Re: B and W Film Tests by Iris Davis

2006-07-14 Thread pnstenquist
Interesting. Before I went digital I had switched to the T-Max films for the 
most part after about thirty years of shooting mainly Tri-X.  I was very happy 
with the T-Max 100 in either T-Max developer or D-76, and liked the 400 when it 
was rated at 200 and souped in   something gentle like D-76 1:1. I still have 
some T-Max (and some outdated but well stored Plus-X) in the freezer. One of 
these days...
Paul
 -- Original message --
From: Shel Belinkoff [EMAIL PROTECTED]
 Is Tri-X no longer King of the Hill?  Do digi shooters care?
 
 http://www.lookingglassphoto.com/funwfilm.html
 
 
 Shel
 
 
 
 
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Re: B and W Film Tests by Iris Davis

2006-07-14 Thread Adam Maas
Yep, quite interesting.

I've never had good results with any TMax emulsion other than TMZ, no 
matter what developer used. Tmax Dev produced the best results, but 
Acros proved far superior than TMax 100, and I still get better 
(although grainier) results from Tri-X.

-Adam


[EMAIL PROTECTED] wrote:
 Interesting. Before I went digital I had switched to the T-Max films for the 
 most part after about thirty years of shooting mainly Tri-X.  I was very 
 happy with the T-Max 100 in either T-Max developer or D-76, and liked the 400 
 when it was rated at 200 and souped in   something gentle like D-76 1:1. I 
 still have some T-Max (and some outdated but well stored Plus-X) in the 
 freezer. One of these days...
 Paul
  -- Original message --
 From: Shel Belinkoff [EMAIL PROTECTED]
 
Is Tri-X no longer King of the Hill?  Do digi shooters care?

http://www.lookingglassphoto.com/funwfilm.html


Shel




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Re: B and W Film Tests by Iris Davis

2006-07-14 Thread Kostas Kavoussanakis
On Fri, 14 Jul 2006, [EMAIL PROTECTED] wrote:

 Interesting. Before I went digital I had switched to the T-Max films for the 
 most part after about thirty years of shooting mainly Tri-X.  I was very 
 happy with the T-Max 100 in either T-Max developer or D-76, and liked the 400 
 when it was rated at 200 and souped in   something gentle like D-76 1:1. I 
 still have some T-Max (and some outdated but well stored Plus-X) in the 
 freezer. One of these days...

You may have written about this in the past but I can't remember: what 
did you use to do for higher ISO BW?

Kostas

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Re: B and W Film Tests by Iris Davis

2006-07-14 Thread pnstenquist
I used Delta 3200 for the most part, generally in 6x7 format. I rated it at 
1600 but developed it for 3200. I found the negs were too thin when processed 
according to Ilford's recommendation for 1600. I used both T-Max developer and 
D-76. The results were vewry similar. I found T-Max 3200 to be quite a bit 
grainier or at least harsher.
Paul
 -- Original message --
From: Kostas Kavoussanakis [EMAIL PROTECTED]
 On Fri, 14 Jul 2006, [EMAIL PROTECTED] wrote:
 
  Interesting. Before I went digital I had switched to the T-Max films for 
  the 
 most part after about thirty years of shooting mainly Tri-X.  I was very 
 happy 
 with the T-Max 100 in either T-Max developer or D-76, and liked the 400 when 
 it 
 was rated at 200 and souped in   something gentle like D-76 1:1. I still have 
 some T-Max (and some outdated but well stored Plus-X) in the freezer. One of 
 these days...
 
 You may have written about this in the past but I can't remember: what 
 did you use to do for higher ISO BW?
 
 Kostas
 
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Re: B and W Film Tests by Iris Davis

2006-07-14 Thread Godfrey DiGiorgi

On Jul 14, 2006, at 5:28 AM, Shel Belinkoff wrote:

 Is Tri-X no longer King of the Hill?  Do digi shooters care?
 http://www.lookingglassphoto.com/funwfilm.html

My Tri-X vs TMax 400 testing was done between 2000 and 2002. I had  
already standardized on XTOL developer and found that TMax 400 was  
preferable, rated at 320, 400, 640, 800 and 1600. It presented  
tighter, more consistent grain structure and better tonal  
differentiation with higher acutance.

