Re: [pinhole-discussion] changing colours

2001-08-16 Thread Brigitte . Harper
OK, here is what I do:

As a solvent I now use Seriwash which is a silk screen cleaner from
Sericol. But I have used others in the past, i.e. various paint thinners
like from Humbrol to thin enamel paints which come in tiny little pots, for
painting models like tin soldiers, I believe.( I live in the UK so I don't
know what other solvents are available elsewhere.)

It is best to tape the watercolour paper onto a smooth surface (make sure
the solvent doesn't harm the surface). I find glass is best.
The xerox is then taped with masking tape (for more easy removal later on
without tearing the paper) face down onto smooth surfaced or very lightly
textured watercolour paper. Smooth is a must for beginners as it is
difficult to get the colours into the dimples of the paper. The solvent is
then applied to the back of the xerox with a cotton rag and pressure is
applied with the back of the spoon. Some people use an extremely hard
brayer.

 I find it easier to do a print in sections, i.e. to get the first inch
transferred before moving onto the next one, and I only apply the solvent
to a small section at a time because it takes some time to transfer and in
the meantime the sections you are not working on are drying again and too
many solvent applications sometimes make the colours run into each other.
To check whether all you want to transfer has been transferred, carefully
lift a corner of the xerox and take a look. Make sure to align it and tape
it back down properly again. Also make sure that the no part of the
sandwich moves during the transfer as you are applying quite a lot of
pressure.

The whole process has to be done in extremely good ventilation; I do it
outside wearing rubber gloves and a face mask.
Once a transfer is completed it takes a couple of days for the smell of the
solvent to evaporate.

I find it not an easy technique and to start with it requires a lot of
patience until you have worked out the right solvent/paper/xerox
combination . I  use this process only for special images. You can transfer
all or only parts of the image. I sometimes transfer only small parts of
the edges of the xerox copy to give a feathered soft watercolour look edge.

There might me some info on this process in the archives of the
alt-photo-process list.

Good luck,
Brigitte.




Guillermo 

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16/08/2001 14:16

Please respond to   

pinhole-discussion  










- Original Message -
From: brigitte.har...@london.glencore.com

 Or how about taking it further still. I get the xerox copies printed with
 the image reversed  and then transfer the image with solvent onto
 watercolour paper. Prints done this way about 7-8 years ago show  no
 visible changes in colour.
 Regards,
 Brigitte.

I heard before of this technique but never sounded as a good thing to try,
but now, it really does!!  So let me ask you: could you give me specifics
on
the solvent you use and if possible the technique used to transfer the
image?

Pls, be as prolific as possible in your explanation.

Many thanks

Guillermo


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RE: [pinhole-discussion] changing colours

2001-08-16 Thread Chuck Flagg
I too would like to here more about this transfer of Xerox copies.  I
transfered printed magazine images by rubbing [burnishing] like mad and
using lighter fluid years ago.
Chuck Flagg

Or how about taking it further still. I get the xerox copies printed with
the image reversed  and then transfer the image with solvent onto
watercolour paper. Prints done this way about 7-8 years ago show  no
visible changes in colour.
Regards,
Brigitte.












Re: [pinhole-discussion] changing colours

2001-08-16 Thread Kosinski Family
Brigitte, Lots of folks would like to know this technique! Thanks, Jim K
www.paintcancamera.com

 - Original Message -
 From: brigitte.har...@london.glencore.com

  Or how about taking it further still. I get the xerox copies printed
with
  the image reversed  and then transfer the image with solvent onto
  watercolour paper. Prints done this way about 7-8 years ago show  no
  visible changes in colour.
  Regards,
  Brigitte.

 I heard before of this technique but never sounded as a good thing to try,
 but now, it really does!!  So let me ask you: could you give me specifics
on
 the solvent you use and if possible the technique used to transfer the
 image?

 Pls, be as prolific as possible in your explanation.

 Many thanks

 Guillermo


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Re: [pinhole-discussion] changing colours

2001-08-16 Thread Brigitte . Harper
Or how about taking it further still. I get the xerox copies printed with
the image reversed  and then transfer the image with solvent onto
watercolour paper. Prints done this way about 7-8 years ago show  no
visible changes in colour.
Regards,
Brigitte.




Gordon J. Holtslander 

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15/08/2001 15:42

Please respond to   

pinhole-discussion  










what about making a color xerox (or what ever brand copier) of the print.
I don't know how archival the toners used in color copiers are, but they
are likely better than the standard ink jet ink.  These may be pigment
based rather than dye based.  If so there are likely far more stable.

I knew a photographer once who was on a limited budget - shot everything
on slides (a six by nine slides from a Makina - spent all his money on
this camera!) - when he wanted a prints he took his slides to a color
copying shop and made enlargments on the copier.  He soon knew how to use
the copiers better than most people who ran the shops.

Took things a step further and cut up his color copies and made
photo-collages, using his own and found images  and copied the collage
to make its final collage print. One could do this with a computer now.

