Re: [Origami] Systematization attempt of Origami Art

2012-12-09 Thread Leong Cheng Chit
>>> Will it be correct to say that there is a whole category 3D polyhedral
surfaces, and it can appreciate different unique methods: Tachi's method,
Chit's method and others. If it is so, what name would you give this 
> whole category? I really liked those criterions, with them Matthew
described the Tachi's method. Is it possible to define the criteria for the
whole category?

I would categorise Tachi's method as a way of folding a closed polyhedral
surface. As I've mentioned, there are other ways. Adopting a strictly
geometrical approach, there are basically the following forms:
1. 2D or flat folding - The model is first folded flat and takes the form of
a silhouette. Folds may be later added to make it 3D. 
2. Straight crease 3D - The model can be closed polyhedral or open
polyhedral. The Gauss dome or saddle surface are non-developable, but a
closed polyhedral surface with increasing number of facets is close to it.
An open surface is where the folds or creases define the model. 
3. Curved cease 3D - Either on their own or together with straight creases,
they are used to  create curved surfaces to simulate the Gauss curved
surfaces. Also, there are closed and open forms.

Where do tessellation, corrugation, pleating. paper crushing, and even flat
folding techniques come in? They are used to create the model form or add
features to it. For example, Lang's carp in Origami Design Secrets is flat
folded. Tessellation provides the feature of the carp's scales. By varying
the size of the individual scales, you can give the carp a 3D rounded shape.
See also my arowana at:
http://www.flickr.com/photos/chengchit/920490412/in/photostream

The above are my personal opinions and are presented purely for discussion.

Cheng Chit





Re: [Origami] Systematization attempt of Origami Art

2012-12-07 Thread Oksana Chorna
Many thanks to everyone, who has given attention to my article. 
Special thanks to all, those, who shared with their thoughts on the proposed 
systematization. 
I apologize in advance, if my questions seem silly or those that were already 
answered. I do not know English much and certain sensitive technologies of 
origami. I'm afraid there is a coincidence. :)

 

On Sun, 02 Dec 2012 01:45, Leong Cheng Chit wrote:

>>>Besides Tachi's method, there are other ways of folding closed polyhedral

models.

 

On Tue, 04 Dec 2012 at 09:45, Matthew Gardiner wrote:

>>>I think Cheng Chit is correct in saying there are other methods for 3D

polyhedral surfaces, however for Oksana's purpose of creating a system of

origami styles, I would argue there is no other style equivalent to Tachi's,

it is very distinct.

> 

>>>Though the argument is clear that Tachi's Origami does not define a whole

category of origami, rather it is a unique branch in the system.



1. Will it be correct to say that there is a whole category 3D polyhedral 
surfaces, and it can appreciate different unique methods: Tachi's method, 
Chit's method and others. If it is so, what name would you give this whole 
category? I really liked those criterions, with them Matthew described the 
Tachi's method. Is it possible to define the criteria for the whole category?

 

2. Or other statement is correct. Tachi's method is a separate part in the 
system. In future, it has the potential to expand and one day may become a 
whole category, on level with Origami Tessellations, Origami Corrugations and 
others. If it is so, how is Tachi's method related to 3D polyhedral surfaces. 
And where is the place of Chit's method in the system?

-

On Tue, 04 Dec 2012 06:19, Leong Cheng Chit wrote:

>>> Of course, all 3D models, closed or open surfaces, with straight creases can

be flattened, without destructing their basic folding structures.

Models with intrinsic curved crease, on the other hand, cannot be flattened

without destructing their basic folding structures.



1. Will it be correct to say that Curvilinear origami is not a separate 
category of origami. And all (or only some) of the categories of origami can be 
divided within itself on those which use the straight creases and those use 
curved creases. If it is so, for what categories except 3D polyhedral surfaces 
is it possible?
-
Thank you in advance all , who will answer.
These ideas will be very helpful for me in the future adjustment process of 
systematization origami. For my part, I pledge to refer to this discussion in 
adjusting the system. I am always open to any suggestions and thankful in 
advance for any help.

Oksana Chorna


Re: [Origami] Systematization attempt of Origami Art

2012-12-05 Thread Hank Simon
 Winniw Leung wrote: Leong Cheng Chit also has quite a few curved
> tension models on his flickr site. 
> http://www.flickr.com/photos/chengchit/920470628/in/photostream

>>> Leong Cheng Chit wrote: That was an early attempt of mine to categorise the 
>>> folds for curved
surfaces. ...

Understood.  
Thanks,
Hank



Re: [Origami] Systematization attempt of Origami Art

2012-12-05 Thread Leong Cheng Chit
 Winniw Leung wrote: Leong Cheng Chit also has quite a few curved
> tension models on his flickr site. In fact he's come up with some sort
> of categorisation for the different folds.
> http://www.flickr.com/photos/chengchit/920470628/in/photostream

That was an early attempt of mine to categorise the folds for curved
surfaces. The mathematician Gauss has categorised three fundamental curved
surfaces - cylinder/cone, dome and saddle. The first is developable and the
other two are not. I use a couplet or flange with a single cusp to simulate
the dome and a couplet with double cusps to simulate the saddle. I avoid
using the term "tension". This is because there will always be tension in
the paper when you bend or fold it. Even a flat folded model would open into
a 3D form, unless there are folds to lock it. The single and double cusp
couplet folds are stable (in practice, relatively more stable).
 
