Re: Accessing 'circular' sliders

[Ricky Corey]

Ah ok, thanks Slau. I figured it was probably me overthinking things.

Ashley

> On 2 Dec 2015, at 18:22, Slau Halatyn  wrote:
> 
> Hi Ashley,
> There are no circular sliders in Pro Tools, per se. The term is used by 
> Apple, I suppose, to indicate a knob. Of course, in PT, either left or right 
> arrows will do the trick for pan and up and down will work for vertical 
> sliders and, in some cases, either will yield the same result.
> Cheers,
> Slau
> 
> On Dec 2, 2015, at 12:59 PM, 'ashley cox' via Pro Tools Accessibility 
>  wrote:
> 
>> I’m talking about the pan dial; primarily in Logic, though I’ve seen many 
>> similar sliders in PT plugins so it’s relevant for PT users too. The pan 
>> dial in logic has both left / right positions, as well as a vertical 
>> movement to bring something forward or backward in the stereo field.
>> 
>> 
>> 
>>> On 2 Dec 2015, at 17:57, Christopher-Mark Gilland  
>>> wrote:
>>> 
>>> What slider specifically are you talking about.  The only thing similar to 
>>> this I've seen is the pan dial on each track, and that apparently only 
>>> moves left and right.
>>> 
>>> Chris.
>>> 
>>> - Original Message - From: "'ashley cox' via Pro Tools 
>>> Accessibility" 
>>> To: "ProTools Accessibility" 
>>> Sent: Wednesday, December 02, 2015 12:44 PM
>>> Subject: Accessing 'circular' sliders
>>> 
>>> 
>>> Hi all,
>>> Can anyone tell me how to access the vertical portion of a circular slider 
>>> with Voiceover? I can interact with the slider to move it left / right, but 
>>> can’t seem to figure out how to move it up or down. I think I’m missing 
>>> something stupidly obvious here.
>>> 
>>> any help greatly appreciated.
>>> Cheers,
>>> Ashley
>>> 
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Re: anyone in a positin to do a very fast editing gig?

[Ricky Corey]

Nice
> On Oct 8, 2015, at 9:19 AM, Karen Lewellen  wrote:
> 
> my first post said it is paid.  and I cannot imagine it taking three hours, 
> but  I suppose  some of that time is the download.
> since this request is not on topic,  if you believe you can do the *paid* 
> job, write me off list.
> 
> 
> On Wed, 7 Oct 2015, Poppa Bear wrote:
> 
>> So, it could take about three hours or so? Do you have a $ amount that you
>> are offering anyone, or is this volunteer work?
>> 
>> -Original Message-
>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf
>> Of Karen Lewellen
>> Sent: Wednesday, October 07, 2015 8:38 PM
>> To: ptaccess@googlegroups.com
>> Subject: RE: anyone in a positin to do a very fast editing gig?
>> 
>> It is not even that complicated.
>> I require segments from what is a very large .wav file  separated and saved
>> in  order.
>> 
>> while the source file is large, 2 gig,
>> from a two hour event,the resulting
>> final segments might total 10 minutes once gathered.
>> if done well there will be say five seconds between the  sound bytes to help
>> with editing.
>> the person will be sectioning out these pieces for another project, not pro
>> tools unfortunately.
>> still the resulting audio must be in .wav,  no mp3.
>> make more sense?
>> Depending on the final size, it might come back as an email, at worse be
>> placed somewhere for downloading like hightail.
>> More clear?
>> 
>> On Wed, 7 Oct 2015, Poppa Bear wrote:
>> 
>>> A lot more information would be needed, is it audio, voice over,
>>> length of project, number of tracks?
>>> 
>>> -Original Message-
>>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On
>>> Behalf Of Karen Lewellen
>>> Sent: Wednesday, October 07, 2015 7:09 PM
>>> To: discussion on pro tools access
>>> Subject: anyone in a positin to do a very fast editing gig?
>>> 
>>> Its paid, but the turn around is swift.  I must have the audio
>>> sections back by Friday Morning.
>>> Thanks,
>>> 
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>>> 
>> 
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Re: Appeal to members, before this group goes down the drain

[Ricky Corey]

