Re: [pinhole-discussion] Dwarf pictures
Thank you Andy Alexis on 8/1/02 1:31 am, Andy Schmitt at aschm...@warwick.net wrote: Alex When you ht reply your mail program cut off part of the URL try: http://www.???/discussion/upload/gallery2002.php?pic=jlouis_t hiry_1.jpg andy Jean-Louis WHAT NEAT IMAGES. The dwarf in #2 is perfect for the picture...thanks andy -Original Message- From: pinhole-discussion-admin@p at ??? [mailto:pinhole-discussion-admin@p at ???]On Behalf Of ragowaring Sent: Monday, January 07, 2002 3:43 PM To: pinhole-discussion@p at ??? Subject: Re: [pinhole-discussion] Dwarf pictures on 7/1/02 6:40 pm, Jean-Louis Thiry at multim...@wanadoo.fr wrote: As it is the first time I'm posting a message, though I avidly read every messages of this list every morning (and learn a lot from it) before beginning to work. Let me introduce myself. My name is Jean-Louis Thiry and I'm a french graphic designer working in a hi-tech environment (I got addicted to the Macintosh thing 12 years ago, but before that all I did was done by hand and reflexion and of course by photographic process) which drove me to a lot of questions and changes. I needed a lo-tech activity to rediscover what was missing in my (long) day job : reflexion, nothing between my brain and my images except my hands and eyes and that's how i naturally came to the pinhole photography . In fact I began pinholing from nothing to refer to, only some childhood reminicences of how to make a photo with simply a hole in a shoe box. Then I discover I could get some nice images easily if I took the time to think about what I wanted to do and what I wanted to get (until then I thought that there were no photos existing aside the Nikon FM2). It's only after building two or three cameras and films holders that I discover that there were a lot of people sharing that interest ans ejoying it at whatever the level of use - from rough cardboard box to expensive large format cameras, computer digital work and more scientifics users. I must say that I learned more in the last few months about photos, camera, eye's vision, paper sensitivity and above all what can be unique in a photo than in the last thirty years. I build all my cameras, spend a lot of time (and no money) at it. Only made from cardboard and paper, I need them to be beautiful, clothed with nice and luxuous papers (I'm lucky enough to get a lot of samples from paper manufacturers) and as solid as wood boxes would be. If I get some good responses to the photos I just uploaded, I'll send some of my boxes. I love to build boxes and to find solutions for the shutter, the way to attach the film holder, to make the hole (printer's plate). I spend also a lot of time to experiment with the wide range of graphic art films and negative paper. What I knew before but became more important when I went to pinhole is the importance of the negative. A negative is a complete image and is NOT the contrary of what we see, rather something we CANNOT see. It is more evident for me when I handpaint - it would certainly be easier and faster with Photoshop but I don't want to - my negatives. The two photos I upload show a plaster dwarf on one with me (I am the tallest of both), and looking at the top of a ladder on the other. For the more technicals of you : negative papers 100 x 150 mm and focal length 185 mm, hole 0,51 mm/diam, etc enjoy, Forgive my english, ans happy new year to everyone Jean-Louis http://www.???/discussion/upload/gallery2002.php?pic=jlouis_t hi ry_1.jpg http://www.???/discussion/upload/gallery2002.php?pic=jlouis_t hi ry_2.jpg -- DON'T MISS !!! __ http://perso.wanadoo.fr/multimage/sessionbanjo/ __ MULT'IMAGE Applications graphiques - 41, rue Voltaire - ZI Nord F-82000 MONTAUBAN Tél 05 63 63 54 54 - Fax 05 63 63 11 18 - ISDN 05 63 63 11 18 ___ Pinhole-Discussion mailing list Pinhole-Discussion@p at ??? unsubscribe or change your account at http://www.???/discussion/ Dear Jean-Louis Your upload does not seem to be linked, but that does not matter. You love boxes and so do I! One of the things about the pinhole is the box. The box contains and in containment we can reconcile ourselves with the fluxes and changes in the world. But the pinhole holds a special magic. From nothing you can create an image, it is a truly wonderful thing. There are no hidden workings or barriers. There is no agent or device between the subject and its image. Only air. Pinhole is not just about the image as is testified by the beautiful cameras made by makers. There is more to the image than the image itself, the making, the process weaves a magic that cannot be unravelled from the image when seen. Alexis