Cheng Chit




[Origami] Systematization attempt of Origami Art

2012-12-04 Thread Hank Simon
>>> Hank Simon wrote: The traditional flapping bird generates a curved surface 
>>> by tension. 

>>> Cheng Chit answered:  How does this come about?  Since all the creases are 
>>> straight. The model is
basically flat or can be flatten.

I wasn't complete. When I pull the neck to flap the wings, that generates a 
curved surface.

What I wanted to know in general, have you, Cheng Chit, or anyone generated a 
paper about how to do this with straight lines?

Winnie Leung pointed to your categorizations: 
http://www.flickr.com/photos/chengchit/920470628/in/photostream

but I couldn't tell if this was a list of the shapes, or a discussion?

- Hank Simon



Re: [Origami] Systematization attempt of Origami Art

2012-12-04 Thread Matthew Gardiner
>>> Oksana Chorna wrote: Really, it is not correct  to use term "Tachi's
origami" for this type of origami.

>> I was referring to Tachi's technique of folding (3D) closed polyhedral
surfaces...and, there are other ways of folding closed polyhedral surfaces.
Of course, all 3D models, closed or open surfaces, with straight creases can
be flattened, without destructing their basic folding structures.

I think Tachi's method is unique, both in approach and in style. A suitable
comparison would be box pleating - in that box pleating uses a square grid
to define the shape, as a kind of folding system or 'rule'. Tachi's software
can calculate a foldable crease pattern for (any) geometric solid. The
tucking fold he uses may not be a unique solution, but the method is
distinct from other origami styles: 1) because the crease patterns tend to
be organic and non-square, 2) there is no distinct base or set of flaps
generated, 3) the tucking folds are the main folding technique and 4) the
pattern is generated by an algorithm not by human intuition or other design
method.

I think Cheng Chit is correct in saying there are other methods for 3D
polyhedral surfaces, however for Oksana's purpose of creating a system of
origami styles, I would argue there is no other style equivalent to Tachi's,
it is very distinct.

Though the argument is clear that Tachi's Origami does not define a whole
category of origami, rather it is a unique branch in the system.

I find the system an interesting idea. Thanks for sharing it with us. 

- Matthew Gardiner




Re: [Origami] Systematization attempt of Origami Art

2012-12-04 Thread Leong Cheng Chit
 >>> Hank Simon wrote: The traditional flapping bird generates a curved
surface by tension. 

How does this come about?  Since all the creases are straight. The model is
basically flat or can be flatten.

Cheng Chit







Re: [Origami] Systematization attempt of Origami Art

2012-12-04 Thread Leong Cheng Chit
>>> Oksana Chorna wrote: Really, it is not correct  to use term "Tachi's
origami" for this type of origami.

I was referring to Tachi's technique of folding (3D) closed polyhedral
surfaces...and, there are other ways of folding closed polyhedral surfaces.
Of course, all 3D models, closed or open surfaces, with straight creases can
be flattened, without destructing their basic folding structures.

Models with intrinsic curved crease, on the other hand, cannot be flattened
without destructing their basic folding structures.   

I hope I have used the "correct" terms to convey my ideas.

Cheng Chit




Re: [Origami] Systematization attempt of Origami Art

2012-12-03 Thread jtligon

 Hank Simon wrote: Naive Question - The traditional flapping bird
> generates a curved surface by tension. I'm sure there are others, but I
> don't recall them.

In Dr. Lang's Origami in Action there are numerous flapping and tension models 
including my personal favorite Randlett's Flapping Bird.

When I make birds that flap, those are the ones I make.



Re: [Origami] Systematization attempt of Origami Art

2012-12-03 Thread Winnie Leung
>>> Hank Simon wrote: Naive Question - The traditional flapping bird
generates a curved surface by tension. I'm sure there are others, but I
don't recall them.
Has anyone written a paper that categorizes this type of model with
'non-creased' curved surfaces ?  [The flapping bird is an exception to this
category, but the only example that comes immediately to mind. I think
Jackson, Wu, and others may have static 'curved tension' models.

In one of Paul Jackson's books, there is a Phillip Shen Pentagonal Flower,
which uses tension to create petals that are slightly curved.

Leong Cheng Chit also has quite a few curved tension models on his flickr
site. In fact he's come up with some sort of categorisation for the
different folds.

http://www.flickr.com/photos/chengchit/920470628/in/photostream

Winnie



Re: [Origami] Systematization attempt of Origami Art

2012-12-03 Thread Oksana Chorna
On Sun, 02 Dec 2012 at 01:45, Leong Cheng Chit  wrote 
about 3D Origami.


