5 series of micro.festivals. The next folksonema will be a byte of fruit dangling from the loving branches of its own future seedling as r4wb1t5 micro.fest 2007.01.05 and folksonema feed back into their pasts+presents+futures in infinite regress. 4. The tag for the next folksonema screening is: theInternetIsASeriesOfWormholes. on friday the 5th of january two-thousand and seven, we’ll watch all media tagged theInternetIsASeriesOfWormholes at the Pilot Light and the Flowershop. watch this spot for exact time! =- —= –= ‘–’ =– =— -= =- (A) r4WB1t5 micro.Fest -= =- —= –= ‘–’ =– =— -= (A) r4WB1t5 micro.Fests are international, decentralized, self- organized + independent instantiated situations of raw bits of digital art + dirty new media. (A) r4WB1t5 micro.Fest is itself an open platform or framework for creating these events in alternative + conversational contexts such as bars, basements, art spaces, apartments, galleries, etc… (A) r4WB1t5 micro.Fest extends out of + feeds back into DaDaist, Situationist, Fluxist, punk, digital art + New Media theories + practices… (A) r4WB1t5 micro.Fests are always free + open collaborative projects, available to anyone interested in self-organizing Digital Arts + dirty New Media. http://r4wb1t5.org –=-=-=-=-=-=– = PILOT LIGHT = –=-=-=-=-=-=– since may 2000: knoxville’s home for experimental and independent musics, film, and performance. we’ve hosted well over 1500 different local, national, and international bands (many of them multiple times) since inception. all volunteer. we are bringing it here for you. come find a new favorite band. Pilot Light 106 E Jackson Ave - Knoxville, TN 37915 865.524.8188 http://www.thepilotlight.com http://www.myspace.com/pilotlightclub ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] 0P3NFR4M3W0RK
[ (A) r4wB!t5 micro.Fest PRESENTS ]
][]P3|\|.|=r@/\/\3.\/\/()r|][ AKA 0P3NFR4M3W0RK AKA Open Frame Work
[ @ The Art Gallery of Knoxville TN .US opening 2007.01.05 ]
[ as a component of the Distribution Religion Exhibition ]
[ 1rst DEADLINE == 2007.01.04 ]
[ 2nd DEADLINE == 2007.02.04 ]
][]P3|\|.|=r@/\/\3.\/\/()r|][ AKA 0P3NFR4M3W0RK AKA Open Frame Work
is an open archive of dirty new media + digital still art exhibited
as an aspect of the 2007.01.05 (A) r4wB!t5 micro.Fest to be held @
The Art Gallery of Knoxville in the Distribution Religion exhibition.
0P3NFR4M3W0RK is an open DIY digital art exhibition ware every artist
will receive equal time (length of event divided by number of
participants) in the display of their digital art [works/worlds]. ][]
P3|\|.|=r@/\/\3.\/\/()r|][ is potentially the interweb's,
dataspheres' ++ world's largest open exhibition of digital art. all
work submitted w/the following conditions will be displayed in the
The Art Gallery of Knoxville + will be listed as work shown in the
2007.01.05 (A) r4WB1t5 micro.Fest. the current Open Frame Work will
include all materials submitted to the previous instances, i.e. from
the 2005.08.27 (A) r4WB1t5 micro.Fest @ Alterspace in Chicago IL .US
+ will be including in the ongoing (A) r4WB1t5 micro.Fest.
[ INSTALL YOUR DIGITAL IMAGE ART DATA ]
send images via email, attaching your *.ANSII, *.BMP, *.BUM, *.CLP,
*.CUR, *.EPS, *.GIF, *.ICNS, *.ICO, *.JIF, *.JPG, *.JP2, *.PDB,
*.PDF, *.PICT, *.PSD, *.PNG, *.RAW, *.RSRC, *.SVG, *.SGI, *.SUN,
*.TIFF, *.YUV, *.X-FACE, etc files to:
[EMAIL PROTECTED]
or via Flickr, by uploading + then tagging your images w/the
0P3NFR4M3W0RK tag:
http://www.flickr.com/photos/tags/0P3NFR4M3W0RK
or via bookmarking the images that are already online using
del.icio.us + then tagging your images w/the 0P3NFR4M3W0RK tag:
http://del.icio.us/tag/0P3NFR4M3W0RK
or by uploading your data directly:
http://0p3nfr4m3w0rk.org/install
(A) r4wB!t5 organizers will harvest files from these interwebbed
locations 11:59 PM on 2007.01.04
+ EVERY IMAGE (AKA ALL DATA SUBMITTED!) WILL BE SHOWN IN THIS EVENT.
