OT: My fine art/ photography exhibition/ 15 minutes of fame adventures

2001-06-11 Thread Sid Barras

Hi all:

Well, I'm back, at least temporarily.

I've spent the better part of two months either hunched over the matt cutting machine, 
the enlarger,
or the trays of  ferricyanide, selenium, sulphites and bromides; I've built frames and 
bought them.

I've shaken the hands of more strangers in the last month than I have my entire life 
previous. I've
combed my hair to get that "artist's disheveled" look.  I've worn that tweed jacket to 
things  other
than funerals. I've seen the sun rise on an all night darkroom session-- brought warm 
memories of my
long ago college days, cramming the finishing touches on my presentations for those 
egotistical
professors.

I've fearlessly (NOT!) ended my well paying day job. (There are health and phyical 
reasons for this.
I don't blindly leap ahead  for that completely assured career in lucrative 
photography, which by
the way, doesn't include gawdawfull Wedding photography)

I put together a photography exhibit. I have an agent. I got incredible publicity. I 
got a TV  spot
on the local news coming; a sort of "Local character who does things that are unique" 
type of 10
minute segment the local  NBC affiliate does  a  couple of times a month. I guess it's 
been slow for
them
But, with this wonderful Lady at the helm, she has arranged newspaper  feature 
articles, regional
museum showings, coffee shop hangings, etc, etc.

I met and joined a group of local artists who call themselves the "artisan's Gallery". 
I have access
to Arts and  Humanities council's grant  proposals (Ms. Monteith claims to be an  
expert grant
proposal writer..)


I have a WEB PAGE!!

I announce it carefully. It's just a front page, and there's 99% of the work left to 
be done, but,
it's beginning.

 www.sidbarras.com

And right now, it doesn't work too good in Explorer, or any browser that doesn't like 
overlapping
layers.  But, both Ms. Monteith and I are just learning Dreamweaver, in a month or 
two, it may look
as good as some of the very nice ones  I see among our pentax brethren.

Much more to say and boast  about, but, my point of the letter:

the reality check.

I had hundreds of people walk  through the exhibit. Out of over 200 invitations sent 
out (plus some
great print publicity which encouraged anyone to come) I must say, most of them did 
come. I had very
"famous" local celebrities  tell me how great  my stuff is. I had a museum curator for 
a museum in
the next big town over promise me I could hang a gallery in their very notable museum. 
(This is
probably the biggest thing I got out of this whole deal.) I got a commitment for the 
month of July
in a small museum  in our sister city.

All in all, I'd say, my first time off the launching pad was an enormous success.


But, if I keep succeeding this well, I'll need a loan to buy any more film, if I plan 
on taking some
more pictures.

Ah,  well, not that bad. I probably did a little better than break even. And I've got  
lots of my
stuff still available and framed for the next show.

But  tell me someone. There's got to be some folks on this list who traveled this road 
before.

Can you make money behind the lens if:

1. You don't (and won't) do weddings.

2. You would do portraiture, sure. But I don't want to be Olan Mills. If I do 
portraiture, I want to
do black  and white  mostly.  And  outside. In infrared.

I guess every one  starts with some sort of "idealistic purity"  I have this idea too. 
That my
photography is art first and foremost. I don't want to be a contractor, bidding on 
jobs against
other contractors. Or  being told exactly how my picture should be taken before I take 
 it.

So, all  you callous old shutterbugs, you cynical yet  wiser now veterans.

Is  there a way to sustain  this dream I've got  playing now?

Or will I succumb to the harsh  reality of "what  people really want.

Cheers,

An exhausted playwright.



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Re: My fine art/ photography exhibition/ 15 minutes of fame adventures

2001-06-12 Thread Jim

Why Sid, you handsome (melancholy) devil! :)  Great shots and a good
beginning for your website.  I'll be cranking out a site soon too, I hope...
Jim
- Original Message -
From: Sid Barras <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, June 11, 2001 11:43 PM
Subject: OT: My fine art/ photography exhibition/ 15 minutes of fame
adventures