Re: [pinhole-discussion] Dwarf pictures and boxes
Please - send some pictures of your boxes, I'm really curious! Don't leave me out. Ray Esposito - Princess Anne, Maryland
Re: SV: [pinhole-discussion] Dwarf pictures and boxes
In a message dated 1/8/02 3:26:47 AM, peter.wikl...@journalistgruppen.se writes: Please - send some pictures of your boxes, I'm really curious! me too! leezy
SV: [pinhole-discussion] Dwarf pictures and boxes
Please - send some pictures of your boxes, I'm really curious! /peter wiklund, stockholm, sweden -Ursprungligt meddelande- Från: Jean-Louis Thiry [mailto:multim...@wanadoo.fr] Skickat: den 7 januari 2002 19:41 Till: pinhole-discussion@p at ??? Ämne: [pinhole-discussion] Dwarf pictures I build all my cameras, spend a lot of time (and no money) at it. Only made from cardboard and paper, I need them to be beautiful, clothed with nice and luxuous papers (I'm lucky enough to get a lot of samples from paper manufacturers) and as solid as wood boxes would be. If I get some good responses to the photos I just uploaded, I'll send some of my boxes.
RE: [pinhole-discussion] Dwarf pictures
Alex When you ht reply your mail program cut off part of the URL try: http://www.???/discussion/upload/gallery2002.php?pic=jlouis_t hiry_1.jpg andy Jean-Louis WHAT NEAT IMAGES. The dwarf in #2 is perfect for the picture...thanks andy -Original Message- From: pinhole-discussion-admin@p at ??? [mailto:pinhole-discussion-admin@p at ???]On Behalf Of ragowaring Sent: Monday, January 07, 2002 3:43 PM To: pinhole-discussion@p at ??? Subject: Re: [pinhole-discussion] Dwarf pictures on 7/1/02 6:40 pm, Jean-Louis Thiry at multim...@wanadoo.fr wrote: As it is the first time I'm posting a message, though I avidly read every messages of this list every morning (and learn a lot from it) before beginning to work. Let me introduce myself. My name is Jean-Louis Thiry and I'm a french graphic designer working in a hi-tech environment (I got addicted to the Macintosh thing 12 years ago, but before that all I did was done by hand and reflexion and of course by photographic process) which drove me to a lot of questions and changes. I needed a lo-tech activity to rediscover what was missing in my (long) day job : reflexion, nothing between my brain and my images except my hands and eyes and that's how i naturally came to the pinhole photography . In fact I began pinholing from nothing to refer to, only some childhood reminicences of how to make a photo with simply a hole in a shoe box. Then I discover I could get some nice images easily if I took the time to think about what I wanted to do and what I wanted to get (until then I thought that there were no photos existing aside the Nikon FM2). It's only after building two or three cameras and films holders that I discover that there were a lot of people sharing that interest ans ejoying it at whatever the level of use - from rough cardboard box to expensive large format cameras, computer digital work and more scientifics users. I must say that I learned more in the last few months about photos, camera, eye's vision, paper sensitivity and above all what can be unique in a photo than in the last thirty years. I build all my cameras, spend a lot of time (and no money) at it. Only made from cardboard and paper, I need them to be beautiful, clothed with nice and luxuous papers (I'm lucky enough to get a lot of samples from paper manufacturers) and as solid as wood boxes would be. If I get some good responses to the photos I just uploaded, I'll send some of my boxes. I love to build boxes and to find solutions for the shutter, the way to attach the film holder, to make the hole (printer's plate). I spend also a lot of time to experiment with the wide range of graphic art films and negative paper. What I knew before but became more important when I went to pinhole is the importance of the negative. A negative is a complete image and is NOT the contrary of what we see, rather something we CANNOT see. It is more evident for me when I handpaint - it would certainly be easier and faster with Photoshop but I don't want to - my negatives. The two photos I upload show a plaster dwarf on one with me (I am the tallest of both), and looking at the top of a ladder on the other. For the more technicals of you : negative papers 100 x 150 mm and focal length 185 mm, hole 0,51 mm/diam, etc enjoy, Forgive my english, ans happy new year to everyone Jean-Louis http://www.???