Re: Clip: Country Music Hall of Fame
And.I say breathlessly, they may be hiring librarians and archivists in their future. Damn, I'm keeping my eye on them. I can see it now"Jerry, why are you heading to your car with those Ernest Tubb masters?" g JC
Re: Wedding Marches. (was: Re: Bad Companye)
On Wed, 28 Apr 1999 [EMAIL PROTECTED] wrote: BTW, we have played several weddings with great success, even with a vast repertoire of drinking, cheating, and breakup songs. Rule #1 - Do lots of Elvis covers. Guaranteed crowd pleasers. Ha! Sage advice indeed. I was a DJ on commercial radio and in nightclubs throughout the mid-80's in central Indiana (Lafayette to Indianapolis). I also picked up side gigs as a wedding/party DJ. Easy money, but kinda agonizing. If the going got tough or the dance floor was empty, I'd hear the voice in my headelvis, Elvis, ELVIS. Voila', packed floor, mucho energy. I'll always love the "Big E" if not for just svaing my hired professional ass on numberous occasions. NP: Sloan - Navy Blues JC
Re: Bad Company quote, URL
Here he goes againbut, Bad Company was perhaps, my favorite band a high schooler. I still retain an awfully fond soft spot for that band. Only the Paul Rodgers period though. I'll gladly pony up cash and see the reformed band. But what an incredibly stupid quote.groan. JC This is pretty funny. The guy has a great voice and as a kid I certainly dug Free, but unfortunately Bad Co was the downfall of both Rodgers and, even more unfortunately in my book, Mott the Hoople founder Mick Ralphs He certainly seems to have a bizarre sense of his own importance in US demographic speculations! *What* population surge, morever??? Ah well they'll say anything in an interview.
Re: Bad Company quote, URL
That's quite alright, because by digging Bad Company.I then moved retrospectively and discovered both Free and Mott the Hoople. Loved Paul Kossoff and I won't even mention how much I love Ian Hunter. And.speaking of Paul Rodger's voice, that's why I liked The Firm so much. Man, can he sing Rock Roll. So, the point being.yes, you can indeed learn a lot from listening to bands (even ones some would consider to be shitty) and moving forward/backwards w.r.t origins, etc. I'd love it if you all would preface a dismissal by saying.."even though Curry loves this band!" g I think the 1st 3 Bad Company albums: Bad Company, Straight Shooter, Run With the Pack and are strong. Burnin' Sky, Desolation Angels and Rough Diamonds had their moments, althougher fewer and farther between with each successive album. Yep, I have all of them in duplicate: one playing copy and one copy in absolutely mint vinyl. Ralphs earns my enmity by resurrecting the band w/out Rodgers but I'm glad they've evidently patched things up. A band that defined the 70's for me. Favorite Bad Company song - _Shooting Star_ followed closely by _Bad Company_, _Call On Me_ and _Silver, Blue Gold_. I like those melodic ones, that's for sure. g Adios, JC NP: The Hangdogs - East of Yesterday next Up - Jim Cuddy - All in Time
Re: Bad Company quote, URL
On Tue, 27 Apr 1999 [EMAIL PROTECTED] wrote: C'mon NealRadioactive, now THAT was one for the ages man. Plus and I've mentioned this before their bass player had the coolest hair. g Np: Tal Bachman JC
Argent
Well, I took some time digging through the KOCH WWW site and their catalogs this morning. I couldn't find the Argent album I have let alone another record. Hmm...their address is: www.kochint.com So, I'm not sure what the answer is, but I'm betting only _All Togehter Now_ has been reissued. Might have to check out Argent's and Blunstone's first solo albums if they are akin to their ealrier Zombies material. Did anyone pick up that Zombies box set that came out late last year? I've only heard good things about it. Adios, Jerry NP: Jim Lauderdale - Persimmons On Mon, 26 Apr 1999, stuart wrote: I always liked that first Argent album, that was more Zombies and less bombastic 70s rock band. My vinyl of it is shot. Did Koch reissue this one by any chance?
Solos Instruments
How about a 5 minute bass solo? How about a long long organ solo? That's currently on my mind as I listen to Koch's reissue of Argent's _All Together Now_. Man, what a comboRod Argent Russ Ballard. JC
Re: pumpskully
On Fri, 23 Apr 1999 [EMAIL PROTECTED] wrote: In a message dated 4/23/99 3:27:27 PM Central Daylight Time, [EMAIL PROTECTED] writes: handle I've ever seen. I mean Cheese Grits are just way up there on the high holy list of all things soul, right up there next to scrapple, chili, chicken-fried steak, cornbread, etc. etc. Damn I love cheese grits. No, no danger of a food thread starting Dan. A cardiology thread perhaps. Good god man, think of your arteries! g JC
Re: single most influential, cont.
On Sat, 24 Apr 1999 [EMAIL PROTECTED] wrote: really isn't all that good. And while we're goin' down that roadEmmylou on lead these days isn't all that appealing, yet as backup/harmony is quite nice. Oh, that's open to a serious rebuttal, but we are talking about subjective opinions. ANDI sure respect your right to post yours even though I'm tearing my fingernails out not to disagree. g Flat out Worst Singer I can't stand so much it spoils any hope of enjoying the music - Robert Smith of The Cure Flat Out Worst Singer that is horrible but does not spoil the music in any way, shape, or form - Neil Young NP: Jimmy Murphy - Electricity Best, Jerry
BR5-49
we headed to the Showbox for BR5-49, who blew poor Cesar Rosas off the Speaking of the BR folks. They are appearing this evening in lovely downtown Podunk, er Independence, Oregon tonight at Lenora's Ghost. Get there early as there are only 25 or so, tickets remaining. JC
Re: BR5-49
WhyI've been calling him "Most Exalted" Herr Doktor for years nowg. NP: Emmylou Harris - Cowgirl's Prayer JC That was a former student, Don. I'm surprised she didn't say "Professor Barnard," which is even more irritating g. File this tidbit away kids...g b.s. Jerry Curry - Spectre Booking Independence, Oregon [EMAIL PROTECTED] In the Top 40, half the songs are secret messages to the teen world to drop out, turn on, and groove with the chemicals and light shows at discotheques. -- Art Linkletter
Re: Northwest P2 party!
On Fri, 23 Apr 1999, Don Yates wrote: We'll be sure to play some Moonshine Willy in your honor.g And if you're really lucky, maybe by the end of the night some unfortunate NW P2er will be assuming the Purcell position in front of our toilet bowl.--don Don.you're a genious, my new band name"The Purcell Position" I love it, catchy.rolls off the tongue, and the journalists will be continually inquiring about the meaning of the name. Jeff Lynne Productions Present.The debut album by the Independence (Podunk) Oregon sensation(s) that's sweeping the nation, The Purcell Position. The Purcell Position - Yanni's Alright (LynneisGod 001) 10 glorious full stereo mega-compressed and overdubbed tracks featuring: - There's Not Enough Mousse In The World - Riding' the Porcelin Bus - Chucking My Life Away - Bad Alt-Country Blues (The Windy City Song) - Drummers/Rhythm Guitarists Need Love Too - Your Favorite Band Sucks, Let Me Tell You Why - Wildcat Dribble (Drivel) *duet with Ashley Judd - Court Braggasdocio - Fastest Mouth In the Queen City - The Scorchers Rule My World and special hidden/bonus track: Talkin' Big @ Twangfest (But Sleepin' Like a Baby) Sorry.fluff sometimes cannot be contained and limited to it's proper location. Best see some of you in June. Can't wait. Jerry
Re: Updates
On Fri, 23 Apr 1999, William F. Silvers wrote: Todd Larson wrote: TW -- have any of you popsters out there seen Jason Faulkner? Thinking about checking it out tonight, and hoping it won't turn me off from pop altogether Well, I've read very good things about his new record, but I didn't care all that much for the first one, but I've never seen him, so my advice to you is to avoid eating Malaysian food at that terrible place I've heard about, though I wouldn't counsel you to avoid that kind of food altogether. g PSST Todd..that Bill Silvers doesn't know anything anbout pop music. You'll love Faulkner and his first record _Author Unknown_ is terrific. Damn grunge popsterg NP: The Schramms - Dizzy Spell JC
Re: Artist of the Decade?
On Thu, 22 Apr 1999, David Cantwell wrote: Jerry, Jerry, Jerry. As someone who also appreciates big production, let this fellow traveler just reassure you that Nevermind, despite the culty punk expectations it carries, was...PRODUCED OUT THE ASS Anyone David et al. Thanks for the advice and perhaps, I should give that record another go-around. I also appreciate the reference. Always like Mr. Vig. Remember Fire Town anyone? I think perhaps, Cobain's voice spoiled the overall sound for me and that's why I gave the record such short shrift. NP: Tal Bachman - so far, my #1 top release of the year. Lush, rich.voice reminds me of paul Kelly at times. JC
Re: Mandy B
On Thu, 22 Apr 1999 [EMAIL PROTECTED] wrote: This is the son of Randy "Looking Out For #1" Bachmann, yes? Yup... JC
Re: Northwest P2 party!
