Re: PESO - Elegance

2013-10-29 Thread Bruce Walker
Thanks you, Bruce.

On Tue, Oct 29, 2013 at 1:35 PM, Bruce  wrote:
> I love your lighting work.   Beautiful model and excellent execution make for 
> a stunning presentation.   Nicely done.
>
> __
> Bruce
> --
> Sent from Sony Tablet S
>
> Bruce Walker  wrote:
>>http://www.flickriver.com/photos/bruce_m_walker/10481880253/
>>
>>A _very_ different look from the previous one of
>>photographer-turned-model-for-a-day Alina Antoniou. This was Alina's
>>very first session as a model. I thought we worked very well together.
>>
>>Lighting: Pentax AF540FGZ flash in Westcott 28" Medium Apollo, boomed
>>overhead.
>>
>>Comments welcome.
>
>
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Re: PESO - Elegance

2013-10-29 Thread Bruce
I love your lighting work.   Beautiful model and excellent execution make for a 
stunning presentation.   Nicely done. 

__
Bruce
-- 
Sent from Sony Tablet S

Bruce Walker  wrote:
>http://www.flickriver.com/photos/bruce_m_walker/10481880253/
>
>A _very_ different look from the previous one of
>photographer-turned-model-for-a-day Alina Antoniou. This was Alina's
>very first session as a model. I thought we worked very well together.
>
>Lighting: Pentax AF540FGZ flash in Westcott 28" Medium Apollo, boomed
>overhead.
>
>Comments welcome.


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Re: PESO - Elegance

2013-10-28 Thread Bruce Walker
Thank you, Don.

On Mon, Oct 28, 2013 at 3:18 PM, Don Guthrie  wrote:
> Yes very elegant very formal very beautiful.
>
>> Date: Sun, 27 Oct 2013 14:51:39 -0400
>> From: Bruce Walker
>> To: Pentax Discuss Mailing List
>> Subject: PESO - Elegance
>>
>> http://www.flickriver.com/photos/bruce_m_walker/10481880253/
>>
>> A_very_  different look from the previous one of
>>
>> photographer-turned-model-for-a-day Alina Antoniou. This was Alina's
>> very first session as a model. I thought we worked very well together.
>>
>> Lighting: Pentax AF540FGZ flash in Westcott 28" Medium Apollo, boomed
>> overhead.
>>
>> Comments welcome.
>>
>> -- -bmw
>
>
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Re: PESO - Elegance

2013-10-28 Thread Don Guthrie

Yes very elegant very formal very beautiful.

pdml-requ...@pdml.net wrote:

Message: 1
Date: Sun, 27 Oct 2013 14:51:39 -0400
From: Bruce Walker
To: Pentax Discuss Mailing List
Subject: PESO - Elegance
Message-ID:

Content-Type: text/plain; charset=UTF-8

http://www.flickriver.com/photos/bruce_m_walker/10481880253/

A_very_  different look from the previous one of
photographer-turned-model-for-a-day Alina Antoniou. This was Alina's
very first session as a model. I thought we worked very well together.

Lighting: Pentax AF540FGZ flash in Westcott 28" Medium Apollo, boomed overhead.

Comments welcome.

-- -bmw



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Re: PESO - Elegance

2013-10-28 Thread Bruce Walker
Thank you very much, Frank.

On Sun, Oct 27, 2013 at 6:00 PM, knarf  wrote:
> That's a lovely, exotic photo!
>
> Cheers,
> frank
>
> Bruce Walker  wrote:
>>http://www.flickriver.com/photos/bruce_m_walker/10481880253/
>>
>>A _very_ different look from the previous one of
>>photographer-turned-model-for-a-day Alina Antoniou. This was Alina's
>>very first session as a model. I thought we worked very well together.
>>
>>Lighting: Pentax AF540FGZ flash in Westcott 28" Medium Apollo, boomed
>>overhead.
>>
>>Comments welcome.
>
> “Analysis kills spontaneity.” -- Henri-Frederic Amiel
>
>
>
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Re: PESO - Elegance

2013-10-27 Thread Steve Cottrell
On 27/10/13, Bruce Walker, discombobulated, unleashed:

>And the big box. :-)

Just photoshop those lighter edges to match the rest of it and I'll buy ;-)

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Re: PESO - Elegance

2013-10-27 Thread knarf
That's a lovely, exotic photo!

