Re[2]: *istD and prime lens aperature

2003-12-17 Thread Bruce Dayton
Hello Pieter,

One thing you are not factoring in to this issue is the output side.
When the output is digital, you have the same basic problem.  Each
pixel is only one color.  What you are really referring to is a
dithering pattern.  All inkjet printers do this, monitors do this and
I believe digital mini-labs do this.  So in fact, the color doesn't
have to be faked as much as it has to be patterned.  The downside to
this is that certain patterns (especially man-made) could come out
looking wrong.  The natural random nature of film grain tends to hide
this rather than accentuate it.  I don't think the Foveon crowd has
quite as much advantage as you think.  They still have to create a
dither pattern from the sensor data as each pixel can only store 1
color.

Using film as a beginning but moving it to digital output is not much
different than the Foveon, capturing all three colors at 1 pixel point
but then creating a dither pattern out of it.  Either the scanner or
Foveon chip do this.  I suspect that the layout pattern of the
CCD/CMOS chip pretty much regulate this.

In the end, it all comes out in the wash.  The only real comparison
would be between a purely analog film process vs a digital
capture/output.

My local labs no longer do analog.  That means that my film is at a
disadvantage.  It is subject to their scanner/software limitations.
The only alternative is to scan and manipulate the images myself.

Food for thought.

-- 
Best regards,
Bruce



Wednesday, December 17, 2003, 9:19:10 AM, you wrote:

PN On Tue, Dec 16, 2003 at 06:27:38PM -0600, William Robb wrote:

 From: Pieter Nagel 

  Oh, I wasn't hoping to get any more quality out of the tiny APS sensor
  with 2/3 faked colour. 
 
 I presume you have an ist D? 
 If so, you know how wrong this statement is.

PN I did not mean that as a slur on the istD specifically, I was referring to
PN the difference between film  current CCD's in general.

PN Specifically, I was referring to the fact that each pixel of the CCD has a
PN red, green or blue filter and can detect only one of the three, the other
PN two need to be interpolated, ergo. 2/3 faked colour.

PN I do not ascribe mystical properties to digital imaging algorithms just
PN because digital is supposedly always better than analog. Therefore,
PN even though I concede that the interpolation of the colours might in
PN practice work fine, I do not for any moment believe that the interpolation
PN algorithm can always end up with the colour value the pixel would have had
PN if it had been able to sense the other two colours.

PN Yes, I have an istD, and I am quite happy with the colour - although I
PN must add that I have only had it for a few days now.

PN But I can't help wondering (as a theoretical curiosity) how much better
PN the colour rendition would be if each pixel could sense red, green and
PN blue simultaneously. Users of a Foveon chip could comment.





Re[2]: *istD and prime lens aperature

2003-12-17 Thread alex wetmore
On Wed, 17 Dec 2003, Bruce Dayton wrote:
 One thing you are not factoring in to this issue is the output side.
 When the output is digital, you have the same basic problem.  Each
 pixel is only one color.

This is not true.  All photographic file formats store R, G and B
values for each pixel.  Your display shows these at each pixel too
(although some display types such as LCDs use subpixels that are next
to each other that are R, G and B).

You can sort of see those in this photograph:
http://phred.org/~alex/pictures/scratch/reduced/IMGP1604.JPG

That is a shot of text on a Dell 1702FP LCD monitor.  It was shot with
the *ist D and a reversed 50/1.4 lens.  Remove reduced from the URL
if you want to see the full resolution original.

Most color scanners do capture R, G, and B for each pixel that they
are scanning.

alex



Re[2]: *istD and prime lens aperature

2003-12-17 Thread alex wetmore
On Wed, 17 Dec 2003, alex wetmore wrote:
 On Wed, 17 Dec 2003, Bruce Dayton wrote:
  One thing you are not factoring in to this issue is the output side.
  When the output is digital, you have the same basic problem.  Each
  pixel is only one color.

 This is not true.  All photographic file formats store R, G and B
 values for each pixel.  Your display shows these at each pixel too
 (although some display types such as LCDs use subpixels that are next
 to each other that are R, G and B).

I should have said all standardized color photographic file formats.
RAW only stores a single color value per pixel.

alex