Don, This sounds really fun. Unfortunately, I'll be in Chicago for a conference at that time. Darn, I was going to bring all of my Jeff Lynne stuff for your listening pleasure. Thanks for the invite and I wish I could have made it. Jerry On Thu, 22 Apr 1999, Don Yates wrote: It's still a ways in the future, but I wanna make sure Cox isn't able to duck out by making some lame excuse about "important other plans" (which for Jim usually means something like watching Scott McCaughey eat dinner at Mama's). Deborah and I are gonna be havin' a li'l party for P2ers on Saturday May 15th, beginning sometime in the early evening. I'll be makin' margaritas, and she'll be whippin' up some tasty snacks. I'll post more details when we get closer to the date, but get ready to have some good, clean fun. (heh heh) We'd also love to meet some of you NW lurker types who have kept to yourselves so far, so don't be shy. P2ers from other parts of the country (and the world) are also welcome, if they're crazy enough to travel to Seattle for a party. Anyway, I'll post an update with directions, etc. in early May -- if you don't see it, just email me.--don Jerry Curry - Spectre Booking Independence, Oregon [EMAIL PROTECTED] In the Top 40, half the songs are secret messages to the teen world to drop out, turn on, and groove with the chemicals and light shows at discotheques. -- Art Linkletter
Re: Doo Rag
Yes, I have this CD and it comes in a cardboard box essentially. I believe they are/were from Phoenix. I bought it used primarily based upon a cursory listen. Over time, it hasn't held up very well for me. However, this gives me impetus to revisit and perhaps reform my impressions. I remember it definitely falling on the lo-fi end of things. The packaging is indeed, interesting and it irritated me since it takes up so much shelfspace. g JC On 21 Apr 1999, Robin Hall wrote: Does anyone on the list know anything about about a cd called "Chuncked and Muddled" by Doo Rag, on Bloat Records? The somewhat self-consciously retro packaging has a 1994 copyright. Someone I work with just handed it to me, and said "You're always listening to that yee haw stuff, you might like this." She was right. It sounds a little like Beck playing the blues. Very lo fi production. It's curiously hypnotic. I can't stop listening to it. Jerry Curry - Spectre Booking Independence, Oregon [EMAIL PROTECTED] In the Top 40, half the songs are secret messages to the teen world to drop out, turn on, and groove with the chemicals and light shows at discotheques. -- Art Linkletter
Re: Artist of the Decade?
Wow...I disliked Curt Cobain's music and I disliked Nirvana as well. _In Utero_ particulary grated on me. However, I think I would agree that he's the artist of the 1990's. He was extremely influential and basically defined alterna-rock and honed the entire grunge sound. Hell, on the backs of that sound an entire radio format developed. Yep, he was pretty big alright and even though I didn't care for his music, I sure do respect him AND I feel a great deal of empathy over his personal struggles. It certainly would have been nice to have had him around for another 30-40 yrs. I would have been curious to have seen which musical avenues he would have explored. I for one, found Nirvana's Unplugged set to be welldamn good. Yes, Cobain was certainly overexposed and harbored great personal issues but I don't think that diminishes his impact upon 90's music in any way, shape, or form. NP: Cruzados - self-titled JC
Re: Artist of the Decade?
On Wed, 21 Apr 1999, Carl Abraham Zimring wrote: BTW, I also happen to think Cobain was a pretty fabulous craftsman. Jerry, wasn't he poppy enough for you? Naw Carl, You'll have to visit with my evil pop counterpart, Bill silvers. He likes his pop crunchy, I like it lush and overdubbed all to hell. I found Nirvana to be way to raw and underproduced for my liking. Also, I found Cobain's voclas to be less than pleasing. His songs had a particular urgency particularly given what we know about him in hindsight. I wih he was still making music though because he's one of those intriguing artists that I wait and see (and hope) they do something that entralls me. Peace, JC
Re: Artist of the Decade?
On Wed, 21 Apr 1999, Jeff Weiss wrote: At 09:33 PM 4/21/99 -0400, you wrote: BTW, I also happen to think Cobain was a pretty fabulous craftsman. Jerry, wasn't he poppy enough for you? Kurt never worked with Jeff Lynne and Jerry's bitter. Holy Moley, I'm picturing the possibilities in my head. Wow, that could have been something, no? Actually, Cobain's career didn't need saving like Petty, Orbison, Harrison, Edmunds, et al. He would have come around eventually and Lynne would have gotten him back on top o' the charts! g Night all, Jerry
Re: Criminally Underappreciated Albums
On Mon, 19 Apr 1999, Steve Gardner wrote: Well, seeing as the Jimmy Murphy "Electricity" reissue on our label soundscanned 5 its first week out I'd have to say that he wins the prize. :^) I purchased this yesterday as well, primarily on the advice of a friend. Damn good advice, I tell you. What a find. Course, she found the Bear Family Jimmy Murphy disc. I wish I'd found both. Fabulous artist, do yourself a favor and check him out. Steve, please address my Sugar Hill check to.Big G! NP: Danni Leigh - you know what, this is good. Jerry
Re: Moby Grape's Skip Spence Dies at 52
Very very strange coincidence. I picked up a double "Best Of Moby Grape" cut-out at Music Millenium in Portland, OR today. I hope to see what the fuss was about re: Moby Grape. PeaceMr. Spence. NP: The absolutely BEST reissue anywhere, anytime.Elvis Memphis Sessions 1969. I think Peter Guaralinck exhumed Elvis and performed a Vulcan mindmeld. Incredible detail in the liner notes. anybody else have this reissue comp.? Jerry
Re: criminally underappreciated albums of the '90s
On Fri, 16 Apr 1999, William F. Silvers wrote: probably isn't the best criteria. I'd add the Posies FROSTING ON THE BEATER, dismissed by too many pop critics and fans as a betrayal of the pure Hollies-clone pop of DEAR 23, but in fact an even better record that successfully merged the early 90's guitar sounds (you know, "before grunge became an epithet" as Tom Krueger once said) from up your way with the Posies exemplary melodies and harmonies. It's always seemed to me that the Blood Bill, No more"Can I get a witness?" requests for you. I couldn't disagree with a statement further than the one I snipped below. I find the textured beauty of _Dear 23_ to be so wonderful, that it easily creeps onto a Desert Island short short list. As for _Frosting._, I find the sonic dissonance (along, with the heinous masturbation reference of the title) to be damn near a betrayal of everything I thought the band was about. That record basically, made me lose a lot of faith in The Posies. Faith, I never ever fully recovered. I would equate my disappointment in this record to my disgust with the Rank File record that came out on Rhino. You know, good-bye cowpunk, hello heavy metal (Rank File). Good-bye lush pop, hello grunge meets powerpop (Posies). Unfortunately, I think the Posies "cooked their goose" with this record and moved into an area that other bands were doing much better. Too bad they left their strengths behind. Funny, we were just talking about this very same subject on the Audities poplist but we could discuss it philosophically. The consensus is that the Posies received so much grief about being "uncool" in a town enraptured with grunge, that they altered their sound. It's a real bitch when you dig a type of music that either 1) was never considered "cool" or 2) is now considered passe'. I miss the Posies and hope to goodness, they one day reform and revisit those heady _Dear 23_ days. Sorry Bill, we'll have to chalk this one up to our rather severe "edgy pop" vs "lush pop" asthetic taste differences. NP: Don's Swingin' Doors show on Real Audio JC
Re: Frosting On The Beater
On Fri, 16 Apr 1999, William F. Silvers wrote: Aw Jerry, c'mon. If we pop-geeks can't close ranks we'll go the way of the dinosaur. g I think many folks consider the entire powerpop genre to be as quaint a creature as the alt-country genre. Interesting, but insignificant. We are all dinosaurs to the masses and that's perhaps, a glue that keeps Internet collectives like ours so strong. sonic dissonance (along, with the heinous masturbation reference of the title) to be damn near a betrayal of everything I thought the band was "heinous"? Shoot, everybody does it Jerry. g Aww hellof course, but I abhor sophomoric reference and humor about it w.r.t song titles, material, album titles, etc.. That record basically, made me lose a lot of faith in The Posies. Faith, I never ever fully recovered. You and many other people I've heard from, as I said. I think when you hear something and think...'This is damn near perfection!", you get somewhat irritated when either the band moves away from that sound or verbally distances themselves from the effort. To use a recent example for many P2'ers, Wilco.Q.E.D. Funny, we were just talking about this very same subject on the Audities poplist but we could discuss it philosophically. And we can't? Darn straight we can. Exactly. But we agree plenty too, and it's fun speaking the language. I know I broke off our engagement Jerry, but can't we still be friends? g Sure we can Bill.. Hey Bill, that David Cantwell sure has some strong pop leanings as well. Don't we get a "taoster oven" or some such like for every convert? g JC
RantPowerpop/Rant
