Re: on the subject of Sonoma compatibility

[Kurt Lantz]

Thank you, Slough, very well said! Look at how far we have all come. Especially because of Chi and Slough and others that have done more and gone on before us. Much respect to Slough and the Brickley team. Looking forward to much more good to come. sonicgr...@gmail.comOn Mar 13, 2024, at 8:02 AM, Slau Halatyn  wrote:It’s easy to criticize Avid for their Sonoma support timetable. As Production Expert points out in this article, a bunch of other developers have also had issues with compatibility. For what it’s worth, the recent critical issue with VoiceOver and Sonoma has been addressed and we’ll see a fix in the next release, which will likely be released sooner rather than on the usual schedule.Further, I understand that there’s a particular pain that people feel when they’re forced to buy a brand new computer and they can’t roll back the OS and sometimes there’s a gap with support for the very latest OS. It happens. That’s the way the world goes round and one simply has to accept the reality. It sucks when that happens but, the truth is, Macs last years and years and, for the most part, these issues rarely come up. I’ve own many Macs and I’ve never had this issue. That doesn’t mean that tomorrow it won’t happen to me but I am certain that I’d just deal with it. Enough said for now from me.Slau



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New email.

[Kurt Lantz]

Hello Slau. I have a new email and it is sonicgr...@gmail.com, could you please 
use it instead of blindm...@gmail.com on the pt access google groups email 
list. Also could you please send me the lick to the new pro Tools comprehensive 
guide for screen readers, I can;t seem to google it. Thank you very much.

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Re: video from accessibility panel at ROLI conference

[kurt Lantz]

Hello Slau. Thank you so much for posting this video. I found it very 
informative, encouraging. and inspiring.

> On Nov 28, 2019, at 12:07 PM, Slau Halatyn  wrote:
> 
> Here's a video of the accessibility panel from the developers conference in 
> London last week:
> https://www.youtube.com/watch?v=slBDJGT6teM&feature=youtu.be 
> 
> Enjoy,
> Slau
> 
> 
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>  
> .

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Flo Tools not coming on automatically.

[kurt Lantz]

Hello to everyone on the list. I was just curious to know why Flo Tools does 
not open automatically when I open a session? Also, is it best to upgrade to 
all of the latest of everything? Pro tools, Flo Tools,Keyboard Maestro, Mohave, 
ECT. Thank you for all suggestions.   

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Re: best way to learn protools.

[Kurt Lantz]

Hey! Good job Matt! It sounds very good!

blindm...@gmail.com



> On Apr 16, 2019, at 5:57 AM, Matt Diemert  wrote:
> 
>  Steve, 
> Rob and I tracked and mixed all this in pro tools. 
> 
> Hope you enjoy it. 
> 
> Sent from my iPhone
> 
>> On Apr 16, 2019, at 2:31 AM, Steve Sparrow  wrote:
>> 
>> Hey matt. i’m keen to hear the album. I’ll check it out some time this week. 
>> Out of interest did you record it yourself, or parts of it. I’d be 
>> interested in this.
>> Steve
>> 
>> 
>>> On 16 Apr 2019, at 12:00 am, Matt Diemert  wrote:
>>> 
>>> Cris, 
>>> Just look up Matt Carson on apple music. 
>>> The name of the album is no regrets. 
>>>  
>>>  
>>> Matt Diemert 
>>> Check out my music at
>>> www.mattcarsonmusic.com
>>> Folow me on Facebook at 
>>> www.facebook.com/mattcarsonmusic
>>>  
>>> From: ptaccess@googlegroups.com  On Behalf Of 
>>> Christopher Gilland
>>> Sent: Monday, April 15, 2019 9:56 AM
>>> To: ptaccess@googlegroups.com
>>> Subject: Re: best way to learn protools.
>>>  
>>> Matt,
>>>  
>>> Is your country album released yet which you speak of? I'd absolutely love 
>>> to hear it if so. I've got access to Apple Music, or could bill it to my 
>>> AT&T wireless account with my Android phone, provided it's on Google Play 
>>> Music. It would probably be easiest though for me to stream it with my A.M 
>>> subscription, like I have done with your Christian E.P, which BTW, if you 
>>> guys have not heard, you're intensely missing out; as it is excellent!
>>>  
>>> Chris.
 On 04/15/2019 09:52 AM, Matt Diemert wrote:
 Good morning all, 
 I apologize for the delay but wanted to speak on this briefly. 
  
 I’ve been working on releasing my own country album for the past year and 
 a half and it took up nearly every free moment I had available.  Then, 
 when I started getting some ideas together for PT 12, 2019 was announced, 
 and I figured we better hold off, so that I didn’t create something only 
 to have it out of date again. 
 I have recorded along while making this album, so hope to release some new 
 tutorials soon.  I do hope to update our materials later this year.  In 
 the mean time, if anyone wishes to purchase the PTWS tutorials, feel free 
 to email me privately, and I can still provide a secure link. 
 Feel free to email off list if I can answer any questions. 
 All my best. 
 
