[NSP] Re: TOTM/shameless plug

2011-07-31 Thread Anthony Robb

   Hello Dave
   Thanks for the copy of Mad Moll.
   It looks like a/the precursor of Peacock Followed The Hen to me but
   Matt would know better.
   As for modal A tunes on my Primitives, I sometimes move the sliding
   parts so that the two smallest ends go on the drones below and the big
   G end goes on little g. This gives me a pair of drones e  A but the
   pipes don't sing as well like that, so although it's possible I rarely
   do it. It can be fun though and I might give it a whirl sometime soon.
   I'll keep you posted off list.
   Cheers
   Anthony
   --- On Sun, 31/7/11, Dave S david...@pt.lu wrote:

 From: Dave S david...@pt.lu
 Subject: [NSP] Re: TOTM/shameless plug
 To: Anthony Robb anth...@robbpipes.com
 Cc: Dartmouth NPS nsp@cs.dartmouth.edu
 Date: Sunday, 31 July, 2011, 21:00

   Hi Anthony,
   Would it be a possibility for you to play the 1697/8 Playford Mad Moll
   on your primitive set? If you could get a drone pair to G  C (assuming
   it's G setup) Mad moll is in Am and has no Fnats in it.
   I have attached a scan for you -- I know the NSP site will strip it off
   --- if anyone wants a copy let me know and I will check with Barry/Tim
   to get it on site somewhere
   best
   Dave S
   On 7/29/2011 11:16 AM, Anthony Robb wrote:
Hello all
I've been reluctant to vote on this since our house is fighting
   back
whilst we put in a new kitchen, downstairs loo and new wee
   studio.
There is building dust everywhere and my pipes, mics and other
   gear are
packed away for the duration.
Even though I can't contribute musically I would go for Peacock.
Perhaps most will be familiar with the snippet:
   
Aal the neet ower and ower
And aal the neet ower agyen
Aal the net ower and ower
The peacock followed the hen
   
The cock's a dainty dish
The hen's aal hollow within
There's nee deceit in a puddin'
An' pie's a dainty thing
   
I also think of (but no idea why or where it comes from)
   
Won't ye come cuddle me cuddy
Now won't ye come cuddle me reet
Won't you come cuddle me cuddy
Just as ye did yesterday neet
   
That's about all I can offer on TOTM but I also thought some
   might be
interested to know that I have put my chanter where my mouth is
   so to
speak and had a very happy
off-the-cuff couple of days putting down 16 tracks (4 of them
   double
tracked) on my keyless pipes (The Primitives as maker Bill
   Hedworth
called them). I did it primarily as a teaching resource (even
   though
there are a few finger-busting favourites) but I've been
   persuaded to
go for a proper production of it.
Interested parties can go here to see what Stewart Hardy makes of
   it:
[1]www.robbpipes.com
Thanks for any interest
Anthony
   
   
   
--
   
References
   
1. [1]http://www.robbpipes.com/
   
   
To get on or off this list see list information at
[2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   
   
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   --

References

   1. http://www.robbpipes.com/
   2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[NSP] Re: TOTM/shameless plug

2011-07-31 Thread barry07

Images can be posted on the NPS pipersforum.
Please can contributors keep their image sizes as small as reasonable.
In case of difficulty, e-mail me

Barry

Quoting Dave S david...@pt.lu:


Hi Anthony,

Would it be a possibility for you to play the 1697/8 Playford Mad Moll
on your primitive set? If you could get a drone pair to G  C (assuming
it's G setup) Mad moll is in Am and has no Fnats in it.
I have attached a scan for you -- I know the NSP site will strip it off
--- if anyone wants a copy let me know and I will check with Barry/Tim
to get it on site somewhere

best
Dave S



On 7/29/2011 11:16 AM, Anthony Robb wrote:

Hello all
I've been reluctant to vote on this since our house is fighting back
whilst we put in a new kitchen, downstairs loo and new wee studio.
There is building dust everywhere and my pipes, mics and other gear are
packed away for the duration.
Even though I can't contribute musically I would go for Peacock.
Perhaps most will be familiar with the snippet:

Aal the neet ower and ower
And aal the neet ower agyen
Aal the net ower and ower
The peacock followed the hen

The cock's a dainty dish
The hen's aal hollow within
There's nee deceit in a puddin'
An' pie's a dainty thing

I also think of (but no idea why or where it comes from)

Won't ye come cuddle me cuddy
Now won't ye come cuddle me reet
Won't you come cuddle me cuddy
Just as ye did yesterday neet

That's about all I can offer on TOTM but I also thought some might be
interested to know that I have put my chanter where my mouth is so to
speak and had a very happy
off-the-cuff couple of days putting down 16 tracks (4 of them double
tracked) on my keyless pipes (The Primitives as maker Bill Hedworth
called them). I did it primarily as a teaching resource (even though
there are a few finger-busting favourites) but I've been persuaded to
go for a proper production of it.
Interested parties can go here to see what Stewart Hardy makes of it:
[1]www.robbpipes.com
Thanks for any interest
Anthony



--

References

1. http://www.robbpipes.com/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


-
No virus found in this message.
Checked by AVG - www.avg.com
Version: 10.0.1390 / Virus Database: 1518/3793 - Release Date: 07/28/11




--








[NSP] Re: TOTM/shameless plug

2011-07-31 Thread Gibbons, John
Matt has argued an octave pair of drones tuned Gg will work for The Peacock/Mad 
Moll and other harmonically similar tunes like Cuckold - you want to show up 
the contrast between the Am and Cmaj in the first and second strain 
respectively. That is what Peacock probably had to do with his version, as I 
think bead holes weren't invented yet.

