RE: [RC] Sacred Story Part # 3 -conclusion With REPLY

2018-04-05 Thread Chris Hahn
Well… okay… but you have to live that long.

 

From: radicalcentrism@googlegroups.com  On 
Behalf Of Billy Rojas
Sent: Thursday, April 5, 2018 4:25 PM
To: radicalcentrism@googlegroups.com
Cc: Billy Rojas <1billyro...@buglephilosophy.com>
Subject: Re: [RC] Sacred Story Part # 3 -conclusion With REPLY

 

Chris:

Thanks for the kind words. 

 

BTW, anybody can become an expert in world religions and the history of 
religion.

All it takes is intense study of various religions and their histories

for maybe 40 or 50 years. Anyone can do it...

 

 

:-/

Billy

 

  _  

From: radicalcentrism@googlegroups.com 
<mailto:radicalcentrism@googlegroups.com>  mailto:radicalcentrism@googlegroups.com> > on behalf of Chris Hahn 
mailto:c...@2chahn.com> >
Sent: Thursday, April 5, 2018 10:15 AM
To: RadicalCentrism@googlegroups.com <mailto:RadicalCentrism@googlegroups.com> 
Subject: RE: [RC] Sacred Story Part # 3 -conclusion 

 

An amazing work Billy.  The analogies are very interesting.  Your knowledge of 
religions is astounding to me.

Chris 

 

From: radicalcentrism@googlegroups.com 
<mailto:radicalcentrism@googlegroups.com>  mailto:radicalcentrism@googlegroups.com> > On Behalf Of Billy Rojas
Sent: Thursday, April 5, 2018 2:27 AM
To: Centroids Discussions mailto:radicalcentrism@googlegroups.com> >
Cc: Billy Rojas <1billyro...@buglephilosophy.com 
<mailto:1billyro...@buglephilosophy.com> >
Subject: [RC] Sacred Story Part # 3 -conclusion

 

The core of the "passion narrative" in the Inanna story concerns

her actions following Dumuzi's death.  

 

What should be understood was that, if not at the beginning in 2650 BC,

no later than ca. 2350 BC, Inanna was regarded as an incarnate Goddess.

This was not merely something along the lines of Gilgamesh.  In his case

he was said to have been one third man and two-thirds divine being in

the form of a human being.  About which my skepticism could not be 

greater even if, anon, Gilgamesh, also an historic person, clearly was

a "hero."  Take this in the sense of leading characters in the Odyssey,

a book that was at least partly modeled on the saga of the

Epic of Gilgamesh, the world's first "novel."  The Mesopotamians

did not understand it that way, for them it had the status, or close

to the status, of scripture. 

 

In any case, the Sumerians and those who followed them, held the belief

that the "stars"  -some of which were planets-  embodied deities. Above

all celestial bodies was an unseen deity and his unseen female deity wife,

but after that among all deities, at the highest rank at some periods of 
history anyway,

was Inanna, viz, at a later time known as Ishtar.

 

Her celestial brother was Shamash, Utu in Sumerian language, God of the Sun,

and deity of Justice.

 

Inanna first existed in the heavens as "Venus" and at some point in, say, about 
2675 BC,

she manifested on Earth as a baby girl, then grown up into a young woman.

This, whatever anyone today may think, was what the Mesopotamians believed.

The point here is to establish what the Sumerians and other peoples believed,

not to pass judgement on truth claims.

 

The "office" of  High Priestess was exalted.  In some respects you can think

of her as a female pope, that was approximately her status, with the 
qualification

that in some respects she was more important to the Sumerians than the pope

is for Catholics, at least to speak of the "modern" papacy starting in the

19th century.  In the pre-modern era the popes had powers that were 

closer to that of the High Priestess as known in the Sumerian era.

 

This power not only derived from her divine attributes but from the fact that

the temples of that long past era were de facto banks   -that was where the 
bulk of

the wealth of the state was sequestered, where economic records were kept, 

where specie (gold, silver, gemstones) was kept, or large quantities were kept,

and the High Priestess oversaw the temple institution as well as acting

as landlady over large tracts of land; and many lower rank priestesses

were land owners in their own right.

 

Which is to say that it was no small thing when Inanna mourned for Dumuzi

and not only mourned, sought to free him from the bonds of death.  For Inanna

resolved to visit the Netherworld (really not any different than the Hebrew

concept for Sheol) to secure Dumuzi's release from its grasp by sacrificing

her own life if that was what it might take.

 

This is the crux of the passion narrative.

