Re: Met Art Wolfe

2001-12-20 Thread jeepgirl

 The #2 guy will be our own Mark Roberts, who's done a book called The
 PDML from too Damned Close, featuring photos of Dr. Pepper bottles and
 guys standing around and staring at camera lenses. 

Did those dr. Pepper bottles have homade beer in them?

jeepgirl
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Re: Met Art Wolfe

2001-12-20 Thread jeepgirl

I'm trying to talk him into it... but he doesn't like verticle pictures...
jeepgirl


 Next year's batch is already started and some is in Dr.Pepper bottles and
 some in Sun Drop bottles.
 
 BTW, are you and Mr. Jeepgirl going to be there?
 
 Bill, KG4LOV
 [EMAIL PROTECTED]
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Re: Met Art Wolfe

2001-12-19 Thread aimcompute

I suspect the reason he prefers zooms is the nature of his shots.  When
you're dealing with a flock of birds or a frolicking bear, you don't
necessarily have the time to change lenses.

Tom C.

- Original Message -
From: harald_nancy [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, December 18, 2001 9:04 PM
Subject: Met Art Wolfe


 Just happened to run into Art Wolfe, world renowned wildlife
 and outdoor photographer, this weekend in Seattle, Washington.
 If you don't know, this is his website:
 http://www.artwolfe.com/

 Started talking a bit about outdoor photography, so I asked him
 What's your favorite lense?
 He asks, What camera are you using?
 I say, Pentax.
 His eyes light up, Ah, Medium format. (one of his cameras is a Pentax
Med.
 Format).
 No, I say, 35mm.
 I was kind of surprised that his favorite lense right now for 35mm
 is the super wide angle zoom 17-35 mm. Next favorite 70-200mm zoom.
 In his opinion modern pro-grade zooms have advanced to such a
 degree that they are equal to primary lenses. He prefers them for
composing.
 His results obviously speak for themselves.
 Just thought to share it with you.
 Harald
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Re: Met Art Wolfe

2001-12-19 Thread Christian Skofteland

True, but in his book The Art of Photographing Nature (get it Art
hahaha) he describes how he likes new high-quality zooms because it gives
him the ability to crop and compose easily and quickly.  Not necessarily
because the subjects are moving.

Incidentally, I am extremely jealous.  Art Wolfe's book has helped my issues
with composition.  My exposures were perfect but my compositions sucked.
Art Wolfe (and John Shaw) taught me how to slow down, and see the whole
picture and take apart each element to improve my composition.

Christian Skofteland
[EMAIL PROTECTED]

- Original Message -
From: aimcompute [EMAIL PROTECTED]


 I suspect the reason he prefers zooms is the nature of his shots.  When
 you're dealing with a flock of birds or a frolicking bear, you don't
 necessarily have the time to change lenses.

 Tom C.

 - Original Message -
 From: harald_nancy [EMAIL PROTECTED]


  Just happened to run into Art Wolfe, world renowned wildlife
  and outdoor photographer, this weekend in Seattle, Washington.
  If you don't know, this is his website:
  http://www.artwolfe.com/
 
  Started talking a bit about outdoor photography, so I asked him
  What's your favorite lense?
  He asks, What camera are you using?
  I say, Pentax.
  His eyes light up, Ah, Medium format. (one of his cameras is a Pentax
 Med.
  Format).
  No, I say, 35mm.
  I was kind of surprised that his favorite lense right now for 35mm
  is the super wide angle zoom 17-35 mm. Next favorite 70-200mm zoom.
  In his opinion modern pro-grade zooms have advanced to such a
  degree that they are equal to primary lenses. He prefers them for
 composing.
  His results obviously speak for themselves.
  Just thought to share it with you.
  Harald
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RE: Met Art Wolfe

