warming polarizer and print film?
All, I've been using Kodak Portra 400UC for snapshots lately and am pretty happy with its color palette. I'm thinking about using it as a general travel film and am wondering how it responds to filtering (as compared to slide film). I have a bit of experience with filtration (e.g., ND Grads, polarizers, etc) and chromes, but I don't know much about how print film responds, particularly to warming filters. Can anyone comment on what kind of differences I might expect compared to, say, Velvia or E100VS? Thanks, Mark
Re: warming polarizer and print film?
i think they are mostly pointless for print film unless you are talking tungsten vs daylight exposures, and even then, a decent lab should be able to correct away most of the difference. if all you are talking about are 81 filters, there isn't any point. maybe if you used 85 filters all the time, but even then i think it is marginal usefulness. Herb - Original Message - From: Mark Erickson [EMAIL PROTECTED] To: pentax-discuss [EMAIL PROTECTED] Sent: Friday, February 27, 2004 7:37 PM Subject: warming polarizer and print film? I've been using Kodak Portra 400UC for snapshots lately and am pretty happy with its color palette. I'm thinking about using it as a general travel film and am wondering how it responds to filtering (as compared to slide film). I have a bit of experience with filtration (e.g., ND Grads, polarizers, etc) and chromes, but I don't know much about how print film responds, particularly to warming filters.
Re: warming polarizer and print film?
- Original Message - From: Mark Erickson Subject: warming polarizer and print film? I don't know much about how print film responds, particularly to warming filters. Can anyone comment on what kind of differences I might expect compared to, say, Velvia or E100VS? Film is film is film. It will respond pretty much the came as slide film. Whether the final print shows this is kinda up to the printer to a degree. William Robb