Cheers,
frank

Bruce Walker  wrote:
>http://www.flickriver.com/photos/bruce_m_walker/10481880253/
>
>A _very_ different look from the previous one of
>photographer-turned-model-for-a-day Alina Antoniou. This was Alina's
>very first session as a model. I thought we worked very well together.
>
>Lighting: Pentax AF540FGZ flash in Westcott 28" Medium Apollo, boomed
>overhead.
>
>Comments welcome.

“Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: PESO - Elegance

2013-10-27 Thread Bruce Walker
Thanks, Attila.

On Sun, Oct 27, 2013 at 3:57 PM, Attila Boros  wrote:
> Deja vu:) It's certainly very different and seems you had a lot of fun
> experimenting. Light is spot on as usual and the dress suits her well.
> Don't care about the cardboard box, but I'd like the background
> completely white.
>
> On Sun, Oct 27, 2013 at 9:23 PM, Steve Cottrell  wrote:
>> On 27/10/13, Bruce Walker, discombobulated, unleashed:
>>
>>>http://www.flickriver.com/photos/bruce_m_walker/10481880253/
>>>
>>>A _very_ different look from the previous one of
>>>photographer-turned-model-for-a-day Alina Antoniou. This was Alina's
>>>very first session as a model. I thought we worked very well together.
>>>
>>>Lighting: Pentax AF540FGZ flash in Westcott 28" Medium Apollo, boomed
>>>overhead.
>>
>>
>> VERY nice :-) not sure about the cardboard box though ;-)
>> --
>>
>>
>> Cheers,
>>   Cotty
>>
>>
>> ___/\__Broadcast, Corporate,
>> ||  (O)  |Web Video Production
>> --
>> _
>>
>>
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Re: PESO - Elegance

2013-10-27 Thread Bruce Walker
On Sun, Oct 27, 2013 at 3:23 PM, Steve Cottrell  wrote:
> On 27/10/13, Bruce Walker, discombobulated, unleashed:
>
>>http://www.flickriver.com/photos/bruce_m_walker/10481880253/
>>
>>A _very_ different look from the previous one of
>>photographer-turned-model-for-a-day Alina Antoniou. This was Alina's
>>very first session as a model. I thought we worked very well together.
>>
>>Lighting: Pentax AF540FGZ flash in Westcott 28" Medium Apollo, boomed
>>overhead.
>
>
> VERY nice :-) not sure about the cardboard box though ;-)

Thanks, Steve. It's actually a 3/4" plywood box weighing about 40 lbs.
We were shooting in an exercise room; our choices of props was limited
to kettle weights, therapy balls in various colours, and
weight-lifting stuff. And the big box. :-)

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Re: PESO - Elegance

2013-10-27 Thread Attila Boros
Deja vu:) It's certainly very different and seems you had a lot of fun
experimenting. Light is spot on as usual and the dress suits her well.
Don't care about the cardboard box, but I'd like the background
completely white.

On Sun, Oct 27, 2013 at 9:23 PM, Steve Cottrell  wrote:
> On 27/10/13, Bruce Walker, discombobulated, unleashed:
>
>>http://www.flickriver.com/photos/bruce_m_walker/10481880253/
>>
>>A _very_ different look from the previous one of
>>photographer-turned-model-for-a-day Alina Antoniou. This was Alina's
>>very first session as a model. I thought we worked very well together.
>>
>>Lighting: Pentax AF540FGZ flash in Westcott 28" Medium Apollo, boomed
>>overhead.
>
>
> VERY nice :-) not sure about the cardboard box though ;-)
> --
>
>
> Cheers,
>   Cotty
>
>
> ___/\__Broadcast, Corporate,
> ||  (O)  |Web Video Production
> --
> _
>
>
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Re: PESO - Elegance

2013-10-27 Thread Steve Cottrell
On 27/10/13, Bruce Walker, discombobulated, unleashed:

>http://www.flickriver.com/photos/bruce_m_walker/10481880253/
>
>A _very_ different look from the previous one of
>photographer-turned-model-for-a-day Alina Antoniou. This was Alina's
>very first session as a model. I thought we worked very well together.
>
>Lighting: Pentax AF540FGZ flash in Westcott 28" Medium Apollo, boomed
>overhead.