 

The exact details of this are unclear but the story has it that Inanna

visited the entrance to the Netherworld, presumably a physical place,

perhaps in the mountains somewhere.  Or possibly in or near the

city of Cutha, whose chief deity was none other than Chemosh,

in later tradition anyway, the husband of the Queen of the Underworld,

Re: [RC] Sacred Story Part # 3 -conclusion With REPLY

2018-04-05 Thread Billy Rojas
Chris:

Thanks for the kind words.


BTW, anybody can become an expert in world religions and the history of 
religion.

All it takes is intense study of various religions and their histories

for maybe 40 or 50 years. Anyone can do it...



:-/

Billy



From: radicalcentrism@googlegroups.com  on 
behalf of Chris Hahn 
Sent: Thursday, April 5, 2018 10:15 AM
To: RadicalCentrism@googlegroups.com
Subject: RE: [RC] Sacred Story Part # 3 -conclusion


An amazing work Billy.  The analogies are very interesting.  Your knowledge of 
religions is astounding to me.

Chris



From: radicalcentrism@googlegroups.com  On 
Behalf Of Billy Rojas
Sent: Thursday, April 5, 2018 2:27 AM
To: Centroids Discussions 
Cc: Billy Rojas <1billyro...@buglephilosophy.com>
Subject: [RC] Sacred Story Part # 3 -conclusion



The core of the "passion narrative" in the Inanna story concerns

her actions following Dumuzi's death.



What should be understood was that, if not at the beginning in 2650 BC,

no later than ca. 2350 BC, Inanna was regarded as an incarnate Goddess.

This was not merely something along the lines of Gilgamesh.  In his case

he was said to have been one third man and two-thirds divine being in

the form of a human being.  About which my skepticism could not be

greater even if, anon, Gilgamesh, also an historic person, clearly was

a "hero."  Take this in the sense of leading characters in the Odyssey,

a book that was at least partly modeled on the saga of the

Epic of Gilgamesh, the world's first "novel."  The Mesopotamians

did not understand it that way, for them it had the status, or close

to the status, of scripture.



In any case, the Sumerians and those who followed them, held the belief

that the "stars"  -some of which were planets-  embodied deities. Above

all celestial bodies was an unseen deity and his unseen female deity wife,

but after that among all deities, at the highest rank at some periods of 
history anyway,

was Inanna, viz, at a later time known as Ishtar.



Her celestial brother was Shamash, Utu in Sumerian language, God of the Sun,

and deity of Justice.



Inanna first existed in the heavens as "Venus" and at some point in, say, about 
2675 BC,

she manifested on Earth as a baby girl, then grown up into a young woman.

This, whatever anyone today may think, was what the Mesopotamians believed.

The point here is to establish what the Sumerians and other peoples believed,

not to pass judgement on truth claims.



The "office" of  High Priestess was exalted.  In some respects you can think

of her as a female pope, that was approximately her status, with the 
qualification

that in some respects she was more important to the Sumerians than the pope

is for Catholics, at least to speak of the "modern" papacy starting in the

19th century.  In the pre-modern era the popes had powers that were

closer to that of the High Priestess as known in the Sumerian era.



This power not only derived from her divine attributes but from the fact that

the temples of that long past era were de facto banks   -that was where the 
bulk of

the wealth of the state was sequestered, where economic records were kept,

where specie (gold, silver, gemstones) was kept, or large quantities were kept,

and the High Priestess oversaw the temple institution as well as acting

as landlady over large tracts of land; and many lower rank priestesses

were land owners in their own right.



Which is to say that it was no small thing when Inanna mourned for Dumuzi

and not only mourned, sought to free him from the bonds of death.  For Inanna

resolved to visit the Netherworld (really not any different than the Hebrew

concept for Sheol) to secure Dumuzi's release from its grasp by sacrificing

her own life if that was what it might take.



This is the crux of the passion narrative.



The exact details of this are unclear but the story has it that Inanna

visited the entrance to the Netherworld, presumably a physical place,

perhaps in the mountains somewhere.  Or possibly in or near the

city of Cutha, whose chief deity was none other than Chemosh,

in later tradition anyway, the husband of the Queen of the Underworld,

Ereshkigal. Which may sound a little complicated but, when you think

about it all, this story isn't worse in complexity than

any of the Gospel narratives.



BTW, Inanna had three sisters. You have been introduced to Geshtinanna,

and Ereshkigal was another; the third was Saltu, later known as Discordia,

as the name suggests, the deity of discord   -unpredictability, biting humor,

irrationality in human affairs, and so forth.