Good point.
Ricky
> On Sep 7, 2015, at 12:36 PM, Nickus de Vos  wrote:
> 
> Hi all
> Something slightly different and off topic if I may, though I feel this is 
> quite important and sorry if the subject line seams a bit dramatic or strong.
> 
> Firstly let me say I’ve been a member of this great group for quite a few 
> years now, but I’ve only really been a active reader and contributor the last 
> few months since I have been really getting in to Pro-Tools and bought my own.
> 
> I don’t know who the founding father and moderator of this group is, though I 
> suspect it’s Slau, and I hope this post sits well with him, please see it as 
> sort of a recommendation or suggestion from my side, it’s not at all a attack 
> on the group.
> 
> Especially in the last while there has been more and more off topic messages 
> and threads on this group. Sometimes on topic and very useful topics goes 
> totally off topic in the same message thread and sometimes totally off topic 
> threads also include some useful bits. The end of this is that people must 
> read through everything in order to make sure that they’re not missing any 
> useful bits and this can be quite frustrating, especially if having to read 
> through 10 off topic messages just to find one single useful sentence 
> somewhere in there.
> I can also see this becoming more of a problem in future if someone works 
> through the archives to find something specific, they would have to sift 
> through pages of junk just to find useful technical info on Pro-Tools 
> accessibility.
> 
> I am part of quite a few different Facebook groups, Google groups and forums 
> on different topics and some just general chatter platforms. What I found was 
> that most of these need some kind of moderation to keep things on topic and 
> to keep posters in line, otherwise the entire group or forum just becomes a 
> huge mine field with people having to dig through pages and pages of useless 
> chatter just to find the important bits, in the end this also results in 
> people leaving the forum or group because it totally degraded in to a 
> platform for general chat and everything off topic.
> 
> I believe in order to keep this group the great source on Pro-Tools 
> accessibility that it currently is, we as members should try keep this as on 
> topic and as relevant as possible, there are plenty other forums all over the 
> internet to discuss other things non Pro-Tools accessibility related. For 
> example there is the Applevis website and forums for general Apple and 
> Voiceover related topics, there’s also the Mac Visionaries Google group. 
> There are tons of forums and resources all over the web on general audio and 
> gear related topics, the same goes for other things you would want to 
> discuss, ranging in anything from your dogs health to the International Space 
> Station.
> 
> My suggestion is that we as members work together to keep this on topic, to 
> continue building this group in to the great resource it is for current and 
> future Voiceover and Pro-Tools users. There are lots of experts on here with 
> years of knowledge, similarly there are lots of PT novices on here, there are 
> lots of professionals on here and also lots who only do this for fun, let’s 
> keep this on topic and keep learning from each other.
> 
> Nickus
> 
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Re: School research. Topic about technics, equipment, voice over and Pro Tools for Visual Impaired audio Engineers

[Ricky Corey]

Awesome
> On Jun 13, 2015, at 9:22 PM, Aldo Larrinaga Figueroa 
>  wrote:
> 
> Hi guys, let me introduce myself. My name is Aldo Larrinaga and I an audio 
> engineer from SAE Institute in Mexico City. Also I studied marketing four 
> years ago. So now I am doing a research about audio equipment accessible for 
> blind mixers. What work flow do you use?, how your mix sessions are and what 
> kind of tricks do you use when you are using Voice Over and Pro Tools. I want 
> to focus in the limitations of this software working together and what do you 
> suggest to make it better. 
> 
> 
> 
> 
> 
> 
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Re: HAPPY MEMORIAL DAY

[Ricky Corey]

& likewise.
Ricky
> On May 25, 2015, at 10:26 AM, CHUCK REICHEL  
> wrote:
> 
> HAPPY MEMORIAL DAY!
> Remembering Today all the brave Men and woman that have paid the ultimate 
> price to maintain the foundational freedoms that has enabled the creation and 
> continuing development of applications like Avid's Pro Tools.
> Always remember that "Freedom is not free" Its been bought and paid for 
> in"RED"!
> 
> GOD Bless the USA!!! :)
> 
> Chuck
> 
> 
> 
> CHUCK REICHEL
> soundpicturerecord...@gmail.com 
> www.SoundPictureRecording.com 
> 954-742-0019
> Isaiah 26 : 3
>  Thou wilt keep him in perfect peace, whose mind is stayed on thee: because 
> he trusteth in thee.
> 
> In GOD I Trust
> 
> 
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Re: Question regarding East West Play

[Ricky Corey]

Your not alone man & hoping Dancing dots ketches up with the Sonor stuff!
Ricky
On Mar 14, 2015, at 7:12 PM, Jason  wrote:

> Hi all,
> 
> Finally completely moved away from SONAR and I am moving forward with Pro 
> tools.  One of the questions I had was regarding the East West play library. 
> I know that from what I have read on here so far it is not accessible, but I 
> wondered, if I had sighted assistance to go through the items in the library 
> and select them and then save them as presets if they would then be 
> accessible that way.  I can get someone to help me with that but I didn't 
> want to waste their time if it was not even possible.   I really hope there 
> is some sort of work around because I am at a loss for a really good general 
> purpose high quality sound library for MIDI composition.   The stock pro 
> tools stuff is decent but does not have round robin and large amounts of 
> samples per note for more advanced sounding realism.  Thanks in advance.  
> -Jason
> 
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Re: Customer advice.

