Re: How minilabs work (was: Re[2]: Gulls photos)

2004-03-15 Thread Boros Attila
Hello Butch,

Thank you very much for that info. It helped me a *lot* to understand
why minilabs scratch film.

Attila





How minilabs work (was: Re[2]: Gulls photos)

2004-03-14 Thread Butch Black
Hi Attila:

Negative scratching from minilabs occur primarily in two places. The most
common is in the film processor. Minilabs use what is called a leader card
processor. The tongue of the film is cut off then the film is taped onto a
plastic card especially designed for their model film processor. The film
then follows an up and down path guided by racks through the various
chemicals, then through a hot air dryer, then comes out the other end.
Scratches occur if the film comes across something sharp, or if there is
crystallized chemistry somewhere, or if the crossovers are dirty or don't
move smoothly. The other common source is the negative carrier. If there is
a piece of dirt on the drive roller or a little sharp edge or nick on the
mask or film path, that can cause a scratch. It's very difficult to keep
everything that clean and functioning, and most places have help that
couldn't be bothered and management that pays lip service to quality control
but provides neither the time nor the funds to maintain the equipment
properly. The good news is that some of the digital minilabs now use ASF's
digital ICE (Noritsu's in particular) to help minimize the problem. You
might see if any of the labs are using a Noritsu minilab. Though, personally
I don't always like their color renditions. My understanding is that rotary
tube processing is the best way to process for absolute quality and a lack
of scratches, but few places (and no minilabs) offer that service.

Butch




Re: Re[2]: Gulls photos

2004-03-14 Thread Boris Liberman
Hi!


rant snipped

Attila, I have exactly the same problem. Normally, I think the film 
passes several machines or modules of single machine on its way. So by 
now I ask the lab just to process the film and nothing more. This way, 
I get minimal interference from the lab. The rest - scanning, 
processing and eventually preparing for print I do at home. Now, when 
I give CD to the lab guy to have it printed, at least they cannot 
damage the film.

This is actually one of the biggest advantages of digital photography 
for amateurs - lab does not get in a way. It is still a little too 
expensive but that will change.

Let the light be with you...

Boris



Re[2]: Gulls photos

2004-03-14 Thread Boros Attila
Hello Boris,

Saturday, March 13, 2004, 3:42:19 PM, you wrote:

BL> Attila, wonderful birds.

BL> Second one is excellent. "You got seeds" is very, well, human-like.
BL> "Cruising" seems like a winner.

BL> Have you enlarged any of them?

BL> Boris

Thanks Boris, didn't enlarged any yet, but hope I will get them soon...


But first I *must* find a decent lab to work with. Usually I get my
photos printed at 10cm x 15cm, that is fairly cheap, but on some of
them I can notice some small scratches... Tried different labs, the
scratches remained, only their location changed. I think that they are
caused by the "minilab"... I really don't know how those minilabs
work, but I will do a google search for that. Unfortunately I know
very little about the developing process. I entered several labs in my
city, they all have on of those minilabs. Agfa or Fuji. In the place I
scanned my negs, they have "Agfa d-lab.2 digital minilab" (written
with big letters on one side of it). So I think that's why they
call themselves "Professional Digital Photolab" (I wouldn't call
scanning from negs into 400dpi jpegs "professional").


Attila




Re: Gulls photos

2004-03-13 Thread Boris Liberman
Hi!

Chris, according to your theory , I am starting on the second level then.


Attila, wonderful birds.

Second one is excellent. "You got seeds" is very, well, human-like.
"Cruising" seems like a winner.

Have you enlarged any of them?

Boris





Re: Gulls photos

2004-03-12 Thread Chris Brogden

I agree.  Luck is always a part of it, but patience is the largest part.
One of the biggest revelations I ever had a photographer was when I
realized that the light was at least as, and often more, important than
the subject itself.

A snapshooter will take a photo of something that interests them,
regardless of what the light is like.  Someone more advanced will wait
until the light is interesting before finding a subject.  A still more
advanced photographer will prioritize the subject like the snapshooter,
but will have the patience to wait until the light is perfect before
photographing it in earnest.  I'm still more of the second one, but I'm
trying to move to the third level.

chris


On Fri, 12 Mar 2004, graywolf wrote:

> Patience and luck is what is needed to get great photos. It is far more
> important than what camera, lens, film, tripod, etc. you use. However, it is
> what most of us, and I certainly include myself, lack. When you think of it some
> of the great photographers spend days getting that one particular shot.
>
> --
>
> Boros Attila wrote:
> >
> > It also needs lots of patience and good luck to get a good angle for
> > shooting. I was staying on that brigde for 3 hours, and I shot 2 rolls
> > of film.
>
>
> --
> graywolf
> http://graywolfphoto.com
>
> "You might as well accept people as they are,
> you are not going to be able to change them anyway."
>
>



Re: Gulls photos

2004-03-12 Thread graywolf
Patience and luck is what is needed to get great photos. It is far more 
important than what camera, lens, film, tripod, etc. you use. However, it is 
what most of us, and I certainly include myself, lack. When you think of it some 
of the great photographers spend days getting that one particular shot.

--

Boros Attila wrote:
It also needs lots of patience and good luck to get a good angle for
shooting. I was staying on that brigde for 3 hours, and I shot 2 rolls
of film.


--
graywolf
http://graywolfphoto.com
"You might as well accept people as they are,
you are not going to be able to change them anyway."



RE: Gulls photos

2004-03-11 Thread frank theriault
Attila,

Some interesting photos in that folder, and as you know, I liked the first 
"The Gull" a lot.  However, Gull V2 is an incredible improvement.

It should be on a poster, you know, one of those "inspirational" posters, 
with some sappy saying on it.  Okay, I'm joking about the sappy poster part, 
but really, that's a wonderful image.  A real keeper.

cheers,
frank
"The optimist thinks this is the best of all possible worlds.  The pessimist 
fears it is true."  -J. Robert Oppenheimer




From: Boros Attila <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: PDML <[EMAIL PROTECTED]>
Subject: Gulls photos
Date: Thu, 11 Mar 2004 18:27:02 +0200
Hello PDMLers,

Finally I finished the work on my photos with the gulls. I don't have
time to set up a webpage now, but you can view them at
http://www.photo.net/photodb/folder.tcl?folder_id=382884
Comments/suggestions are wellcome as usual.
Attila


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Re: Gulls photos

2004-03-11 Thread brooksdj
Nice shots and layout Attila.
My inital favorites are :
The Gull v2
Cruising Gull
Landing.

I'v been trying to do this with geese and ducks.Its hard.:-)

Good work

Dave 

> Hello PDMLers,
> 
> Finally I finished the work on my photos with the gulls. I don't have
> time to set up a webpage now, but you can view them at
> http://www.photo.net/photodb/folder.tcl?folder_id=382884
> Comments/suggestions are wellcome as usual.
> 
> Attila
> 
> 






Gulls photos

2004-03-11 Thread Boros Attila
Hello PDMLers,

Finally I finished the work on my photos with the gulls. I don't have
time to set up a webpage now, but you can view them at
http://www.photo.net/photodb/folder.tcl?folder_id=382884
Comments/suggestions are wellcome as usual.

Attila