It is Ereshkigal who concerns us now. And in the original Sumerian story,

Ereshkigal was supreme in the abode of the dead. She made all the rules

and decreed the fates of all the deceased.  Ereshkigal's "residence" was in

the low

Re: [RC] Sacred Story Part # 3 -conclusion

2018-04-05 Thread Billy Rojas




From: radicalcentrism@googlegroups.com  on 
behalf of Chris Hahn 
Sent: Thursday, April 5, 2018 10:15 AM
To: RadicalCentrism@googlegroups.com
Subject: RE: [RC] Sacred Story Part # 3 -conclusion


An amazing work Billy.  The analogies are very interesting.  Your knowledge of 
religions is astounding to me.

Chris



From: radicalcentrism@googlegroups.com  On 
Behalf Of Billy Rojas
Sent: Thursday, April 5, 2018 2:27 AM
To: Centroids Discussions 
Cc: Billy Rojas <1billyro...@buglephilosophy.com>
Subject: [RC] Sacred Story Part # 3 -conclusion



The core of the "passion narrative" in the Inanna story concerns

her actions following Dumuzi's death.



What should be understood was that, if not at the beginning in 2650 BC,

no later than ca. 2350 BC, Inanna was regarded as an incarnate Goddess.

This was not merely something along the lines of Gilgamesh.  In his case

he was said to have been one third man and two-thirds divine being in

the form of a human being.  About which my skepticism could not be

greater even if, anon, Gilgamesh, also an historic person, clearly was

a "hero."  Take this in the sense of leading characters in the Odyssey,

a book that was at least partly modeled on the saga of the

Epic of Gilgamesh, the world's first "novel."  The Mesopotamians

did not understand it that way, for them it had the status, or close

to the status, of scripture.



In any case, the Sumerians and those who followed them, held the belief

that the "stars"  -some of which were planets-  embodied deities. Above

all celestial bodies was an unseen deity and his unseen female deity wife,

but after that among all deities, at the highest rank at some periods of 
history anyway,

was Inanna, viz, at a later time known as Ishtar.



Her celestial brother was Shamash, Utu in Sumerian language, God of the Sun,

and deity of Justice.



Inanna first existed in the heavens as "Venus" and at some point in, say, about 
2675 BC,

she manifested on Earth as a baby girl, then grown up into a young woman.

This, whatever anyone today may think, was what the Mesopotamians believed.

The point here is to establish what the Sumerians and other peoples believed,

not to pass judgement on truth claims.



The "office" of  High Priestess was exalted.  In some respects you can think

of her as a female pope, that was approximately her status, with the 
qualification

that in some respects she was more important to the Sumerians than the pope

is for Catholics, at least to speak of the "modern" papacy starting in the

19th century.  In the pre-modern era the popes had powers that were

closer to that of the High Priestess as known in the Sumerian era.



This power not only derived from her divine attributes but from the fact that

the temples of that long past era were de facto banks   -that was where the 
bulk of

the wealth of the state was sequestered, where economic records were kept,

where specie (gold, silver, gemstones) was kept, or large quantities were kept,

and the High Priestess oversaw the temple institution as well as acting

as landlady over large tracts of land; and many lower rank priestesses

were land owners in their own right.



Which is to say that it was no small thing when Inanna mourned for Dumuzi

and not only mourned, sought to free him from the bonds of death.  For Inanna

resolved to visit the Netherworld (really not any different than the Hebrew

concept for Sheol) to secure Dumuzi's release from its grasp by sacrificing

her own life if that was what it might take.



This is the crux of the passion narrative.



The exact details of this are unclear but the story has it that Inanna

visited the entrance to the Netherworld, presumably a physical place,

perhaps in the mountains somewhere.  Or possibly in or near the

city of Cutha, whose chief deity was none other than Chemosh,

in later tradition anyway, the husband of the Queen of the Underworld,

Ereshkigal. Which may sound a little complicated but, when you think

about it all, this story isn't worse in complexity than

any of the Gospel narratives.



BTW, Inanna had three sisters. You have been introduced to Geshtinanna,

and Ereshkigal was another; the third was Saltu, later known as Discordia,

as the name suggests, the deity of discord   -unpredictability, biting humor,

irrationality in human affairs, and so forth.



It is Ereshkigal who concerns us now. And in the original Sumerian story,

Ereshkigal was supreme in the abode of the dead. She made all the rules

and decreed the fates of all the deceased.  Ereshkigal's "residence" was in

the lowest strata of the Netherworld, its seventh  subterranean level.