I'm sorry, I'm not going to take Don's slag lying down. "Powerpop" has to be one of the most retrogressive music forms, excuse me? First of all, the Scott Miller quote reflects the views and tastes of a single solitary powerpopper. Nice of you to extend his thoughts and apply it throughout the entire genre. I also believe Miller is couching his opinion, not in terms of creative originality, but in terms of sonic originality (i.e. production). One would have to admit, that there is an awfully wide variation in the production of pop powerpop music. Thus generating terrific arguments over say, the dramatic differences between one Posies album to the next. Before I get into the ethnic *purity* arguement, let me address the same-old, tired-ass, application of the "wimp" label to powerpop bands. That's the kind of Bullshit that makes most popgeeks feel some kind of inferiority complex. Sorry, I don't think you need a bone shattering bass riff or a steel guitar nor spandex or pointy-edged guitars to make something less wimpy. What the fuck is "wimpy" or "wussieness" in music anyway? Sweet overlayed harmonies and over produced guitars, with a artificially sopranic vocals along with fluffy lyrics. Ok, that's a subset of powerpop, but only a subset. And, I wouldn't call that wussie or wimpy, or less manly, or less substantive than any country recording. Hmm, like there isn't a multitude of light fluffy, self-pitying lyrics in country. See, I can sterotype as well, Don. Ha! I think it's incredibly hypocritical to accuse powerpop of being ethnocentric or "lilly white" while coming from a country and alt-country perspective. Now, DonI know you have a deep appreciation of many types of music. However, there no way on earth anyone could argue that country country-inlfuenced music (excluding country soul) is more lily white than powerpop. I would harbor a strong guess thet there are more folks of non-white ethnicities playing powerpop than are playing country or alt-country. The arguement that powerpop is retrogressive is laughingly ludicrous. Yeah, it all goes back to the Beatles or the Beach Boys. Sure.. Sorry Don, I hate to tell you but this bitty genre of music is pushing a lot more envelopes of sound engineering, lyricism, than country will ever will. C'mon, how many discussions posts have we seen here decrying the homogeneity of the country genre? You aren't going to see that in the totally non-commercial, wide-ranging area of powerpop. Country music as adventerous because it has black roots. Man, those roots are pretty old and pretty fixed. You my friend, are grapsing at philosophical and argumentative straws. Gotta run off. Skiing this weekend and I know my emotional retort can be shot full of holes, so have at it. Jerry
Re: RantPowerpop/Rant
Here's a Raspberry to you Don..thbthtbht.;P Have a good weekend, ya'll. Jerry On Fri, 16 Apr 1999, Don Yates wrote: God, it sure is fun baiting Curry.g--don
Re: weird Muzak experiences
On Thu, 15 Apr 1999, Tar Hut Records wrote: Not to mention that we actually picked up 'ol Neil in one of those old 1970s golf carts with the big L.A. Dodgers hat on top of it that tey used to bring the pitchers in from the bullpen with. We go the extra fuckin mile. But did you bring Sandy Koufax with you to talk about the Tarhut line-up? He would have loved that. NP: new Mandy Jerry
Two Things
First, I don't really own a televisionwell, I do have a 60's BW that is on about 1 hour/week. So, what Queen song is Dwight singing on the Gap ad? You gotta know that I was, and still am, a big fan of that band. Ahh..Brian May and his Guild guitars. By the way, I don't bring up the TV time for any kind of chestbeating. Second, the V-roys opening for Cheap Trick? Holy moly..I can't hardly imagine a better double bill. Silvers, can I get a witness? NP: new Mandy- yes, stilland I think I like the covers least of all. It's all that it's pegged, folks. JC
Re: Kiss Kiss Hug Hug
On Thu, 15 Apr 1999, Bob Soron wrote: Neal: I just got back from Kentucky Friend: Really? Try... And add.. Neal: I just got back from Kentucky Friend: You got out with your shoes still on! By the way, the first Weiss brother to E-Mail me offline and detail their love of ELO, gets my vote for the coolest! NP: Tammy Wynette - D-I-V-O-R-C-E (Koch reissue) JC
Re: weird Muzak experiences
On Wed, 14 Apr 1999, Joe Gracey wrote: She and Kimmie co-wrote "Shine All Your Light" which was sung by Amy Grant on the "Touched By An Angel" soundtrack CD and which is now certified double platinum. TV and movie soundtracks are a great thing for songwriters right now, as that RIAA info showed. "Touched By An Angel" is apparently a rilly hot TV show right now and the soundtrack CD just keeps bouncing around in the charts, never going away. Many many congratulations Joe. By the way, you all have a spare $100 you could lend me? You know, with taxes and all, I'm a bit short... NP: The Byrds - Dr. Byrds Mr Hyde Jerry
Bass Content
Now boys.Jon Joe, everyone knows that Leo Fender only became better at crafting guitars over time, thus.go and check out the GL's. Actually, my main bass is a mid-80's GL 5-string. It's particularly rugged and keeps true to tune as well. I stand behind GL's but you will definitely pay more for one of them, than saya Mexi std. Comparing a GL to an American Std., the prices are neck neck. I also play Hohners and although they are a lowend instrument manufacturer, I've never had a problem with either my fretless or my acoustic. OB TWang: The Mandy Barnett CD IS terrific, I bought it during my lunch hour along with.(to tie to another current thread) _The Best of Blancmange_. Also, Best of the Raspberries and Clapton's 451 Ocean Blvd. JC
Gerald Collier
On Wed, 14 Apr 1999 [EMAIL PROTECTED] wrote: Anyway, as long as I'm using bandwidth, it dawned on me that three of the albums I'm currently enjoying -- Pete Krebs, Gerald Collier and Marc Olsen -- all are singer-songwriter types from the Northwest. What's up with that? With respect to Gerald Collier, are you referring to the full-length release from 1998, or the current EP release? I just picked up his first solo-post-Best Kissers in the World release and am loving it. Going to buy that EP soon since I think he's one of the finest artists going right now. Thanks to Mr. Yates' fine radio program, I've heard one cut off of it. AND yes, he does hail from the Pac NW. Washington though. JC
A Fine Release Out Today (Twangless)
First, a clip from my audities list. snip In case you were having any second thoughts about picking up the Tal Bachman record that comes out on Tuesday...DO NOT HESITATE! This is top notch pop folks, and it just does not get much better than this. Tal's record WILL take the place of Jason Falkner's in your cd player. end snip I heard this the other day at my local indy store and I heartily concur. Tal Bachman's self-titled reease is indeed a fine piece of singer-songwriter based pop. It's on Columbia and is getting quite a push. One of the best things I've heard all year. Tal is Randy Bachman's (Guess Who BTO) child, but don't hold that against him. You may want to hold this agaisnt him howeverfrom his website (www.talbachman.com) natch. "it starts out with the one/two power pop punch of "Darker Side of Blue" and "She's So High" - as enthusiastic and catchy as prime Cheap Trick or ELO. (Indeed, Bachman remains an unabashed ELO fan, proclaiming Jeff Lynne to be "better than Mozart - well, at least a lot louder," and likes to refer to ELO albums as "sacred musical revelations.") Ahh, pop fans that love Cheap Trick and hate jeff Lynne must be scratching their heads. No, don't let that quote dissaude you, it's a fine album. ANDone I'll be buying this week. NP: Wondermints - eponymous (Big Deal) - talk about fine pop! PS: Anyone captivated by the new Jason Faulkner? Jerry Jerry Curry - Spectre Booking Independence, Oregon [EMAIL PROTECTED] In the Top 40, half the songs are secret messages to the teen world to drop out, turn on, and groove with the chemicals and light shows at discotheques. -- Art Linkletter
Re: Weller's Prime
On Tue, 13 Apr 1999 [EMAIL PROTECTED] wrote: Ha, that's funny I had a similar on-going conversation with my eldest brother about the Jam and the Clash, although this debate was over which band was better. I sided with the Jam, although I eventually saw the error of my ways. You know, I said this at Nashville Extravaganza to the absolute horror of Bill Silvers and Chris Knaus. Also, in an attempt to remove any last shred of respectibility and credibility, I'll repeat it publically. The Clash did absolutely nothing for me. I NEVER understood the critic's fascination with this group and I absolutely never understood my cohort's slavish devotion to them either. They always sounded like a second-rate bar band to me. Always liked that they wore their politics on their sleeve but I found their relative degree of "punkness" to be rather tame. So, they failed me as a pop band and from the other side, as a punk band. Not musical enough and too safe staid, at the same time. I won't even mention the vocal quality...ugh! I still hear "Rock the Casbah" in my nightmares. Oh well, I did like some Big Audio Dynamite material though. Perhaps, that might help things. Just thought I'd confess up. Let the flaming begin. g This could even get me in more hot water than the Portland comments. jerry
Re: Weller's Prime
On Tue, 13 Apr 1999, Morgan Keating wrote: Oh you might like this Jerry... Was just listening to WFNX's Flashback Lunch and heard Erasure's "Chains of Love", leading back to the ol' Communards thread (can't remember if it was this list though???)... It was this list..but be quiet, Morgan. Bringing up the Communards can get you killed around here. NP: Wondermints 2nd time around at this point. Hey, how are they? Know nothing about 'em 'cept by name? Very very nice. Extremely layered and lush pop. Sometimes extremely reminiscent of Pet Sounds-era Beach Boys. Occasionally veering into Raspberries territory. Not crunchy at all. Heavily produced, just as I like it. Done for the dayunless my Clash comments get me skewered. Jerry
I'm Not Always a Contrarian
Mr. Morgan scribes. The Ramones will always be relevant in my book... I still have my Ramones pick from...hmm...86? I almost gave it away for the Twangfest I have felt, feel, will feel, and will always feel that the Ramones are one of the most relevant bands of the last quarter of the 20th century. Let's hope they can hold onto their relevance througout the 21st. One of the most exciting live acts, I've ever had the fortunate occasion to catch. Talk about a symbiotic relationship between band and crowd. NT (Now Thinking): The ex-Mrs. Harold Ramis (P.J. Soles) in Rock Roll High School Jerry
Lessons Learned
Midwesterners are smart-asses and Texans are hot-blooded. No wonder there was a Civil War. g Remember who won though. Signed, A FORMER midwesterner..even bigger G! Jerry
Re: Weller's Prime
On Tue, 13 Apr 1999, Jeff Weiss wrote: I'll grudgingly admit a warm affection for Prefab Sprout. The guy who managed the record store I worked at -- same guy who proclaimed that Roddy Frame had written more great songs than Lennon and McCartney after the first Aztec Camera album came out -- popped on Steve Mc I was taken by the hooks and the warmth of Paddy McLoon's voice. He also turned me on to Scritti Politti and the Blueberries (?) who did Cath. This paragraph Weissexclusively prohibits you from EVER making fun of my music tastes. Scritti Politti, indeed. Barely stifling a snicker.g Jerry
Re: Worthington
On Thu, 8 Apr 1999 [EMAIL PROTECTED] wrote: Actually, Jerry -- they put me in charge of you for the second annual NXNW backyard BBQ. We have really good plans g Gee, does it involve a "blow-up doll?" Actually folks, I have made my airline reservations so.I'll see you @ Twangfest. Viva le' drainage ditch. Kisses and smooches, Jerry NP: The Schramms - Dizzy Spell A pianfully overlooked 1998 release on Checkered Past.