  
 Matt Diemert 
 Check out my music at
 www.mattcarsonmusic.com
 Folow me on Facebook at 
 www.facebook.com/mattcarsonmusic
  
 From: ptaccess@googlegroups.com  On Behalf Of 
 jimmie smith
 Sent: Sunday, April 14, 2019 3:56 PM
 To: ptaccess@googlegroups.com
 Subject: Re: best way to learn protools.
  
  I am not able to find those tutorials. It seems that the website is no 
 longer available. Does anyone still have these? I would love to read all 
 of them. 
  
  
 From: ptaccess@googlegroups.com on behalf of Steve Sparrow 
 
 Sent: Sunday, April 14, 2019 4:27 AM
 To: 'Joy Bausch' via Pro Tools Accessibility
 Subject: Re: best way to learn protools. 
  
 I can still voutch for protools with speech. It might be a bit out of date 
 sure. Matt and Robb did those tutorials on protools 10. There is a lot 
 more accessibility these days, with the wonderful flo tools and some new 
 features, But most of the concepts haven’t changed that much. That is how 
 I learned protools and i’d say if it’s still available it would still be a 
 good way to learn protools out of the box. and then deal with flotools as 
 you go along. You might find the odd short cut has changed, but most of it 
 is still relevant. I don’t know how I would have done it if it had not 
 been for protools with speech. I still refer back to this tutorial at 
 times  
 Steve
  
 
 
 
> On 13 Apr 2019, at 6:52 am, Ronald J Glaser  
> wrote:
>  
> This is true, you did say you would do this. 
> What is interesting is that the protools with speech web site does not 
> have anything that is upto date for the newest versions of Protools.
> With the courses that are offered on the web site, what in the lines of 
> voiceover accessibility do they cover? Just wondering.
>> On 4/12/2019 3:34 PM, Christopher Gilland wrote:
>> Ron, have I not also agreed to work with you one on one? And, I even 
>> told you, I'd not charge you anything.
>>  
>> Chris.
>>> On 04/12/2019 03:06 PM, Ronald J Glaser wrote:
>>> From what i am seeing here, the Courses are about 800 dollars. If I am 
>>> looking at the web site correctly.
>>>  
 On 4/12/2019 12:35 PM, Steven wrote:
 Is this like a one on one thing, or is it a classroom setting online?
 
 Cheers,
 Steven Salas
 
 
> On Apr 12, 2019, at 11:33 AM, Michael Holmes 
>  

Re: what's behind the delay on Pro Tools 2019

[Kurt Lantz]

I completely agree with Michael, thank you so much for putting that info out 
there. It is so helpful.

blindm...@gmail.com



> On Apr 5, 2019, at 12:48 PM, Michael Holmes  
> wrote:
> 
> Thanks for the link Slau. The techie in me always likes hearing details like 
> this, and the mediator in me likes loading up on ammo to gently unleash on 
> those who may not share my gratitude for everything Avid does. Software 
> updates are a good thing, thoroughly tested are best, and software as good as 
> Pro Tools already is deserves patience from its users.
> 
> Sent from my iPhone
> 
>> On 5 Apr 2019, at 12:06, Slau Halatyn  wrote:
>> 
>> A recent interview regarding the delay in the release of Pro Tools 2019 and 
>> the story behind it:
>> https://www.pro-tools-expert.com/home-page/2019/4/5/avid-explain-the-delay-in-product-features-with-pro-tools-2019-in-this-exclusive-interview
>> Slau
>> 
>> Slau
>> 
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Re: couple of questions.

[kurt Lantz]

Great! Thank you so much Steve and Slau.

> On Feb 17, 2019, at 12:52 PM, Slau Halatyn  wrote:
> 
> Hi Kurt,
> Running the latest version of Pro Tools will give you the best experience 
> from an accessibility point of view. Avid has announced that the next version 
> of Pro Tools will ship in this quarter. Many people are speculating that this 
> means March 31st but there's good reason to believe that it'll be much sooner 
> than that. Pro Tools 2019 will be Mojave compatible.
> 
> I personally use CapsLock as the VoiceOver keys and recommend it for all 
> users. Pro Tools has, over the last few years, increased the number of 
> shortcuts that use Control Option. You can, of course, bypass keystrokes but 
> I find it faster to simply use CapsLock.
> 
> The fastest way to arm multiple tracks is to select them and press Shift R. 
> Creating an edit group for the selected tracks makes things even faster if 
> you're navigating to different tracks. wehn you use Control semicolon or 
> control P to move the insertion point, when you encounter any track in that 
> group, all tracks will instantly be selected.
> 
> Jason's address is overdriverecord...@gmail.com 
> <mailto:overdriverecord...@gmail.com>
> 
> Hope that helps,
> Slau
> 
> 
>> On Feb 16, 2019, at 7:26 PM, kurt Lantz > <mailto:blindm...@gmail.com>> wrote:
>> 
>> Hello list. Just a couple of questions if I may? 1. Is it recommended to run 
>> the latest version of Pro Tools? 2. Does assigning VO to the caps lock speed 
>> up your work flo, if so, How do you sign VO to the caps lock key? Being a 
>> drummer, Was is the fastest way to arm multiple tracks at once? Also if 
>> possible, does anyone know how to get in contact with Jason Dascent? Sorry 
>> if I am spelling his name wrong. Thank you so much to Slau and the whole 
>> list.
>> 
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couple of questions.