[Ricky Corey]

Booger King!
On Feb 26, 2015, at 12:30 PM, byron harden  wrote:

> Think about buger

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Re: To Chad. Pasting multiple tracks.

[Ricky Corey]

Is their any1 that sequences on the Motif ES?
On Jan 27, 2015, at 10:21 PM, Kevin Reeves  wrote:

> Hey Chad.
> 
> You can definitely paste multiple tracks. As long as you have the same number 
> of target and destination tracks, everything will be pasted properly. You’ll 
> want to cut rather than copy for obvious reasons.
> 
> Hope this helps.
> 
> Kevin
> 
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Re: Merry Christmas and a Happy New Year to all!

[Ricky Corey]

Hey my man!  Just got a Merry Christmas email from David Goldstein..  Hope your 
holiday is great so far!
Ricky
On Dec 25, 2014, at 9:17 PM, Gordon Kent  wrote:

> And to all of you from me.  BTW, I finally got my Mac book 
> pro fixed, a bad memory stick which was good news compared to having to 
> replace the logic board, so I’m going to pick it up tomorrow and get back 
> into the latest and greatest PT and I guess Yosemity, which I haven’t even 
> looked at.  Plus I had just gotten logic pro and haven’t had a chance to 
> check it out.
> GOrd
>  
> From: CHUCK REICHEL
> Sent: Thursday, December 25, 2014 5:38 PM
> To: ptaccess@googlegroups.com
> Subject: Re: Merry Christmas and a Happy New Year to all!
>  
> Ahoy Everybody!
> Merry CHRISTmas!
> Chuck
>  
> Remember;
>  
> Behind every creative mix, Theres also the CREATOR!
>  
>  
> 
> 
> CHUCK REICHEL
> soundpicturerecord...@gmail.com
> www.SoundPictureRecording.com
> 954-742-0019
> Isaiah 26 : 3
> Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he 
> trusteth in thee.
>  
> In GOD I Trust
>  
> On Dec 24, 2014, at 10:55 PM, chad morrison wrote:
> 
>> The same to you sir! 
>> 
>> From Chad's iPhone
>> 
>> On Dec 24, 2014, at 2:37 PM, Sean A. Cummins  wrote:
>> 
>>>  
>>>  
>>> -- 
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>> 
>>  
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> 
>  
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Re: Merry Christmas and a Happy New Year to all!

[Ricky Corey]

Likewise brother!
Ricky
On Dec 24, 2014, at 10:55 PM, chad morrison  
wrote:

> The same to you sir! 
> 
> From Chad's iPhone
> 
> On Dec 24, 2014, at 2:37 PM, Sean A. Cummins  wrote:
> 
>>  
>> 
>> -- 
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Re: small midi issues with pro tools 11

[Ricky Corey]

Hey Kevin, you went to LCB a few years ago?
Ricky
On Dec 9, 2014, at 5:23 PM, Kevin Reeves  wrote:

> There’s more to midi than just the notes played.
> 
> Midi can also send bank and patch changes to a keyboard or software.
> So if you download a song off the internet and load it into a GM compatible 
> player like Quicktime, the midi file tells qt what the different instruments 
> are for each track.
> Unfortunately, Pro Tools has no native sound set, so if you record a bunch of 
> midi in expand 2 with different instruments on each track and export it as a 
> standard midi file to qt, qt has no information on what instruments go with 
> what track.
> You can set patch and bank changes in each midi track in a pro tools session, 
> but it won’t effect what you hear, since expand 2 doesn’t respond to midi 
> bank and patch messages.
> 
> Hope this helps.
> 
> Kevin
> 
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Re: locating time references in protools file.

[Ricky Corey]

Whats good Kevin?
On Nov 18, 2014, at 1:29 AM, Kevin Reeves  wrote:

> Go to the view menu. In the “Main Counter” sub menu, set it to Minutes 
> Seconds. It’s toward the bottom of the pulldown.
> 
> Hope this helps.
> 
> Kevin
> 
> 
> 
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Re: apple wireless keyboard or another one?

[Ricky Corey]

Kool & did you go to LCB?
Ricky
On Nov 13, 2014, at 2:43 PM, Kevin Reeves  wrote:

> I bought a $20 Microsoft keyboard that’s sitting in my vocal booth and 
> controls Pro Tools just fine.
> It’s the older RF style with a tiny dongle that connects to my hub.
> The numpad works great in PT, and with OSX’s ability to save keyboard 
> settings from board to board, you can switch around the modifier keys for 
> that one, and have other keyboards  work normally.
> 
> Hope this helps.
> 
> Kevin
> 
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Re: apple wireless keyboard or another one?

