Question about pluggins and changing settings

2013-02-19 Thread Poppa Bear
Ok in a plug like autotune, where many of the settings are changeable in the 
voice over, the retune speed won't change for me, is there a work around for 
this? Another question, when changing settings  in plugins, with the values, do 
you have to VO up and down all the time if using the key board, or is there a 
way you can just type the value in? Last question, When selecting a section of 
a track to apply an fx from the audio sweet section of plugins, I will use an 
fx on one portion of the track and then if I go back to use it on another 
portion of a selected track there will be a check next to the FX and I can't 
apply it to the new selection. What am I doing wrong here not to be able to use 
the audio sweet for multiple sections of FX placements? 
Any help would be great
Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and 
all your audio needs. www.crossroadrecording.com

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Re: 5.1 mix.

2013-02-19 Thread Slau Halatyn
Juan,

The first thing about a 5.1 mix that is most challenging is the monitoring 
setup. Providing you have 5 full-range speaker enclosures of the same type 
along with a suitable sub-woofer and they are all positioned and calibrated, 
the next step is to create  an I/O setup that supports surround routing. You 
have to figure out which convention you'll be using (i.e. L R C LFX LS RS or L 
C R LS RS LFX, etc.) and then you need to do your routing for the session. The 
most challenging part is the surround panner which, from my understanding, was 
never accessible in Pro Tools but there are joysticks that support tactile 
control of such panning. So, in a way, yes, it's accessible but quite complex.

Slau

On Feb 19, 2013, at 4:19 PM, Juan Pablo wrote:

> Sorry, slaw. My question was very generic. Is accessible mixing in 5.1 using 
> the native protools plugins?
> Thanks
> Juan.
> From: Slau Halatyn
> Sent: Tuesday, February 19, 2013 6:09 PM
> To: ptaccess@googlegroups.com
> Subject: Re: 5.1 mix.
>  
> To which plug-in are you referring?
>  
> Slau
>  
> On Feb 19, 2013, at 3:55 PM, Juan Pablo wrote:
> 
>> Hello there,
>>  
>> In fact is accessible the plugin to work with mixes in 5.1?
>> Thanks,
>> Juan.
>>  
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>>  
>>  
> 
>  
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>  
>  
> 
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Re: Last stupid newbie question for this time - voiceover

2013-02-19 Thread TheOreoMonster
To clearify something that was said earlier, voice over will only contine to 
come out of the built in macs outputs if and only if in voice over utility 
settings its set to use your mac's built in outputs. If in voice over utility  
you have it set to system defaults, then voice over will come out of whatever 
you have set to be your outputs in sound system prefs. My work flow is usually 
leaving my default audio  on the mac set to its built in outputs. only Pro 
Tools and other audio apps/DAWS have my interface selected for audio ins and 
outs. i wear headphones plugged into the mac so i can hear voice over, and  and 
monitor pro tools through my monitor speakers. In the rear cases i say have to 
record vocals in the same room as the studio monitors i have been known to wear 
two pairs of headphones lol. The easist way to do this is o to use one pair of 
ear buds of some sort  and then bigger over the hear headphones over that.

On Feb 19, 2013, at 4:14 PM, Slau Halatyn wrote:

> Hi Krister,
> 
> Well, the problem is the headphones. If you're playing back material through 
> monitor speakers and having VoiceOver come through the computer, everything 
> is as it should be. I guess what you're wondering about is in a tracking 
> situation, if you're recording yourself, you're wondering about having both 
> sources in your headphones, right?
> 
> Here's what you can do:
> 
> Create an auxiliary input in your session and make its input source one of 
> your unused line inputs. Plug your Mac's headphone output to your line input 
> in your interface. Keep in mind that you won't hear your Mac except within 
> the Pro Tools session and it'll be controlled by the aux input track's volume 
> fader. If you're closing the session, unplug your Mac so the headphone jack 
> isn't cutting off your computer's output to its built-in speakers.
> 
> HTH,
> 
> Slau
> 
> On Feb 19, 2013, at 12:50 PM, Krister Ekstrom wrote:
> 
>> Hi,
>> I guess what i'm really asking is where in the signal paths to put head 
>> phones. I mean if i put head phones in the computer, i hear voiceover but 
>> not the sound of what i've recorded, right? If i hook up the headphones to 
>> the Project mix, i should hear sound of my recording but not voiceover.
>> I hear this question sounds stupid myself but i have to ask it, cause i want 
>> to make sure i do everything right.
>> /Krister
>> 
>> 19 feb 2013 kl. 17:24 skrev Slau Halatyn :
>> 
>>> Hi Krister,
>>> 
>>> I'm not sure why you're routing your system audio through your interface. 
>>> Why not just monitor VoiceOver right through your Mac?
>>> 
>>> Slau
>>> 
>>> On Feb 19, 2013, at 10:31 AM, Krister Ekstrom wrote:
>>> 
 Hi,
 I just wonder how you do when you work with PT? I understand that you 
 somehow have to hear the feedback from the computer in terms of what VO 
 tells you about important things, however, if you put it through in my 
 case the M-Audio project mix, it'll be part of the recordings i do, so 
 what solutions are there for this?
 /Krister
 