John


From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of Dave S 
[david...@pt.lu]
Sent: 31 July 2011 21:00
To: Anthony Robb
Cc: Dartmouth NPS
Subject: [NSP] Re: TOTM/shameless plug

Hi Anthony,

Would it be a possibility for you to play the 1697/8 Playford Mad Moll
on your primitive set? If you could get a drone pair to G  C (assuming
it's G setup) Mad moll is in Am and has no Fnats in it.
I have attached a scan for you -- I know the NSP site will strip it off
--- if anyone wants a copy let me know and I will check with Barry/Tim
to get it on site somewhere

best
Dave S



On 7/29/2011 11:16 AM, Anthony Robb wrote:
 Hello all
 I've been reluctant to vote on this since our house is fighting back
 whilst we put in a new kitchen, downstairs loo and new wee studio.
 There is building dust everywhere and my pipes, mics and other gear are
 packed away for the duration.
 Even though I can't contribute musically I would go for Peacock.
 Perhaps most will be familiar with the snippet:

 Aal the neet ower and ower
 And aal the neet ower agyen
 Aal the net ower and ower
 The peacock followed the hen

 The cock's a dainty dish
 The hen's aal hollow within
 There's nee deceit in a puddin'
 An' pie's a dainty thing

 I also think of (but no idea why or where it comes from)

 Won't ye come cuddle me cuddy
 Now won't ye come cuddle me reet
 Won't you come cuddle me cuddy
 Just as ye did yesterday neet

 That's about all I can offer on TOTM but I also thought some might be
 interested to know that I have put my chanter where my mouth is so to
 speak and had a very happy
 off-the-cuff couple of days putting down 16 tracks (4 of them double
 tracked) on my keyless pipes (The Primitives as maker Bill Hedworth
 called them). I did it primarily as a teaching resource (even though
 there are a few finger-busting favourites) but I've been persuaded to
 go for a proper production of it.
 Interested parties can go here to see what Stewart Hardy makes of it:
 [1]www.robbpipes.com
 Thanks for any interest
 Anthony



 --

 References

 1. http://www.robbpipes.com/


 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


 -
 No virus found in this message.
 Checked by AVG - www.avg.com
 Version: 10.0.1390 / Virus Database: 1518/3793 - Release Date: 07/28/11



--




[NSP] Re: TOTM/shameless plug

2011-07-31 Thread Matt Seattle
   On Sun, Jul 31, 2011 at 11:51 PM, Gibbons, John
   [1]j.gibb...@imperial.ac.uk wrote:

 Matt has argued an octave pair of drones tuned Gg will work for The
 Peacock/Mad Moll and other harmonically similar tunes like Cuckold -
 you want to show up the contrast between the Am and Cmaj in the
 first and second strain respectively. That is what Peacock probably
 had to do with his version, as I think bead holes weren't invented
 yet.

   The reasoning behind this is that A minor over G drones sounds like A
   minor 'sitting' on top of G drones, while Cmaj over A drones sounds
   like A minor 7, so the contrast is lost. It's also the equivalent of
   what happens with Uilleann, Highland and Border pipes, where drones are
   a constant over which variety is played out, and different modal
   centres sound - different! From this standpoint, a movable drone is a
   contradiction. Obviously, it's not the only standpoint, but worth being
   aware of.

   --

References

   1. mailto:j.gibb...@imperial.ac.uk


To get on or off this list see list information at
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[NSP] Re: TOTM

2011-07-31 Thread Anthony Robb

   --- On Sun, 31/7/11, Gibbons, John j.gibb...@imperial.ac.uk wrote:

   Matt has argued an octave pair of drones tuned Gg will work for The
   Peacock/Mad Moll and other harmonically similar tunes like Cuckold -
   you want to show up the contrast between the Am and Cmaj in the first
   and second strain respectively.

   Hello John
   The quick answer for me is, I'm not sure I do but I might be open to
   persuasion.
   Might it be possible for you to borrow a recorder of some sort (cam or
   audio)  and let us see/hear what you mean?
   I know if I tried my heart wouldn't be in it and I'd probably not be
   able to convince myself but the sound of someone playing like that with
   conviction might open my ears and mind.
   I should admit much of this is above my head (dots are one thing but
   theory is even lower down my list of must dos in whatever time I have
   left - as some one recently said, talking about music is like standing
   with two young boys in front of a sweet shop and explaining to them how
   sweets are made).
   Give us the theory by all means but please sweeten the pill with the
   sounds to bring it all to life. The only way to learn traditional music
   is by listening, listening, listening then listening again - an
   approach instilled in me 37 years ago by John Doonan and corroborated
   only last night by Jimmy Little.
   I'm sure you have experience and knowledge to impart - it would be
   great if you shared it aurally and not just on paper.
   Cheers
   Anthony




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