Re: [pinhole-discussion] Interesting Site

2001-12-03 Thread Colin Talcroft
Along the same lines, I just finished reading
Vermeer's Camera by Philip Steadman (Oxford U.
Press, 2001). This is an excellent discussion of the
topic, as it relates to Vermeer. Anyone on the list
interested in the camera obscura, optics, or art in
general would probably find it interesting. It is
clearly written and technical only to the extent
required to make the case (for thoes who like the
technical data, it's all available in extensive
appendices). The thesis is very quietly but
persuasively argued, I think. I have always believed
in the idea of Vermeer having used the camera obscura,
but there is not a shred of doubt in my mind now. The
author successfully uses the geometry of many of the
paintings to recreate the rooms they would have been
painted in. He shows that these rooms are in many
cases identical and that a camera obscura in the
position required to paint them would have projected
an image on the back wall of the room that is exactly
the size of many of the paintings. It's hard to
explain, but very interesting. I highly recommend the
book. There is a companion Web site, but i can't find
the URL at the moment. A search on the author and the
obvious words from the title of the book should locate
it though.

Colin 

--- Joao Ribeiro jribe...@greco.com.br wrote:
 Hi folks,
 
 Just came across this site and thought it might
 interest us, the
 pinholers.
 http://www.artandoptics.com/
 It is about David Hockney's theory of artist using
 optical instruments
 since the 15th century.
 Cheers
 Joao
 
 
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Re: [pinhole-discussion] film holder?

2001-12-03 Thread Figurefoto
In a message dated 12/3/2001 9:24:23 PM Eastern Standard Time, 
bwphoto4...@aol.com writes:


 Any suggestions on the best type of film holder to get?  I've seen new ones 
 on the vendor sites, and used ones of various makes and age on E-bay. There 
 
 also appears to be a wide range of cost associated with these holders. 
 Suggestions on what to look for?  Preferences?  
 
 Maggie
 

Maggie,
you can go to camera shows and ebay and pick up most used double sheet film 
holders for $5-$25 each...anything in good shape and cheap is the best way to 
go..i have even used some old wooden ones that were all taped up and they 
were ok :)
Harry
http://www.figurefoto.com


Re: [pinhole-discussion] film holder?

2001-12-03 Thread Gary Shap


Maggie,

I would suggest a polaroid film holder (to test your exposure-and for final pics), and if you are going to use sheet film and load it yourself, go with new holders, such as the Lisco brand. They are inexpensive and reliable. You can also go with readyload sheet film, but it costs more.

gary
gs...@mindspring.com 


On Mon, 3 Dec 2001 21:21:24 EST, bwphoto4...@aol.com wrote:
I am asking for a Zero Image 4 x 5 pinhole camera for Christmas - and I know
that I'll need a film holder for it. My experience up until this point has
been 35mm and medium format, and I don't have much knowledge of large format,
so . . .

Any suggestions on the best type of film holder to get? I've seen new ones
on the vendor sites, and used ones of various makes and age on E-bay. There
also appears to be a wide range of cost associated with these holders.
Suggestions on what to look for? Preferences?

Maggie

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[pinhole-discussion] film holder?

2001-12-03 Thread BWPHOTO4527
I am asking for a Zero Image 4 x 5 pinhole camera for Christmas - and I know 
that I'll need a film holder for it.  My experience up until this point has 
been 35mm and medium format, and I don't have much knowledge of large format, 
so . . .

Any suggestions on the best type of film holder to get?  I've seen new ones 
on the vendor sites, and used ones of various makes and age on E-bay. There 
also appears to be a wide range of cost associated with these holders. 
Suggestions on what to look for?  Preferences?  

Maggie



[pinhole-discussion] Re: darkroom doors

2001-12-03 Thread Myron Gochnauer
FYI:  In the 1970's I visited a photo lab in upstate New York that used
a labyrinth door for its darkroom.  It worked something like this:  As
you left the darkroom you went through an ordinary hinged door with good
light seals on all four sides. You then turned 90 degrees to the right
and walked some distance (maybe 15 feet?) along a corridor, then a
U-turn to the left, along another corridor and then (I think) exited to
the right. The corridors -- walls, ceilings and floor -- were painted
mat black.  For film processing the darkroom door was closed, but for
printing the inner door could be left open, so people could walk in and
out freely.

Unfortunately my house is too small --- or we have too much stuff (not
cameras, of course) --- for me to build such a labyrinth, but I would
dearly love to.  I have four dogs who are always on the wrong side of a
closed darkroom door. I imagine the same thing happens with kids...

Myron