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>>> 
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>>> 
>> 
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>> 
> 
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> 

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Re: Making drum tracks when recording with a computer.

2013-02-19 Thread TheOreoMonster
Depending on the Genre you are in you may find this useful. Personally i just 
use www.betamonkeymusic.com drum loops. Its really nice drums played by really 
good drummers in rally nice studios. All sliced and diced i into  different 
loop  packages by  genres. I initially stumbled upon them as they were the only 
company doing stuff for hard rock/metal  at the time. As I a m not a drummer 
and don't really have the time to commit to learning how to play, I have always 
found working with drum loops the closest thing to working with a drummer to 
jam out ideas with and do arrangements. That being said they cover the gammet 
of genres so don't think for a second they are just a Metal company, They got 
Jazz, Country, Blues, and of course pop and pop rock stuff and even a hip hop 
library.
On Feb 19, 2013, at 1:29 PM, Poppa Bear wrote:

> There are drums that come with pro tools, if you have a midi device such as a 
> key board or drum machine to control the sounds in the pro tools instrument 
> banks you will be good to go. In my case I use an oxygen USB keyboard plugged 
> into the mac, when I want to use it, I open a session, use command, shift N 
> to make a new track, then I choose the number of new tracks, then choose for 
> it to be either mono or stario then the type of track, audio, master fader or 
> instrument, I click instrument then boom, I got instrument tracks ready to 
> use. I then go to one of the tracks and on the input source it will usually 
> already have your midi/USB device and if not, just pick it. Then you should 
> arm that track so that you know for sure that you will hear it out of your 
> moniters. You then go to your incert banks, choos incert A, go down to 
> instrument as the type of incert, and for drums you can use either "Boom" or 
> go to the "Expand 2" library. Boom is drums and drum grooves and expand 2 has 
> a drum section as well as a drum groove section. After that it is a matter of 
> your tempo and quantising if you need it. Don't forget that in order to 
> toggle on and off your metradome use the number 7 on the num pad.
> Hope this can help to get you started
> - Original Message - From: "Krister Ekstrom" 
> 
> To: 
> Sent: Tuesday, February 19, 2013 6:27 AM
> Subject: Making drum tracks when recording with a computer.
> 
> 
> Hi,
> Now since i'm about to begin the jorney of mastering or at least trying to 
> get the hang of Pro tools, i wonder about drum tracks. I'm used to old drum 
> machines like the Yamaha RX15 or the Roland TR-707 or the likes thereof, but 
> since such drum machines aren't around and maybe not even works propperly in 
> a computer recording environment what with Midi and all that, i wonder if 
> there's an accessible drum machine that comes with PT or what people use to 
> make their drum tracks, and if what you use are available for the Mac?
> /Krister
> 
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> 

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Re: 5.1 mix.

2013-02-19 Thread John Abreu
>From what I understand, the answer to that is no. Don't count me on it, it was 
>just me fiddling with a plugin in my school's audio post production lab
On 2013-02-19, at 4:19 PM, "Juan Pablo"  wrote:

> Sorry, slaw. My question was very generic. Is accessible mixing in 5.1 using 
> the native protools plugins?
> Thanks
> Juan.
> From: Slau Halatyn
> Sent: Tuesday, February 19, 2013 6:09 PM
> To: ptaccess@googlegroups.com
> Subject: Re: 5.1 mix.
>  
> To which plug-in are you referring?
>  
> Slau
>  
> On Feb 19, 2013, at 3:55 PM, Juan Pablo wrote:
> 
>> Hello there,
>>  
>> In fact is accessible the plugin to work with mixes in 5.1?
>> Thanks,
>> Juan.
>>  
>> -- 
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>>  
>>  
> 
>  
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>  
>  
> 
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>  
>  

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Re: 5.1 mix.