/discussion/upload/gallery2002.php?pic=jlouis_t hi ry_1.jpg http://www.???/discussion/upload/gallery2002.php?pic=jlouis_t hi ry_2.jpg -- DON'T MISS !!! __ http://perso.wanadoo.fr/multimage/sessionbanjo/ __ MULT'IMAGE Applications graphiques - 41, rue Voltaire - ZI Nord F-82000 MONTAUBAN Tél 05 63 63 54 54 - Fax 05 63 63 11 18 - ISDN 05 63 63 11 18 ___ Pinhole-Discussion mailing list Pinhole-Discussion@p at ??? unsubscribe or change your account at http://www.???/discussion/ Dear Jean-Louis Your upload does not seem to be linked, but that does not matter. You love boxes and so do I! One of the things about the pinhole is the box. The box contains and in containment we can reconcile ourselves with the fluxes and changes in the world. But the pinhole holds a special magic. From nothing you can create an image, it is a truly wonderful thing. There are no hidden workings or barriers. There is no agent or device between the subject and its image. Only air. Pinhole is not just about the image as is testified by the beautiful cameras made by makers. There is more to the image than the image itself, the making, the process weaves a magic that cannot be unravelled from the image when seen. Alexis ___ Pinhole-Discussion mailing list Pinhole-Discussion@p at ??? unsubscribe or change your account at http://www
Re: [pinhole-discussion] Dwarf pictures
By gosh, he's got it! I think he's got it! - Original Message - From: Jean-Louis Thiry multim...@wanadoo.fr To: pinhole-discussion@p at ??? Sent: Monday, January 07, 2002 12:40 PM Subject: [pinhole-discussion] Dwarf pictures As it is the first time I'm posting a message, though I avidly read every messages of this list every morning (and learn a lot from it) before beginning to work. Let me introduce myself. My name is Jean-Louis Thiry and I'm a french graphic designer working in a hi-tech environment (I got addicted to the Macintosh thing 12 years ago, but before that all I did was done by hand and reflexion and of course by photographic process) which drove me to a lot of questions and changes. I needed a lo-tech activity to rediscover what was missing in my (long) day job : reflexion, nothing between my brain and my images except my hands and eyes and that's how i naturally came to the pinhole photography . In fact I began pinholing from nothing to refer to, only some childhood reminicences of how to make a photo with simply a hole in a shoe box. Then I discover I could get some nice images easily if I took the time to think about what I wanted to do and what I wanted to get (until then I thought that there were no photos existing aside the Nikon FM2). It's only after building two or three cameras and films holders that I discover that there were a lot of people sharing that interest ans ejoying it at whatever the level of use - from rough cardboard box to expensive large format cameras, computer digital work and more scientifics users. I must say that I learned more in the last few months about photos, camera, eye's vision, paper sensitivity. and above all what can be unique in a photo than in the last thirty years. I build all my cameras, spend a lot of time (and no money) at it. Only made from cardboard and paper, I need them to be beautiful, clothed with nice and luxuous papers (I'm lucky enough to get a lot of samples from paper manufacturers) and as solid as wood boxes would be. If I get some good responses to the photos I just uploaded, I'll send some of my boxes. I love to build boxes and to find solutions for the shutter, the way to attach the film holder, to make the hole (printer's plate). I spend also a lot of time