We learn that the body of Dumuzi was being kept in that 7th level.

Inanna had to get to that level in order to persuade Ereshkigal to

release Dumuzi.  To make that possible, In

RE: [RC] Sacred Story Part # 3 -conclusion

2018-04-05 Thread Chris Hahn
An amazing work Billy.  The analogies are very interesting.  Your knowledge of 
religions is astounding to me.

Chris 

 

From: radicalcentrism@googlegroups.com  On 
Behalf Of Billy Rojas
Sent: Thursday, April 5, 2018 2:27 AM
To: Centroids Discussions 
Cc: Billy Rojas <1billyro...@buglephilosophy.com>
Subject: [RC] Sacred Story Part # 3 -conclusion

 

The core of the "passion narrative" in the Inanna story concerns

her actions following Dumuzi's death.  

 

What should be understood was that, if not at the beginning in 2650 BC,

no later than ca. 2350 BC, Inanna was regarded as an incarnate Goddess.

This was not merely something along the lines of Gilgamesh.  In his case

he was said to have been one third man and two-thirds divine being in

the form of a human being.  About which my skepticism could not be 

greater even if, anon, Gilgamesh, also an historic person, clearly was

a "hero."  Take this in the sense of leading characters in the Odyssey,

a book that was at least partly modeled on the saga of the

Epic of Gilgamesh, the world's first "novel."  The Mesopotamians

did not understand it that way, for them it had the status, or close

to the status, of scripture. 

 

In any case, the Sumerians and those who followed them, held the belief

that the "stars"  -some of which were planets-  embodied deities. Above

all celestial bodies was an unseen deity and his unseen female deity wife,

but after that among all deities, at the highest rank at some periods of 
history anyway,

was Inanna, viz, at a later time known as Ishtar.

 

Her celestial brother was Shamash, Utu in Sumerian language, God of the Sun,

and deity of Justice.

 

Inanna first existed in the heavens as "Venus" and at some point in, say, about 
2675 BC,

she manifested on Earth as a baby girl, then grown up into a young woman.

This, whatever anyone today may think, was what the Mesopotamians believed.

The point here is to establish what the Sumerians and other peoples believed,

not to pass judgement on truth claims.

 

The "office" of  High Priestess was exalted.  In some respects you can think

of her as a female pope, that was approximately her status, with the 
qualification

that in some respects she was more important to the Sumerians than the pope

is for Catholics, at least to speak of the "modern" papacy starting in the

19th century.  In the pre-modern era the popes had powers that were 

closer to that of the High Priestess as known in the Sumerian era.

 

This power not only derived from her divine attributes but from the fact that

the temples of that long past era were de facto banks   -that was where the 
bulk of

the wealth of the state was sequestered, where economic records were kept, 

where specie (gold, silver, gemstones) was kept, or large quantities were kept,

and the High Priestess oversaw the temple institution as well as acting

as landlady over large tracts of land; and many lower rank priestesses

were land owners in their own right.

 

Which is to say that it was no small thing when Inanna mourned for Dumuzi

and not only mourned, sought to free him from the bonds of death.  For Inanna

resolved to visit the Netherworld (really not any different than the Hebrew

concept for Sheol) to secure Dumuzi's release from its grasp by sacrificing

her own life if that was what it might take.

 

This is the crux of the passion narrative.

 

The exact details of this are unclear but the story has it that Inanna

visited the entrance to the Netherworld, presumably a physical place,

perhaps in the mountains somewhere.  Or possibly in or near the

city of Cutha, whose chief deity was none other than Chemosh,

in later tradition anyway, the husband of the Queen of the Underworld,

Ereshkigal. Which may sound a little complicated but, when you think

about it all, this story isn't worse in complexity than

any of the Gospel narratives. 

 

BTW, Inanna had three sisters. You have been introduced to Geshtinanna,

and Ereshkigal was another; the third was Saltu, later known as Discordia,

as the name suggests, the deity of discord   -unpredictability, biting humor,

irrationality in human affairs, and so forth.  

 

It is Ereshkigal who concerns us now. And in the original Sumerian story,

Ereshkigal was supreme in the abode of the dead. She made all the rules

and decreed the fates of all the deceased.  Ereshkigal's "residence" was in

the lowest strata of the Netherworld, its seventh  subterranean level. 

 

 

We learn that the body of Dumuzi was being kept in that 7th level.

Inanna had to get to that level in order to persuade Ereshkigal to

release Dumuzi.  To make that possible, Inanna had to persuade

each of seven gate-keepers to allow her to enter each of their domains.