[kurt Lantz]

Hello list. Just a couple of questions if I may? 1. Is it recommended to run 
the latest version of Pro Tools? 2. Does assigning VO to the caps lock speed up 
your work flo, if so, How do you sign VO to the caps lock key? Being a drummer, 
Was is the fastest way to arm multiple tracks at once? Also if possible, does 
anyone know how to get in contact with Jason Dascent? Sorry if I am spelling 
his name wrong. Thank you so much to Slau and the whole list.

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Drop box Link

[kurt Lantz]

Hello Slau, The email that I would like you to send the link to is 
blindm...@gmail.com. Thank you so much.

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Drop box

[kurt Lantz]

Hello, I was wondering if I could please be added to drop box? Thank you.

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Re: burning a disc

[Kurt Lantz]

OK great. Thank you very much Chuck, I appreciate the information. Onward!

blindm...@gmail.com



> On Feb 12, 2019, at 3:56 PM, CHUCK REICHEL  
> wrote:
> 
> Hi Kurt,
> WaveBurner Is a older CD mastering app that shipped with logic and as far as 
> I know not available any more! :(
> Theres a app called "burn" that is accessible but you'll half to search it 
> out unless Chris G chimes in. :)
> As for the verbatim they are on the net at various places.
> HTH
> Chuck
> "God does not play dice with the universe"
> "Albert Einstein’
> 
> 
>> On Feb 12, 2019, at 2:21 PM, Kurt Lantz wrote:
>> 
>> Hello Chuck, is wave burner accessible? And where can I find it? Also where 
>> can I find that brand of disks? Thank you very much.
>> 
>> blindm...@gmail.com
>> 
>> 
>> 
>>> On Feb 12, 2019, at 5:03 AM, CHUCK REICHEL 
>>>  wrote:
>>> 
>>> !
>> 
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Re: burning a disc

[Kurt Lantz]

Hello Chuck, is wave burner accessible? And where can I find it? Also where can 
I find that brand of disks? Thank you very much.

blindm...@gmail.com



> On Feb 12, 2019, at 5:03 AM, CHUCK REICHEL  
> wrote:
> 
> !

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Re: burning a disc

[kurt Lantz]

Hello steve. thank you so much. I’ll see if that works for me.  

> On Feb 11, 2019, at 10:25 PM, Steve Sparrow  wrote:
> 
> Hi firstly I don’t do this on i tunes a lot myself so someone else might be 
> able to give you better step by step information.
> How ever what you have to do is add all the tracks to your I tunes library. 
> Then put them in a play list, then burn the play list to disc. The bit I 
> found annoying is finding all the tracks to add to the play list after adding 
> them  to the I tunes library. as the files I wanted to add were not tagged, 
> and i have a very large I tunes library.  But maybe it’s easier than i think 
> after you’ve done it a few times.
> I think someone on this list said a while back there is a way of having two i 
> tunes libraries, so that might work, but no Idea how to create a second 
> library. 
> Regarding discs. I’m happy to stand corrected on this, but i think most of 
> them are pretty good these days. I normally use verbatim. 
> Steve
> 
> 
>> On 12 Feb 2019, at 3:58 pm, kurt Lantz  wrote:
>> 
>> Hello Steve, How would I do it on iTunes first? And also what are the best 
>> kind of discs to use these days? for audio only of course. It has been 
>> several years since I have had to burn one. Thank you so much.
>> 
>>> On Feb 11, 2019, at 9:38 PM, Steve Sparrow  wrote:
>>> 
>>> For myself when burning discs, I use a program from the apps store called 
>>> toast audio. You can also buy the full version of toast from roxio web 
>>> site. 
>>> You can also burn with I tunes, but I personally found it a bit cumbersome, 
>>> But others really like it, So it depends on your work flow. 
>>> I used to use a very simple program called simply burns but it no longer 
>>> works if using Hi sierra.
>>> Just a few thoughts.
>>> Steve
>>> 
>>> 
>>>> On 12 Feb 2019, at 3:22 pm, kurt Lantz  wrote:
>>>> 
>>>> Hello list. I have someone that wants a disc of their recording but I have 
>>>> not done it in a while. I do have an Apple super drive, what would be the 
>>>> best way to do this? Thank you very much for all advice.
>>>> 
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>>> 
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Re: burning a disc

[kurt Lantz]

Hello Steve, How would I do it on iTunes first? And also what are the best kind 
of discs to use these days? for audio only of course. It has been several years 
since I have had to burn one. Thank you so much.

> On Feb 11, 2019, at 9:38 PM, Steve Sparrow  wrote:
> 
> For myself when burning discs, I use a program from the apps store called 
> toast audio. You can also buy the full version of toast from roxio web site. 
> You can also burn with I tunes, but I personally found it a bit cumbersome, 
> But others really like it, So it depends on your work flow. 
> I used to use a very simple program called simply burns but it no longer 
> works if using Hi sierra.
> Just a few thoughts.
> Steve
> 
> 
>> On 12 Feb 2019, at 3:22 pm, kurt Lantz  wrote:
>> 
>> Hello list. I have someone that wants a disc of their recording but I have 
>> not done it in a while. I do have an Apple super drive, what would be the 
>> best way to do this? Thank you very much for all advice.
>> 
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burning a disc

[kurt Lantz]

Hello list. I have someone that wants a disc of their recording but I have not 
done it in a while. I do have an Apple super drive, what would be the best way 
to do this? Thank you very much for all advice.