> Hi all:
>
> Well, I'm back, at least temporarily.
>
> I've spent the better part of two months either hunched over the matt
cutting machine, the enlarger,
> or the trays of  ferricyanide, selenium, sulphites and bromides; I've
built frames and bought them.
>
> I've shaken the hands of more strangers in the last month than I have my
entire life previous. I've
> combed my hair to get that "artist's disheveled" look.  I've worn that
tweed jacket to things  other
> than funerals. I've seen the sun rise on an all night darkroom session--
brought warm memories of my
> long ago college days, cramming the finishing touches on my presentations
for those egotistical
> professors.
>
> I've fearlessly (NOT!) ended my well paying day job. (There are health and
phyical reasons for this.
> I don't blindly leap ahead  for that completely assured career in
lucrative photography, which by
> the way, doesn't include gawdawfull Wedding photography)
>
> I put together a photography exhibit. I have an agent. I got incredible
publicity. I got a TV  spot
> on the local news coming; a sort of "Local character who does things that
are unique" type of 10
> minute segment the local  NBC affiliate does  a  couple of times a month.
I guess it's been slow for
> them
> But, with this wonderful Lady at the helm, she has arranged newspaper
feature articles, regional
> museum showings, coffee shop hangings, etc, etc.
>
> I met and joined a group of local artists who call themselves the
"artisan's Gallery". I have access
> to Arts and  Humanities council's grant  proposals (Ms. Monteith
claims to be an  expert grant
> proposal writer..)
>
>
> I have a WEB PAGE!!
>
> I announce it carefully. It's just a front page, and there's 99% of the
work left to be done, but,
> it's beginning.
>
>  www.sidbarras.com
>
> And right now, it doesn't work too good in Explorer, or any browser that
doesn't like overlapping
> layers.  But, both Ms. Monteith and I are just learning Dreamweaver, in a
month or two, it may look
> as good as some of the very nice ones  I see among our pentax brethren.
>
> Much more to say and boast  about, but, my point of the letter:
>
> the reality check.
>
> I had hundreds of people walk  through the exhibit. Out of over 200
invitations sent out (plus some
> great print publicity which encouraged anyone to come) I must say, most of
them did come. I had very
> "famous" local celebrities  tell me how great  my stuff is. I had a museum
curator for a museum in
> the next big town over promise me I could hang a gallery in their very
notable museum. (This is
> probably the biggest thing I got out of this whole deal.) I got a
commitment for the month of July
> in a small museum  in our sister city.
>
> All in all, I'd say, my first time off the launching pad was an enormous
success.
>
>
> But, if I keep succeeding this well, I'll need a loan to buy any more
film, if I plan on taking some
> more pictures.
>
> Ah,  well, not that bad. I probably did a little better than break even.
And I've got  lots of my
> stuff still available and framed for the next show.
>
> But  tell me someone. There's got to be some folks on this list who
traveled this road before.
>
> Can you make money behind the lens if:
>
> 1. You don't (and won't) do weddings.
>
> 2. You would do portraiture, sure. But I don't want to be Olan Mills. If I
do portraiture, I want to
> do black  and white  mostly.  And  outside. In infrared.
>
> I guess every one  starts with some sort of "idealistic purity"  I have
this idea too. That my
> photography is art first and foremost. I don't want to be a contractor,
bidding on jobs against
> other contractors. Or  being told exactly how my picture should be taken
before I take  it.
>
> So, all  you callous old shutterbugs, you cynical yet  wiser now veterans.
>
> Is  there a way to sustain  this dream I've got  playing now?
>
> Or will I succumb to the harsh  reality of "what  people really
want.
>
> Cheers,
>
> An exhausted playwright.
>
>
>
> -
> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
> go to http://www.pdml.net and follow the directions. Don't forget to
> visit the Pentax Users' Gallery at http://pug.komkon.org .
>

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RE: OT: My fine art/ photography exhibition/ 15 minutes of fame adventures

2001-06-12 Thread Brewer, Doug

I would offer some wisdom, but I fear I would not be terribly understanding.



-Original Message-
>Date: Mon, 11 Jun 2001 23:43:00 -0700
>From: Sid Barras <[EMAIL PROTECTED]>
>X-Accept-Language: en
>To: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
>Subject: OT: My fine art/ photography exhibition/ 15 minutes of fame
adventures
>Sender: [EMAIL PROTECTED]
>Reply-To: [EMAIL PROTECTED]
>Status:   
>
>Hi all:
>
>Well, I'm back, at least temporarily.

 

Douglas Forrest Brewer
Ashwood Lake Photography
[EMAIL PROTECTED]
http://www.alphoto.com
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Re: OT: My fine art/ photography exhibition/ 15 minutes of fame adventures

2001-06-12 Thread Norman Baugher

"Better to dare mighty things, even though checkered by failure, then to join ranks 
with those poor
souls who neither suffer much nor enjoy much because they live in the twilight that 
knows neither
victory or defeat." -- unknown
Congrats Sid,
Norm

Sid Barras wrote:


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Re: OT: My fine art/ photography exhibition/ 15 minutes of fame adventures

2001-06-12 Thread Michael Nosal

At 08:23 PM 6/12/01 +0200, Norman Baugher <[EMAIL PROTECTED]> wrote:
>"Better to dare mighty things, even though checkered by failure,
>then to join ranks with those poor souls who neither suffer much
>nor enjoy much because they live in the twilight that knows neither
>victory or defeat." -- unknown
>Congrats Sid,
>Norm
>

This quote is actually from Theodore Roosevelt, United States President:

"In the battle of life, it is not the critic who counts; nor the one who
points out how the strong person stumbled, or where the doer of a deed could
have done better. 