VERY nice :-) not sure about the cardboard box though ;-)
-- 


Cheers,
  Cotty


___/\__Broadcast, Corporate,
||  (O)  |Web Video Production
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PESO - Elegance

2013-10-27 Thread Bruce Walker
http://www.flickriver.com/photos/bruce_m_walker/10481880253/

A _very_ different look from the previous one of
photographer-turned-model-for-a-day Alina Antoniou. This was Alina's
very first session as a model. I thought we worked very well together.

Lighting: Pentax AF540FGZ flash in Westcott 28" Medium Apollo, boomed overhead.

Comments welcome.

-- 
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Re: PESO - Elegance (daylight!)

2010-12-27 Thread P. J. Alling

Don't worry I took it down a level with a drunk reference.

On 12/16/2010 10:39 PM, Rick Womer wrote:

Ummm...

Gee, it sure is great to be able to stimulate intellectual discussion in the 
PDML!

Rick

http://photo.net/photos/RickW


--- On Thu, 12/16/10, Bob Sullivan  wrote:


More like read to many Artsy-Fartsy
French classic film reviews!
Regards,  Bob S.

On Thu, Dec 16, 2010 at 6:04 PM, Bob W
wrote:

"Level" is a relative term.

marquez!


The upper windows of that building aren't
on the same level.  The change in paint color and

the edges of the

center lower window are at 90 degrees to each

other, so I took those as

"level" and "perpendicular".  The slope of the

street would show more

if the camera axis had been perpendicular to the

wall, but it wasn't

quite.

I played with this for a long time in Lightroom;

what I posted seemed

the best compromise.

Compromise Schompromise! It's a Goddardian critique of

a society ill at ease

in a globalising world, unready for change, where the

Anglo-Saxon corporate

ethic is framed in the crumbling decalage of the old

structures. Something

to be seen and not lived while the sensuous feminine

that is France climbs

towards an uncertain future, sheltering from the icy

blast of the present.

Or I have I done too many French film classes this

year?

B



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Re: PESO - Elegance (daylight!)

2010-12-27 Thread P. J. Alling

On 12/16/2010 7:04 PM, Bob W wrote:

"Level" is a relative term.

marquez!


The upper windows of that building aren't
on the same level.  The change in paint color and the edges of the
center lower window are at 90 degrees to each other, so I took those as
"level" and "perpendicular".  The slope of the street would show more
if the camera axis had been perpendicular to the wall, but it wasn't
quite.

I played with this for a long time in Lightroom; what I posted seemed
the best compromise.

Compromise Schompromise! It's a Goddardian critique of a society ill at ease
in a globalising world, unready for change, where the Anglo-Saxon corporate
ethic is framed in the crumbling decalage of the old structures. Something
to be seen and not lived while the sensuous feminine that is France climbs
towards an uncertain future, sheltering from the icy blast of the present.

Or I have I done too many French film classes this year?

B

that or you've been hitting the Absinthe again.

--
Where's the Kaboom?  There was supposed to be an Earth-shattering Kaboom!

--Marvin the Martian.


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Re: PESO - Elegance (daylight!)

2010-12-19 Thread Boris Liberman

On 12/16/2010 3:56 AM, Rick Womer wrote:

I looked out the window of the Paris cafe where we were having lunch,
and noticed the scruffy building and the elegant clothes in the
windows.  Then, it was just a matter of waiting for something
colorful to enter the frame.

http://photo.net/photodb/photo?photo_id=12098970&size=lg

(K7, DA 16-45)

Rick


Rick, I recently saw one more time this wonderful painting of Pissarro 
"The Boulevard Montmartre on a Winter Morning". Yours would be the most 
opposite opposite thereof...


Not meant as a compliment or as a critique but rather trying to express 
my emotions and/or response to your picture.


Boris

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Re: PESO - Elegance (daylight!)

2010-12-18 Thread Rick Womer
I have one shot without people; I may process and post it if time permits.

Thanks for your comment and interesting idea!