At each gate the admission was her willingness to remove one "veil."

viz., article of clothing.

 

As 

[RC] Sacred Story Part # 3 -conclusion

2018-04-05 Thread Billy Rojas
The core of the "passion narrative" in the Inanna story concerns

her actions following Dumuzi's death.


What should be understood was that, if not at the beginning in 2650 BC,

no later than ca. 2350 BC, Inanna was regarded as an incarnate Goddess.

This was not merely something along the lines of Gilgamesh.  In his case

he was said to have been one third man and two-thirds divine being in

the form of a human being.  About which my skepticism could not be

greater even if, anon, Gilgamesh, also an historic person, clearly was

a "hero."  Take this in the sense of leading characters in the Odyssey,

a book that was at least partly modeled on the saga of the

Epic of Gilgamesh, the world's first "novel."  The Mesopotamians

did not understand it that way, for them it had the status, or close

to the status, of scripture.


In any case, the Sumerians and those who followed them, held the belief

that the "stars"  -some of which were planets-  embodied deities. Above

all celestial bodies was an unseen deity and his unseen female deity wife,

but after that among all deities, at the highest rank at some periods of 
history anyway,

was Inanna, viz, at a later time known as Ishtar.


Her celestial brother was Shamash, Utu in Sumerian language, God of the Sun,

and deity of Justice.


Inanna first existed in the heavens as "Venus" and at some point in, say, about 
2675 BC,

she manifested on Earth as a baby girl, then grown up into a young woman.

This, whatever anyone today may think, was what the Mesopotamians believed.

The point here is to establish what the Sumerians and other peoples believed,

not to pass judgement on truth claims.


The "office" of  High Priestess was exalted.  In some respects you can think

of her as a female pope, that was approximately her status, with the 
qualification

that in some respects she was more important to the Sumerians than the pope

is for Catholics, at least to speak of the "modern" papacy starting in the

19th century.  In the pre-modern era the popes had powers that were

closer to that of the High Priestess as known in the Sumerian era.


This power not only derived from her divine attributes but from the fact that

the temples of that long past era were de facto banks   -that was where the 
bulk of

the wealth of the state was sequestered, where economic records were kept,

where specie (gold, silver, gemstones) was kept, or large quantities were kept,

and the High Priestess oversaw the temple institution as well as acting

as landlady over large tracts of land; and many lower rank priestesses

were land owners in their own right.


Which is to say that it was no small thing when Inanna mourned for Dumuzi

and not only mourned, sought to free him from the bonds of death.  For Inanna

resolved to visit the Netherworld (really not any different than the Hebrew

concept for Sheol) to secure Dumuzi's release from its grasp by sacrificing

her own life if that was what it might take.


This is the crux of the passion narrative.


The exact details of this are unclear but the story has it that Inanna

visited the entrance to the Netherworld, presumably a physical place,

perhaps in the mountains somewhere.  Or possibly in or near the

city of Cutha, whose chief deity was none other than Chemosh,

in later tradition anyway, the husband of the Queen of the Underworld,

Ereshkigal. Which may sound a little complicated but, when you think

about it all, this story isn't worse in complexity than

any of the Gospel narratives.


BTW, Inanna had three sisters. You have been introduced to Geshtinanna,

and Ereshkigal was another; the third was Saltu, later known as Discordia,

as the name suggests, the deity of discord   -unpredictability, biting humor,

irrationality in human affairs, and so forth.


It is Ereshkigal who concerns us now. And in the original Sumerian story,

Ereshkigal was supreme in the abode of the dead. She made all the rules

and decreed the fates of all the deceased.  Ereshkigal's "residence" was in

the lowest strata of the Netherworld, its seventh  subterranean level.



We learn that the body of Dumuzi was being kept in that 7th level.

Inanna had to get to that level in order to persuade Ereshkigal to

release Dumuzi.  To make that possible, Inanna had to persuade

each of seven gate-keepers to allow her to enter each of their domains.

At each gate the admission was her willingness to remove one "veil."

viz., article of clothing.


As you might surmise this theme eventually was secularized as a form

of dance known historically as the "dance of the seven veils."  Which,

of course, surfaces in the New Testament, in that case motivated

by the worst kind of intent, causing death to the righteous.

In the Sumerian original the motivation was the resurrection from death

of someone who was righteous.


To summarize, in the end, Inanna was as naked as she had been as a newborn 
infant

when she was incarnated on Earth.  She also had to pay a price a