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Re: Hello, is it possible to email recorded tracks? If so whites the process? Thank you very much.

[kurt Lantz]

> On Feb 3, 2019, at 4:50 PM, Steve Martin  wrote:
> 
> Put it in your dropbox folder and right click on it with VO+Shift+M and 
> select copy dropbox link and then paste that link into an email, iM, 
> iMessage/text message etc etc. Other outer is to create a folder in your 
> dropbox folder, share the folder with the person you want to get the file 
> (they will also have to have a dropbox account) and then when you copy the 
> file into that folder it will show up on their computer too. 
> 
> 
>> On Feb 3, 2019, at 6:07 PM, Kurt Lantz  wrote:
>> 
>> Hey guys, scratch that last comment. I just figured out how to send the 
>> attachment, Steve was right, it was in finder, deep down in my production 
>> desk, copied it, pasted it, it was all good. So thank you very much slower, 
>> Steve, Michael. Now how about dropbox? Thank you guys so very much! This 
>> stuff is so cool!
>> 
>> blindm...@gmail.com
>> 
>> 
>> 
>>> On Feb 1, 2019, at 8:48 PM, Steve Martin  wrote:
>>> 
>>> Copy the mp3 in finder and paste it into the body of the email you are 
>>> sending the person. 
>>> It will be sent as an attachment. Alternatively you can right click on the 
>>> file in finder with VO+Shift+M and go to the share sub menu and select 
>>> email. It  will open a blank email with the file already attached for you 
>>> to add the address and any other text to. 
>>> 
>>> 
>>>> On Feb 1, 2019, at 9:57 PM, Kurt Lantz  wrote:
>>>> 
>>>> Hello Mike, so I did all that, I think I’ve bounced it, but I don’t see 
>>>> where or how to email it. Thank you for all that, this is great stuff to 
>>>> learn. Thanks again.
>>>> 
>>>> blindm...@gmail.com
>>>> 
>>>> 
>>>> 
>>>>> On Feb 1, 2019, at 1:37 PM, Michael Holmes  
>>>>> wrote:
>>>>> 
>>>>> You’re quite welcome friend. You’ll definitely dig Dropbox once you give 
>>>>> it a try, it’s pretty straight forward.
>>>>> 
>>>>> Creating an MP3 is also fairly straightforward.
>>>>> 
>>>>> First, make sure that you have the area you wish to bounce selected. If 
>>>>> you are bouncing the whole session, you get the same result by having 
>>>>> nothing selected, which makes this easiest.
>>>>> 
>>>>> Next, press Command plus Option plus B, or find Bounce to in the file 
>>>>> menu, and choose Disc.
>>>>> 
>>>>> Now in this window, use your primary playback output as the bounce 
>>>>> source, and choose the MP3 option in the drop down menu for file type. It 
>>>>> will default to 16 bit, and I’d suggest changing the sample rate to 44.1 
>>>>> khz.
>>>>> 
>>>>> Name the file as desired, check to see the bounce directory near the file 
>>>>> name field, and just keep note of that so you can find it to email.
>>>>> 
>>>>> If you are using only software effects and no outboard gear during 
>>>>> playback, click the checkbox Offline to make it faster, and then hit 
>>>>> Return.
>>>>> 
>>>>> An MP3 metadata form window will pop up. If you’re bouncing a final mix, 
>>>>> this is handy, but it isn’t necessary to fill out all the details 
>>>>> otherwise. The title defaults to the file name.
>>>>> 
>>>>> The two options always worth checking out are near the top of the MP3 
>>>>> options window: encoding speed and bit rate. I usually stick with slowest 
>>>>> and 320 kbps constant bit rate, but you can change the rate to create a 
>>>>> smaller file.
>>>>> 
>>>>> Once it’s bounced, you’ew all set to email!
>>>>> 
>>>>> I hope I’ve been of further help, and not too wordy. Let me know if you 
>>>>> need anything else!
>>>>> 
>>>>> All the best,
>>>>> Mike
>>>>> 
>>>>> Sent from my iPhone
>>>>> 
>>>>>> On 1 Feb 2019, at 14:53, kurt Lantz  wrote:
>>>>>> 
>>>>>> Hello mike. I would like to send a whole mix. I think I should start 
>>>>>> with email and the MP3 format and then learn the way to do it on dropbox 
>>>>>> next, because actually, I have friends that do either or. Thank you very 
>>>>>> much Mike

Re: Hello, is it possible to email recorded tracks? If so whites the process? Thank you very much.