Rick

http://photo.net/photos/RickW


--- On Sat, 12/18/10, Christine Aguila  wrote:

> I like very much the contrast between
> the "scruffy building" and "elegant clothes".  Well
> seen there.  But I'm not sure if I like the people in
> it. It does bring color to the photo, and that's good in its
> way, but the people interrupt the pattern of 3 windows for
> me.  I want to see what's in the 3rd window. :-) 
> Cheers, Christine
> 
> 
> - Original Message - From: "Rick Womer" 
> To: "Pentax List" 
> Sent: Wednesday, December 15, 2010 7:56 PM
> Subject: PESO - Elegance (daylight!)
> 
> 
> > I looked out the window of the Paris cafe where we
> were having lunch, and noticed the scruffy building and the
> elegant clothes in the windows.  Then, it was just a
> matter of waiting for something colorful to enter the
> frame.
> > 
> > http://photo.net/photodb/photo?photo_id=12098970&size=lg
> > 
> > (K7, DA 16-45)
> > 
> > Rick
> > 
> > 
> > 
> > 
> > -- PDML Pentax-Discuss Mail List
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> > http://pdml.net/mailman/listinfo/pdml_pdml.net
> > to UNSUBSCRIBE from the PDML, please visit the link
> directly above and follow the directions.
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> 


  

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Re: PESO - Elegance (daylight!)

2010-12-18 Thread Christine Aguila
I like very much the contrast between the "scruffy building" and "elegant 
clothes".  Well seen there.  But I'm not sure if I like the people in it. 
It does bring color to the photo, and that's good in its way, but the people 
interrupt the pattern of 3 windows for me.  I want to see what's in the 3rd 
window. :-)  Cheers, Christine



- Original Message - 
From: "Rick Womer" 

To: "Pentax List" 
Sent: Wednesday, December 15, 2010 7:56 PM
Subject: PESO - Elegance (daylight!)


I looked out the window of the Paris cafe where we were having lunch, and 
noticed the scruffy building and the elegant clothes in the windows.  Then, 
it was just a matter of waiting for something colorful to enter the frame.


http://photo.net/photodb/photo?photo_id=12098970&size=lg

(K7, DA 16-45)

Rick




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RE: PESO - Elegance (daylight!)

2010-12-17 Thread Bob W
I don't read the reviews! At least, not until after I've seen the film 2 or
3 times and made notes about my own reaction for my write-up. Then I read
the reviews and it's incredible how they all seem to get it wrong... It's
great fun, ecrire la bouse...

> 
> More like read to many Artsy-Fartsy French classic film reviews!
> Regards,  Bob S.
> 
[...]
> >
> > Compromise Schompromise! It's a Goddardian critique of a society ill
> at ease
> > in a globalising world, unready for change, where the Anglo-Saxon
> corporate
> > ethic is framed in the crumbling decalage of the old structures.
> Something
> > to be seen and not lived while the sensuous feminine that is France
> climbs
> > towards an uncertain future, sheltering from the icy blast of the
> present.
> >
> > Or I have I done too many French film classes this year?



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Re: PESO - Elegance (daylight!)

2010-12-17 Thread frank theriault
On Thu, Dec 16, 2010 at 7:04 PM, Bob W  wrote:

> Compromise Schompromise! It's a Goddardian critique of a society ill at ease
> in a globalising world, unready for change, where the Anglo-Saxon corporate
> ethic is framed in the crumbling decalage of the old structures. Something
> to be seen and not lived while the sensuous feminine that is France climbs
> towards an uncertain future, sheltering from the icy blast of the present.


You took the words right out of my mouth.

cheers,
frank



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Re: PESO - Elegance (daylight!)

2010-12-16 Thread Rick Womer
Ummm... 

Gee, it sure is great to be able to stimulate intellectual discussion in the 
PDML!