Oops but this isn't pinhole.

That was ten years ago - I'll see if I have any of his color copy prints,
and check whether they have degraded.



On Tue, 14 Aug 2001, Jan Hinderson wrote:

 Does anyone know a better alternative than Canons own colurs for their
printers? I use a Canon BJC 7000 printer with Canon BC-60 Black ink and BC
62 Photo Color ink.
 I have not had any problems before, but in my last exhibition I hung my
pinhole colour prints in a greenhouse where they have been exposed to
direct sunlight all day for two months and upon that high humidity in the
nights. And that was a bit too tough! In the last weeks of the exhibition
the pictures began to lose some of the colour, they became paler and turned
more to the green.
 The theme for the picuters is garden vegetation and from a philosophical
point of view I can se the changes in the print colour as a parallell to
the changes in nature when we are turning into late summer and autumn - but
I don't think that the potential buyers of my pictures are willing to buy
that kind of reasoning.
 So - is there a more resistant and safe printer ink on the market, that
one can use in Canon printers?

 Jan Hinderson


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http://duke.usask.ca/~holtsgUniversity of Saskatchewan
Tel (306) 966-4433  Saskatoon, Saskatchewan
Fax (306) 966-4461  Canada  S7N 5E2
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RE: [pinhole-discussion] changing colours

2001-08-15 Thread Michael Keller
There was an article in today's NY Times online (free, just subscribe) about
a retrospective exhibit of Hockney. Synchronicity?

Michael Keller
www.mikekellerphoto.com

|-Original Message-
|From: pinhole-discussion-admin@p at ???
|[mailto:pinhole-discussion-admin@p at ???]On Behalf Of Colin Talcroft
|Sent: Wednesday, August 15, 2001 3:30 PM
|To: pinhole-discussion@p at ???
|Subject: Re: [pinhole-discussion] changing colours
|
|
|I'll keep this short, as it is off-topic, but artist
|David Hockney did a lot of work in the 80s (I think)
|using color copiers and this is believed to be more or
|less permanent. However, at the time it was already
|clear that some copiers were much better than others
|regarding permanency. An Internet search into Hockney
|and this body of work would likely lead to more
|info--or the library.
|




Re: [pinhole-discussion] changing colours

2001-08-15 Thread Colin Talcroft
I'll keep this short, as it is off-topic, but artist
David Hockney did a lot of work in the 80s (I think)
using color copiers and this is believed to be more or
less permanent. However, at the time it was already
clear that some copiers were much better than others
regarding permanency. An Internet search into Hockney
and this body of work would likely lead to more
info--or the library.

Colin

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Re: [pinhole-discussion] changing colours

2001-08-15 Thread Gordon J. Holtslander
what about making a color xerox (or what ever brand copier) of the print.
I don't know how archival the toners used in color copiers are, but they
are likely better than the standard ink jet ink.  These may be pigment
based rather than dye based.  If so there are likely far more stable.

I knew a photographer once who was on a limited budget - shot everything
on slides (a six by nine slides from a Makina - spent all his money on
this camera!) - when he wanted a prints he took his slides to a color
copying shop and made enlargments on the copier.  He soon knew how to use
the copiers better than most people who ran the shops.

Took things a step further and cut up his color copies and made
photo-collages, using his own and found images  and copied the collage
to make its final collage print. One could do this with a computer now.

Oops but this isn't pinhole.

That was ten years ago - I'll see if I have any of his color copy prints,
and check whether they have degraded.



On Tue, 14 Aug 2001, Jan Hinderson wrote:

 Does anyone know a better alternative than Canons own colurs for their 
 printers? I use a Canon BJC 7000 printer with Canon BC-60 Black ink and BC 62 
 Photo Color ink.
 I have not had any problems before, but in my last exhibition I hung my 
 pinhole colour prints in a greenhouse where they have been exposed to direct 
 sunlight all day for two months and upon that high humidity in the nights. 
 And that was a bit too tough! In the last weeks of the exhibition the 
 pictures began to lose some of the colour, they became paler and turned more 
 to the green.
 The theme for the picuters is garden vegetation and from a philosophical 
 point of view I can se the changes in the print colour as a parallell to the 
 changes in nature when we are turning into late summer and autumn - but I 
 don't think that the potential buyers of my pictures are willing to buy that 
 kind of reasoning.
 So - is there a more resistant and safe printer ink on the market, that one 
 can use in Canon printers?

 Jan Hinderson


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-
Gordon J. Holtslander   Dept. of Biology
hol...@duke.usask.ca112 Science Place
http://duke.usask.ca/~holtsgUniversity of Saskatchewan
Tel (306) 966-4433  Saskatoon, Saskatchewan
Fax (306) 966-4461  Canada  S7N 5E2
-




RE: [pinhole-discussion] changing colours

2001-08-14 Thread Andy Schmitt
ok ok ok so I goofed 8o)
andy

-Original Message-
From: pinhole-discussion-admin@p at ???
[mailto:pinhole-discussion-admin@p at ???]On Behalf Of Guillermo
Sent: Tuesday, August 14, 2001 1:50 PM
To: pinhole-discussion@p at ???
Subject: Re: [pinhole-discussion] changing colours



- Original Message -
From: Thomas Harvey harv...@aracnet.com

 I think the QuadTone inks will be a lot tougher on colors than the
fading!

