Re: [pinhole-discussion] Interesting Site

2001-12-05 Thread Richard Heather
Also read  The Girl With the Pearl Earring for a novelization of the
Vermeer era.
Richard Heather

Colin Talcroft wrote:

 Along the same lines, I just finished reading
 Vermeer's Camera by Philip Steadman (Oxford U.
 Press, 2001). This is an excellent discussion of the
 topic, as it relates to Vermeer. Anyone on the list
 interested in the camera obscura, optics, or art in
 general would probably find it interesting. It is
 clearly written and technical only to the extent
 required to make the case (for thoes who like the
 technical data, it's all available in extensive
 appendices). The thesis is very quietly but
 persuasively argued, I think. I have always believed
 in the idea of Vermeer having used the camera obscura,
 but there is not a shred of doubt in my mind now. The
 author successfully uses the geometry of many of the
 paintings to recreate the rooms they would have been
 painted in. He shows that these rooms are in many
 cases identical and that a camera obscura in the
 position required to paint them would have projected
 an image on the back wall of the room that is exactly
 the size of many of the paintings. It's hard to
 explain, but very interesting. I highly recommend the
 book. There is a companion Web site, but i can't find
 the URL at the moment. A search on the author and the
 obvious words from the title of the book should locate
 it though.

 Colin

 --- Joao Ribeiro jribe...@greco.com.br wrote:
  Hi folks,
 
  Just came across this site and thought it might
  interest us, the
  pinholers.
  http://www.artandoptics.com/
  It is about David Hockney's theory of artist using
  optical instruments
  since the 15th century.
  Cheers
  Joao
 
 
  ___
 




Re: [pinhole-discussion] Interesting Site

2001-12-03 Thread Colin Talcroft
Along the same lines, I just finished reading
Vermeer's Camera by Philip Steadman (Oxford U.
Press, 2001). This is an excellent discussion of the
topic, as it relates to Vermeer. Anyone on the list
interested in the camera obscura, optics, or art in
general would probably find it interesting. It is
clearly written and technical only to the extent
required to make the case (for thoes who like the
technical data, it's all available in extensive
appendices). The thesis is very quietly but
persuasively argued, I think. I have always believed
in the idea of Vermeer having used the camera obscura,
but there is not a shred of doubt in my mind now. The
author successfully uses the geometry of many of the
paintings to recreate the rooms they would have been
painted in. He shows that these rooms are in many
cases identical and that a camera obscura in the
position required to paint them would have projected
an image on the back wall of the room that is exactly
the size of many of the paintings. It's hard to
explain, but very interesting. I highly recommend the
book. There is a companion Web site, but i can't find
the URL at the moment. A search on the author and the
obvious words from the title of the book should locate
it though.

Colin 

--- Joao Ribeiro jribe...@greco.com.br wrote:
 Hi folks,
 
 Just came across this site and thought it might
 interest us, the
 pinholers.
 http://www.artandoptics.com/
 It is about David Hockney's theory of artist using
 optical instruments
 since the 15th century.
 Cheers
 Joao
 
 
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