2013-02-19 Thread Juan Pablo
Sorry, slaw. My question was very generic. Is accessible mixing in 5.1 using 
the native protools plugins?
Thanks
Juan.
From: Slau Halatyn 
Sent: Tuesday, February 19, 2013 6:09 PM
To: ptaccess@googlegroups.com 
Subject: Re: 5.1 mix.

To which plug-in are you referring? 

Slau

On Feb 19, 2013, at 3:55 PM, Juan Pablo wrote:


  Hello there,

  In fact is accessible the plugin to work with mixes in 5.1?
  Thanks,
  Juan.

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Re: 5.1 mix.

2013-02-19 Thread Chris
Are any of them accessible? I'd be really interested to play with 5. 1 mixes!

Sent from my iPad

On 19 Feb 2013, at 21:09, Slau Halatyn  wrote:

> To which plug-in are you referring?
> 
> Slau
> 
> On Feb 19, 2013, at 3:55 PM, Juan Pablo wrote:
> 
>> Hello there,
>>  
>> In fact is accessible the plugin to work with mixes in 5.1?
>> Thanks,
>> Juan.
>> 
>> -- 
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> 
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>  
>  

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Re: Last stupid newbie question for this time - voiceover

2013-02-19 Thread Slau Halatyn
Hi Krister,

Well, the problem is the headphones. If you're playing back material through 
monitor speakers and having VoiceOver come through the computer, everything is 
as it should be. I guess what you're wondering about is in a tracking 
situation, if you're recording yourself, you're wondering about having both 
sources in your headphones, right?

Here's what you can do:

Create an auxiliary input in your session and make its input source one of your 
unused line inputs. Plug your Mac's headphone output to your line input in your 
interface. Keep in mind that you won't hear your Mac except within the Pro 
Tools session and it'll be controlled by the aux input track's volume fader. If 
you're closing the session, unplug your Mac so the headphone jack isn't cutting 
off your computer's output to its built-in speakers.

HTH,

Slau

On Feb 19, 2013, at 12:50 PM, Krister Ekstrom wrote:

> Hi,
> I guess what i'm really asking is where in the signal paths to put head 
> phones. I mean if i put head phones in the computer, i hear voiceover but not 
> the sound of what i've recorded, right? If i hook up the headphones to the 
> Project mix, i should hear sound of my recording but not voiceover.
> I hear this question sounds stupid myself but i have to ask it, cause i want 
> to make sure i do everything right.
> /Krister
> 
> 19 feb 2013 kl. 17:24 skrev Slau Halatyn :
> 
>> Hi Krister,
>> 
>> I'm not sure why you're routing your system audio through your interface. 
>> Why not just monitor VoiceOver right through your Mac?
>> 
>> Slau
>> 
>> On Feb 19, 2013, at 10:31 AM, Krister Ekstrom wrote:
>> 
>>> Hi,
>>> I just wonder how you do when you work with PT? I understand that you 
>>> somehow have to hear the feedback from the computer in terms of what VO 
>>> tells you about important things, however, if you put it through in my case 
>>> the M-Audio project mix, it'll be part of the recordings i do, so what 
>>> solutions are there for this?
>>> /Krister
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/groups/opt_out.
>>> 
>>> 
>> 
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>> 
> 
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> 

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Re: 5.1 mix.

2013-02-19 Thread Slau Halatyn
To which plug-in are you referring?

Slau

On Feb 19, 2013, at 3:55 PM, Juan Pablo wrote:

> Hello there,
>  
> In fact is accessible the plugin to work with mixes in 5.1?
> Thanks,
> Juan.
> 
> -- 
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>  
>  

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5.1 mix.

2013-02-19 Thread Juan Pablo
Hello there,

In fact is accessible the plugin to work with mixes in 5.1?
Thanks,
Juan.

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Re: Making drum tracks when recording with a computer.