2001-12-19 Thread Kent Gittings

Actually I think what he is saying is what a lot of wildlife shooters say
about the difference between primes and current zooms is that the results
are indistinguishable between a fast 200 prime and a pro level 80-200 zoom
at 200mm. Not to say they don't have some differences but that they can't be
seen on the film they are shooting. I know in my case I can't tell the
difference between shots made with my old Pentax SMC 200/2.5 and my current
Sigma EX 70-200/2.8 at 200mm.
But remember these guys aren't talking about using zooms in place of
300-800mm primes but in place of 200mm and under ones. Except in the case of
digital when an 80-200/2.8 zoom would be used instead of a 300/2.8 prime due
to the multiplication factor.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of aimcompute
Sent: Wednesday, December 19, 2001 10:37 AM
To: [EMAIL PROTECTED]
Subject: Re: Met Art Wolfe


I suspect the reason he prefers zooms is the nature of his shots.  When
you're dealing with a flock of birds or a frolicking bear, you don't
necessarily have the time to change lenses.

Tom C.

- Original Message -
From: harald_nancy [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, December 18, 2001 9:04 PM
Subject: Met Art Wolfe


 Just happened to run into Art Wolfe, world renowned wildlife
 and outdoor photographer, this weekend in Seattle, Washington.
 If you don't know, this is his website:
 http://www.artwolfe.com/

 Started talking a bit about outdoor photography, so I asked him
 What's your favorite lense?
 He asks, What camera are you using?
 I say, Pentax.
 His eyes light up, Ah, Medium format. (one of his cameras is a Pentax
Med.
 Format).
 No, I say, 35mm.
 I was kind of surprised that his favorite lense right now for 35mm
 is the super wide angle zoom 17-35 mm. Next favorite 70-200mm zoom.
 In his opinion modern pro-grade zooms have advanced to such a
 degree that they are equal to primary lenses. He prefers them for
composing.
 His results obviously speak for themselves.
 Just thought to share it with you.
 Harald
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Re: Met Art Wolfe

2001-12-19 Thread Christian Skofteland

In the book I mentioned before Art gives a 200-400 N a real workout.  

Christian Skofteland
[EMAIL PROTECTED]

- Original Message - 
From: Kent Gittings [EMAIL PROTECTED]



 But remember these guys aren't talking about using zooms in place of
 300-800mm primes but in place of 200mm and under ones. 

 Kent Gittings
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RE: Met Art Wolfe

2001-12-19 Thread Malcolm Smith

 or a frolicking bear, you don't
necessarily have the time to change lenses.

Tom C.

Or underwear I presume. Sorry!

Malcolm
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Re: Re: Met Art Wolfe

2001-12-19 Thread bhutto

Christian Skofteland [EMAIL PROTECTED]

 True, but in his book The Art of Photographing Nature 
(get it Art hahaha) he describes how he likes new 
 high-quality zooms because it gives him the ability to
 crop and compose easily and quickly.  

[snip]

 Art Wolfe's book has helped my issues with composition.  
 My exposures were perfect but my compositions sucked.

I just recently bought this book and it is very educational.
If you were to learn one thing from each set of pictures 
in that book and apply it to your own photography...well, 
you'd be a pretty darned good nature photographer when you
finished.

Brent Hutto
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Re: Met Art Wolfe

2001-12-19 Thread tom

Christian Skofteland wrote:
 
 In the book I mentioned before Art gives a 200-400 N a real workout.

Art Wolfe uses Canon and Mamiya these days. I'll bet he's using that
100-400 IS (or whatever it is) quite a bit. I'd use it too if it were
free...

On a side note, Art Wolfe was a speaker at Grandfather Mountain Photo
Weekend a few years ago. The implication here is that if you come to
GMPW *this* coming year, I can absolutely gaurantee that there will be
someone there who will talk about nature photography and will show
actual pictures.

I swear.

tv
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Re: Met Art Wolfe

2001-12-19 Thread tom

I wrote:
 
  The implication here is that if you come to
 GMPW *this* coming year, I can absolutely gaurantee that there will be
 someone there who will talk about nature photography and will show
 actual pictures.

To be more specific, the big name guy will be Bill Fortney, who's done a
book called America from 500 Feet. You can find it on Amazon, and I
think he'll be on the Today show pretty soon.

The #2 guy will be our own Mark Roberts, who's done a book called The
PDML from too Damned Close, featuring photos of Dr. Pepper bottles and
guys standing around and staring at camera lenses. 

tv
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