Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Cowboy
On Tuesday 11 December 2012 11:15:41 pm Bill Putney wrote:
 Various people use various values for 0 dBVU.

 But zero is such a nice round number !

 Truthfully, db being a ratio, is always relative to what ?
 0 db can be anything you like, and in most professional gear,
 is adjustable to much more range than anything in
 common use.

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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Rob Landry


On Wed, 12 Dec 2012, Cowboy wrote:

 On Tuesday 11 December 2012 11:15:41 pm Bill Putney wrote:
 Various people use various values for 0 dBVU.

 But zero is such a nice round number !

 Truthfully, db being a ratio, is always relative to what ?
 0 db can be anything you like, and in most professional gear,
 is adjustable to much more range than anything in
 common use.

Remember, folks, money is power!

That's my -17db$, anyway.


Rob
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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Fred Gleason
On Dec 11, 2012, at 23:15 41, Bill Putney wrote:

 Now we kinda get to voltages. 0dBVU is +4 dBM (1.23V RMS at 600 ohms) in pro 
 systems. 0 dBVU is -10 dBV (.316V RMS).

VU is a somewhat different animal, inasmuch as it deals with dynamics 
(originally defined by Ma Bell in terms of the ballistics of an actual physical 
meter) as well as absolute level.

Cheers!


|-|
| Frederick F. Gleason, Jr. |   Chief Developer   |
|   |   Paravel Systems   |
|-|
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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Cowboy
On Tuesday 11 December 2012 08:47:51 pm VE4PER/ Andy wrote:
 RMS is 0.775   and average is closer to 0.5  so be sure to compare 
 apples to apples and oranges to oranges

 That one is telephone standard.
 Actually .7745966692... volts RMS, and that is in 600 ohms, so
 that is the original zero dbm.

 The apples to apples thing is SO important in this regard.

 Most professional audio gear these days has an output
 impedance that is very low, on the order of 45 ohms,
 and most pro gear has an input that is greater than 10K ohms,
 and while there is good reason for that, it also immediately
 means that our arbitrary db reference needs to be defined.
 Is it an apple, or is it an orange ?
 ( the actual output Z of the amps is closer to zero ohms, and
 the build-out resistors are there to avoid blowing amps )
 (( and if you wire it wrong, that output Z can actually
 go negative !! ))

 .775V RMS in 600 ohms is exactly the same voltage as
 .775V RMS in 45 ohms, or 10K ohms, but the power is
 substantially different, and quite possibly the characteristics
 of the audio through it. 

 0db is not the same in 45 ohms as in 10K ohms.
 Or, is it ?

 This has little to do with program automation, but can
 have quite a bit to do with how it sounds.
 Of course, it's irrelevant when you play MP3's.

-- 
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http://cowboy.cwf1.com

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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Bill Putney
I should have added the caveat that the voltages vs. dBVU numbers are 
only really true for steady state sine wave single tones. :)

Bill

On 12/12/12 7:12 AM, Fred Gleason wrote:
 On Dec 11, 2012, at 23:15 41, Bill Putney wrote:

 Now we kinda get to voltages. 0dBVU is +4 dBM (1.23V RMS at 600 ohms) in pro 
 systems. 0 dBVU is -10 dBV (.316V RMS).
 VU is a somewhat different animal, inasmuch as it deals with dynamics 
 (originally defined by Ma Bell in terms of the ballistics of an actual 
 physical meter) as well as absolute level.

 Cheers!


 |-|
 | Frederick F. Gleason, Jr. |   Chief Developer   |
 |   |   Paravel Systems   |
 |-|
 |  A room without books is like a body without a soul.|
 | -- Cicero   |
 |-|

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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Bill Putney
The 0 dBm spec is to make 1 mw into a 600 ohm load. in amplifiers 
without feedback the amplifiers would only make that level reliably when 
the source and load impedances matched. Come along the 1960's and 
integrated circuit amplifiers came into common use and they were almost 
always operational amplifiers. Early work with the use of solid state 
operational amplifiers in professional audio being pioneered by Bell 
Losmandy of OpAmp Labs in Hollywood.

Operational amplifiers maintain their output voltage as a function of 
their input voltage and their feedback network design over a wide range 
of load impedances. Now it is common practice to spec 0 dBm (or +4) at 
as a voltage value equivalent to that power level when presented to a 
600 ohm load.

0 dB means nothing without a reference point. dB values are logarithmic 
but the values for different measurements use different log functions 
(i.e. voltage referenced values are log20 and power referenced values 
are log10).

0dBFS is always a constant in any digital audio system. It's the highest 
level that the system can produce. It's the only thing you can count on 
and that makes it important. It's probably the only value anyone needs 
to talk about until bits are converted to the analog domain. At our 
station we don't do that til the audio gets inside a DSP at the 
transmitter so we don't worry much about all the transformations. The 
only place it's represented for anyone to look at is at the console VU 
meters and they are set to read 0 dBm when a constant level single tone 
sine wave is present at -20 dBFS on the program bus.