[Kurt Lantz]

Hey guys, scratch that last comment. I just figured out how to send the 
attachment, Steve was right, it was in finder, deep down in my production desk, 
copied it, pasted it, it was all good. So thank you very much slower, Steve, 
Michael. Now how about dropbox? Thank you guys so very much! This stuff is so 
cool!

blindm...@gmail.com



> On Feb 1, 2019, at 8:48 PM, Steve Martin  wrote:
> 
> Copy the mp3 in finder and paste it into the body of the email you are 
> sending the person. 
> It will be sent as an attachment. Alternatively you can right click on the 
> file in finder with VO+Shift+M and go to the share sub menu and select email. 
> It  will open a blank email with the file already attached for you to add the 
> address and any other text to. 
> 
> 
>> On Feb 1, 2019, at 9:57 PM, Kurt Lantz  wrote:
>> 
>> Hello Mike, so I did all that, I think I’ve bounced it, but I don’t see 
>> where or how to email it. Thank you for all that, this is great stuff to 
>> learn. Thanks again.
>> 
>> blindm...@gmail.com
>> 
>> 
>> 
>>> On Feb 1, 2019, at 1:37 PM, Michael Holmes  
>>> wrote:
>>> 
>>> You’re quite welcome friend. You’ll definitely dig Dropbox once you give it 
>>> a try, it’s pretty straight forward.
>>> 
>>> Creating an MP3 is also fairly straightforward.
>>> 
>>> First, make sure that you have the area you wish to bounce selected. If you 
>>> are bouncing the whole session, you get the same result by having nothing 
>>> selected, which makes this easiest.
>>> 
>>> Next, press Command plus Option plus B, or find Bounce to in the file menu, 
>>> and choose Disc.
>>> 
>>> Now in this window, use your primary playback output as the bounce source, 
>>> and choose the MP3 option in the drop down menu for file type. It will 
>>> default to 16 bit, and I’d suggest changing the sample rate to 44.1 khz.
>>> 
>>> Name the file as desired, check to see the bounce directory near the file 
>>> name field, and just keep note of that so you can find it to email.
>>> 
>>> If you are using only software effects and no outboard gear during 
>>> playback, click the checkbox Offline to make it faster, and then hit Return.
>>> 
>>> An MP3 metadata form window will pop up. If you’re bouncing a final mix, 
>>> this is handy, but it isn’t necessary to fill out all the details 
>>> otherwise. The title defaults to the file name.
>>> 
>>> The two options always worth checking out are near the top of the MP3 
>>> options window: encoding speed and bit rate. I usually stick with slowest 
>>> and 320 kbps constant bit rate, but you can change the rate to create a 
>>> smaller file.
>>> 
>>> Once it’s bounced, you’ew all set to email!
>>> 
>>> I hope I’ve been of further help, and not too wordy. Let me know if you 
>>> need anything else!
>>> 
>>> All the best,
>>> Mike
>>> 
>>> Sent from my iPhone
>>> 
>>>> On 1 Feb 2019, at 14:53, kurt Lantz  wrote:
>>>> 
>>>> Hello mike. I would like to send a whole mix. I think I should start with 
>>>> email and the MP3 format and then learn the way to do it on dropbox next, 
>>>> because actually, I have friends that do either or. Thank you very much 
>>>> Mike, I appreciate it.
>>>> 
>>>>> On Feb 1, 2019, at 10:05 AM, Michael Holmes  
>>>>> wrote:
>>>>> 
>>>>> There are a lot of ways to do this, and it depends on a couple things.
>>>>> 
>>>>> First, are you looking to share individual tracks from a session to 
>>>>> collaborate with another person, or are you looking to email a mix down 
>>>>> of the session?
>>>>> 
>>>>> If looking to share a mix down, is MP3 a viable choice, or do you require 
>>>>> to send uncompressed for further edits by the recipient?
>>>>> 
>>>>> MP3 is usually small enough for email, whereas WAV or AIFF are usually 
>>>>> too big. If size is an issue, Dropbox is the best option.
>>>>> 
>>>>> Let me know what you wish to do, and I can help further.
>>>>> 
>>>>> Mike
>>>>> 
>>>>> Sent from my iPhone
>>>>> 
>>>>>> On 1 Feb 2019, at 11:39, kurt Lantz  wrote:
>>>>>> 
>>>>>> -- 
>>>>>> You received this message bec

Re: Hello, is it possible to email recorded tracks? If so whites the process? Thank you very much.

[Kurt Lantz]

Hi guys. For some reason it is still not working. I am testing it on myself, my 
own email. I am able to send the title of the song, but not the attachment, 
wonder what it could be. Thank you all so very much.