to experiment with the wide range of graphic art films and negative paper. What I knew before but became more important when I went to pinhole is the importance of the negative. A negative is a complete image and is NOT the contrary of what we see, rather something we CANNOT see. It is more evident for me when I handpaint - it would certainly be easier and faster with Photoshop but I don't want to - my negatives. The two photos I upload show a plaster dwarf on one with me (I am the tallest of both), and looking at the top of a ladder on the other. For the more technicals of you : negative papers 100 x 150 mm and focal length 185 mm, hole 0,51 mm/diam, etc. enjoy, Forgive my english, ans happy new year to everyone Jean-Louis http://www.???/discussion/upload/gallery2002.php?pic=jlouis_t hiry_1.jpg http://www.???/discussion/upload/gallery2002.php?pic=jlouis_t hiry_2.jpg -- DON'T MISS !!! __ http://perso.wanadoo.fr/multimage/sessionbanjo/ __ MULT'IMAGE Applications graphiques - 41, rue Voltaire - ZI Nord F-82000 MONTAUBAN Tél 05 63 63 54 54 - Fax 05 63 63 11 18 - ISDN 05 63 63 11 18 ___ Pinhole-Discussion mailing list Pinhole-Discussion@p at ??? unsubscribe or change your account at http://www.???/discussion/
Re: [pinhole-discussion] Dwarf pictures
on 7/1/02 6:40 pm, Jean-Louis Thiry at multim...@wanadoo.fr wrote: As it is the first time I'm posting a message, though I avidly read every messages of this list every morning (and learn a lot from it) before beginning to work. Let me introduce myself. My name is Jean-Louis Thiry and I'm a french graphic designer working in a hi-tech environment (I got addicted to the Macintosh thing 12 years ago, but before that all I did was done by hand and reflexion and of course by photographic process) which drove me to a lot of questions and changes. I needed a lo-tech activity to rediscover what was missing in my (long) day job : reflexion, nothing between my brain and my images except my hands and eyes and that's how i naturally came to the pinhole photography . In fact I began pinholing from nothing to refer to, only some childhood reminicences of how to make a photo with simply a hole in a shoe box. Then I discover I could get some nice images easily if I took the time to think about what I wanted to do and what I wanted to get (until then I thought that there were no photos existing aside the Nikon FM2). It's only after building two or three cameras and films holders that I discover that there were a lot of people sharing that interest ans ejoying it at whatever the level of use - from rough cardboard box to expensive large format cameras, computer digital work and more scientifics users. I must say that I learned more in the last few months about photos, camera, eye's vision, paper sensitivity and above all what can be unique in a photo than in the last thirty years. I build all my cameras, spend a lot of time (and no money) at it. Only made from cardboard and paper, I need them to be beautiful, clothed with nice and luxuous papers (I'm lucky enough to get a lot of samples from paper manufacturers) and as solid as wood boxes would be. If I get some good responses to the photos I just uploaded, I'll send some of my boxes. I love to build boxes and to find solutions for the shutter, the way to attach the film holder, to make the hole (printer's plate). I spend also a lot of time to experiment with the wide range of graphic art films and negative paper. What I knew before but became more important when I went to pinhole is the importance of the negative. A negative is a complete image and is NOT the contrary of what we see, rather something we CANNOT see. It is more evident for me when I handpaint - it would certainly be easier and faster with Photoshop but I don't want to - my negatives. The two photos I upload show a plaster dwarf on one with me (I am the tallest of both), and looking at the top of a ladder on the other. For the more technicals of you : negative papers 100 x 150 mm and focal length 185 mm, hole 0,51 mm/diam, etc enjoy, Forgive my english, ans happy new year to everyone Jean-Louis http://www.???/discussion/upload/gallery2002.php?pic=jlouis_thi ry_1.jpg http://www.???