[pinhole-discussion] The Epson Perfection 3200!

2002-12-30 Thread Andrew Amundsen
It never fails: ask for help on a question, two minutes later find the 
answer first! It's called the Epson Perfection 3200, and it was talked
about on the big...@topica.com list forum, not here after all.

Anyway I thought since I brought it up, here's what was said:

http://www.normankoren.com/Tutorials/Epson_flatbeds.html

 Dunno if anyone here has been considering buying an Epson 2450 but you
 might wanna hold off for a month or so for the Perfection 3200 which is
 due in January. This press release just appeared on the Epson german
 site (google translation). I have the 1640 SU which is fine for 4x5 but
 less than marginal for MF. However, even taking into account the usual
 Epson pixel inflation, I would imagine the 3200 would do a reasonable
 job of MF up to at least 16x16.  2540 owners might like to comment.

 It looks as though the price point will be around 490 euros. Expect the
 2540 price to drop accordingly (it's already marked as end-of-life and
 being discounted by retailers).

  EPSON Perfection 3200 photo
 
  World record: First flat bed scanner with 3.200 x 6,400 dpi optical
  dissolution
 
  Duesseldorf, November 2002 - with the EPSON Perfection 3200 photo
  presents the EPSON Germany GmbH that at present first flat bed scanner
  with an optical dissolution of 3.200 x 6,400 dpi. Thus advanced EPSON
  into a new dimension. Beside ambitionierten home users also
  professional photographers and photo laboratories might be interested
  in the new top model of the scanner row of EPSON. Because with its
  high dissolution and its also for central format collecting mains the
  EPSON Perfection 3200 photo also an adequate alternative to film
  scanners represents suitable transmitted light unit. In addition a
  high optical density of  3.4 Dmax as well as an extensive software
  package come, among other things. SilverFast SE 6. USB 2,0 and
  FireWire provide for a fast connection at PC or Mac. The EPSON
  Perfection 3200 photo is available starting from at the beginning of
  of Decembers in the specialized trade.
 
  Flat bed scanner with highest resolution
 
  With the EPSON Perfection 3200 photo sets for EPSON new yardsticks
  within the range of the flat bed scanners: In this Segement an optical
  dissolution of 3.200 x 6,400 is reached for the first time dpi. In
  connection with a 48-Bit-Farbtiefe (internal/external) as well as an
  optical density of  3.4 Dmax it makes possible thereby also
  Durchlichtscans, which become fair even highest requirements. Strong
  enlargements of photos or the treatment of high-contrast slides and
  negatives are not with the new flag ship of the EPSON Flachbettscanner
  row a problem. The proven EPSON know-how, e.g. the Micro Lenses or the
  double CCD technology, it ensures for the fact that the Scan is
  rapidly settled also when high resolutions.



[pinhole-discussion] The next Epson scanner after the 2450?

2002-12-30 Thread Andrew Amundsen
I've been trying to remember and searching the archive for, a 
reference made not long ago here, about a new Epson flat-bed scanner
to hit the market soon.

What was it called the Epson 3200? or 4800? It was said to be of
higher res. than the current 2450.

Who brought that up, because I want to review that info again for a
possible future purchase of a flat-bed film scanner for Med./large
format negs.

Thanks for the help, Andrew Amundsen



Re: [pinhole-discussion] Still Life Compositions-a source for help

2002-12-30 Thread Jan Kapoor
Hi Chip--

Thanks for the nice comments on my work!

Happy pinholing--

Jan

pinholeren...@netscape.net wrote:

 checkout Jan Kapoor's site . she does fantastic still life work  she is on 
 this list [I am pretty sure].she has replyed to my questions in the past.
   chip renner

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Pinhole, Alt-Process, Large Format and Digital Imagery by Jan Kapoor






Re: [pinhole-discussion] Re: swap list

2002-12-30 Thread Ingo Günther
pinhole-discussion@p at ??? schrieb am 30.12.02 19:25:41:
 I just received my first New Years card from the pinhole swap. It was a 
 beautiful silver print postcard of a church exterior from Ingo Guenther 
 in Germany. (Thank you Ingo. I don't know if you subscribe to this list 
 or not.) My cards went out this morning.
 It's not too late to participate. Having your mail person deliver hand 
 made art to your door is great.
 
 Go have fun!
 
 Sign up at:
 http://www.rahji.com/noindex/pinholexmas.php3
 
 Have a wonderful new year!
 
 Jeff

Hi Jeff,
thank you for your warm and kindly words. Yes, I'm on this great list. A good 
and wonderful New Year also for you and all the list members.
Ingo
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RE: [pinhole-discussion] Still Life Compositions

2002-12-30 Thread PinholeRenner
here is her url   http://www.lightwork.cnchost.com/

chip renner

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Re: [pinhole-discussion] Re: swap list

2002-12-30 Thread Jeffery Atkins
I just received my first New Years card from the pinhole swap. It was a 
beautiful silver print postcard of a church exterior from Ingo Guenther 
in Germany. (Thank you Ingo. I don't know if you subscribe to this list 
or not.) My cards went out this morning.
It's not too late to participate. Having your mail person deliver hand 
made art to your door is great.