[Ricky Corey]

Awesome
On Nov 11, 2014, at 11:15 AM, Slau Halatyn  wrote:

> Hi Rui,
> 
> You can use the wireless keyboard and get a wireless num pad. Belkin makes 
> one that resembles the Apple design and the Apple Store sells it.
> 
> Slau
> 
> On Nov 11, 2014, at 10:59 AM, Rui Vilarinho  wrote:
> 
>> So,  apple wireless keyboard is really cool, but lack of numpad, that for my 
>> experience for to work with Daw's would be important.
>> But, apple keyboard with numpad has got a strange thing called... USB cable! 
>> grin .
>> I like wireless!
>> Any idea of what to buy ?
>> 
>> Yet, I will gonna buy the trackpad.
>> 
>> Thanks,
>> Rui Vilarinho
>> 
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Re: apple wireless keyboard or another one?

[Ricky Corey]

Do we have an FB page?
On Nov 11, 2014, at 11:15 AM, Slau Halatyn  wrote:

> Hi Rui,
> 
> You can use the wireless keyboard and get a wireless num pad. Belkin makes 
> one that resembles the Apple design and the Apple Store sells it.
> 
> Slau
> 
> On Nov 11, 2014, at 10:59 AM, Rui Vilarinho  wrote:
> 
>> So,  apple wireless keyboard is really cool, but lack of numpad, that for my 
>> experience for to work with Daw's would be important.
>> But, apple keyboard with numpad has got a strange thing called... USB cable! 
>> grin .
>> I like wireless!
>> Any idea of what to buy ?
>> 
>> Yet, I will gonna buy the trackpad.
>> 
>> Thanks,
>> Rui Vilarinho
>> 
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Re: two track editor

[Ricky Corey]

You went to LCB?
Ricksta
On Oct 27, 2014, at 5:37 PM, Kevin Reeves  wrote:

> I am from Michigan, but not detroit.
> On Oct 27, 2014, at 3:50 PM, Ricky Corey  wrote:
> 
>> Are you from Detroit?
>> On Oct 27, 2014, at 3:45 PM, Kevin Reeves  wrote:
>> 
>>> Yes. It's much faster.
>>> 
>>> Kevin
>>> 
>>> 
>>> On Oct 27, 2014, at 12:03 PM, Keith Reedy  wrote:
>>> 
>>>> Hey Kevin,
>>>> 
>>>> Do you like this better than Amadeus Pro?
>>>> kr
>>>> We print the Bible in Braille,
>>>> http://biblesfortheblind.org
>>>> Keith Reedy
>>>> God gives His best to those who leave the choice with Him.  J Hudson 
>>>> Taylor.
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> On Oct 27, 2014, at 9:30 AM, Kevin Reeves  wrote:
>>>> 
>>>>> Hey Steve.
>>>>> I think it's in the app store. You can read all about it here.
>>>>> 
>>>>> http://twistedwave.com
>>>>> 
>>>>> As far as waves is concerned, I'm not sure of the accessibility of the 
>>>>> waves plug once it's open, but the app supports AU plugs.
>>>>> 
>>>>> Not sure what running edits are, so you'll have to bring me up to speed 
>>>>> on that one.
>>>>> 
>>>>> Kevin
>>>>> 
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>>> 
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Re: two track editor

[Ricky Corey]

Are you from Detroit?
On Oct 27, 2014, at 3:45 PM, Kevin Reeves  wrote:

> Yes. It's much faster.
> 
> Kevin
> 
> 
> On Oct 27, 2014, at 12:03 PM, Keith Reedy  wrote:
> 
>> Hey Kevin,
>> 
>> Do you like this better than Amadeus Pro?
>> kr
>> We print the Bible in Braille,
>> http://biblesfortheblind.org
>> Keith Reedy
>> God gives His best to those who leave the choice with Him.  J Hudson Taylor.
>> 
>> 
>> 
>> 
>> 
>> 
>> On Oct 27, 2014, at 9:30 AM, Kevin Reeves  wrote:
>> 
>>> Hey Steve.
>>> I think it's in the app store. You can read all about it here.
>>> 
>>> http://twistedwave.com
>>> 
>>> As far as waves is concerned, I'm not sure of the accessibility of the 
>>> waves plug once it's open, but the app supports AU plugs.
>>> 
>>> Not sure what running edits are, so you'll have to bring me up to speed on 
>>> that one.
>>> 
>>> Kevin
>>> 
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>> 
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Re: a better example of edit Modes

[Ricky Corey]