It took me about 20 rolls of processing to figure out how to develop  
TMax correctly though. I found that unlike Delta 400, APX 400, and  
Tri-X, TMax films *require* much greater agitation throughout the  
development process in the same developer using the same reference  
standards for density and gamma as all the others. I suspect this is  
so because Kodak formulated it for machine processing with continuous  
agitation.

Once I figured this out, my TMax work proved that these are films of  
exceptional quality. TMax 100, rated at EI 200 and processed in XTOL  
1:1, proves to have acutance and tonality remarkably similar to APX  
25 (@EI 50 in XTOL 1:1) with only a modest increase in grain. TMax  
400 holds grain and actuance from EI800-1600 *much* better than Tri-X  
(and lightyears better than APX 400!).

I started to work with Acros and Neopan right around the beginning of  
2002, but then I bought my first quality digital camera and decided  
that I had had enough of experimenting and just shot what I knew  
worked well for me in film.

Godfrey

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Re: B and W Film Tests by Iris Davis

2006-07-14 Thread Aaron Reynolds

On Jul 14, 2006, at 11:21 AM, [EMAIL PROTECTED] wrote:

 I used Delta 3200 for the most part, generally in 6x7 format. I rated 
 it at 1600 but developed it for 3200. I found the negs were too thin 
 when processed according to Ilford's recommendation for 1600. I used 
 both T-Max developer and D-76. The results were vewry similar.

Switch over to DD-X and you'll be much happier with the negs at 3200.

-Aaron

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Re: B and W Film Tests by Iris Davis

2006-07-14 Thread Aaron Reynolds

On Jul 14, 2006, at 8:28 AM, Shel Belinkoff wrote:

 Is Tri-X no longer King of the Hill?  Do digi shooters care?

 http://www.lookingglassphoto.com/funwfilm.html

 From the article:

 Is it just too cynical to think they’ve found a cheaper way to 
 manufacture these films? Whatever changes they’ve made to Tri-X and 
 Plus-X have not been beneficial to the working photographer.

Yes, they did find a cheaper way to make them -- they abandoned Plus-X 
and Tri-X's original film bases and now make them on TMax's base.

A sign that they were not at all the same films: Kodak gave us a big 
pack of sample rolls, not to give out, but to re-calibrate our 
processing.  The six months I spent trying to differentiate new and 
old Tri-X to make sure I processed it all properly were not exactly 
all fun.

-Aaron
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Re: B and W Film Tests by Iris Davis

2006-07-14 Thread pnstenquist
Thanks Aaron. Perhaps I'll give that a try. Shooting high-speed BW film was one 
of my favorite ways to use medium format. Handheld heaven.
Paul
 -- Original message --
From: Aaron Reynolds [EMAIL PROTECTED]
 
 On Jul 14, 2006, at 11:21 AM, [EMAIL PROTECTED] wrote:
 
  I used Delta 3200 for the most part, generally in 6x7 format. I rated 
  it at 1600 but developed it for 3200. I found the negs were too thin 
  when processed according to Ilford's recommendation for 1600. I used 
  both T-Max developer and D-76. The results were vewry similar.
 
 Switch over to DD-X and you'll be much happier with the negs at 3200.
 
 -Aaron
 
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Re: B and W Film Tests by Iris Davis

2006-07-14 Thread Aaron Reynolds

On Jul 14, 2006, at 4:12 PM, [EMAIL PROTECTED] wrote:

 Thanks Aaron. Perhaps I'll give that a try. Shooting high-speed BW 
 film was one of my favorite ways to use medium format. Handheld 
 heaven.

Absolutely!  I have a very large stock of 120 Delta 3200 here in the 
freezer.  I used it in either DD-X or Agfa Studional -- Studional gave 
a little slower result but was very smooth.  Studional, however, 
requires constant and even agitation.  I used it in a Jobo, which is 
the kind of thing it was designed for.

-Aaron

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