Rick

http://photo.net/photos/RickW


--- On Thu, 12/16/10, Bob Sullivan  wrote:

> More like read to many Artsy-Fartsy
> French classic film reviews!
> Regards,  Bob S.
> 
> On Thu, Dec 16, 2010 at 6:04 PM, Bob W 
> wrote:
> >>
> >> "Level" is a relative term.
> >
> > marquez!
> >
> >> The upper windows of that building aren't
> >> on the same level.  The change in paint color and
> the edges of the
> >> center lower window are at 90 degrees to each
> other, so I took those as
> >> "level" and "perpendicular".  The slope of the
> street would show more
> >> if the camera axis had been perpendicular to the
> wall, but it wasn't
> >> quite.
> >>
> >> I played with this for a long time in Lightroom;
> what I posted seemed
> >> the best compromise.
> >
> > Compromise Schompromise! It's a Goddardian critique of
> a society ill at ease
> > in a globalising world, unready for change, where the
> Anglo-Saxon corporate
> > ethic is framed in the crumbling decalage of the old
> structures. Something
> > to be seen and not lived while the sensuous feminine
> that is France climbs
> > towards an uncertain future, sheltering from the icy
> blast of the present.
> >
> > Or I have I done too many French film classes this
> year?
> >
> > B
> >
> >
> >
> > --
> > PDML Pentax-Discuss Mail List
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> > http://pdml.net/mailman/listinfo/pdml_pdml.net
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Re: PESO - Elegance (daylight!)

2010-12-16 Thread Bob Sullivan
More like read to many Artsy-Fartsy French classic film reviews!
Regards,  Bob S.

On Thu, Dec 16, 2010 at 6:04 PM, Bob W  wrote:
>>
>> "Level" is a relative term.
>
> marquez!
>
>> The upper windows of that building aren't
>> on the same level.  The change in paint color and the edges of the
>> center lower window are at 90 degrees to each other, so I took those as
>> "level" and "perpendicular".  The slope of the street would show more
>> if the camera axis had been perpendicular to the wall, but it wasn't
>> quite.
>>
>> I played with this for a long time in Lightroom; what I posted seemed
>> the best compromise.
>
> Compromise Schompromise! It's a Goddardian critique of a society ill at ease
> in a globalising world, unready for change, where the Anglo-Saxon corporate
> ethic is framed in the crumbling decalage of the old structures. Something
> to be seen and not lived while the sensuous feminine that is France climbs
> towards an uncertain future, sheltering from the icy blast of the present.
>
> Or I have I done too many French film classes this year?
>
> B
>
>
>
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RE: PESO - Elegance (daylight!)

2010-12-16 Thread Bob W
> 
> "Level" is a relative term.  

marquez!

> The upper windows of that building aren't
> on the same level.  The change in paint color and the edges of the
> center lower window are at 90 degrees to each other, so I took those as
> "level" and "perpendicular".  The slope of the street would show more
> if the camera axis had been perpendicular to the wall, but it wasn't
> quite.
> 
> I played with this for a long time in Lightroom; what I posted seemed
> the best compromise.

Compromise Schompromise! It's a Goddardian critique of a society ill at ease
in a globalising world, unready for change, where the Anglo-Saxon corporate
ethic is framed in the crumbling decalage of the old structures. Something
to be seen and not lived while the sensuous feminine that is France climbs
towards an uncertain future, sheltering from the icy blast of the present. 

Or I have I done too many French film classes this year?

B



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Re: PESO - Elegance (daylight!)

2010-12-16 Thread Bob Sullivan
Rick,
The leveling issue is pretty subtle.
I would make the girls journey more obviously up-hill to match their gate.
Overall, a very interesting picture and one in the daylight!
Nice work and a good use of your free time in Paris.
Regards,  Bob S.

On Thu, Dec 16, 2010 at 11:30 AM, Rick Womer  wrote:
> Bob,
>
> Thanks for your compliments!
>
> "Level" is a relative term.  The upper windows of that building aren't on the 
> same level.  The change in paint color and the edges of the center lower 
> window are at 90 degrees to each other, so I took those as "level" and 
> "perpendicular".  The slope of the street would show more if the camera axis 
> had been perpendicular to the wall, but it wasn't quite.
>
> I played with this for a long time in Lightroom; what I posted seemed the 
> best compromise.
>
> Cheers,
>
> Rick
>
> http://photo.net/photos/RickW
>
>
> --- On Thu, 12/16/10, Bob Sullivan  wrote:
>
>> Rick,
>> You've got lots of milage out of that trip to Paris!
>> There are so many things to look at in this picture, I
>> don't know
>> where to start.
>> I felt the building was a bit off level, the top of the
>> windows should
>> be the reference.
>> Then the girls with the umbrellas are walking up hill.
>> Regards,  Bob S.
>>
>> On Wed, Dec 15, 2010 at 7:56 PM, Rick Womer 
>> wrote:
>> > I looked out the window of the Paris cafe where we
>> were having lunch, and noticed the scruffy building and the
>> elegant clothes in the windows.  Then, it was just a matter
>> of waiting for something colorful to enter the frame.
>> >
>> > http://photo.net/photodb/photo?photo_id=12098970&size=lg
>> >
>> > (K7, DA 16-45)
>> >
>> > Rick
>> >
>> >
>> >
>> >
>> > --
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Re: PESO - Elegance (daylight!)