Isn't a newer version coming out soon after Jan?
Ricky
On Oct 7, 2014, at 10:57 PM, Slau Halatyn  wrote:

> 
> On Oct 7, 2014, at 4:28 PM, 'Hi' via Pro Tools Accessibility 
>  wrote:
> 
>> Aha, see, that's what Quickeys does to you. I meant shift comma and shift 
>> period. That was invoked in the earliest versions of PT that I can remember.
> 
> Which version of Pro Tools included Shift-comma and Shift-period? All the way 
> back to version 5, there was no such control. Before that, we're talking Pro 
> Tools 4 which was around 1997. Were you using Pro Tools before version 5?
> 
> 
>> A control surface isn't much better or at least not 100% of the time for 
>> transport controls. Both the C|24 and D-command are having the same issue.
> 
> Precisely why I don't use rewind and fast forward.
> 
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Re: Synthogy Ivory II Grand Pianos and AAX

[Ricky Corey]

Is this Kevin from Detroit?
On Sep 24, 2014, at 11:24 AM, Kevin Reeves  wrote:

> Even though you can't change the presets, you're saying that you can, however 
> select what piano you want? So, if at a later date, they release more pianos, 
> they can be accessibly installed and called up?
> 
> Kevin
> On Sep 22, 2014, at 5:49 PM, Slau Halatyn  wrote:
> 
>> Hi Gord,
>> 
>> Yeah, under the AAX plug-in in PT 11, all of the various piano programs are 
>> selectable through the very first parameter in the plug-in so it's easy to 
>> choose the model and dynamic type. Further, it's possible to set dynamic 
>> range among a plethora of other options, of course. 
>> 
>> Slau
>> 
>> On Sep 22, 2014, at 5:43 PM, Gordon Kent  wrote:
>> 
>>> Hi:
>>> I did manage to get something loaded from the ivory II library into the aax 
>>> version in PT 11 a while back, but forget how I managed it.   I didd create 
>>> some presets using the windows version when it was RTAS and then 
>>> transported them to the mac, which I've done with some other plugs too like 
>>> the Garitan stuff and spectrasonics Trilion, but Garitan has not gone AAX 
>>> yet and I don't know if they ever will.  I'll check into the Ivory 
>>> ssituation again but my macbook pro decided to blow out either a memory 
>>> chip or the logic board itself, it just gives 3 beeps repeatedly when 
>>> turned on which supposedly indicates one of those two scenarios, so I guess 
>>> I need to go to the apple store down here and see what's up.  I have some 
>>> problems with a couple of my iOS devices too so they're going to get some 
>>> business from me tomorrow.
>>> Gord
>>> 
>>> -Original Message- From: Slau Halatyn
>>> Sent: Monday, September 22, 2014 10:32 AM
>>> To: ptaccess@googlegroups.com
>>> Subject: Re: Synthogy Ivory II Grand Pianos and AAX
>>> 
>>> Good to know for the Windows users on the list. I don't use Windows. The 
>>> stand-alone version comes in handy for those who want a quick piano without 
>>> booting up a DAW. Of course, there are plenty of good sounding instruments 
>>> out there for such a quick task. Ultimately, however, since most people 
>>> looking for the ultimate piano are looking for it for recording purposes, 
>>> the dAW will inevitably come into the picture and, since the AAX version is 
>>> accessible, it seems the way to go. That said, for those looking for 
>>> hardware solutions, the Roland Integra 7 has a fabulous set of pianos among 
>>> other instruments in their Super Natural series. Sometimes having the 
>>> module is a great thing, a scenario that is becoming more and more rare 
>>> these days, sadly.
>>> 
>>> Best,
>>> 
>>> Slau
>>> 
>>> On Sep 22, 2014, at 10:02 AM, Jim Noseworthy 
>>>  wrote:
>>> 
 Slau:
 
 Thanks for your comments:  The stand-alone version can be accessed with 
 the JAWS cursor including all of the presets.
 
 Cheers.
 
 
 
 -Original Message- From: Slau Halatyn
 Sent: Monday, September 22, 2014 10:49 AM
 To: ptaccess@googlegroups.com
 Subject: Synthogy Ivory II Grand Pianos and AAX
 
 I know there was some mention of Ivory Grand Pianos on the list but I 
 suspect it might have been before the AAX version came out. I attended the 
 NAMM show at the time when Ivory was first  introduced. The stand-alone 
 version seemed quite accessible. Of course, at the time, Pro Tools wasn't 
 accessible so the whole virtual piano thing wasn't something that 
 concerned me a great deal. Now that Synthogy put out an AAX version of the 
 plug-in, I thought I'd take a chance and check it out.
 