--=-=-=--=-=-=--
-= 2007.01.05 =-
--=-=-=--=-=-=--
(A) 2007.01.05 r4WB1t5 micro.Fest in Knoxville TN .US is an open
collaborative aspect of the Distribution Religion exhibition at The
Art Gallery of Knoxville. (A) 2007.01.05 r4WB1t5 micro.Fest is being
organized around themes of sharing, systems of {exchange|
distribution} + creating crossroads of digital punk, blues musics +
freak folktronics as forms of protest + resistance to current socio-
economic situations + political contingencies.
on the night of 2007.01.05 The Distribution Religion exhibition will
open at The Art Gallery of Knoxville + will include the r4WB1t5
projects Open Frame Work + Radio Play Back Boom Boxor. these ongoing
components of (A) r4WB1t5 micro.Fest feature artists from around the
earth-planet.
simultaneously, (A) 2007.01.05 r4WB1t5 micro.Fest will occur @ The
Pilot Light in Knoxville TN .US, across the tracks from The Art
Gallery of Knoxville. the (A) 2007.01.05 r4WB1t5 micro.Fest @ The
Pilot Light will feature a folksonema screening, open source artware
distribution + realtime audio + video performances by r4WB1t5
participants from Knoxville, Chicago + beyond. a live data stream
will also connect these physical-virtual spacestations across the
global wide interweb.
=- ---= --= '--' =-- =--- -=
=- (A) r4WB1t5 micro.Fest -=
=- ---= --= '--' =-- =--- -=
(A) r4WB1t5 micro.Fests are international, decentralized, self-
organized + independent instantiated situations of raw bits of
digital art + dirty new media. (A) r4WB1t5 micro.Fest is itself an
open platform or framework for creating these events in alternative +
conversational contexts such as bars, basements, art spaces,
apartments, galleries, etc... (A) r4WB1t5 micro.Fest extends out of +
feeds back into DaDaist, Situationist, Fluxist, punk, digital art +
New Media theories + practices... (A) r4WB1t5 micro.Fests are always
free + open collaborative projects, available to anyone interested in
self-organizing Digital Arts + dirty New Media.
http://r4wb1t5.org
=--=-=--=-=--=
= FOLKSONEMA =
=--=-=--=-=--=
folksonema is a bi-weekly screening evnt @ the flowershop (2159 w
21st pl, chicago il), inspired by the `][]P3|\|.|=r@/\/\3.\/\/()r|]
[ (aka open frame work)` program developed by jon.satrom for r4wb1t5
2005.08.27. every two weeks, jake elliott propagates information
about a certain tag to use (ie “ravepartyinaspaceship” or
“thatrobotatemysandwich”) on sites like youtube, del.icio.us, flickr,
etc. for each screening, jake elliott scrapes the tagged media
(images, mp3’s, exe’s, videos, web pages, txt’s, etc.) from those
sites screens them in the greenhouse of the flowershop, a space
inhabited by various artists, projects public initiatives.
folksonema == folk + taxonomy +
Re: [NetBehaviour] first chicago based hackmeeting!
just to clarify this event runs FRIDAY October 2006.10.13 thru SUNDAY 2006.10.15 // jonCates On Oct 10, 2006, at 1:00 PM, jonCates wrote: FIRST GREAT LAKES REGION CHICAGO BASED HACKMEETING FRIDAY October 2006.10.13 - SUNDAY 2006.10.15 hosted by Busker ++ dai5ychain @ the Flowershop 2159 W. 21st Place Chicago IL .US *** * hackers * activists * artists * hacktivists * artivists * *** come join the first annual great lakes region chicago based hackmeeting! presentations on free and open source software, workshops on independent media, hacktivist skill shares, socially engaged art projects, activist meetings, and more! +view and discuss media including documentation of international hacktivist projects +engage in critical conspiracy with local hacker/artist/activist (projects|platforms|concerns) +learn how to (open|hack|subvert|detourn) consumer electronics +share media, skills and experience +free vegan food all weekend GOTO THE CHICAGO HACKMEETING WIKI: http://hackmeetingwiki.dai5ychain.net TO PROPOSE PRESENTATIONS, WORKSHOPS, SKILL SHARES, SCREENINGS, PERFORMANCES, ETC... + PARTICIPATE IN THE 2006.10.13 - 2006.10.15 CHICAGO HACKMEETING! ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