That's right, QuadTone inks are for BW printing only.

 There are, however, archival color inksets for consumer grade Epson
 printers (the $300-or-so 1160 model, for example)

1160 is unfortunately out of production, you see some once in a while at
eBay.  Its fame is so great, soon it might become a cult printer, very
much like a plastic Diana camera is today, commanding  -perhaps-  higher
prices than when new.

Guillermo


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Re: [pinhole-discussion] changing colours

2001-08-14 Thread Guillermo
- Original Message -
From: Thomas Harvey harv...@aracnet.com

 I think the QuadTone inks will be a lot tougher on colors than the
fading!

That's right, QuadTone inks are for BW printing only.

 There are, however, archival color inksets for consumer grade Epson
 printers (the $300-or-so 1160 model, for example)

1160 is unfortunately out of production, you see some once in a while at
eBay.  Its fame is so great, soon it might become a cult printer, very
much like a plastic Diana camera is today, commanding  -perhaps-  higher
prices than when new.

Guillermo




Re: [pinhole-discussion] changing colours

2001-08-14 Thread Guillermo
- Original Message -
From: Jeff Dilcher r...@hiddenworld.net

 Try Epson's web site.
 I think one model is called a 2000 or 2000p.
 It is listed under their inkjet printers..

The Epson 1280 is -I believe- as good a printer as the more expensive 2000P,
but Epson doesn't make the archival cartridges for it, but OEM archival
cartridges can be bought from several sources.

Guillermo




Re: [pinhole-discussion] changing colours

2001-08-14 Thread David H Quackenbush
Hi,
 Olympus has an archival dye-sub printer that can be used with a computer
or as a stand-alone printer using your cameras removable media.
 Look at - P400.olympus.com -

Regards,  David Quackenbush


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Re: [pinhole-discussion] changing colours

2001-08-14 Thread Jeff Dilcher
Try Epson's web site.
I think one model is called a 2000 or 2000p.
It is listed under their inkjet printers..


On Tue, 14 Aug 2001, Colin Talcroft wrote:

 Does anyone know names and model numbers of  the
 archival printers from Epson that Jeff mentions?
 Thanks.

 Colin

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Re: [pinhole-discussion] changing colours

2001-08-14 Thread Colin Talcroft
Does anyone know names and model numbers of  the
archival printers from Epson that Jeff mentions?
Thanks.

Colin

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RE: [pinhole-discussion] changing colours

2001-08-14 Thread Andy Schmitt
ah yes...the ultimate summer device...removes moisture  generates heat...
8o)
BTW,Would you subject real photographs to a greenhouse environment in
direct sunlight?
You've described about the ultimate method of killing pictures, short of
soaking them in water then putting them in the oven.
The fact that they lasted several months speaks highly of their resilience.
Take a look in the current View Camera Magazine about QuadTone inks. They
may help.
andy

-Original Message-
From: pinhole-discussion-admin@p at ???
[mailto:pinhole-discussion-admin@p at ???]On Behalf Of
b2myo...@aol.com
Sent: Tuesday, August 14, 2001 7:26 AM
To: pinhole-discussion@p at ???
Subject: Re: [pinhole-discussion] changing colours


If possible, a dehumidifier in the area will help.
leezy

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Re: [pinhole-discussion] changing colours

2001-08-14 Thread Jeff Dilcher
That is because inkjet printers use ink that is really a dye, and dyes
based prints fade over (little) time.  The majority of current Inkjet prints 
are not archival like real photographs from a darkroom can be. 

I have noticed that Epson has begun to make archival printers, however
which they claim, the prints will last 200 years before fading.  Be prepared
to spend more for most of these, though.

I would never sell a print to someone that is not archival... in a few years
they are certainly going to be upset!


On Tuesday 14 August 2001 04:07, you wrote:
 Does anyone know a better alternative than Canons own colurs for their
 printers? I use a Canon BJC 7000 printer with Canon BC-60 Black ink and BC
 62 Photo Color ink. I have not had any problems before, but in my last
 exhibition I hung my pinhole colour prints in a greenhouse where they have
 been exposed to direct sunlight all day for two months and upon that high
 humidity in the nights. And that was a bit too tough! In the last weeks of
 the exhibition the pictures began to lose some of the colour, they became
 paler and turned more to the green. The theme for the picuters is garden
 vegetation and from a philosophical point of view I can se the changes in
 the print colour as a parallell to the changes in nature when we are
 turning into late summer and autumn - but I don't think that the potential
 buyers of my pictures are willing to buy that kind of reasoning. So - is
 there a more resistant and safe printer ink on the market, that one can use
 in Canon printers?

 Jan Hinderson


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