The credit belongs to the person who is actually in the arena; whose face is
marred by dust and sweat and blood, who strives valiantly; who errs and
comes short again and again, because there is no effort without error and
shortcoming; who does actually strive to do deeds; who knows the great
enthusiasms, the great devotion, spends oneself in a worthy cause; who at
the best knows in the end the triumph of high achievement; and who at worst,
if he or she fails, at least fails while daring greatly. 

Far better it is to dare mighty things, to win glorious triumphs even though
checkered by failure, than to rank with those timid spirits who neither
enjoy nor suffer much because they live in the gray twilight that knows
neither victory nor defeat." 

--mike nosal
[EMAIL PROTECTED]

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Re: OT: My fine art/ photography exhibition/ 15 minutes of fame adventures

2001-06-13 Thread Norman Baugher

Knew I was close :)
Norm
Remember: It's always darkest before pitch-black...

Mark Roberts wrote:

> Norman Baugher <[EMAIL PROTECTED]> wrote:
>
> >"Eagles may soar, but at least ducks don't get sucked into jet engines."? 
>
> I thought it was "Eagles may soar, but *weasels* don't get sucked into jet
> engines."
>
> (Or: "Weaseling out of things is what separates us from the animals. Except for
> weasels.")
> -
> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
> go to http://www.pdml.net and follow the directions. Don't forget to
> visit the Pentax Users' Gallery at http://pug.komkon.org .

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Re: OT: My fine art/ photography exhibition/ 15 minutes of fame adventures

2001-06-13 Thread Mark Roberts

Norman Baugher <[EMAIL PROTECTED]> wrote:

>"Eagles may soar, but at least ducks don't get sucked into jet engines."? 

I thought it was "Eagles may soar, but *weasels* don't get sucked into jet
engines."

(Or: "Weaseling out of things is what separates us from the animals. Except for
weasels.")
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Re: OT: My fine art/ photography exhibition/ 15 minutes of fame adventures

2001-06-13 Thread Peter Alling

Isn't that it's always darkest before the storm?

At 01:11 PM 6/13/2001 +0200, you wrote:
>Knew I was close :)
>Norm
>Remember: It's always darkest before pitch-black...
>
>Mark Roberts wrote:
>
> > Norman Baugher <[EMAIL PROTECTED]> wrote:
> >
> > >"Eagles may soar, but at least ducks don't get sucked into jet 
> engines."? 
> >
> > I thought it was "Eagles may soar, but *weasels* don't get sucked into jet
> > engines."
> >
> > (Or: "Weaseling out of things is what separates us from the animals. 
> Except for
> > weasels.")
> > -
> > This message is from the Pentax-Discuss Mail List.  To unsubscribe,
> > go to http://www.pdml.net and follow the directions. Don't forget to
> > visit the Pentax Users' Gallery at http://pug.komkon.org .
>
>-
>This message is from the Pentax-Discuss Mail List.  To unsubscribe,
>go to http://www.pdml.net and follow the directions. Don't forget to
>visit the Pentax Users' Gallery at http://pug.komkon.org .

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Re: OT: My fine art/ photography exhibition/ 15 minutes of fame adventures

2001-06-13 Thread Peter Alling

Ducks? I thought that was weasels.


At 10:57 AM 6/13/2001 +0200, you wrote:
>"Eagles may soar, but at least ducks don't get sucked into jet engines."? 
>Norm
>
>Mark Roberts wrote:
>
> > Jon Hope <[EMAIL PROTECTED]> wrote:
> >
> > >At 02:23 13/06/01, you wrote:
> > >>"Better to dare mighty things, even though checkered by failure, then to
> > >>join ranks with those poor
> > >>souls who neither suffer much nor enjoy much because they live in the
> > >>twilight that knows neither
> > >>victory or defeat." -- unknown
> > >
> > >comes from Michelangelo. In it's simplest form it usually goes something
> > >like "It is better to aim high and fail, than to aim low and achieve".
> >
> > How about "Better a fallen rocket than never a burst of light", spoken 
> by the
> > character of Oscar Wilde in Tom Stoppard's play "The Invention of Love".
>
>-
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