blindm...@gmail.com



> On Feb 1, 2019, at 8:48 PM, Steve Martin  wrote:
> 
> Copy the mp3 in finder and paste it into the body of the email you are 
> sending the person. 
> It will be sent as an attachment. Alternatively you can right click on the 
> file in finder with VO+Shift+M and go to the share sub menu and select email. 
> It  will open a blank email with the file already attached for you to add the 
> address and any other text to. 
> 
> 
>> On Feb 1, 2019, at 9:57 PM, Kurt Lantz  wrote:
>> 
>> Hello Mike, so I did all that, I think I’ve bounced it, but I don’t see 
>> where or how to email it. Thank you for all that, this is great stuff to 
>> learn. Thanks again.
>> 
>> blindm...@gmail.com
>> 
>> 
>> 
>>> On Feb 1, 2019, at 1:37 PM, Michael Holmes  
>>> wrote:
>>> 
>>> You’re quite welcome friend. You’ll definitely dig Dropbox once you give it 
>>> a try, it’s pretty straight forward.
>>> 
>>> Creating an MP3 is also fairly straightforward.
>>> 
>>> First, make sure that you have the area you wish to bounce selected. If you 
>>> are bouncing the whole session, you get the same result by having nothing 
>>> selected, which makes this easiest.
>>> 
>>> Next, press Command plus Option plus B, or find Bounce to in the file menu, 
>>> and choose Disc.
>>> 
>>> Now in this window, use your primary playback output as the bounce source, 
>>> and choose the MP3 option in the drop down menu for file type. It will 
>>> default to 16 bit, and I’d suggest changing the sample rate to 44.1 khz.
>>> 
>>> Name the file as desired, check to see the bounce directory near the file 
>>> name field, and just keep note of that so you can find it to email.
>>> 
>>> If you are using only software effects and no outboard gear during 
>>> playback, click the checkbox Offline to make it faster, and then hit Return.
>>> 
>>> An MP3 metadata form window will pop up. If you’re bouncing a final mix, 
>>> this is handy, but it isn’t necessary to fill out all the details 
>>> otherwise. The title defaults to the file name.
>>> 
>>> The two options always worth checking out are near the top of the MP3 
>>> options window: encoding speed and bit rate. I usually stick with slowest 
>>> and 320 kbps constant bit rate, but you can change the rate to create a 
>>> smaller file.
>>> 
>>> Once it’s bounced, you’ew all set to email!
>>> 
>>> I hope I’ve been of further help, and not too wordy. Let me know if you 
>>> need anything else!
>>> 
>>> All the best,
>>> Mike
>>> 
>>> Sent from my iPhone
>>> 
>>>> On 1 Feb 2019, at 14:53, kurt Lantz  wrote:
>>>> 
>>>> Hello mike. I would like to send a whole mix. I think I should start with 
>>>> email and the MP3 format and then learn the way to do it on dropbox next, 
>>>> because actually, I have friends that do either or. Thank you very much 
>>>> Mike, I appreciate it.
>>>> 
>>>>> On Feb 1, 2019, at 10:05 AM, Michael Holmes  
>>>>> wrote:
>>>>> 
>>>>> There are a lot of ways to do this, and it depends on a couple things.
>>>>> 
>>>>> First, are you looking to share individual tracks from a session to 
>>>>> collaborate with another person, or are you looking to email a mix down 
>>>>> of the session?
>>>>> 
>>>>> If looking to share a mix down, is MP3 a viable choice, or do you require 
>>>>> to send uncompressed for further edits by the recipient?
>>>>> 
>>>>> MP3 is usually small enough for email, whereas WAV or AIFF are usually 
>>>>> too big. If size is an issue, Dropbox is the best option.
>>>>> 
>>>>> Let me know what you wish to do, and I can help further.
>>>>> 
>>>>> Mike
>>>>> 
>>>>> Sent from my iPhone
>>>>> 
>>>>>> On 1 Feb 2019, at 11:39, kurt Lantz  wrote:
>>>>>> 
>>>>>> -- 
>>>>>> You received this message because you are subscribed to the Google 
>>>>>> Groups "Pro Tools Accessibility" g

Re: Hello, is it possible to email recorded tracks? If so whites the process? Thank you very much.

[Kurt Lantz]

Hello Mike, so I did all that, I think I’ve bounced it, but I don’t see where 
or how to email it. Thank you for all that, this is great stuff to learn. 
Thanks again.