Re: The Man in Black
On Fri, 9 Apr 1999, Dave Purcell wrote: Why do useless hacks like Sheryl Crow and Dave Matthews always get invited to these things? Argh. Sheryl Crow my friend, is certainly NO useless hack. Her second album is damn near a desert island disc for this fellow. ButDave and I will just agree to disagree. With you 100% w.r.t. Dave Matthews. Jerry
Re: The Final Clip
On Fri, 9 Apr 1999, Don Yates wrote: Yeah, no kiddin'! And didja notice *why* Phil is leaving us? Partly to spend more time with BLUEGRASS. I may yet rue the day I tricked Weisberger into joining P2.--don We are the bluegrass borg, you WILL be assimilated. I've resisted so far, mainly because I've wanted to avoid the banjo implant. OUCH! NP: Don's Swingin' Doors show Jerry
Re: Psycho
"Psycho" also sneaks onto the Ryko Elvis Costello "best of" compilation. It's a live version and is really kinda fun and eerie eminating from EC. I listen to it often but don't worry, I won't be bringing any weaponry to twangfest. Ahh, but think of the B-movie possibilities"Bloodfest at Twangfest" Where's Russ Meyer when we need him? Jerry
RE: 2 Weddings, A Funeral, and a Twangfest (was: Twangfest's Own Comedy , Queen!
On Fri, 9 Apr 1999, Grant, Jonathan wrote: hmmm if i could picture heaven, that just might be it Which part? The part about both Deb and I getting lucky or the vision of the wedding party interacting with drunk Postcard2'ers. I'm a bit confused here...g. Hey, I can also tell jokes that don't include Jerry Curry. And actually, I was thinking with two wedding parties a lot of us could get lucky g Ever since this situation came to light, I've been wondering about the poor folks who've booked rooms at the Oak Grove for weddings! Can you imagine? It sounds like a Peter Sellers comedy, showing up for a wedding to find the motel filled with the likes of us Or an Altman I'm sure they'll all have special memories... SP: Don's Swinging Doors show - golly, that Mandy cut sounds good Still Playing Jerry
Re: Wilco's new horizon
I'll repeat: sonically, I've found the new Wilco album to be one of the most interesting recordings of the year. It is amzingly intricate and just damned, interesting. Now you all know by now how much I like pop music and overproduction. So, it would be a natural that I would take to this record. Added to that, I usually pay the most attention to sound over lyrics. Thus, I like the record. Having said that however, lyrically I still find Tweedy to be his own worst enemy. I find the lyrics trite, uninteresting and in some cases, the violence denoted is downright repulsive. I find _Summerteeth_ to be a mixed bag. I appreciate the growth of the band and think their departure from alt-country is perfectly appropriate. It's a sonically stimulating record for me and it joins a collection ofother discs that I enjopy for the very same reason. Enjoyable, but I can't say it's going to make my "best of" list. Jerry Jerry Curry - Spectre Booking Independence, Oregon [EMAIL PROTECTED] In the Top 40, half the songs are secret messages to the teen world to drop out, turn on, and groove with the chemicals and light shows at discotheques. -- Art Linkletter
Re: Best So Far - 99
On Wed, 7 Apr 1999 [EMAIL PROTECTED] wrote: The Diva wrote: I PROPOSE IT SHOULD BE A PUNISHABLE OFFENSE TO COMPILE A TEN BEST LIST IN APRIL! Go outside! Get some sun! Kiss a girl I do. I did. Well, I want to..g But, you notice..Bill Silvers and I only compiled a Top 5 list. That means we have a semi-life! Right? Jerry
Twangfest's Own Comedy Queen!
Twangfest's own comedy quuen pecks: On Thu, 8 Apr 1999 [EMAIL PROTECTED] wrote Plastic blow-up girls do not count. And I believe it would be correctly called half-life g You worked in Oak Ridge isn't that nuclear or something? Har har..she's made of vinyl, not plasticto be precise. Yes, I worked in Oak Ridge. It''s why my dark bedroom never needs a night light. I supply enough light from the latent radiation emissions on my very own. AND ALSO.. Two weddings -- Curry -- that definitely ups the chances of getting lucky g Gosh, Deb.a one-two punch. Yes, perhaps one of the wedding party guests will be bringing a blow-up doll for a present. Mine's getting kinda grungy and I could use a new one. Ahh, yet another thing to look forward to for June. Jerry - who is looking forward to 1 Alka 1 Seltzer showing up to Lenora's in Independence.
Re: Worthington
On Thu, 8 Apr 1999, Jeff Weiss wrote: Aren't they one of those Portland bands Jerry Curry so dislikes? G Oh, that's right.get me into trouble once again. I've heard for NXNW this year, I'm going to be tarred feathered and dragged throughout the streets of the town behind a car. Ohand all of time I'm to be serenaded by the Portland alt.country community. Sigh...Big G! NP: Little Sue - Crow I do like two songs off of the darn thing... Jerry
Re: Best So Far - 99
I'll play as well... 1) Walter Clevenger and the Dairy Kings- LOVE SONGS TO MYSELF 2) Damnations TX- HALF MAD MOON 3) Del McCoury Band - The Family 4) Steve Earle and the Del McCoury Band- THE MOUNTAIN 5) Hillbilly Idol - Town Country Looking forward to the new Mandy Barnett and looking forward to getting ahold of the Ex-Husbands's disc. JC
Sorry, Bit I HAVE to do This
This is BIG, BIG news. So, I had to pass it on. Um, OK...the press release is a *little overhyped. Still big news though.right? g My apologies to those of you that will see this twice. Thanks for the original post to Auditiesand you know who you are. Jerry --- MESSAGE audities.v001.n1015.8 --- Subject: FW: Raspberries press release Date: Fri, 2 Apr 1999 09:44:59 -0800 Sent: Friday, April 02, 1999 8:26 AM To: Multiple recipients of poprocks Subject: Raspberries press release Just ran across this on the Eric Carmen website, gang. FOR IMMEDIATE RELEASE April 5, 1999 Starting Over Again Raspberries Announce Summer Reunion Tour! After overwhelming demand from fans worldwide, for the first time in twenty-five years, Raspberries, the popular 70's power pop quartet, will be reuniting for a summer tour of the U.S. The lineup includes all four original members -- Eric Carmen (lead vocals/ guitar/keyboards), Wally Bryson (lead guitar/lead vocals), Jim Bonfanti (drums/vocals) and Dave Smalley (bass/lead vocals). After their first rehearsal for their reunion tour, manager David Spero exclaimed, "The moment they started playing it was like they'd never taken a break. The magic is still there." Lauded in music circles as the quintessential power pop band, the rich and enduring legacy of Raspberries music is heard in such contemporary acts as Hole, The Smashing Pumpkins and Fastball. Artists ranging from Bruce Springsteen to Elton John, Tom Petty to R.E.M, Courtney Love to Jon Bon Jovi, have cited the tremendous influence of Raspberries on their music. In fact, Bruce Springsteen is such a huge fan of Raspberries that he singled out the band in recent interviews with USA Today and UK music magazine Mojo: "In 'The River' stretch, I had gotten into Woody Guthrie and country music," he recalls. "At the same time, I was listening to the Raspberries' greatest hits. It was one of my favorite records that summer. They were great little pop records. I loved the production and when I went into the studio a lot of things we did were like that." Further boosting a groundswell of interest in the group is the recently reissued book Overnight Sensation: The Story Of The Raspberries, written by band historian Ken Sharp. The shows will feature a generous cross section of transcendent power pop gems including such Raspberries hits as the top five single "Go All The Way", "I Wanna Be With You", "Tonight", "Let's Pretend", "Ecstacy" and "Overnight Sensation (Hit Record)". Additionally, the band will also be performing their own interpretations of several Eric Carmen solo hits including the timeless pop standard "All By Myself" and the top five hits, "Hungry Eyes" and "Make Me Lose Control". Meanwhile, discussions are currently in place for a live album and other possible multimedia opportunities. Formed in Cleveland in 1970, Raspberries quickly became the town's hottest music commodity. After a fierce bidding war ensued between a number of record labels, the band was signed to Capitol Records in 1972. Their self-titled debut album showcased the smash hit "Go All The Way" and set in motion a glorious three year run of sublime and majestic pop music enthusiastically embraced by critics and fans worldwide. Rolling Stone Magazine honored the band by selecting "Overnight Sensation (Hit Record)" as one of the top 100 singles of the last two decades. The song had such a profound impact that two of The Beatles, John Lennon and Ringo Starr personally told Raspberries lead singer Eric Carmen it was a favorite of theirs. Meanwhile, Rolling Stone Magazine also voted the group's swan song LP, "Starting Over" as 1974's album of the year. Now almost twenty-five years since they disbanded, The Raspberries are more popular than ever and with their upcoming reunion trek, primed to 'go all the way' once again. The band's full itinerary will be announced shortly.
Re: More Mandy (was RE: PLAYLIST: Fear Whiskey 3/29/99
On Thu, 1 Apr 1999, vgs399 wrote: I'll take a stab at this. Was it Hank Williams, Jr.? What do I win? Tera Please god, don't let it be a date with Yates. Oh that's right, he's dating someone. Whew... Please god, don't let it be a date with XXX. Fill the XXX's with any number of P2'ers. Sorry, it's late and I'm loopy. NP: Hank Thompson - Live @ the Golden Nugget. JC
RE: PLAYLIST: Fear Whiskey 3/29/99
On Wed, 31 Mar 1999, Matt Benz wrote: [Matt Benz] Naw, that would be the Sovines: "Together Again" tour, 2010, with all original members for the first time since 1999! We'll all be swigging water and holding babies, discussing junk bonds, hanging out with our aging model wives and senators backstage Grand Funk will be opening. WOWI am SO there.at least for the opening band! g If I drink enough I might be convince to stick around for the headliner. NP: Mandy Barnett's first release - and if the 2nd is better than this one, color me impressed! JC
Re: Better Live?