/discussion/upload/gallery2002.php?pic=jlouis_thi ry_2.jpg -- DON'T MISS !!! __ http://perso.wanadoo.fr/multimage/sessionbanjo/ __ MULT'IMAGE Applications graphiques - 41, rue Voltaire - ZI Nord F-82000 MONTAUBAN Tél 05 63 63 54 54 - Fax 05 63 63 11 18 - ISDN 05 63 63 11 18 ___ Pinhole-Discussion mailing list Pinhole-Discussion@p at ??? unsubscribe or change your account at http://www.???/discussion/ Dear Jean-Louis Your upload does not seem to be linked, but that does not matter. You love boxes and so do I! One of the things about the pinhole is the box. The box contains and in containment we can reconcile ourselves with the fluxes and changes in the world. But the pinhole holds a special magic. From nothing you can create an image, it is a truly wonderful thing. There are no hidden workings or barriers. There is no agent or device between the subject and its image. Only air. Pinhole is not just about the image as is testified by the beautiful cameras made by makers. There is more to the image than the image itself, the making, the process weaves a magic that cannot be unravelled from the image when seen. Alexis
[pinhole-discussion] Dwarf pictures
As it is the first time I'm posting a message, though I avidly read every messages of this list every morning (and learn a lot from it) before beginning to work. Let me introduce myself. My name is Jean-Louis Thiry and I'm a french graphic designer working in a hi-tech environment (I got addicted to the Macintosh thing 12 years ago, but before that all I did was done by hand and reflexion and of course by photographic process) which drove me to a lot of questions and changes. I needed a lo-tech activity to rediscover what was missing in my (long) day job : reflexion, nothing between my brain and my images except my hands and eyes and that's how i naturally came to the pinhole photography . In fact I began pinholing from nothing to refer to, only some childhood reminicences of how to make a photo with simply a hole in a shoe box. Then I discover I could get some nice images easily if I took the time to think about what I wanted to do and what I wanted to get (until then I thought that there were no photos existing aside the Nikon FM2). It's only after building two or three cameras and films holders that I discover that there were a lot of people sharing that interest ans ejoying it at whatever the level of use - from rough cardboard box to expensive large format cameras, computer digital work and more scientifics users. I must say that I learned more in the last few months about photos, camera, eye's vision, paper sensitivity and above all what can be unique in a photo than in the last thirty years. I build all my cameras, spend a lot of time (and no money) at it. Only made from cardboard and paper, I need them to be beautiful, clothed with nice and luxuous papers (I'm lucky enough to get a lot of samples from paper manufacturers) and as solid as wood boxes would be. If I get some good responses to the photos I just uploaded, I'll send some of my boxes. I love to build boxes and to find solutions for the shutter, the way to attach the film holder, to make the hole (printer's plate). I spend also a lot of time to experiment with the wide range of graphic art films and negative paper. What I knew before but became more important when I went to pinhole is the importance of the negative. A negative is a complete image and is NOT the contrary of what we see, rather something we CANNOT see. It is more evident for me when I handpaint - it would certainly be easier and faster with Photoshop but I don't want to - my negatives. The two photos I upload show a plaster dwarf on one with me (I am the tallest of both), and looking at the top of a ladder on the other. For the more technicals of you : negative papers 100 x 150 mm and focal length 185 mm, hole 0,51 mm/diam, etc enjoy, Forgive my english, ans happy new year to everyone Jean-Louis http://www.???/discussion/upload/gallery2002.php?pic=jlouis_thiry_1.jpg http://www.???/discussion/upload/gallery2002.php?pic=jlouis_thiry_2.jpg -- DON'T MISS !!! __ http://perso.wanadoo.fr/multimage/sessionbanjo/ __ MULT'IMAGE Applications graphiques - 41, rue Voltaire - ZI Nord F-82000 MONTAUBAN Tél 05 63 63 54 54 - Fax 05 63 63 11 18 - ISDN 05 63 63 11 18