Bill

   On 12/12/12 7:16 AM, Cowboy wrote:
 On Tuesday 11 December 2012 08:47:51 pm VE4PER/ Andy wrote:
 RMS is 0.775   and average is closer to 0.5  so be sure to compare
 apples to apples and oranges to oranges
   That one is telephone standard.
   Actually .7745966692... volts RMS, and that is in 600 ohms, so
   that is the original zero dbm.

   The apples to apples thing is SO important in this regard.

   Most professional audio gear these days has an output
   impedance that is very low, on the order of 45 ohms,
   and most pro gear has an input that is greater than 10K ohms,
   and while there is good reason for that, it also immediately
   means that our arbitrary db reference needs to be defined.
   Is it an apple, or is it an orange ?
   ( the actual output Z of the amps is closer to zero ohms, and
   the build-out resistors are there to avoid blowing amps )
   (( and if you wire it wrong, that output Z can actually
   go negative !! ))

   .775V RMS in 600 ohms is exactly the same voltage as
   .775V RMS in 45 ohms, or 10K ohms, but the power is
   substantially different, and quite possibly the characteristics
   of the audio through it.

   0db is not the same in 45 ohms as in 10K ohms.
   Or, is it ?

   This has little to do with program automation, but can
   have quite a bit to do with how it sounds.
   Of course, it's irrelevant when you play MP3's.


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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Rob Landry


On Wed, 12 Dec 2012, Jay Ashworth wrote:

 Lots of non-pro gear interfaces with a 0 VU of, as you note, -10 dBV, which
 is, as you imply, *not* 14 dB lower, because the baselines are different -
 one is a power measurement which depends on the impedance; the other a
 voiltage measurement which does not.

My understanding is that dB is always a measure of power ratio. 10 dB down 
means 1/10 the power.

I think what's confusing is the use of dB to measure differences in 
voltage level. It's not meaningful unless the impedance is the same.

For example, 1 volt RMS across 100 ohms is the same level as 1 volt across 
1,000 ohms, but the ratio between the two cases is 10 dB. But bridge a 
high-impedance mixer input across either, and the meters will read the 
same (or close to the same; the addition of the input impedance in 
parallel with each resistor will change the ratio slightly).

Maybe it's time we actually start calling a volt a volt.


Rob
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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Bill Putney
Nope, there are many cases were the relationships between voltages are 
expressed in dB (the consumer line level -10 dBV being just one) dB ratios for 
voltages are Log20 though. 

Bill

On Dec 12, 2012, at 12:19, Rob Landry 41001...@interpring.com wrote:

 
 
 On Wed, 12 Dec 2012, Jay Ashworth wrote:
 
 Lots of non-pro gear interfaces with a 0 VU of, as you note, -10 dBV, which
 is, as you imply, *not* 14 dB lower, because the baselines are different -
 one is a power measurement which depends on the impedance; the other a
 voiltage measurement which does not.
 
 My understanding is that dB is always a measure of power ratio. 10 dB down 
 means 1/10 the power.
 
 I think what's confusing is the use of dB to measure differences in 
 voltage level. It's not meaningful unless the impedance is the same.
 
 For example, 1 volt RMS across 100 ohms is the same level as 1 volt across 
 1,000 ohms, but the ratio between the two cases is 10 dB. But bridge a 
 high-impedance mixer input across either, and the meters will read the 
 same (or close to the same; the addition of the input impedance in 
 parallel with each resistor will change the ratio slightly).
 
 Maybe it's time we actually start calling a volt a volt.
 
 
 Rob
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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Cowboy
On Wednesday 12 December 2012 03:19:28 pm Rob Landry wrote:
 My understanding is that dB is always a measure of power ratio. 10 dB down 
 means 1/10 the power.

 NOT true !
 A db is a ratio of magnitudes.
 Can be voltage, current, power, magnetic field strength, sound,
 lumens, whatever. Anything that has a magnitude.
 Could even be water pressure, though I know of no one who's ever
 used the terms that way.

 For example, 1 volt RMS across 100 ohms is the same level as 1 volt across 
 1,000 ohms, but the ratio between the two cases is 10 dB.

 Again, not the case.
 The voltage ratio is the voltage ratio, in this case 0 db.
 The power ratio in this case is 10 db.

 Maybe it's time we actually start calling a volt a volt.

 And in too many cases, I wish we would !!
 Using terms not fully understood by the people involved
 leads to misunderstandings, and truths that are not.
 Too many assume that db means the same as voltage,
 when it's no such thing.