On Mon, 29 Mar 1999 [EMAIL PROTECTED] wrote: - Elena Skye P.S. I also happen to adore "Deeper Shade Of Blue." I think it's a stellar studio album for Del. To use my one "I agree" quote for the weekwell, I agree. As a matter of fact, that CD kept me company all the way to work this morning. Soon it will be put in my computer's CD player. Soon to be NP: Del McCoury - A Deeper Shade of Blue Jerry
Live vs. Studio
Guess I have to weigh in on this one. I'm betting I'm going to be in the minority here, but I MUCH prefer to purchase studio records over live releases. To me, it's a simple question of sound *quality*, that is.I rarely encounter a live release that is mixed well or acoustically speaking, sounds *right*. Of course, you have to realize that I'm the one that's a sucker for overdubs, layered harmonies, slick production and such. My next statement is even more blasphemous.I'd rather listen to my studio recording of an artist than catch them live. I mean this with a "grain of salt" however. I'm a social animal and would much rather be out than sitting at home listening. To explain, I do love live music but it's more of a social/visual thing than a sound thing. By social, I mean watching the artist create and react.the spontaneity and uniqueness of the event. I enjoy briefly conversing with them (if that's possible). That part of it I enjoy so much more than muddied vocals, walls of noise, and confounded people talking. In my own case (and perhaps someone can relate), I have trouble dealing with a multitude of different sounds. The ol' filtering mechanism isn't the strongest. So, I find non-acoustic music at most venues really difficult to listen to. I think if I was hard-wired differently, my appreciation for live music would increase 1000x. Despite my natural preferences, I still hit a ton of live shows. Just a strange thing, I guess. Jerry
Librarians Rule
On Thu, 25 Mar 1999, Tucker Eskew fowarded: Instead, Widespread opted for a different promotion. Eager to get its name out to schools, the band approached the American Library Association about doing a free poster promoting reading similar to those done by R.E.M., Cindy Crawford, Mel Gibson and others in recent years. The association said no thanks. The band wasn't well enough known. So the band offered to pay for the entire campaign, shelling out about $12,000 to mail out posters to 2,300 libraries around the country. "The people at the Library Association still think we're a little crazy," says the band's agent, Buck Williams. Gosh, this sure made me laugh.. We librarians are everywhere I tell you. Without us the entire social fabric disintegrates. Remember what Yates has always said."beware the librarians". We have *our* sites squarely upon the industrial weasals at this point. But Widespread Panic.? Hmm, perhaps a Damnations, TX poster. However, how narrowsighted of my professional association.."sorry, you aren't well-known enough." Sheeshhow about a little outreach to those groups that are outside of our cohort group worldview. Regarding Wilco's Summerteeth..sonically, I think it's the most interesting thing they've (remember it's a group effort, not just Tweedy) ever put out. I still find much of the violent references in the lyrics disturbing. Viva le' pop! Gotta gobusy, but before I go. Fucking (sorry, but I'm excited) congratulations to the Twang committee. The V-Roys? Damnations TX (which I knew about since their appearance here in Oregon; explains why they signed my CD"meet me in St. Louie")?? Dale Watson??? You guys outdid yourself.man-oh-man. Now, I've just got to make sure I get in Thursday to catch those V-Roy boys. Thanks you guys, you are the best. The auction's a great damn ideaI've got a signed Dave Alvin poster that I'll be happy to contribute. The shirt remains in my posession. Sorryya'll. In the words of our dear Chris Knaus"Chicks dig it!" g Sorry for the multithreaded diatribe. Jerry NP: The Damnations TX - Half Mad Moon My favorite CD of 1999 up to this point.
Re: THE OTHER SIDE of Beale Street Music Festival
On Wed, 24 Mar 1999 [EMAIL PROTECTED] wrote: you would be surprised how many P2ers like this list better than the other one. Can anyone say Jerry Curry? g Har Harlet's see, I'd take Cheap Trick over darn near any alt-country band. Bill S./ Tom K., can I get a witness? Both Peter Frampton Robin Trower are competitive. Yeah, I'd love to see those guys as well. As for Hootie Sammy Hagaregads, even I have some standards. JC NP: Dwight - This Time PS: Now go away Deb...g
Re: Clip: Rockabilly Hall of Fame
Great, I can see it now. 1000 poseurs in pompadours, leather jackets, and poodle skirts all decending upon West Tennessee. Everybody grooving to "Blue Suede Shoes" and the Stary Cats. Ducking running to see if Mssr. Ekeberg is still around. Welcome back everyone and remember if you went to SXSW, you suck! g See you in June. $212 on NWPortland to St. Lou. VERY tongue-in-cheekingly yours, Jerry NP: Charlie Rich - Complete Smash Sessions On Tue, 23 Mar 1999 [EMAIL PROTECTED] wrote: NASHVILLE (CNN) -- Groundbreaking on the $3 million building to house the International Rockabilly Hall of Fame is set to take place in September, according to Henry Harrison. A former associate of Carl Perkins, Harrison plans to acquire some land in Jackson, where the rockabilly legend made his home, to build the museum. "It is my fervent prayer and earnest request that music lovers from all over the world join me in building this lasting tribute to the many individuals who made rockabilly music a major part of American music history," Perkins said. Jerry Curry - Spectre Booking Independence, Oregon [EMAIL PROTECTED] In the Top 40, half the songs are secret messages to the teen world to drop out, turn on, and groove with the chemicals and light shows at discotheques. -- Art Linkletter
shaver
On Fri, 19 Mar 1999, John Magee wrote: np: Shaver, "Victory". Nothin' like a little sangin' about Juh-heezus before I start an evening of beer and loud guitars. Hell yes.I've always liked Mr. Shaver however this record has taken that admiration to new highs. a masterpeice.. Quippingly yours JC NP: The Essential Hank Snow
Re: V-Roys
Yep, I must concur w/ Mr. Russell. The V-Roys with both Mr. Miller Mr. Keith were a more interesting band to these ears as well. Not that I don't dearly love the current incarnation. However, the old days were more country sounding and their covere selection more eclectic. We Knoxville, and in my case, ex-Knoxville sods, were really quite lucky. Ahh, the V-Roys..what memories. However, I enjoy catching Mr. Scott Miller best of all when he plays solo acoustic. He really is akin to Roger Miller. Best, Jerry
Re: Tweedy and the ghettoizing of alt-country
On Thu, 18 Mar 1999, Dave Purcell wrote: That was definitely the case in these parts. I discovered a lot of the 80s roots rock thru WOXY/97X, a great (well it used to be, dunno if it still is) independent station out of Miami, OH (home of Wally Szerbiak) that Jennifer Heffron and I bonded over. They'd think Jeezus H...That's why I love, did I say LOVEyeah, I said love, Purcell. The "X" out of Oxford played an incredibly influential role in my life. I was dating, later married and divorced, a woman from Cincinnati and attended/graduated from Purdue, in Central Indiana. So, as you can imagineI made a ton of trips between Ind. and Ohio. I'd get about 25 miles from the IN-OR and then rooting around the left side of the dial, there was this magnificent radio station. First place I ever heard K.D. Lang w/ the Reclines, back then. That station was so good I'd sometimes pull over to the side of the road ar I'd find an excuse to get on over to the West side of the city, just to listen to that station. The "X" reminded me of just how good...and how influential, a radio station can be. Thanks for the memories Dave. Jerry
GP, GC and No Depression (fwd)
Anyone out there familiar with this publication? Kind of an "up our alley" article. Jerry To: [EMAIL PROTECTED] Newsgroups: alt.music.byrds Subject: GP, GC and No Depression The April issue of Discoveries has a long article on Rebel Roots music (aka cowpunk, No Depression, alternative country, Americana, ...). As expected, there are several references to the Byrds, Gram Parsons and the FBBs. FWIW, the author lists and comments on his "top 10 essential Rebel Roots albums", which include 2. Gram Parsons - GP/Grievous Angel "Okay so I love him too. A perfect pairing of Parsons' two solo albums. A great starter kit for nascent fans and veteran worshippers. It stands as two of the most beautiful albums ever made." 5. Gene Clark - Flyin' High "A brilliant double disc career retrospective that will make you bow to a new alter [sic?]." For those of you who like me are trying to make some sense out of this whole No Depression thing, the other top 10-ers were: 1. The Old 97's - Too Far to Care 3. Richard Buckner - Bloomed 4. Steve Earle - Train Kept A'Comin' 6. The Jayhawks - Tomorrow the Green Grass 7. Patty Griffin - Living with Ghosts 8. Lone Justice - Lone Justice 9. Scud Mountain Boys - Massachusetts 10. The Beat Farmers - Tales of the New West Ken ---== Posted via Deja News, The Discussion Network ==-- http://www.dejanews.com/ Search, Read, Discuss, or Start Your Own
RE: Tweedy @ Salon
On Wed, 17 Mar 1999, Matt Benz wrote: with such sudden musical changes is funny. It is a radical jump from one album to the next. People who like the Neil Young sound don't rush out and embrace his rockabilly big band techno albums either. People like consistancy. Not everyone is so embracing of the wide range of pop and rock stylings that a artist may feel like playing. Not everyone is so well rounded as some of the folks on p2. No big deal, just the way it Ah ah buster.not so fast. I followed Neil Young through all of his iterations and really, enjoyed all of them, including _Trans_. I despise consistancy. Probably another reason I liked Dave Edmunds' Jeff Lynne phaseit just sounded different. "Different is good", remember the ad? Sigh..you are probably right Matt. People want a constant sound/feel. I don't think _Nebraska_ or _Tom Joad_ did any wonders for Springsteen's popularity. I doubt _Sweethearts of the Rodeo_ added a multitude of fans to the Byrd's popularity. The last Sam Phillips and Maria McKee albums ripped away popularity and in McKee's case, cost her a contract. Tweedy's comments are also reminding me of the statements that Emmylou made trying to *defend* her Lanois produced _Wrecking Ball_ album. Dammit, sometime the artists just want to stretch and critics fans alike have to find something, anything worth bitching about. I'm finding Tweedy's transformation equally fascinating as Neil Young's although I totally agree with your point regarding alienating fans. He's just feeling so frigging defensive about being asked about his changing musical direction particularly in the face of his "deified" musical past. That's a bit annoying to say the least. I wish he'd relax and just say, that's he's exploring directions that he's always wanted to go down. You know what else I really do believe, although I'll be nice and not attribute this to be his main motivehe's moving his material closer and closer to stuff that could attain commercial acceptabiltiy and viability. I'l just say that he's follwing his heart and following that ELO jones that I've also harbored all of these years g. Jerry NP: Wilco - Summerteeth My opinion: It's so interesting with the synthesizers and layered sounds, wonderful record sonically. Again, I think the writing is really flat and uninteresting. This seems to be a problem w/ Wilco for many P2'ers. I also find the violence a bit disturbing. Again however, I love the sound of this release.