 The plug-in is fully accessible in Pro Tools. Ironically, now the 
 stand-alone version seems not to be accessible although I can't confirm 
 that categorically. There might be an initial screen that's preventing me 
 from diving in deeper. I'll give an update on that if I have any success. 
 Concerning the AAX plug-in, as expected, the library preset browser is not 
 visible but, of course, those presets can be called up with sighted 
 assistance and saved as plug-in presets. Someone posted the original Ivory 
 presets a while ago and those are backwards compatible but there are a 
 bunch of new presets for Ivory II. I'll share those when I have them ready.
 
 For those unfamiliar with Ivory II, it consists of three main piano 
 models: a Bosendorfer Imperial, a German Steinway and a Yamaha C7. Each of 
 the pianos has several versions differing in dynamics resolution. The 
 highest values have the highest levels of dynamics. Parameters such as 
 sympathetic resonance, pedal noise, stick height, stereo perspective, 
 among other parameters can be saved into presets. Regardless of preset, 
 any of the parameters can be easily changed. Switching between pianos 
 causes the parameters to reset so that's where presets come in ha

Re: Replacement Audio Interface

[Ricky Corey]

Hey Kevin, are you from Detroit?
Ricky
On Jul 5, 2014, at 12:51 AM, Kevin Reeves  wrote:

> I'd go for the focus right Scarlet 18 I 20. I don't trust M Audio anymore, as 
> they've begun to crapify their build quality.
> 
> As a trainer for the state of Illinois who teaches pro tools, we order 
> nothing but these scarlets and they are completely rock solid.
> 
> The mac Control panel isn't accessible, however the files are basic XML so I 
> think they can be edited by hand. I have access to folks who can make a 
> control panel config file with any setting you need changed. I was also made 
> aware of the fact that the control panel is accessible on windows a bit, but 
> I can't verify that.
> 
> If you want to go the mixer route, there's always the Mackie Onyx stuff. I 
> own one of those and love it for Pro Tools.
> 
> Hope this helps.
> 
> Kevin
> 
> 
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Re: Berklee at NFB

[Ricky Corey]

I am there in spirit & have a Community Advocacy meeting in Atlanta so will not 
be able to make it but if you look up Community Advocacy on FB, we will be glad 
to except your request to join so you can post!  Have a wonderful time @ the 
NFB convention!
Ricky
On Jun 23, 2014, at 2:30 PM, Chi Kim  wrote:

> Hi All,
> 
> The Assistive Music Technology (AMT) Lab at Berklee College of Music will be 
> participating in the exhibit at the NFB convention next week.
> If you want to find out about the AMT Lab or Berklee in general, please stop 
> by. We'll be at table C9.
> Please forward the information to anyone who might be interested.
> Also, don't forget to follow us @amtlab on twitter.
> We hope to see you there.
> 
> Chi
> 
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Re: OT: A really really really quick question regarding a chord.

[Ricky Corey]

Thats right & I should cause I got an a+ in music theory in college!
Da Ricksta
On May 17, 2014, at 8:42 PM, Daniel Contreras  wrote:

> It is an F sharp diminished triad. You would notate it as f# dim. It would 
> not be considered a D chord, simply because there is not a D in any of the 
> notes that you're playing. If you were playing a D in either hand, then it 
> would be considered as such. Hope that helps.
> 
> Daniel Contreras 
> 
> On May 17, 2014, at 6:30 PM, Ricky Corey  wrote:
> 
>> That may work!
>> Ricksta
>> On May 17, 2014, at 7:27 PM, Christopher-Mark Gilland 
>>  wrote:
>> 
>>> Guys,
>>>  
>>> My music theory isn't that great, so I'm really hoping here that someone 
>>> can help.
>>>  
>>> I'm trying to teach a friend of mine the gospel hymn, In the Garden.  We're 
>>> doing it in the key of C mager.  On the line that says, "And the joy we 
>>> share, as we terry there..." on joy we, I'm on C mager, share, I'm going to 
>>> e7, as we, then on terry, I'm going to F mager.  Now, here's the question.  
>>> on terry, that F major on keyboared consists of my left pinky on F above 
>>> middle C, my left thumb on the C above that F.  Then in the right hand, I'm 
>>> just playing a straight out F cord, F A and C.  but then, on the word 
>>> there, I'm moving my left pinky to an F sharp, and my right thumb as well 
>>> to an F sharp.  So basically in the left hand is F shartp and C, then the 
>>> right hand is on F sharp, A, and C.  I know this isn't a diminished chord, 
>>> so what would the name a this chord be?  I wouldn't exactly call it a D7 
>>> would I?  I know technically, it's a D7, but it's really not, being the 
>>> root isn't in the base.  Being the base is based around F sharp, not D.  So 
>>> would I just say d7/f#?  (in other words, D7 over an F sharp base?) Or, is 
>>> there a better way to define this chord?
>>>  
>>> Again, I know this isn't really ProTools, but I hope someone out here with 
>>> some music training can tell me what to call this thing.
>>>  
>>> I won't keep this thread up on list, I swear, just answer my question, and 
>>> I'll be done.
>>>  
>>> Chris.
>>> 
>>> -- 
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>> 
>> 
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> 
> 
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Re: OT: A really really really quick question regarding a chord.