2010-12-16 Thread Rick Womer
Bob,

Thanks for your compliments!

"Level" is a relative term.  The upper windows of that building aren't on the 
same level.  The change in paint color and the edges of the center lower window 
are at 90 degrees to each other, so I took those as "level" and 
"perpendicular".  The slope of the street would show more if the camera axis 
had been perpendicular to the wall, but it wasn't quite.

I played with this for a long time in Lightroom; what I posted seemed the best 
compromise.

Cheers,

Rick

http://photo.net/photos/RickW


--- On Thu, 12/16/10, Bob Sullivan  wrote:

> Rick,
> You've got lots of milage out of that trip to Paris!
> There are so many things to look at in this picture, I
> don't know
> where to start.
> I felt the building was a bit off level, the top of the
> windows should
> be the reference.
> Then the girls with the umbrellas are walking up hill.
> Regards,  Bob S.
> 
> On Wed, Dec 15, 2010 at 7:56 PM, Rick Womer 
> wrote:
> > I looked out the window of the Paris cafe where we
> were having lunch, and noticed the scruffy building and the
> elegant clothes in the windows.  Then, it was just a matter
> of waiting for something colorful to enter the frame.
> >
> > http://photo.net/photodb/photo?photo_id=12098970&size=lg
> >
> > (K7, DA 16-45)
> >
> > Rick
> >
> >
> >
> >
> > --
> > PDML Pentax-Discuss Mail List
> > PDML@pdml.net
> > http://pdml.net/mailman/listinfo/pdml_pdml.net
> > to UNSUBSCRIBE from the PDML, please visit the link
> directly above and follow the directions.
> >
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Re: PESO - Elegance (daylight!)

2010-12-16 Thread Jack Davis
I took it from your post that your final criticism was the fact that "the girls 
are walking up hill."(?)
Looks to me as though they are naturally leaning into the hill as they walk. A 
truer hill rise would reinforce that appearance.
Then again, I may not get your point, Bob. :)

Jack

--- On Thu, 12/16/10, Bob Sullivan  wrote:

> From: Bob Sullivan 
> Subject: Re: PESO - Elegance (daylight!)
> To: "Pentax-Discuss Mail List" 
> Date: Thursday, December 16, 2010, 8:38 AM
> Jack,
> No laser truing, but more level would make the girl's
> uphill walk more
> natural looking.
> Regards,  Bob S.
> 
> On Thu, Dec 16, 2010 at 10:20 AM, Jack Davis 
> wrote:
> > Looks like the tilt in this is a pretty good
> compromise. The girls are walking up hill because they're
> truly on a hill. If the tops of the windows were level the
> base of those above would be off even more. If you measure
> the distance between the bottom of the display windows and
> the sidewalk, it's obvious the building is on a slope. I
> suspect it didn't enjoy the benefit of laser truing. ;)
> >
> > Jack
> >
> > --- On Thu, 12/16/10, Bob Sullivan 
> wrote:
> >
> >> From: Bob Sullivan 
> >> Subject: Re: PESO - Elegance (daylight!)
> >> To: "Pentax-Discuss Mail List" 
> >> Date: Thursday, December 16, 2010, 7:59 AM
> >> Rick,
> >> You've got lots of milage out of that trip to
> Paris!
> >> There are so many things to look at in this
> picture, I
> >> don't know
> >> where to start.
> >> I felt the building was a bit off level, the top
> of the
> >> windows should
> >> be the reference.
> >> Then the girls with the umbrellas are walking up
> hill.
> >> Regards,  Bob S.
> >>
> >> On Wed, Dec 15, 2010 at 7:56 PM, Rick Womer 
> >> wrote:
> >> > I looked out the window of the Paris cafe
> where we
> >> were having lunch, and noticed the scruffy
> building and the
> >> elegant clothes in the windows.  Then, it was
> just a matter
> >> of waiting for something colorful to enter the
> frame.
> >> >
> >> > http://photo.net/photodb/photo?photo_id=12098970&size=lg
> >> >
> >> > (K7, DA 16-45)
> >> >
> >> > Rick
> >> >
> >> >
> >> >
> >> >
> >> > --
> >> > PDML Pentax-Discuss Mail List
> >> > PDML@pdml.net
> >> > http://pdml.net/mailman/listinfo/pdml_pdml.net
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> the link
> >> directly above and follow the directions.
> >> >
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> >> http://pdml.net/mailman/listinfo/pdml_pdml.net
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> link
> >> directly above and follow the directions.
> >>
> >
> >
> >
> >
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Re: PESO - Elegance (daylight!)