-- 
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http://cowboy.cwf1.com

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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Rob Landry


On Wed, 12 Dec 2012, Cowboy wrote:

 NOT true !
 A db is a ratio of magnitudes.
 Can be voltage, current, power, magnetic field strength, sound,
 lumens, whatever. Anything that has a magnitude.
 Could even be water pressure, though I know of no one who's ever
 used the terms that way.

If the decibel were merely a measurement of the ratio of generic 
magnitudes, then why should 10 dB not reflect the same ratio in volts as 
in watts?

My understanding is that the decibel was defined as a measurement of power 
ratio, and the only meaningful use of it for a voltage ratio derives from 
comparing the corresponding powers.

Otherwise, if the Boston Red Sox beat the New York Yankees 23 to 2, then 
how many dB down are the hapless New Yorkers?


Rob

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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Robert
On Wed, 2012-12-12 at 09:09 -0800, Bill Putney wrote:
 The 0 dBm spec is to make 1 mw into a 600 ohm load.

absolutely

  in amplifiers 
 without feedback the amplifiers would only make that level reliably
 when 
 the source and load impedances matched. 

Strongly disagree!

Any number of pre solid-state amplifiers produced enough output to show
0dbm: Our standard GP amp [2 x ecc83 / 12aux7] delivered better than
+10dbm at less than 0.1 % thd. Yes they had negative feedback, and bias
correction as the tube aged. They ran for years without failure. If they
started to sag they were picked up on the monthly checks.



Source and load impedances need to be matched to get maximum transfer of
energy.

If you terminate a 600 ohm line at either one or both ends with some
other impedance you introduce losses.

So amps were built with 600 ohm output transformers, and plugged into
lines which may be local studio lines, or telco lines and terminated by
equipment that presented 600 ohms to the line. This gives maximum energy
transfer. The critical issue was noise. The 0dbm level was the
transmission level for phone lines, and the gear the telco used to relay
over long distance ran at this level. Because of the clever stuff that
jammed 50 calls on one carrier, and split our 10k audio over 3 circuits
that 0dbm level had no margin. The noise floor was about -40 on a good
day.

The telco local lines had margin, you could feed them at +20 to get over
line losses to the tx. Crosstalk was then the issue. Feeding them at 15
ohms made the line equalisation at the far end a lot easier. It also
attenuated the crosstalk.

It is true that modern equipment has all manner of impedance input and
output, and this does cause level issues. These go un noticed because
there is usually enough gain hanging around to solve the problem and
noise is not such an issue.

However impedance mismatch often produces a change in frequency response
because input/output impedances are not always purely resistive.

Try explaining that to someone who has spent rather a large amount of
money on a sound installation in which the components don't match up,
and the supplier/installer has no idea about the math of ohms law.

All that stuff which the old guys drilled into us hasn't changed, and
it's frustrating to see that people in the industry somehow believe it
has.

Sorry to grump but the mythology of audio transmission creates huge
problems which I often get called to fix!

 
Robert Jeffares
Big Valley Radio Thames
The Wireless Station Hawkes Bay


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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Cowboy
On Wednesday 12 December 2012 05:20:27 pm Robert wrote:
 All that stuff which the old guys drilled into us hasn't changed, and
 it's frustrating to see that people in the industry somehow believe it
 has.

 Who you callin' old ?

 You wanna step outside, and I'll show you who's old !

 mumble mumble my glasses mumble mumble my cane mumble mumble

 :)  :) :)

-- 
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http://cowboy.cwf1.com

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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-12 Thread Steve Atkins

Who you callin' old ? 

You wanna step outside, and I'll show you who's old ! 

mumble mumble my glasses mumble mumble my cane mumble mumble 

:) :) :) 

__Ha Ha!! Listening to all this has my radio school 1st Phone study tests 
flashing though my mind! In addition to theory, we had our own five sets of 
practice tests. Most of it stayed with me, but my path led elsewhere in terms 
of practice, so thanks for the refresher course! 


Steve 
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[RDD] The Great Audio Voltage Debate quick ref chart

2012-12-11 Thread VE4PER/ Andy
Noticed lengthy discussions on normalization and found this chart that 
might be of interest


http://www.google.ca/url?sa=trct=jq=0%20dbmsource=webcd=4sqi=2ved=0CD4QFjADurl=http%3A%2F%2Fwww.tecmag.com%2Fpdf%2Fdbm_v.pdfei=fN_HUK2TGIaE2gXlxoCgAQusg=AFQjCNEY25QxasGndqL5ZAXkYDCgFaB4KQcad=rja


also this explanation I found useful

http://en.wikipedia.org/wiki/DBm

Audacity shows a scale with 1.0 as a max usually but that is PEAK only 
and is actually 2.0 VAC Peak to Peak

RMS is 0.775   and average is closer to 0.5  so be sure to compare 
apples to apples and oranges to oranges


I have a portable oscillator for aligning my mixer board and all other 
audio sections including the PC's but only have a standard digital 
multimeter and or a standard analog mutimeter neither of which are 
calibrated to read in db, dbv or dbm unlike a lot of pro audio test sets 
are  so these relationships help to be able to use the basic meters to 
calibrate my systems; but one has to be very aware of the relationships 
and not to confuse, peak, peak-to-peak, average and RMS values in order 
to maintain a maximum peak range between -8 dbm and -12 dbm  and still 
retain a further 4 db of additional headroom for protection.