[Ricky Corey]

That may work!
Ricksta
On May 17, 2014, at 7:27 PM, Christopher-Mark Gilland  
wrote:

> Guys,
>  
> My music theory isn't that great, so I'm really hoping here that someone can 
> help.
>  
> I'm trying to teach a friend of mine the gospel hymn, In the Garden.  We're 
> doing it in the key of C mager.  On the line that says, "And the joy we 
> share, as we terry there..." on joy we, I'm on C mager, share, I'm going to 
> e7, as we, then on terry, I'm going to F mager.  Now, here's the question.  
> on terry, that F major on keyboared consists of my left pinky on F above 
> middle C, my left thumb on the C above that F.  Then in the right hand, I'm 
> just playing a straight out F cord, F A and C.  but then, on the word there, 
> I'm moving my left pinky to an F sharp, and my right thumb as well to an F 
> sharp.  So basically in the left hand is F shartp and C, then the right hand 
> is on F sharp, A, and C.  I know this isn't a diminished chord, so what would 
> the name a this chord be?  I wouldn't exactly call it a D7 would I?  I know 
> technically, it's a D7, but it's really not, being the root isn't in the 
> base.  Being the base is based around F sharp, not D.  So would I just say 
> d7/f#?  (in other words, D7 over an F sharp base?) Or, is there a better way 
> to define this chord?
>  
> Again, I know this isn't really ProTools, but I hope someone out here with 
> some music training can tell me what to call this thing.
>  
> I won't keep this thread up on list, I swear, just answer my question, and 
> I'll be done.
>  
> Chris.
> 
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Re: OT: Be a part of an awesome video description live web event!

[Ricky Corey]

I can be found under Ricky Corey an my Community page is called Community 
Advocacy so if you request to join, I will gladly except you!  Best wishes an 
will try to be available on May 14th!
Ricky
On Apr 24, 2014, at 10:34 PM, Katie Zodrow  wrote:

> How many blind people does it take to make great video description?
> 
> Some would say, zero. At Audio Eyes, we think differently. After all, we are 
> the only video description company that employs blind engineers, voiceover 
> artists and script quality professionals in the video description creation 
> process. In fact on Wednesday May 14 you should have your Mac or iPhone 
> handy, so you can join us for a one-of-a-kind web event, Inside Video 
> Description: How Pictures Become Words!
> 
> Make your voice heard as we create new video description for a feature film. 
> Ask your own questions! Contribute your own comments! Find out how people who 
> are blind are working in the field of accessible media and making a 
> difference. Join us on May 14 from 12:30 to 2:30PM PDT, and tell your 
> friends! Find us on Facebook, Twitter and LinkedIn, and visit 
> http://events.dcmp.org for details on how to register and be part of the fun!
> 
> 
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Re: PT 11 Upgrade question

[Ricky Corey]

Just a curious question, is anyone still using sonar?
Ricksta
On Mar 14, 2014, at 2:44 PM, Poppa Bear  wrote:

> I have mintioned that I want to buy a PT 10 with an Iloc from a friend, how 
> can I tell if it was bought during the time that the version 11 update was 
> available?
> Thanks
> 
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Re: Getting started with Protools 11

[Ricky Corey]

I hear their is a new protools version coming out an is anyone aware?
Ricksta
On Mar 13, 2014, at 2:51 PM, Poppa Bear  wrote:

> Yes they do, they have an extinsive sweet of native affects just like Sonar. 
> All of the native settings for the plugins unlike Sonar are accessible down 
> to the DB, attack, release, delays, and reverbs without needing HSC sets and 
> going through the track inspector that only gives values in percentages which 
> can be like flying in the blind, no pun intended.
> - Original Message - From: "Christian" 
> To: ; 
> Sent: Thursday, March 13, 2014 9:49 AM
> Subject: Re[2]: Getting started with Protools 11
> 
> 
>> Hi all,
>> Yes I know and I have been working with a Mac and VoiceOver so I know whats 
>> all about.
>> Just need to get my Ilok. But when I have installed Protools 11, I can start 
>> learning how it works since I am very interested in this and also switching 
>> from Sonar.
>> But I just want to be sure that I can do the same things as I do with Sonar 
>> and that is accessible working with effects, changing the parameters of 
>> them, etc.
>> Protools has some real time effects, such as reverbs right? Are they 
>> accessible with VoiceOver
>> Many thanks,
>> Christian
>> 
>> 
>> On 2014-03-12 at 16:51 Poppa Bear wrote:
>> 
>>> There is no PT access on the PC just so you know. You have to have a mac.
>>> - Original Message - From: "Christian" 
>>> To: 
>>> Sent: Saturday, March 08, 2014 9:55 PM
>>> Subject: Getting started with Protools 11
>>> 
>>> 
 Hi all,
 I am going to try out Protools 11, but I just want to get a few tips
>>> from
 you who use it.
 Going to download the trial.
 As I am thinking, eventually, switching to the Mac and also use Protools
 instead of Cakewalk Sonar, has anyone else done that?
 As I will be working mostly with MIDI and a little audio.
 Is automation accessible in Protools, like creating realtime fades,
>>> pans,
 etc?
 Many thanks,
 Christian
 
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>> 
>> 
>> 
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Re: Changing start of a song

[Ricky Corey]

Hey Gordon, whats good man?
Ricksta
On Feb 12, 2014, at 8:27 PM, Gordon Kent  wrote:

> Yes it is the 9 key.
> Gord
> On Feb 10, 2014, at 5:11 PM, Slau Halatyn  wrote:
> 
>> Eric,
>> 
>> If you have the num pad set to Transport mode, I believe it's the 9 key that 
>> toggles between MIDI Merge on and off. Try it.
>> 
>> Slau
>> 
>> On Feb 10, 2014, at 4:52 PM, Eric Lambier  wrote:
>> 
>>> It's bloody annoying cause I can select or deselect conductor, metronome, 
>>> wait for note, tempo, and count in toggle
>>> On 2014-02-10, at 4:41 PM, Slau Halatyn wrote:
>>> 
 Hi Eric,
 
 I'm not sure why you're seeing that but I'd have to guess that you're on 
 Mountain Lion? Buttons don't reflect correct states in Mountain Lion. 
 clicking on the MIDI Merge button under Mavericks works correctly as it 
 does in snow Leopard. Let me know if that's the case for you.
 
 Slau
 
 On Feb 10, 2014, at 4:19 PM, Eric Lambier  wrote:
 
> Hi Slau
> 
> I have a question about the midi merge feature in the transport window. I 
> can't seem to deselect it. I've re booted and tried different sessions 
> templates and it still won't shut off. Any idea why?
> 
> Many thanks
> 
> Eric
> On 2014-02-04, at 1:10 PM, Slau Halatyn wrote:
> 
>> If you do the following, it should work. It assumes you have linked the 
>> Edit and Timeline and that edit selection follows track selection under 
>> your Options menu.
>> 1. Show all tracks.
>> 2. Go to the edit window.
>> 3. Press Command-Option-3 (on the numbers row) to bring keyboard focus 
>> to the Groups List.
>> 4. Press Shift-1 which is the shortcut for the "all" group.
>> 5. Move the insertion point to the beginning of the song. Most of the 
>> time, if you've scrubbed or played back somewhere in the session, 
>> pressing Return to get to the start and tab once should bring you right 
>> to the beginning of the first region. Mind you, if the song wasn't 
>> edited to begin with, there might be a count-off bar or a few seconds of 
>> fiddling around before the song really starts. If you wish to get rid of 
>> that, get the insertion point to exactly where you want the playback to 
>> start.
>> 6. Make sure you're in shuffle mode by pressing f1.
>> 7. While holding Shift, press return to select everything to the 
>> beginning of the session.
>> 8. Press Delete.
>> 
>> Keep in mind to disable the all group by pressing Shift-1 and that 
>> keyboard focus is on the groups table so, if there are other groups in 
>> the session and you inadvertently type, you might be enabling or 
>> disabling groups. A good thing to do would be to get into Keyboard focus 
>> mode with Command-Option-1. Of course, there, you might also 
>> inadvertently type a command that might cause an edit function but I'm 
>> assuming you're not randomly pressing letters while not in some dialog 
>> box. You should be fine otherwise.
>> 
>> HTH,
>> 
>> Slau
>> 
>> On Feb 4, 2014, at 12:23 PM, Poppa Bear  wrote:
>> 
>>> So, some of my clients come in with instrumentals that start late into 
>>> the metradome count and I can sometimes manipulate the start point buy 
>>> cutting space at the front end and using shuffle, but it isn't fool 
>>> proof. I noticed the change start point feature under the event/time 
>>> menue, but havent got a handle on it. Is there some pointers to getting 
>>> it to work?
>>> Thanks
>>> 
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