2013-02-19 Thread Poppa Bear
There are drums that come with pro tools, if you have a midi device such as 
a key board or drum machine to control the sounds in the pro tools 
instrument banks you will be good to go. In my case I use an oxygen USB 
keyboard plugged into the mac, when I want to use it, I open a session, use 
command, shift N to make a new track, then I choose the number of new 
tracks, then choose for it to be either mono or stario then the type of 
track, audio, master fader or instrument, I click instrument then boom, I 
got instrument tracks ready to use. I then go to one of the tracks and on 
the input source it will usually already have your midi/USB device and if 
not, just pick it. Then you should arm that track so that you know for sure 
that you will hear it out of your moniters. You then go to your incert 
banks, choos incert A, go down to instrument as the type of incert, and for 
drums you can use either "Boom" or go to the "Expand 2" library. Boom is 
drums and drum grooves and expand 2 has a drum section as well as a drum 
groove section. After that it is a matter of your tempo and quantising if 
you need it. Don't forget that in order to toggle on and off your metradome 
use the number 7 on the num pad.

Hope this can help to get you started
- Original Message - 
From: "Krister Ekstrom" 

To: 
Sent: Tuesday, February 19, 2013 6:27 AM
Subject: Making drum tracks when recording with a computer.


Hi,
Now since i'm about to begin the jorney of mastering or at least trying to 
get the hang of Pro tools, i wonder about drum tracks. I'm used to old drum 
machines like the Yamaha RX15 or the Roland TR-707 or the likes thereof, but 
since such drum machines aren't around and maybe not even works propperly in 
a computer recording environment what with Midi and all that, i wonder if 
there's an accessible drum machine that comes with PT or what people use to 
make their drum tracks, and if what you use are available for the Mac?

/Krister

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Re: Last stupid newbie question for this time - voiceover

2013-02-19 Thread Poppa Bear
When you say that voice over will show up, if you can hear it durring a 
recording that doesn't mean that it is being recorded to a track in pro tools, 
that wouldn't happen unless you spacifficly somehow had voice over routed to an 
input source in pro tools. If it is a bother, just turn your voice over volume 
all the way down before you hit record, or just toggle Voice Over off before 
you recorde.
Hope this helps.
  - Original Message - 
  From: Dread Beat Dadz 
  To: ptaccess@googlegroups.com 
  Sent: Tuesday, February 19, 2013 8:22 AM
  Subject: Re: Last stupid newbie question for this time - voiceover


  Even if you choose ProjectMix as your sound output in System Preferences, 
Voiceover's audio will continue to be routed through the Mac's speakers. At 
least that's how it works on the iMac, while running Lion or Mountain Lion. 

  On Tuesday, February 19, 2013 10:31:07 AM UTC-5, Krister Ekstrom wrote:
Hi, 
I just wonder how you do when you work with PT? I understand that you 
somehow have to hear the feedback from the computer in terms of what VO tells 
you about important things, however, if you put it through in my case the 
M-Audio project mix, it'll be part of the recordings i do, so what solutions 
are there for this? 
/Krister 



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Re: Last stupid newbie question for this time - voiceover

2013-02-19 Thread Krister Ekstrom
Hi,
I guess what i'm really asking is where in the signal paths to put head phones. 
I mean if i put head phones in the computer, i hear voiceover but not the sound 
of what i've recorded, right? If i hook up the headphones to the Project mix, i 
should hear sound of my recording but not voiceover.
I hear this question sounds stupid myself but i have to ask it, cause i want to 
make sure i do everything right.
/Krister

19 feb 2013 kl. 17:24 skrev Slau Halatyn :

> Hi Krister,
> 
> I'm not sure why you're routing your system audio through your interface. Why 
> not just monitor VoiceOver right through your Mac?
> 
> Slau
> 
> On Feb 19, 2013, at 10:31 AM, Krister Ekstrom wrote:
> 
>> Hi,
>> I just wonder how you do when you work with PT? I understand that you 
>> somehow have to hear the feedback from the computer in terms of what VO 
>> tells you about important things, however, if you put it through in my case 
>> the M-Audio project mix, it'll be part of the recordings i do, so what 
>> solutions are there for this?
>> /Krister
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
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>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/groups/opt_out.
>> 
>> 
> 
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Re: Last stupid newbie question for this time - voiceover

2013-02-19 Thread Dread Beat Dadz
Even if you choose ProjectMix as your sound output in System Preferences, 
Voiceover's audio will continue to be routed through the Mac's speakers. At 
least that's how it works on the iMac, while running Lion or Mountain Lion. 
 