Go have fun!

Sign up at:
http://www.rahji.com/noindex/pinholexmas.php3

Have a wonderful new year!

Jeff




RE: [pinhole-discussion] Still Life Compositions

2002-12-30 Thread Andy Schmitt
Get a 25 sheet box of 4x5 film...mount a pinhole in it. Double sided tape a
sheet of paper/film inside... expose. It's really fun. I end up using a
.016 hole (I cheat..I drill  sand using a #80 drill from a good hobby
shop).
happy new year
andy


-Original Message-
From: pinhole-discussion-admin@p at ???
[mailto:pinhole-discussion-admin@p at ???]On Behalf Of Michael Healy
Sent: Sunday, December 29, 2002 8:03 PM
To: pinhole-discussion@p at ???
Subject: Re: [pinhole-discussion] Still Life Compositions


Sounds fantastic! Yesterday I got an idea while I was experimenting w/ the
360 mm pinhole on 4x5. If I held a polaroid at a certain distance that
reproduced the scale of the actual scene, then I figured I'd know how to
frame a shot w/o a polaroid. Next I tried it with a polaroid shot w/ the 50
mm. I couldn't do it, though. As soon as I started holding it close enough,
my ^#%@ nose kept getting in the way. I wish I could get my camera could go
down to 25 mm. Mark, if you want to trade... Personally, I think tabletop
could get pretty interesting. What you want, though, is an empty airline
hangar for a backdrop...

Mike

- Original Message -
From: erick...@hickorytech.net
To: pinhole-discussion@p at ???
Sent: Sunday, December 29, 2002 4:04 PM
Subject: Re: [pinhole-discussion] Still Life Compositions


I'll defend a 1 Fl on 4x5. The first camera I ever built had 0.75 Fl and
I've had great fun with it. It has a wonderfully wide acceptance angle and
makes a nice round image on 4x5 film. Placed 0.75 inches away from the
object it gives a life size image.
- Original Message -
From: Michael Healy mjhe...@kcnet.com
To: pinhole-discussion@p at ???
Sent: Saturday, December 28, 2002 10:23 PM
Subject: Re: [pinhole-discussion] Still Life Compositions


 I need to ask you a dumb question. You are able to get 25 mm of focal
length
 on 4x5? What equipment are you employing, that you can do this? That's a
 separation of 1 lousy inch from pinhole to film plane, isn't it? I'd love
to
 try that myself. My monorail and bag bellows **AND** recessed lens board
 allow me a fat, gross, long-length 50 mm. What is your trick?

 Okay, another dumb question. With that kind of coverage on tabletop, it
kind
 of seems like you're going to get the doorway behind you in the image,
plus
 six miles down the length of the hallway, to say nothing of your own
entire
 carcass. So I'm kind of wondering, why are you working with 25 mm? That it
 distorts, would be one good reason. But you'll get distortion with 40-60
mm,
 won't you? Do you have to stick to 25 mm? If I didn't like it that I was
 getting so much into the frame, that probably would be my first point of
 reassessment. Give yourself some bellows. I mean, unless you can position
 your camera so it's a quarter of an inch from your subject matter. I tried
 that recently w/ table top myself. The camera actually cast a shadow onto
my
 subject. Impossible.

 Mike Healy

 - Original Message -
 From: Mark Andrews mandr...@dragonbones.com
 To: pinhole-discussion@p at ???
 Sent: Saturday, December 28, 2002 6:47 PM
 Subject: [pinhole-discussion] Still Life Compositions


 I am novice pinhole photographer looking for some advice regarding
shooting
 still life compositions with my 4X5 Pinhole Camera (25mm focal length).

 My issue is that I am trying to limit the elements in my composition, but
 tend to pick up a significant amount of the surrounding area no mater how
 close I am to the still life composition. Is it possible to limit the
 surrounding area? I've seen other pinhole still lifes with a limited
 composition--perhaps this was accomplished in the darkroom?

 Many thanks in advance for any advice you can offer.


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Re: [pinhole-discussion] Still Life Compositions

2002-12-30 Thread Mike Vande Bunt
The normalway to do this is to have some sort of neutral background 
under/behind the elements in the composition.  In lens photography, the 
usual trick is to position the backdrop far enough from the objects 
that the backdrop is out of focus.  Obviously, this isn't going to work 
with a pinhole. That being the case, you will need to arange for the 
smoothest possible background, OR a background that is very dark (i.e. 
light the subject, don't light the background).


Mike Vande Bunt


Mark Andrews wrote:


I am novice pinhole photographer looking for some advice regarding shooting
still life compositions with my 4X5 Pinhole Camera (25mm focal length).

My issue is that I am trying to limit the elements in my composition, but
tend to pick up a significant amount of the surrounding area no mater how
close I am to the still life composition. Is it possible to limit the
surrounding area? I've seen other pinhole still lifes with a limited
composition--perhaps this was accomplished in the darkroom?

Many thanks in advance for any advice you can offer.


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