Really, it is not correct  to use term "Tachi's origami" for this type of 
origami. I hoped,  the discussion on this problem will be took up. I know, 
Tomohiro Tachi uses term "3D Origami". On the other hand, this term was used to 
refer to other areas of origami. Ikuko Mitsuoko in the book "3d origami" used 
term to refer to Golden Venture Folding. This idea is very popular in Google. 
Moreover, term "3D Origami"is too common. It denote a certain effect in Modern 
Art and be used in different fields.

http://www.boostinspiration.com/art/origami-3d-paper-art/
http://www.boostinspiration.com/art/3d-origami-animals-illustrations/
http://videohive.net/item/origami-3d-box-maker/237407   :)

Also, this term can mean origami made from materials with 3d effects.
Term "Tachi's origami" can not be applied. Instead, choose of the correct term 
is the right of folders in this field origami.

Oksana Chorna


Re: [Origami] Systematization attempt of Origami Art

2012-12-02 Thread Hank Simon
>>> Leong Cheng Chit wrote: 3D origami can be divided into 2 systems

Naive Question - The traditional flapping bird generates a curved surface by 
tension. I'm sure there are others, but I don't recall them.
Has anyone written a paper that categorizes this type of model with 
'non-creased' curved surfaces ?  [The flapping bird is an exception to this 
category, but the only example that comes immediately to mind. I think Jackson, 
Wu, and others may have static 'curved tension' models.

- Hank Simon

Re: [Origami] Systematization attempt of Origami Art

2012-12-02 Thread Oksana Chorna
On Sat, 01 Dec 2012 at 14:04:20, Tavins Origami  wrote:
 
>
 Is the blogpost the whole thesis?
> 
>
No, blogpost is a brief excerpt of the effective thesis.  Whole thesis written 
in Ukrainian and not finished yet.


[Origami] Systematization attempt of Origami Art

2012-12-02 Thread Leong Cheng Chit
Chorna's PhD's thesis is an impressive attempt at systematization of origami
art. I do design 3D and also other systems of origami and would like to make
the following comments on 3D origami for discussion.

3D origami can be divided into 2 systems - one with intrinsically straight
creases and the other with intrinsically curved creases combined with or
without straight creases. Each may have closed or open surfaces. 

With intrinsically straight creases and closed surface, we basically
represent a curved (undevelopable) surface with a polyhedral one. The more
facets we have, the closer the surface simulates the actual curved one.
Besides Tachi's method, there are other ways of folding closed polyhedral
models. Here are two of mine:
http://www.flickr.com/photos/chengchit/8178246675/in/photostream
http://www.flickr.com/photos/chengchit/6236286619/in/photostream

Curved surfaces except conical ones are undevelopable but of course we can
use curved creases to simulate curved surfaces. The surface of the model can
also be closed or open. I have a paper "Simulation of Nonzero Gaussian
Curvature in Origami by Curved-Crease Couplets" on this, published in
Origami^5. The closed surface examples are:
http://www.flickr.com/photos/chengchit/920489454/in/photostream
http://www.flickr.com/photos/chengchit/920461244/in/photostream
http://www.flickr.com/photos/chengchit/4202093599/in/photostream
Robert Lang has his "flanged pots" which are also closed "conical section"
surface. In my paper I call the flanges "couplets". The couplets as you can
see are on the surface or on the other side of the surface.

There are also models with couplets, where the features are defined by the
(extrinsically) curved creases. These surfaces are open. Examples of these
are:
http://www.flickr.com/photos/chengchit/5441384165/in/photostream
http://www.flickr.com/photos/chengchit/5210404627/in/photostream


 Cheng Chit




Re: [Origami] Systematization attempt of Origami Art

2012-12-01 Thread Tavins Origami
Am 30.11.2012 14:05, schrieb Оксана Чорна:
> Dear O-list members, 
>
> I have been working on the systematization of Origami Art for several years. 
> This is the subject of my PhD thesis. I would like to present you the results 
> of my work for discussion.
>
>  
>
I just took a brief look at it and must say I find your work very
interesting. Is the blogpost the whole thesis?

all the best,
Tavin


[Origami] Systematization attempt of Origami Art

2012-11-30 Thread Оксана Чорна
Dear O-list members, 

I have been working on the systematization of Origami Art for several years. 
This is the subject of my PhD thesis. I would like to present you the results 
of my work for discussion.

 

 

Postgraduate student of Kyiv National University of Culture and Art in the 
field of art criticism, O.S. Chorna

Scientific Supervisor: L.M. Bilyakovych, Doctor of Philosophy in Technical 
Sciences, Professor of Apparel Design Department of Kyiv Nationl University of 
Culture and Art 

 

Origami as a modern art phenomenon: systematization attempt

Annotation. In this article Origami is presented as a form of Art. Origami is 
placed into a modern Art system. Existing types of Origami are being examined 
in the article. There is systematization attempt of Origami Art. The criteria 
for the systematization are being proposed, such as content, functions, shaping 
technique, artistic expressiveness, and others like that.

 

http://oksanachorna.wordpress.com/