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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-11 Thread Bill Putney
1.0 in Audacity is 0 dBFS. This has nothing to do with voltage. It has only a 
tenuous relationship to 0 dBVU. Various people use various values for 0 dBVU. 
Usually it's -18 (EBU recommendation) or -20 (AES recommendation) down from 0 
dBFS. 

Now we kinda get to voltages. 0dBVU is +4 dBM (1.23V RMS at 600 ohms) in pro 
systems. 0 dBVU is -10 dBV (.316V RMS).

Bill

On Dec 11, 2012, at 17:47, VE4PER/ Andy ve4...@aim.com wrote:

 Noticed lengthy discussions on normalization and found this chart that 
 might be of interest
 
 
 http://www.google.ca/url?sa=trct=jq=0%20dbmsource=webcd=4sqi=2ved=0CD4QFjADurl=http%3A%2F%2Fwww.tecmag.com%2Fpdf%2Fdbm_v.pdfei=fN_HUK2TGIaE2gXlxoCgAQusg=AFQjCNEY25QxasGndqL5ZAXkYDCgFaB4KQcad=rja
 
 
 also this explanation I found useful
 
 http://en.wikipedia.org/wiki/DBm
 
 Audacity shows a scale with 1.0 as a max usually but that is PEAK only 
 and is actually 2.0 VAC Peak to Peak
 
 RMS is 0.775   and average is closer to 0.5  so be sure to compare 
 apples to apples and oranges to oranges
 
 
 I have a portable oscillator for aligning my mixer board and all other 
 audio sections including the PC's but only have a standard digital 
 multimeter and or a standard analog mutimeter neither of which are 
 calibrated to read in db, dbv or dbm unlike a lot of pro audio test sets 
 are  so these relationships help to be able to use the basic meters to 
 calibrate my systems; but one has to be very aware of the relationships 
 and not to confuse, peak, peak-to-peak, average and RMS values in order 
 to maintain a maximum peak range between -8 dbm and -12 dbm  and still 
 retain a further 4 db of additional headroom for protection.
 
 
 
 
 
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Re: [RDD] The Great Audio Voltage Debate quick ref chart

2012-12-11 Thread VE4PER/ Andy
http://www.sengpielaudio.com/calculator-db-volt.htm


On 12/12/12 04:15, Bill Putney wrote:
 1.0 in Audacity is 0 dBFS. This has nothing to do with voltage. It has only a 
 tenuous relationship to 0 dBVU. Various people use various values for 0 dBVU. 
 Usually it's -18 (EBU recommendation) or -20 (AES recommendation) down from 0 
 dBFS.

 Now we kinda get to voltages. 0dBVU is +4 dBM (1.23V RMS at 600 ohms) in pro 
 systems. 0 dBVU is -10 dBV (.316V RMS).

 Bill

 On Dec 11, 2012, at 17:47, VE4PER/ Andy ve4...@aim.com wrote:

 Noticed lengthy discussions on normalization and found this chart that
 might be of interest


 http://www.google.ca/url?sa=trct=jq=0%20dbmsource=webcd=4sqi=2ved=0CD4QFjADurl=http%3A%2F%2Fwww.tecmag.com%2Fpdf%2Fdbm_v.pdfei=fN_HUK2TGIaE2gXlxoCgAQusg=AFQjCNEY25QxasGndqL5ZAXkYDCgFaB4KQcad=rja


 also this explanation I found useful

 http://en.wikipedia.org/wiki/DBm

 Audacity shows a scale with 1.0 as a max usually but that is PEAK only
 and is actually 2.0 VAC Peak to Peak

 RMS is 0.775   and average is closer to 0.5  so be sure to compare
 apples to apples and oranges to oranges


 I have a portable oscillator for aligning my mixer board and all other
 audio sections including the PC's but only have a standard digital
 multimeter and or a standard analog mutimeter neither of which are
 calibrated to read in db, dbv or dbm unlike a lot of pro audio test sets
 are  so these relationships help to be able to use the basic meters to
 calibrate my systems; but one has to be very aware of the relationships
 and not to confuse, peak, peak-to-peak, average and RMS values in order
 to maintain a maximum peak range between -8 dbm and -12 dbm  and still
 retain a further 4 db of additional headroom for protection.





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