Re: all things Iggy (and V-Roys)
On Wed, 17 Mar 1999 [EMAIL PROTECTED] wrote: how many of their songs are about the dilemma posed when some woman is a faithless liar, though. Are there really that many faithless lying ladies in Tennessee? Yes, I married one became divorced from one! g She took a *liking* to one of her graduate students. Yes, I am kiddingsort of. JC
Re: mo' 70s rock
Ready, willing, AND ableto discuss 70's hard rock (not metal, in my mind anyway,thankyouverymuch). BOC's _Cultosaurus Erectus_ remains one of my favorite records to this very day. NPIMH: BOC's epic song relating to Micheal Moorcock's sci-fi epics..."Black Blade" Jerry
Walter Clevenger's New One - Forgive the X-post
-- Forwarded message -- Date: Tue, 16 Mar 1999 12:45:04 -0800 (PST) From: Jerry Curry [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Re: [twangfest] Fwd: [loud-fans] The Razzies! On Tue, 16 Mar 1999, Ph. Barnard wrote: Oh yeah, Jerry, I was just giving Bill some guff. I *like* the Loud Family. So remind me, is that a *new* Clevenger album you're talking about? And if so, am I just behind on things or where can I get a copy? Indeed it is a new Clevenger album. I bleieve the release date has just passed. Again, it's on Permanent Press Recordings. The name of the new album is: Love Songs to Myself. I personally think it is even stronger than _Man With the X-Ray Eyes_ as Walter the band begin to find/develop their own voice. A wide variety of pop all over this album again, a bit of Lowe, some Holly, etc Wonderful material, just wonderful. I've been a big Walter Clevenger (Hi, Walter, if you still lurk on P2) fan for awhile. As a matter of fact his previous release made my Best of 1997 list. This one will likely make my Best of 1999 list. Here is a quote from his WWW site (walterclevenger.com; although you will be redirected to the current WWW site) "There's a mood of Sun-Records-shining-over-Liverpool to most of the material.The results often recall Nick Lowe and Marshall Crenshaw, two of the most gifted employers of the roots/Beatles synthesis." Mike Boehm, The Los Angeles Times And Walter...if you are lurking, please come to Oregon and play. I'd love to book you in our humble little room. Jerry
Re: Rufus Wainwright
On Fri, 12 Mar 1999 [EMAIL PROTECTED] wrote: as. I think he's a fucking hero for coming out guns a'blazing. Would you suggest that James Brown be less Black, or Oasis less British? Silly. Not less British, but definitely less asshole'ish. In out'ingly yours, JC NP: Pernice Brothers - Overcome By Happiness
Re: Miss America thread ...
On Fri, 12 Mar 1999, Mike Hays wrote: Ron queries What song would you like to see a Miss America candidate perform and get you to jump out of your seat? Uhtongue FIRMLY in cheek here.how about, The Divinyls - I Touch Myself snicker. JC
Re: The Mountain
On Thu, 11 Mar 1999, Dave Purcell wrote: I'll third that emotion. So far, I'm digging the record, but it's not inspiring me to play it, oh, 42 times a day like new Earle releases typically do. The playing and singing on it are great, but I miss the adventuresome nature of his other records, and some of the songs sound a little forced, like he was trying too hard to write bluegrass classics. Really? Really? You don't find either _Train A' Comin_ nor _The Mountain_ adverturesome? Wow, I find both of them to be much more interesting and diverse both lyrically and stylistically than his electric stuff. Frankly, I'd prefer to never see Steve with an electric instrument or electric band ever again. Both _Train Mnt._ are desert island discs for me while I'd be willing to lose all of his others sans _Guitar Town_. Man-oh-man, I think Steve would have to make an entire album of ELP/ELO covers to be more *out* there than the gamut of songs he included on _Train A' Comin_. NPIMH: Karn Evil #9 - as covered by Steve Earle g Jerry
Re: unsubscribe
On Tue, 9 Mar 1999, Jeff Weiss wrote: Call me a sadist -- shudup Curry -- but I get a little thrill out of these. I'm not saying anything.but I am about to go out and buy some leather restraints! g NP: My new NEC MobilePro 750C Handhel doohicky! JC
Re: unsubscribe
OopsI mistook P2 for the twangfest fluff list there for a second. Sorry about that ya'll. Let's seemusic, music, must discuss music. Lenora's Ghost in lovely downtown Independence, Oregon is proud to announce the appearance of the Damnations TX, Thursday , 3/11 at 9:00 PM. I absolutely LOVE their _Half Mad Moon_ release and I'm damn well looking forward to their performance. Signing off and will try not to mix my meat 7 fluff. Jerry
Re: instrumentally speaking
On Tue, 9 Mar 1999, David Cantwell wrote: you didn't have to know how to play the kinds of comparitively complex shit that, say, ELP played. Punk was three-chords simple, in other words, but it didn't necessarily reject basic competence. Sorryhave to make an editorial comment here.replace *shit* (comparitively complex shit) with *music*. Thanks...we now restore you to your regular programming. g NP: Lucinda Williams - Car Wheels JC
Re: Cuddy of Blue Rodeo
On Mon, 8 Mar 1999 [EMAIL PROTECTED] wrote: Jerry "Disco" Curry wrote: NP: Jim Cuddy - All In Time Jerry "Prog-Disco-Synth-Pop" Curry here.hrumph!!! I've had the record for about 3 months and I absolutely love it. It would have easily made my 1998 Top 10 if I had it during that year. As another has mentioned, it IS indeed quite melodic and strongly resembles Cuddy's Blue Rodeo contributions. I also agree with the poster when they mentioned liking Cuddy's B.R. material over Keeler's. IMHO...Cuddy writes the best song and by far, have the more pleasant voice. The record does have some Wilco folks on it as well as other Blue Rodeo mates (Bazil Donovan). Yes, it is on WEA Canada and available via import. Miles of Music does have it however. I would rank this solo effort just under Tremelo and Casino. Simply fabulouscourse this is coming from a jaded source. Blue Rodeo is one of the Top 2-3 acts/musicians that I would do "damn near anything" to see live. A desert island group for me and I know I share that opinion with a few other P2'ers. A Blue Rodeo fan wouldn't want to exclude owning this CD. Jerry not to bring music outside of UT/SV/W into the mix, but how does this stand up in regards to Blue Rodeo? (i think this *has* been discussed before, but oh well) ps: what label is it on? snip I finally managed to track this album down about a month ago (it's Canadien only at this point - on WEA). I think it's great. Melodically very much like Cuddy's stuff with Blue Rodeo, maybe a little sturdier. There are at least a couple of the guys from BR on the record, though not Greg Keelor. (Jeff Tweedy sings a duet on one song.) Maybe because I've found Keelor's songs and guitar playing on the last couple of Blue Rodeo albums annoying, I find myself enjoying this more. /snip Jerry Curry - Spectre Booking Independence, Oregon [EMAIL PROTECTED] In the Top 40, half the songs are secret messages to the teen world to drop out, turn on, and groove with the chemicals and light shows at discotheques. -- Art Linkletter
Re: DC Black Cat
On Tue, 9 Mar 1999, William T. Cocke wrote: what can I say, I'm a freak of nature. Reply offlist if you ANDhe is one heck of a FREAK, let me tell you. I've seen him. Years of psychotherapy have finally gotten me over the experience. BIG G! NP: Shaver - Victory --- I LOVE this CD, also would have made my Best of 98 had I had ahold of the damn thing. Jerry
Re: A Question [Extremely LONG]
On Sun, 7 Mar 1999, Will Miner wrote: (ducking, in case Curry is anywhere nearby) Golly.could you imagine Rick Wakeman decked out with a cape AND a Stetson!!! Wow.. Think about stacked steels..run through multiple effect banks. The possibilities are endless. Going to start me one of those "progressive country" bands...we'll call it."Ya'll", since Yes has been taken. NP: Gary Allen - Used heart for Sale Jerry
What's In a Name
Well, all I know as I watch lobby the FCC to pass the Pow Power FM initiative is that the suggestion for our proposed station's block programming format is: Americana! YepAmericanabig tent including: traditional country, jump blues, blues, delta blues, surf, bluegrass, folk, perhaps a smattering of Hot New Country, and a dash of pop. Mea Culpas to genres left out that will also be included. So there...our tent, understandably, in an area containing NO radio worth listening to, is BIG. NT (Now Thinking): about the proposed KMPK. JErry Jerry Curry - Spectre Booking Independence, Oregon [EMAIL PROTECTED] In the Top 40, half the songs are secret messages to the teen world to drop out, turn on, and groove with the chemicals and light shows at discotheques. -- Art Linkletter
Re: Tweedy quote/alt.country
On Sun, 7 Mar 1999, Christopher M Knaus wrote: Later... CK who somehow manages to like almost everything g Welcome to the *dark* side, Chris. Eclectic club meets every 3rd Wednesday. Next meeting's focus: is Euro synth-pop dead? Jerry
Re: Clip: Birthplace of Country Music Museum Opens
On Mon, 8 Mar 1999, Shane S. Rhyne wrote: guitar. There are handmade violins, mandolins, dulcimers and other instruments from the collection of Joe Morrell, a former radio station owner and musician. Morrell also is lending songbooks sold by artists who performed on Farm and Fun Time, the Bristol radio show popular in the 1940s and 1950s. Shane et al. Is Joe Morrell the fellow that used to operate the "world's largest guitar" shaped museum right off of I-81 just above the Tennessee border? After a few years of passing by the polace, I finally decided to stop. Sadly, it was already out of commission. Seemed as though it was both a country music/instrument museum and a radio station. What's the scoop on the joint, anyone? NP: Jim Cuddy - All In Time Jerry
Re: Tweedy quote/alt.country
On Fri, 5 Mar 1999, Dave Purcell wrote: As far as I can tell, Jason and the Scorchers was an important cowpunk band. And a hell of a live band. Hans P speaketh the truth, except that you can replace "was" with "is." Yeah, and Jason R.'s solo Cd a few years back was (is) the future of country music. Can you say, "It hit the charts with a resounding thud"? I thought you could. Overrated, overamped, overhyped, overplayed, overexposed, overdone, and over-the-top. Just digging Dave here..I loved them during their heyday, can't go down that road any longer. However "Absolutely Sweet Marie" off of the EP hit me like a shot between the eyes. What a perfect way to extend my appraciation for punk which was running on empty at that time. That is, I was tiring of indy punk material but still craved the energy. Bring on some meldoy and here came along cowpunk. I thought I was saved. Jerry NP: Lucy Kaplansky - Flesh Bone
Re: Swingin' Doors, 3/4/99
On Fri, 5 Mar 1999, Don Yates wrote: Freedy Johnston - Coffee, Coffee, Coffee So glad to see this here...great cover version of the Tom T. Hall song. Thanks for playing it Mr. Yates. PS: Next time you hear of Collier playing around your parts, drop me (us) a line, if you wouldn't mind. JC NPIMH: Real: The Songs of Tom T. Hall
Re: lack of definition -- is that so wrong?