2010-12-16 Thread Bob Sullivan
Jack,
No laser truing, but more level would make the girl's uphill walk more
natural looking.
Regards,  Bob S.

On Thu, Dec 16, 2010 at 10:20 AM, Jack Davis  wrote:
> Looks like the tilt in this is a pretty good compromise. The girls are 
> walking up hill because they're truly on a hill. If the tops of the windows 
> were level the base of those above would be off even more. If you measure the 
> distance between the bottom of the display windows and the sidewalk, it's 
> obvious the building is on a slope. I suspect it didn't enjoy the benefit of 
> laser truing. ;)
>
> Jack
>
> --- On Thu, 12/16/10, Bob Sullivan  wrote:
>
>> From: Bob Sullivan 
>> Subject: Re: PESO - Elegance (daylight!)
>> To: "Pentax-Discuss Mail List" 
>> Date: Thursday, December 16, 2010, 7:59 AM
>> Rick,
>> You've got lots of milage out of that trip to Paris!
>> There are so many things to look at in this picture, I
>> don't know
>> where to start.
>> I felt the building was a bit off level, the top of the
>> windows should
>> be the reference.
>> Then the girls with the umbrellas are walking up hill.
>> Regards,  Bob S.
>>
>> On Wed, Dec 15, 2010 at 7:56 PM, Rick Womer 
>> wrote:
>> > I looked out the window of the Paris cafe where we
>> were having lunch, and noticed the scruffy building and the
>> elegant clothes in the windows.  Then, it was just a matter
>> of waiting for something colorful to enter the frame.
>> >
>> > http://photo.net/photodb/photo?photo_id=12098970&size=lg
>> >
>> > (K7, DA 16-45)
>> >
>> > Rick
>> >
>> >
>> >
>> >
>> > --
>> > PDML Pentax-Discuss Mail List
>> > PDML@pdml.net
>> > http://pdml.net/mailman/listinfo/pdml_pdml.net
>> > to UNSUBSCRIBE from the PDML, please visit the link
>> directly above and follow the directions.
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>
>
>
>
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Re: PESO - Elegance (daylight!)

2010-12-16 Thread David J Brooks
On Thu, Dec 16, 2010 at 7:17 AM, frank theriault
 wrote:
> On Wed, Dec 15, 2010 at 8:56 PM, Rick Womer  wrote:
>> I looked out the window of the Paris cafe where we were having lunch, and 
>> noticed the scruffy building and the elegant clothes in the windows.  Then, 
>> it was just a matter of waiting for something colorful to enter the frame.
>>
>> http://photo.net/photodb/photo?photo_id=12098970&size=lg
>
> I ~really~ like this one, Rick!!!

Me too.

Dave
>
> cheers.
> frank
>
> --
> "Sharpness is a bourgeois concept."  -Henri Cartier-Bresson
>
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Re: PESO - Elegance (daylight!)