On Tuesday, February 19, 2013 10:31:07 AM UTC-5, Krister Ekstrom wrote:

> Hi, 
> I just wonder how you do when you work with PT? I understand that you 
> somehow have to hear the feedback from the computer in terms of what VO 
> tells you about important things, however, if you put it through in my case 
> the M-Audio project mix, it'll be part of the recordings i do, so what 
> solutions are there for this? 
> /Krister 
>
>

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Re: Last stupid newbie question for this time - voiceover

2013-02-19 Thread Slau Halatyn
Hi Krister,

I'm not sure why you're routing your system audio through your interface. Why 
not just monitor VoiceOver right through your Mac?

Slau

On Feb 19, 2013, at 10:31 AM, Krister Ekstrom wrote:

> Hi,
> I just wonder how you do when you work with PT? I understand that you somehow 
> have to hear the feedback from the computer in terms of what VO tells you 
> about important things, however, if you put it through in my case the M-Audio 
> project mix, it'll be part of the recordings i do, so what solutions are 
> there for this?
> /Krister
> 
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Re: And the newbie questions keep on coming, this time about hard drive setup in PT

2013-02-19 Thread Slau Halatyn
Hi Krister,

Use your bootup drive as you normally would. Use an external drive for the Pro 
Tools session. In other words, when you create the session, create it on the 
external drive and all the files will be recorded to that drive.

Slau

On Feb 19, 2013, at 10:20 AM, Krister Ekstrom wrote:

> Hello.
> I thought i heard somewhere that you should have two hard drives when you 
> work with Pro tools. Can i have an internal and an external hard drive or how 
> should this all work?What are the minimum requirements for the hard drives? 
> Where should i place what?
> /Krister
> 
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Last stupid newbie question for this time - voiceover

2013-02-19 Thread Krister Ekstrom
Hi,
I just wonder how you do when you work with PT? I understand that you somehow 
have to hear the feedback from the computer in terms of what VO tells you about 
important things, however, if you put it through in my case the M-Audio project 
mix, it'll be part of the recordings i do, so what solutions are there for this?
/Krister

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Making drum tracks when recording with a computer.

2013-02-19 Thread Krister Ekstrom
Hi,
Now since i'm about to begin the jorney of mastering or at least trying to get 
the hang of Pro tools, i wonder about drum tracks. I'm used to old drum 
machines like the Yamaha RX15 or the Roland TR-707 or the likes thereof, but 
since such drum machines aren't around and maybe not even works propperly in a 
computer recording environment what with Midi and all that, i wonder if there's 
an accessible drum machine that comes with PT or what people use to make their 
drum tracks, and if what you use are available for the Mac?
/Krister

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And the newbie questions keep on coming, this time about hard drive setup in PT

2013-02-19 Thread Krister Ekstrom
Hello.
I thought i heard somewhere that you should have two hard drives when you work 
with Pro tools. Can i have an internal and an external hard drive or how should 
this all work?What are the minimum requirements for the hard drives? Where 
should i place what?
/Krister

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Re: Projectmix - anything i need to know?

2013-02-19 Thread Dread Beat Dadz
A couple corrections / clarifications: 
 
1. The 4 buttons above each of the faders from bottom to top are: "Mute," 
"Solo," "Select," and  "Record Enable/Disable." 
 
2. in order to put ProjectMix in to Pro Tools mode, you need to hold down 
Aux 1, not Aux 3. That's probably why you can't get the Transport buttons, 
Shuttle Wheel, and some of the other features to work. 
 
Hope that helps. 
On Saturday, February 16, 2013 11:53:28 AM UTC-5, Chris Norman wrote:

> I've not written or recorded anything no, but from looking at the unit 
> in front of me, I'll quickly write up some notes on it: 
>
> On the back, you have the 8 XLR's, above 8 Jack inputs. They map to 
> inputs 1-8 in Pro Tools, going from my left to my right (the unit is 
> set up behind my computer keyboard. 
>
> On top, again, towards the back panel, you have the gain pots. These 
> are pretty obvious, because they're very close to both the gain pots, 
> and the instrument buttons, and have a sort of line that acts like a 
> pointer, so you can tell how high the gains are. 
>
> Below and slightly to the right of each gain pot is an instrument 
> switch. The switch on the far left, is now an instrument switch, 
> although it's used in conjunction with the first inst switch, to tell 
> the desk to route the instrument socket on the front left of the desk 
> to input 1. When it's in, the front input is used as input 1, when 
> out, the back. If it's in, but the first inst switch is out, the first 
> XLR is still used. 
>
> The button on it's lonesome, top center of the unit is phantom power, 
> and it has a lone LED light beneath it, which I assume lights up when 
> the button is pressed in. 
>
> Below the gain pots, on kind of a shelf type offair, is the channel 
> strip display. On the right, is a smaller screen. I'm not sure what 
> else this display shows, but it definitely shows what mode the desk is 
> in, but more on that later. 
>
> Below these, are a row of knobs. The 8 on the left, are the pan pots 
> by default, although when the flip button is pressed (can't remember 
> where that is), they go to being the channel volume. The two on the 
> right, are the 2 headphone outputs. I can't actually remember if I 
> ever got both headphone sockets working, but I don't use either of 
> them now. Reguardless, the left knob controls the left headphone 
> socket, and the right knob, the right socket. 
>
> The final knob, on it's own, about half way up the right hand side, is 
> the volume of the over all unit. You can use this in place of function 
> f12 (or your mac's volume controls), assuming you're not routing your 
> audio through the desk. 
>
> Below the knobs on the right, are a whole bunch of buttons, I'll try 
> and remember what they are now: 
>
> The only ones which are important, are the 5 below the headphone 
> levels. These are aux 1 to 5. I have no clue what they do in each 
> mode, but they set the mode, so you will care about them at least once 
> in your life. 
>
> While powering up the uni9, hold down 1 of these buttons to get to the 
> desired mode. For example, for Pro Tools, or, more accurately the HUI 
> mode, you'd hold down aux 3, which is in the center, then turn on the 
> power, and keep the button pressed for maybe 3 seconds. If you want to 
> check when it's on, before you turn the unit on, move the master fader 
> to the top or something, then it'll move down to the bottom once it's 
> loaded. 
>
> The available modes, as far as I can remember, again, don't quote me, are: 
>
> 1. Logic mode. 
> 2. Cubase? 
> 3. HUI (Pro Tools) 
> 4. Live ? 
> 5. General MIDI 
>
> Below these, are some buttons, which I can't remember. One is 
> definitely plugin, and one is definitely pan, other than that, I can't 
> remember I'm afraid. 
>
> Below the pan pots, are the channel strip buttons, so I'll not run 
> through every strip, as they're all the same. From top to bottom, you 
> have: 
> *Select | Rec (I can't remember which way round they go, but it's one 
> or the other). 
> * Solo 
> * Mute 
> * Motorised fader. 
>
> The fader on it's own a little apart from the others on the right, as 
> you'd imagine, is the master fader. This doesn't do anything when the 
> desk is in PT mode however, but it's a great way to check if the desk 
> is on when in this mode, as it'll rather angrily force it's way back 
> to -inf DB when you adjust it. 
>
> Above the master fader, are 4 banking buttons. The top two are bank by 
> 8, and the bottom two are bank by 1. Not sure if I've got them flipped 
> or not, but something like that. 
>
> To the right of the faders, there's a transport bar, which I've never 
> used, other than to verify that it wouldn't do anything with Pro 
> Tools, but they are (from left to right): 
> Rewind 
> Fast Forward 
> Stop 
> Play 
> Record (in cased with like bar things around it). 
>
> Below this, on the right hand side, there is a shuttle wheel, no clue 
> if that works or not, and 5 buttons, arrayed in the 4 stan

Re: Two questions, automation with non-touch sensitive faders and the MBox control panel

2013-02-19 Thread Kevin Reeves
There's a difference between touch sensitive and non touch sensitive motorized 
faders.

Touch sensitive faders will disengage the motor the moment you touch it, 
allowing you to rewrite automation.

Faders without touch sensitivity will not disengage the motor, thus you're 
fighting with it as it's trying to move in conjunction with the automation that 
is being played back.

The workaround for this for the bcf is to undo a pass of automation instead of 
rewriting it. Then, you will never fight the motor while writing in new 
automation, thus burning the motor out.

Hope this helps.

Kevin

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