blindm...@gmail.com



> On Feb 1, 2019, at 1:37 PM, Michael Holmes  wrote:
> 
> You’re quite welcome friend. You’ll definitely dig Dropbox once you give it a 
> try, it’s pretty straight forward.
> 
> Creating an MP3 is also fairly straightforward.
> 
> First, make sure that you have the area you wish to bounce selected. If you 
> are bouncing the whole session, you get the same result by having nothing 
> selected, which makes this easiest.
> 
> Next, press Command plus Option plus B, or find Bounce to in the file menu, 
> and choose Disc.
> 
> Now in this window, use your primary playback output as the bounce source, 
> and choose the MP3 option in the drop down menu for file type. It will 
> default to 16 bit, and I’d suggest changing the sample rate to 44.1 khz.
> 
> Name the file as desired, check to see the bounce directory near the file 
> name field, and just keep note of that so you can find it to email.
> 
> If you are using only software effects and no outboard gear during playback, 
> click the checkbox Offline to make it faster, and then hit Return.
> 
> An MP3 metadata form window will pop up. If you’re bouncing a final mix, this 
> is handy, but it isn’t necessary to fill out all the details otherwise. The 
> title defaults to the file name.
> 
> The two options always worth checking out are near the top of the MP3 options 
> window: encoding speed and bit rate. I usually stick with slowest and 320 
> kbps constant bit rate, but you can change the rate to create a smaller file.
> 
> Once it’s bounced, you’ew all set to email!
> 
> I hope I’ve been of further help, and not too wordy. Let me know if you need 
> anything else!
> 
> All the best,
> Mike
> 
> Sent from my iPhone
> 
>> On 1 Feb 2019, at 14:53, kurt Lantz  wrote:
>> 
>> Hello mike. I would like to send a whole mix. I think I should start with 
>> email and the MP3 format and then learn the way to do it on dropbox next, 
>> because actually, I have friends that do either or. Thank you very much 
>> Mike, I appreciate it.
>> 
>>> On Feb 1, 2019, at 10:05 AM, Michael Holmes  
>>> wrote:
>>> 
>>> There are a lot of ways to do this, and it depends on a couple things.
>>> 
>>> First, are you looking to share individual tracks from a session to 
>>> collaborate with another person, or are you looking to email a mix down of 
>>> the session?
>>> 
>>> If looking to share a mix down, is MP3 a viable choice, or do you require 
>>> to send uncompressed for further edits by the recipient?
>>> 
>>> MP3 is usually small enough for email, whereas WAV or AIFF are usually too 
>>> big. If size is an issue, Dropbox is the best option.
>>> 
>>> Let me know what you wish to do, and I can help further.
>>> 
>>> Mike
>>> 
>>> Sent from my iPhone
>>> 
>>>> On 1 Feb 2019, at 11:39, kurt Lantz  wrote:
>>>> 
>>>> -- 
>>>> You received this message because you are subscribed to the Google Groups 
>>>> "Pro Tools Accessibility" group.
>>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>>> email to ptaccess+unsubscr...@googlegroups.com.
>>>> For more options, visit https://groups.google.com/d/optout.
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
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>>> email to ptaccess+unsubscr...@googlegroups.com.
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>> 
>> -- 
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>> "Pro Tools Accessibility" group.
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> 
> -- 
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> email to ptaccess+unsubscr...@googlegroups.com.
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Re: Hello, is it possible to email recorded tracks? If so whites the process? Thank you very much.

[kurt Lantz]

Hello mike. I would like to send a whole mix. I think I should start with email 
and the MP3 format and then learn the way to do it on dropbox next, because 
actually, I have friends that do either or. Thank you very much Mike, I 
appreciate it.

> On Feb 1, 2019, at 10:05 AM, Michael Holmes  
> wrote:
> 
> There are a lot of ways to do this, and it depends on a couple things.
> 
> First, are you looking to share individual tracks from a session to 
> collaborate with another person, or are you looking to email a mix down of 
> the session?
> 
> If looking to share a mix down, is MP3 a viable choice, or do you require to 
> send uncompressed for further edits by the recipient?
> 
> MP3 is usually small enough for email, whereas WAV or AIFF are usually too 
> big. If size is an issue, Dropbox is the best option.
> 
> Let me know what you wish to do, and I can help further.
> 
> Mike
> 
> Sent from my iPhone
> 
>> On 1 Feb 2019, at 11:39, kurt Lantz  wrote:
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
> 
> -- 
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> "Pro Tools Accessibility" group.
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> email to ptaccess+unsubscr...@googlegroups.com.
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Hello, is it possible to email recorded tracks? If so whites the process? Thank you very much.

[kurt Lantz]

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Re: Flo tools Edit tempo

[kurt Lantz]

Hello Michael, that did it. thank you very much. and a great big thank you to 
all of the creators of Flo tools and everyone on the list, all of this is such 
a cool thing. 

> On Jan 28, 2019, at 12:49 PM, Michael Holmes  
> wrote:
> 
> When using the Flo Tools command, you have to enter a decimal before the 
> number. Also, something that can be tricky when first learning PT itself is 
> the majority of text/numeric entry fields don’t speak while typing. Just 
> enter it as best as you can, press Return/Enter, followed by a VO left and 
> right to hear if the new value stuck.
> 
> I hope this helped. If it’s still not working, try the Tempo Operations 
> window from Menu bar - Event.
> 
> Sent from my iPhone
> 
>> On 28 Jan 2019, at 10:20, kurt Lantz  wrote:
>> 
>> Hello everyone. I’m new to PT, Flo tools, and the list. I have the latest 
>> Keyboard maestro, flo tools, but I am running an older version of PT. Why 
>> can’t I get the tempo editor to work? It announces and beeps when double 
>> taping it, but I can’t seem to program it. I also tried in the edit window, 
>> midi cluster. What do I need to do? Thank you.   
>>  PT
>> 
>> -- 
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>> "Pro Tools Accessibility" group.
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>> email to ptaccess+unsubscr...@googlegroups.com.
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> 
> -- 
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> email to ptaccess+unsubscr...@googlegroups.com.
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Flo tools Edit tempo

[kurt Lantz]

Hello everyone. I’m new to PT, Flo tools, and the list. I have the latest 
Keyboard maestro, flo tools, but I am running an older version of PT. Why can’t 
I get the tempo editor to work? It announces and beeps when double taping it, 
but I can’t seem to program it. I also tried in the edit window, midi cluster. 
What do I need to do? Thank you.
 PT  

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Artist mix control service

[Kurt Lantz]