2010-12-16 Thread Jack Davis
Looks like the tilt in this is a pretty good compromise. The girls are walking 
up hill because they're truly on a hill. If the tops of the windows were level 
the base of those above would be off even more. If you measure the distance 
between the bottom of the display windows and the sidewalk, it's obvious the 
building is on a slope. I suspect it didn't enjoy the benefit of laser truing. 
;)

Jack

--- On Thu, 12/16/10, Bob Sullivan  wrote:

> From: Bob Sullivan 
> Subject: Re: PESO - Elegance (daylight!)
> To: "Pentax-Discuss Mail List" 
> Date: Thursday, December 16, 2010, 7:59 AM
> Rick,
> You've got lots of milage out of that trip to Paris!
> There are so many things to look at in this picture, I
> don't know
> where to start.
> I felt the building was a bit off level, the top of the
> windows should
> be the reference.
> Then the girls with the umbrellas are walking up hill.
> Regards,  Bob S.
> 
> On Wed, Dec 15, 2010 at 7:56 PM, Rick Womer 
> wrote:
> > I looked out the window of the Paris cafe where we
> were having lunch, and noticed the scruffy building and the
> elegant clothes in the windows.  Then, it was just a matter
> of waiting for something colorful to enter the frame.
> >
> > http://photo.net/photodb/photo?photo_id=12098970&size=lg
> >
> > (K7, DA 16-45)
> >
> > Rick
> >
> >
> >
> >
> > --
> > PDML Pentax-Discuss Mail List
> > PDML@pdml.net
> > http://pdml.net/mailman/listinfo/pdml_pdml.net
> > to UNSUBSCRIBE from the PDML, please visit the link
> directly above and follow the directions.
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Re: PESO - Elegance (daylight!)

2010-12-16 Thread Bob Sullivan
Rick,
You've got lots of milage out of that trip to Paris!
There are so many things to look at in this picture, I don't know
where to start.
I felt the building was a bit off level, the top of the windows should
be the reference.
Then the girls with the umbrellas are walking up hill.
Regards,  Bob S.

On Wed, Dec 15, 2010 at 7:56 PM, Rick Womer  wrote:
> I looked out the window of the Paris cafe where we were having lunch, and 
> noticed the scruffy building and the elegant clothes in the windows.  Then, 
> it was just a matter of waiting for something colorful to enter the frame.
>
> http://photo.net/photodb/photo?photo_id=12098970&size=lg
>
> (K7, DA 16-45)
>
> Rick
>
>
>
>
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Re: PESO - Elegance (daylight!)

2010-12-16 Thread Steven Desjardins
I also like how the formality of the "dummies" contrasts with the
decline shown in the rest of the pictures.

On Thu, Dec 16, 2010 at 8:27 AM, Theodore Beilby  wrote:
> Rick, the contrast of the stiff, formal display with the rundown wall and
> littered street, and the interest being shown by the pedestrians makes this 
> very
> nice to me. Thanks for sharing with us.
>
> Ted
>  "The eye of the viewer becomes the eye of the Photographer." Albert Maysles
>
>
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Re: PESO - Elegance (daylight!)

2010-12-16 Thread Theodore Beilby
Rick, the contrast of the stiff, formal display with the rundown wall and 
littered street, and the interest being shown by the pedestrians makes this 
very 
nice to me. Thanks for sharing with us. 

Ted
 "The eye of the viewer becomes the eye of the Photographer." Albert Maysles


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Re: PESO - Elegance (daylight!)

2010-12-16 Thread frank theriault
On Wed, Dec 15, 2010 at 8:56 PM, Rick Womer  wrote:
> I looked out the window of the Paris cafe where we were having lunch, and 
> noticed the scruffy building and the elegant clothes in the windows.  Then, 
> it was just a matter of waiting for something colorful to enter the frame.
>
> http://photo.net/photodb/photo?photo_id=12098970&size=lg

I ~really~ like this one, Rick!!!

cheers.
frank

-- 
"Sharpness is a bourgeois concept."  -Henri Cartier-Bresson

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PESO - Elegance (daylight!)

2010-12-15 Thread Rick Womer
I looked out the window of the Paris cafe where we were having lunch, and 
noticed the scruffy building and the elegant clothes in the windows.  Then, it 
was just a matter of waiting for something colorful to enter the frame.

http://photo.net/photodb/photo?photo_id=12098970&size=lg

(K7, DA 16-45)

Rick


  

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