On Sat, 6 Mar 1999, Rob Russell wrote: have heard of that we might have some similarity to, I use the unfortunate term "alt.country." "Like Shania Twain?" she asks. I try to hide my disgust ... but do not succeed! Well, applying the abbreviation "alt" to mean alternative to the mainstream, I would say indeed.Shania Twain does play "alt. country". That's an alternative to traditional/classic country. Just a different application of the abbr. alt. in my book, but a valid one, noe the less. NP: Gary Allen - non alt.country Jerry
RE: Kelly Willis Michael WHERE YA Been PURCELL?
On Wed, 3 Mar 1999, Matt Benz wrote: I was thinking it must be time for the annual "Name Dave Purcell's latest band" contest, but I hear he already -yes, that's right- already has come up with a name. Unfortunately, it's not "Cakehole." No, it's not Cakehole but something kinda white bready, kinda all-American, Wholesome/Holsum.something like that! Big G! Best of luck to that hairband in any case. Hey, if Purcell's in the band they have to qualify as a hairband, don't they? NP: Kelly Willis JC
Irony Bad Taste (was Arsenic Old Lace)
Now folksthat's a good piece of thinkin' and then writin'. Jake, thanks for expressing some of the thoughts, much more eloquently than I can, regarding my love of old pop music. I couch my deep appreciation in terms of being eclectic, but sometimes I hate feeling that my tastes need to be defended. Now, we are mostly among friends here, but do you get a squeamish feeling when asked about a guilty pleasure or you hold a KC the Sunshine disc in your hand while heading to the check-out counter? Do you run around and hide the Jackson 5 reissues when your date shows up at the door for your first encounter? I don't but sometimes, I feel like I want to. Indeed, the introduction of ironic distance does allow us to embrace nostalgia from a safe and thus, relatively unassailable position. A good pop sound has, did, does, and will always touch me at a deep level. Even a current gem like "Mmmmbop" transforms me back to the days Mr. Benz alluded to in his recent most. That is, listening to my transistor AM radio via my earphone long after I was ordered to bed. These songs take me back to a particular place, or remind me of a particular memory. Those emotions and remembrances are exclusively mine and no amount of external subjectivism or conforming aloofness can cause me to lose them. No amount of externally or internally introduced ironic distance will dull my memory. Course I ain't about to dust off and begin wearing my prismatic KISS belt buckle. I meand decorum rules and one must draw the line somewhere. g Great point about forgetting what it's like to be young or becoming to insecure to embrace your past likes. God damn it, I love Emerson, Lake Palmer and I'll admit that until the day I die. Threeothings pop into my mind here: (1) the boys in the car in Wayne's World absolutely jamming to Queen's "Bohemian Rhapsody" (how refreshing that was), (2) during a thread on "Guilty Pleasures" someone groaning about the use of that term and admitting there was no such a thing and (3) something Robbie Fulks mentioned during his Fresh Air interview. He said Abba's "Dancing Queen" is essentially a good damn pop song. The words are tossible, but the hooks and music is great. He learned it and now plays it live just to prove that point. Gosh, I loved hearing it and so did the other 500 people in the theater that not. I detected nary a trace of irony in the house and I sure saw about 500 sets of pearly whites gleaming. A beautiful moment..and a point well proved. Thanks Jake.. Best, Jerry On Tue, 2 Mar 1999, Jacob London wrote: not be a shield Fulks himself needs anymore). A good pop song has the power to touch us at the deepest emotional level, especially one from our childhood before we knew all about hipness, etc. Unfortunately, many of us from the post baby-boom generation forgot or have been too insecure to admit this truth, especially in our late teens and twenties. So irony helps create a space for us to safely be nostalgic about some rather absurd times.
Re: jerry curry vs. portland
Um...Terry Robb Joni Harms! And, I do kinda like the Countripolitans, the Flatirons to a lesser extent. Little Sue is getting better all the time. Fernando, Bingo, Golden Delicious, and Pete Krebs, I just can't get into. Would love to hear 44 Long on record and outside of a "wall of noise" club environment. Let's see, no traditional country scene, that's particularly disappointing when I read about the stuff Honky Tonk Confidential is doing. Small bluegrass community. Horrible radio. Perhaps our Low Power FM project will help ease that Jones. Yes, I knowmove back East, East Tennessee boy. I hear ya. I do like it here though and really wasn't trying to slag the entire scene at all. The sheer number of quality clubs never ceases to amaze. Need an acoustic, singer-songwriter place to hang on though. I'd prefer being neck deep in the Nashville or Austin scene than up here. Those scenes just offer more opportunity to enjoy the kind of music I really enjoy than Portland. I'm most certainly NOT knocking Portland for developing musical directions that differ from my own interests. It's a truly wonderful area (to visit...g). And to live. Your truly from the Portland Chamber of Commerce. Done posting for the rest of the day Jerry On Tue, 2 Mar 1999 [EMAIL PROTECTED] wrote: c'mon jerry.you are unable to find a single band or musician that meets your criteria in a town with a population of nearly 2 million people, especially in a town with a thriving and supportive music community such as portland? sorry, i don't buy it. it's the best place i've ever lived to watch bands develop and grow, and i'm proud to admit to being a fan of the music scene in portland. i love it here. Jerry Curry - Spectre Booking Independence, Oregon [EMAIL PROTECTED] In the Top 40, half the songs are secret messages to the teen world to drop out, turn on, and groove with the chemicals and light shows at discotheques. -- Art Linkletter
Re: Matt Cook needs a job in Austin
On Sun, 28 Feb 1999, Matt Cook wrote: I would rather not work with food. Not even Gourds? They count as food, don't they? Best wishes Matt.. Jerry NP: The Mountain - Steve Earle Incredible, I rank it just a hair under Train A'Comin
RE: Jeff Lynne
Good lord almighty, there is another soul out there that enjoys ELO's _Discovery_. Disco my ass, it's just a fine album. Well, if one drops out the horrible "Diary of Horace Wimp" song. Watch out Lynne detractors, the pro-Lynne camp has expanded. Bravo and welcome to P2 Sloandog. Uhwhere should I send the Jeff Lynne fan club credentials to. You've met the first criteria, a public statement supporting the man. It's the hardest criteriaso welcome.g Jerry On Mon, 1 Mar 1999 [EMAIL PROTECTED] wrote: I have to agree with the Jeff Lynne supporters out there. Yeh, his production on the Petty, Harrison, Wilburys, et al albums gives them all that bank of acoustic guitars/compressed drum sound but I think he brought out some of the best work these guys have done. Besides, I really like ELO too, even the much maligned "Discovery". Hey did anybody see the review of Wilco's new one "Summerteeth" that cites ELO as a possible influence? Does anyone else who has heard the album agree? See ya--Slonedog
Portland Scene (A LONG Retort)
h them. What makes a song fully developed? Well, and this is difficult since you are a songwriter and god damn, I don't want to slag too much because 1) I haven't heard your material and 2) this is where it is taken so personally. I haven't found the writing on either the Flatirons, Countripolitans, Little Sue, nor Fernando to be overly compelling to me. "To me", that's the catchphrase. Reminds me of the old man, child, and donkey fable. Your songs are fully developed when they fully convey the thoughts, dreams, emotions, aspirations that YOU want to convey. Just don't expect the songs to carry the same impact to each every audience member. When Tom Russell or Dave Alvin sings, I'm on the edge of my seat. I hang on the words. Nothing coming out of Portland grabs that way and that's admittedly, my loss. So, I couched the term underdeveloped to describe my personal disatifaction. next time, less cagey and more specific. You called me I'll own up to that. Plus, it has the most bizarre production I've ever heard. The lead singer's voice literally jumps off the disc about 5 ft' in front of anything else. I guess they got you on that one. Again, YMMV. I found the production to be strange, but not totally unappreciated. I personally believe they produced the CD the way they did, since Elizabeth's voice is the strongest instrument in the band. Sorry, Golden Delicious, nor Bingo, nor any of that other Portland stuff (Hank Plank the 2x4's excluded since I haven't heard them) appeals to me in the slightest. What does appeal to you, except Steve Earle? Well, let's see..Dwight Yoakam, Dave Alvin, Tom Russell, Emmylou Harris, Steve E., Del McCoury, Robbie Fulks, Derailers, Dale Watson, Gerald Collier, Kimmie Rhodes, Pernice Brothers, Greg Trooper, Jim Lauderdale just to name a few. I fully admit that the more indy-aesthetic or punk feel doesn't hold much appeal to me. That's my personal bias and I'm more than willing to own up admit to that. Hell, it colors my opinion...thus, I prefer singer-songwriter, straight country type material. flames beget flames Again, we need to feel free to disagree around here. My post was so far from a flame because it is pointless to totally gut up coming indy bands. Let them produce and let information regarding the releases flow. What's the point if everything is candycoated? Hope to meet up with you Harley..I'll buy you a beer sometime. ANDeven though I disagree with you, I sure support that right to disagree. Glad you support the music. So do I and that's why the Low Power FM Station that is under planning may appeal to you. Portland Music Fan Harley Cowan Harley, I hope you aren't implying I'm not a music fanagain, beer offer stands, hope to meet you sometime soon. Signed, a Willamette valley Music fan. Jerry Jerry Curry - Spectre Booking Independence, Oregon [EMAIL PROTECTED] In the Top 40, half the songs are secret messages to the teen world to drop out, turn on, and groove with the chemicals and light shows at discotheques. -- Art Linkletter
Changing Subject Lines
On Mon, 1 Mar 1999, Tar Hut Records wrote: I guess they can't all be Tupelo, eh? You know Jeffyou've hit the nail on the head (in a perverse way) for me. Seems like many alt-acts want to be like Tupe! Trouble for me is, I didn't really like UT all that much to begin with. Signed, Jerry who is digging a larger and larger hole for homself with each every post.