Hello to everyone on the list. What does everyone think about the artist mix 
control service? Especially for a totally blind person, using ProTools? Thank 
you for everyone's response.r

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Re: Digest for ptaccess@googlegroups.com - 10 updates in 3 topics

[Kurt Lantz]

> On Oct 10, 2016, at 6:17 AM, ptaccess@googlegroups.com wrote:
> 
> 
> ptaccess@googlegroups.com Google Groups  
> Topic digest 
> View all topics
> VoiceOver Accessible soundcard for ProTolls and Logic - 2 Updates
> Recording problems - 5 Updates
> Aplication Manager issue - 3 Updates
> VoiceOver Accessible soundcard for ProTolls and Logic 
> Nickus de Vos : Oct 09 10:22PM +0200 
> 
> Hi all
> It's a pitty about the Focusrite software as Focusrite has been my go
> to brand interfaces since I can remember, I just love the quality of
> their pre amps, and I have been looking forward to getting one of
> their Red interfaces in the next couple of months.
>  
> I'm the type of guy who won't buy something if I'm not certain that
> it's fully or close to fully accessible, or the important bits anyway.
> I don't want to struggle with ifs and maybes, trying to figure out how
> to get around accessibility issues etc.
>  
> It would have helped a lot if the ability was there to download and
> check out the full software without having a interface connected, but
> unfortunately most of the software only shows its true colours if the
> interface is connected.
>  
> "Phil Muir" : Oct 10 10:02AM +0100 
> 
> Focusrite sound card software is accessible on Windows and I believe things
> like sample rate can be changed in Pro Tools on the Mac side. Further more
> you can definitely load snapshots on both the Mac and Windows side so once
> those are set-up with various options then you are good to go.
>  
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf
> Of Nickus de Vos
> Sent: 09 October 2016 21:23
> To: ptaccess@googlegroups.com
> Subject: Re: VoiceOver Accessible soundcard for ProTolls and Logic
>  
> Hi all
> It's a pitty about the Focusrite software as Focusrite has been my go
> to brand interfaces since I can remember, I just love the quality of
> their pre amps, and I have been looking forward to getting one of
> their Red interfaces in the next couple of months.
>  
> I'm the type of guy who won't buy something if I'm not certain that
> it's fully or close to fully accessible, or the important bits anyway.
> I don't want to struggle with ifs and maybes, trying to figure out how
> to get around accessibility issues etc.
>  
> It would have helped a lot if the ability was there to download and
> check out the full software without having a interface connected, but
> unfortunately most of the software only shows its true colours if the
> interface is connected.
>  
> > Wow, that is truly surprising to me because it’s most likely
> cross-platform
> > software and, for it to be accessible, either they developed the Mac
> > software completely separately or really did things by the book when
> > compiling. that’s really news to me and, of course, good news for others
> who
> >> <mailto:slauhala...@gmail.com>> escribió:
>  
> >>> Hi Samuel,
>  
> >>> No, I haven’t had any experience with any Roland interfaces. As with
> many
> >>> it’s not accessible. If Roland has a software control panel, chances are
> >>> it’s not accessible. I’d be quite surprised if it was. There is some
> >>> potential if an interface has an iOS version of their control panel but
> I
> >>>> <mailto:sound...@spwnet.co.uk>> wrote:
>  
> >>>> Hello Slau,
> >>>> I have heard that the Roland Studio Capture will work with ProTools,
> and
>  
> >>>> On 07/10/2016 19:30, Slau Halatyn wrote:
> >>>>> Hi Jack,
> >>>>> I can’t answer that yet but, suffice it to say, we’re in the process
> of
> >>>>>>>> controlpanel is accessible with voiceover? Should the soundcard's
> >>>>>>>> from Uad or Focusrite be a solution?
> >>>>>>>> I have found a sound interface from Uad with a quard core
> processor,
> >>>>>> You received this message because you are subscribed to the Google
> >>>>>> Groups "Pro Tools Accessibility" group.
> >>>>>> To unsubscribe from this group and stop receiving emails from it,
> send
> >>>>>> You received this message because you are subscribed to the Google
> >>>>>> Groups "Pro Tools Accessibility" group.
> >>>>>> To unsubscribe from this group and stop receiving emails from it,
> send
> >>>> <https://groups.google.com/d/optout>.
> 

Recording problems

[Kurt Lantz]

HelloSlau and everyone on the list, I am new to the list, I think this is 
really awesome. I am having some type of recording problem. PT seems to be kind 
of temperamental to me. I am a new pro tools user. I have L Cappy Tan, latest 
version of ProTools. Not quite sure what's going on. I am able to record a 
track, sometimes. I am able to create a track, get levels, but not able to 
record on the second or third track. Does anyone have any input. I really 
appreciate this group. Thank you all very much, we are all learning together.

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Recording difficulties

[Kurt Lantz]

Having difficulty recording tracks. Able to record one track. Able to create, 
arm, and get levels on the next track. But when I go to hit command to record 
nothing happens on the second track  created three tracks the other day, was 
not able to record on the fourth but I created it. Does anyone else have any 
feedback or has this been anyone else's experiences? Thank you.

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