Bouncing stems

2013-07-14 Thread Chris
Sorry for the potentially stupid question, but how does one make stems out of a 
pro tools project, to be sent away for mastering? 

Cheers, 

Typed with Fleksy



Sent from my iPad

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Re: Bouncing stems

2013-07-14 Thread Scott Chesworth
Hey Chris,

So far as I know, there's not a quicker way than soloing the stuff you
want to be in a particular stem (EG drums), bouncing those, then
soloing the tracks that'll make up the next stem, bouncing those and
so forth. Presumably if you're sending off stems to master then you've
already mixed it, so your mix groups might take out some of the button
bashing between bounces, but whatever way I look at it realtime bounce
drives me up the wall lol. Make sure you're start times are the same
each for each bounce even if there's just blank space at the beginning
on some of them, so that everything lines up neatly for your mastering
engineer.

Be interested to hear how this turns out for you man! I've had plenty
of stuff mastered, but never done it via stems yet.

Scott

On 7/14/13, Chris chris.norm...@googlemail.com wrote:
 Sorry for the potentially stupid question, but how does one make stems out
 of a pro tools project, to be sent away for mastering?

 Cheers,

 Typed with Fleksy



 Sent from my iPad

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Re: Bouncing stems

2013-07-14 Thread Chris
Nice one, thanks for the info. 

How do you guys send your stuff away then? 

Cheers, 

Sent from my iPad

On 14 Jul 2013, at 09:17, Scott Chesworth scottcheswo...@gmail.com wrote:

 Hey Chris,
 
 So far as I know, there's not a quicker way than soloing the stuff you
 want to be in a particular stem (EG drums), bouncing those, then
 soloing the tracks that'll make up the next stem, bouncing those and
 so forth. Presumably if you're sending off stems to master then you've
 already mixed it, so your mix groups might take out some of the button
 bashing between bounces, but whatever way I look at it realtime bounce
 drives me up the wall lol. Make sure you're start times are the same
 each for each bounce even if there's just blank space at the beginning
 on some of them, so that everything lines up neatly for your mastering
 engineer.
 
 Be interested to hear how this turns out for you man! I've had plenty
 of stuff mastered, but never done it via stems yet.
 
 Scott
 
 On 7/14/13, Chris chris.norm...@googlemail.com wrote:
 Sorry for the potentially stupid question, but how does one make stems out
 of a pro tools project, to be sent away for mastering?
 
 Cheers,
 
 Typed with Fleksy
 
 
 
 Sent from my iPad
 
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Re: Bouncing stems

2013-07-14 Thread Scott Chesworth
We've always just sent mixes so far. The songs that are being mixed at
the moment here might benefit a lot from the stems approach though
thinking about it. It's all a bit tight timeframe wise, but maybe I'll
grab stems of these and see how that goes if we finish ahead of
schedule and have a few extra days to play with.

Scott

On 7/14/13, Chris chris.norm...@googlemail.com wrote:
 Nice one, thanks for the info.

 How do you guys send your stuff away then?

 Cheers,

 Sent from my iPad

 On 14 Jul 2013, at 09:17, Scott Chesworth scottcheswo...@gmail.com wrote:

 Hey Chris,

 So far as I know, there's not a quicker way than soloing the stuff you
 want to be in a particular stem (EG drums), bouncing those, then
 soloing the tracks that'll make up the next stem, bouncing those and
 so forth. Presumably if you're sending off stems to master then you've
 already mixed it, so your mix groups might take out some of the button
 bashing between bounces, but whatever way I look at it realtime bounce
 drives me up the wall lol. Make sure you're start times are the same
 each for each bounce even if there's just blank space at the beginning
 on some of them, so that everything lines up neatly for your mastering
 engineer.

 Be interested to hear how this turns out for you man! I've had plenty
 of stuff mastered, but never done it via stems yet.

 Scott

 On 7/14/13, Chris chris.norm...@googlemail.com wrote:
 Sorry for the potentially stupid question, but how does one make stems
 out
 of a pro tools project, to be sent away for mastering?

 Cheers,

 Typed with Fleksy



 Sent from my iPad

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Re: Bouncing stems

2013-07-14 Thread Sean A. Cummins
Hey Scott,

Just a jump in here on my part.

When it comes to using a mastering house, you really need to know the 
individuals work, and have a very close work relationship the the engineer.

Using stems is a very open ended license for someone to take deep and radical 
liberties with the artist work.  I'm not saying it's bad, just a large leap of 
faith, if you don't know their work intimately.  And of course, this can also 
typically lead to higher cost for the artist with mixes being redone, over and 
over, until you or the artist's are please with the results.

Just a thought.

Keepin' The Groove,

Sean A. 

seanacumm...@gmail.com



  - Original Message - 
  From: Scott Chesworth 
  To: ptaccess@googlegroups.com 
  Sent: Sunday, July 14, 2013 3:28 AM
  Subject: Re: Bouncing stems


  We've always just sent mixes so far. The songs that are being mixed at
  the moment here might benefit a lot from the stems approach though
  thinking about it. It's all a bit tight timeframe wise, but maybe I'll
  grab stems of these and see how that goes if we finish ahead of
  schedule and have a few extra days to play with.

  Scott

  On 7/14/13, Chris chris.norm...@googlemail.com wrote:
   Nice one, thanks for the info.
  
   How do you guys send your stuff away then?
  
   Cheers,
  
   Sent from my iPad
  
   On 14 Jul 2013, at 09:17, Scott Chesworth scottcheswo...@gmail.com wrote:
  
   Hey Chris,
  
   So far as I know, there's not a quicker way than soloing the stuff you
   want to be in a particular stem (EG drums), bouncing those, then
   soloing the tracks that'll make up the next stem, bouncing those and
   so forth. Presumably if you're sending off stems to master then you've
   already mixed it, so your mix groups might take out some of the button
   bashing between bounces, but whatever way I look at it realtime bounce
   drives me up the wall lol. Make sure you're start times are the same
   each for each bounce even if there's just blank space at the beginning
   on some of them, so that everything lines up neatly for your mastering
   engineer.
  
   Be interested to hear how this turns out for you man! I've had plenty
   of stuff mastered, but never done it via stems yet.
  
   Scott
  
   On 7/14/13, Chris chris.norm...@googlemail.com wrote:
   Sorry for the potentially stupid question, but how does one make stems
   out
   of a pro tools project, to be sent away for mastering?
  
   Cheers,
  
   Typed with Fleksy
  
  
  
   Sent from my iPad
  
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