RE: Jeff Lynne
On Mon, 1 Mar 1999, David Cantwell wrote: NP: Julianna Raye's Something Peculiar produced by Jeff Lynne Doing absolutely NO workk today..I can't believe somebody out there besides me actually owns this record. Rock on, Mr. Cantwell. I wonder whatever happened to her because this really is one fine disc. Jerry - who swears, last post of the day if you all quit baiting me! g
Re: Jeff Lynne
On Mon, 1 Mar 1999, Carl Abraham Zimring wrote: psst, Jer-- rumor has it Lynne's producing the new Richmond Fontaine disc I am so THEREnow, I'm excited about the scene. Pretty amazing when it all comes together.. ha! Sorry, I was unfairly baited again. JC NP: The Countripolitans - Tired of Drowning Yes, I brought it to work today and yes, I'm trying.
A Contender!!!!
On Mon, 1 Mar 1999, Terry A. Smith wrote: three living human beings who actually treasured DF's first two singer-songwriter records. Remember this statement whenever you all begin to abuse my music tastes. Yet another contender for the ummost eclectic music tastes. Big G... Terry, ya going to T3? Jerry NP: The Mountain - Haven't been able to remove from the CPU.
The Countrypolitans
On Sun, 28 Feb 1999, Shane S. Rhyne wrote: Storms or no storms, I was determined to have a good time on tonight's show. Having this great new disc from the Countrypolitans sure helped out. Y'all who have been discussing the various merits of the Bakersfield sound and the classic Nashville sound really ought to be giving this disc a listen. A word of caution here: I've found all of the alt-country releases eminating out of Portland to be less than pleasing. I know, I live out here and should embrace the local scene. The new Flatirons is well, flat plodding although it does contain an amazing version of _Crazy Train_. Yep, the very same song Ozzy recorded. The Countripolitans record definitely has its moments. Although I'd again caution those of you fascinated by their name to be wary. It's not overly Countrypolitan, nor Bakersfield, nor anything else. Again, sort of mid-tempo, plodding, with IMHO, under-developed songs. Plus, it has the most bizarre production I've ever heard. The lead singer's voice literally jumps off the disc about 5 ft' in front of anything else. Not a bad disc but definitely one that sounds like a band beginning to mature. Speaking of maturing, while I'm not a Little Sue fan, her 2nd disc far surpasses her initial release. While not wanting to purchase disc #2, I am curious about where she's headed. Much improved. Sorry, Golden Delicious, nor Bingo, nor any of that other Portland stuff (Hank Plank the 2x4's excluded since I haven't heard them) appeals to me in the slightest. A very nice alt-country scene is present out here, I wish I enjoyed it a bit more. I do hope the bands continue to record and succeed, it's good for all of us. Sorry to be honest and offer up a dissenting view. Hope the other Pac NW folks don't blast me out of the water, but I thought I'd should offer my own singular subjective take. So, no flames por favor. NP: Pernice Brothers Jerry
Re: Phil Clips: Keep 'em coming!
On Sun, 28 Feb 1999, Patrick Costello wrote: Fine then someone send me some information on how to unsubscribe. This is getting a bit pointless. I've tried like hell to find something interesting here but. . . And..I find that I'm feeling just so damn inadequate now. I move to disband P2, any seconds? g JC
Re: Re[2]: The Eradication Game
Eradicate any act contained on the _Rushmore_ soundtrack. g Liked the movie alright, but loved the soundtrack. Man, Mark Mothersbaugh sure dug out some damn obscure *gems* for that movie. I've got to pick that soundtrack up along with: Little Voice and now, 200 Cigarettes. Viva le' retroand off to the store for more soundtracks than I've bought in a long while. Gotta go, got a date with my curling irons mousse. Jerry
Re: Jeff Lynne
On Sat, 27 Feb 1999, Bill Silvers wrote: I think we even got Lynne-defender Jerry Curry to sorta kinda agree to the truth of his mishandling of Dave Edmunds best sound on those two records, though he maintained those were still big sellers for DE. And Dave was often twangy- it was great material for him, and he did it well. Thing is, Dave's been trying to make a comeback ever since those Lynne-produced releases. Hmm, as card-carrying member #1 (hey, where'd everybody else go?) of the Jeff Lynne fan club...I've got to rise to his defense here and.."oh, forget it, too damn tired!" I like him even though insert very low whisper there was a certain "sameness". However, it's a sameness that I have always found to be pleasing to these ears. And YES!I found _Information_ to be a wonderful departure for Mr. Edmunds. I'll admit that I wouldn't be nearly as fond of Dave E. if each/every album had sounded like that one. NP: Jeff Lynne - Armchair Theater - Really! Jerry
Re: The Eradication Game (Re: Grammyszzzzzzzzz....)
On Sat, 27 Feb 1999 [EMAIL PROTECTED] wrote: (Queen, Bad Co., Burney...). Therefore, after having seen the light brought forth by the good Senator Minor from Colorado, I say let Styx burn in hell. And I say BON APETITEbugs are considered a delicacy by some cultures, you know. Therefore, I'm gonna groove to Eric Carmon's "She Did It" and Al Stewart's "Year of the Cat" until they put me in a deep dark hole. Pass the deep-fried crickets. JC
Re: Reno?? Tahoe? Carson City? March 12-15
On Sat, 27 Feb 1999, AJM wrote: bands and such but cant find any info. I am missing Robin Trower by two days (Damn me missing the King of the Fender Strat...He is another guy I forgot about that kicks Clapton's ass up and down the fingerboard.). If anyone out there knows anything, let me know, it Millar!!! I knew there was yet another reason why I love you. Robin Trower...damn straight sir. I've caught him live on at least 3 occasions and he's never ceased to amaze me. Definitely prefered over Clapton. so, get your butt on out here for a visit. Yes, I know this went to the list. Sue me! NP: Pernice Brothers - Overcome by Happiness JC
Re: The Eradication Game (Re: Grammyszzzzzzzzz....)
On Sat, 27 Feb 1999 [EMAIL PROTECTED] wrote: Did I ever tell you I was in Tahoe in a casino playing keeno (or some game I didn't understand) when I heard strains of "Year of the Cat" coming from their small show room? And yes, it really was Al. Wasn't much a draw -- I peaked in and there were only a handful of people. Sorry, Jer Hmm, I wonder if you just caught the sound check..g. I've heard he's still a monster in the NW area of Slovenia. JC
I'm Back Temporarily
Heard you all are playing the eradication game, I'm back to defend my beloved prog-rock bands/musicians to the death. So be forewarned! JC
Re: Re[2]: The Eradication Game (Re: Grammyszzzzzzzzz....)
On Fri, 26 Feb 1999 [EMAIL PROTECTED] wrote: Jim Morrison? (And Neil, no pre-punk whining from you.) Jim Morrison, only the finest voiced male vocalist of my time. He stays I also object to picking on Styx, whose camp excesses are the source of endless amusement (why next you'll be killing off Burton Cummings!) The Buckner and Ray Stevens battling blow-offs are beneath Nobody, but nobody blows off Burton Cummings.. He gets to stay on his own accord but he absolutely stays because of his work with the Guess Who! I'm even keeping my favorite "wimp" popster, Eric Carmen. Let's see, hose...Meat Loaf, David Soul, Ambrosia, Leif Garrett, Tiffany. JC
Re: The Eradication Game . . . Ray Earth Daddy Stevens
On Fri, 26 Feb 1999, Barry Mazor wrote: That would take care of my save Jimmy Page but blot out later spin-offs of Led Zeppelin problem... Excellent move. ...even now I can see him fading on up that stairway to... Nope, can't go with you there. Count me in as a huge FIRM fan. Hell, I booked them @ Purdue, circa 1986. Great show, love that Paul Rodgers. The bass player had that cool Kajagoogoo hair I emulated for awhile back then. Jerry
Re: Austin Motel
On Tue, 16 Feb 1999, Christopher M Knaus wrote: Just curious, what P2ers are actually staying at the Austin Motel? I know Alex is, and Jake London and maybe Jerry Curry. I need to know who No, I won't be attending SXSW. I have zero vacation time until June and just don't want to fit that much music into a two day weekend. Jerry
