Re: [scots-l] Few Notes

2002-04-14 Thread Celtic World

Bluebells of Scotland springs immediately to mind.
Bruce Campbell


From: Nigel Gatherer [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: Scots-L Posting [EMAIL PROTECTED]
Subject: [scots-l] Few Notes
Date: Sun, 14 Apr 2002 14:52:15 +0100

I came across the Irish polka below, and what drew me to it was how few
notes are used in the tune (five in all). I'm trying to find Scottish
tunes which use as few notes, for use in teaching complete beginners.
Any suggestions?

X:1
T:no name
R:polka
H:Also in A, #111
D:Martin O'Connor: The Connachtman's Rambles
Z:id:hn-polka-113
M:2/4
L:1/8
K:G
B2 BA|GE ED|EA AB/A/|GE ED|B2 BA|GE ED|EG AB/A/|G2 GA:|
BA AG|BA AG|A2 AB/A/|GE ED|BA AG|BA AG|A2 AB/A/|G2 GA:|

--
Nigel Gatherer, Crieff, Scotland
[EMAIL PROTECTED]
http://www.argonet.co.uk/users/gatherer/

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Bruce Campbell (Editor, CELTIC WORLD - now printed in Scotland and 
Australia)

Duntroon Publishing
81 Marine Parade
Kirn
Dunoon
Argyll PA23 8HF
TEL: 01369 702 287
MOBILE: 077 5984 5201


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[scots-l] Re: Few Notes

2002-04-14 Thread Nigel Gatherer

Bruce Campbell wrote:

 Bluebells of Scotland springs immediately to mind.

[Humming it in my head.] Um, unless I have the wrong tune, Bluebells
uses nine different notes, counting low doh and high doh as two
different notes:

ABC notation:
A|d2 cB A2 Bc/d/|FFGE D3 A|FDFA d2 Bc/d/|cAB^G A2 z|

Tonic Sol-Fa:
.s |d'   :t .l | s  :l .t,d' |m .m :f .r  |d :-
.s |m .d :m .s | d' :l .t,d' |t .s :l .fe |s :- ||

-- 
Nigel Gatherer, Crieff, Scotland
[EMAIL PROTECTED]
http://www.argonet.co.uk/users/gatherer/

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Re: [scots-l] Few Notes

2002-04-14 Thread Manuel Waldesco

What about the Blackberry Bush reel? It would take longer to learn because
it has 4 parts but it's also a pentatonic tune and sounds similar to this
Irish polka.

Another option would be Harris Dance though, in all cases,  these are
tunes which jump the octave, if you want tunes with just five notes in the
same octave, well, I cannot think of any, sorry!(apart from the first part
of the Blackberry Bush). If I find any, I'll let you know.

Manuel Waldesco
Edinburgh

- Original Message -
From: Nigel Gatherer [EMAIL PROTECTED]
To: Scots-L Posting [EMAIL PROTECTED]
Sent: Sunday, April 14, 2002 2:52 PM
Subject: [scots-l] Few Notes


 I came across the Irish polka below, and what drew me to it was how few
 notes are used in the tune (five in all). I'm trying to find Scottish
 tunes which use as few notes, for use in teaching complete beginners.
 Any suggestions?

 X:1
 T:no name
 R:polka
 H:Also in A, #111
 D:Martin O'Connor: The Connachtman's Rambles
 Z:id:hn-polka-113
 M:2/4
 L:1/8
 K:G
 B2 BA|GE ED|EA AB/A/|GE ED|B2 BA|GE ED|EG AB/A/|G2 GA:|
 BA AG|BA AG|A2 AB/A/|GE ED|BA AG|BA AG|A2 AB/A/|G2 GA:|

 --
 Nigel Gatherer, Crieff, Scotland
 [EMAIL PROTECTED]
 http://www.argonet.co.uk/users/gatherer/

 Posted to Scots-L - The Traditional Scottish Music  Culture List - To
subscribe/unsubscribe, point your browser to:
http://www.tullochgorm.com/lists.html


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Re: [scots-l] Few Notes

2002-04-14 Thread Kate Dunlay or David Greenberg

I came across the Irish polka below, and what drew me to it was how few
notes are used in the tune (five in all). I'm trying to find Scottish
tunes which use as few notes, for use in teaching complete beginners.
Any suggestions?

I always use Mairi's Wedding in A.  Works out well on the fiddle 
starting on the E on the D string.  It's hexatonic and repetitive and 
most people have heard it.  It has do re mi in it.  Everybody 
always gets it, even little kids, which I haven't found with many 
other tunes.

- Kate
-- 
http://www.DunGreenMusic.com
Halifax, Nova Scotia
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Re: [scots-l] Few Notes

2002-04-14 Thread Clarsaich
In a message dated 4/14/02 9:55:56 AM Eastern Daylight Time, [EMAIL PROTECTED] writes:


I'm trying to find Scottish
tunes which use as few notes, for use in teaching complete beginners.


We've been discussing "Come Give Me Your Hand" on the wire harp list. It's ALMOST pentatonic, but I think it goes outside the range of one "octave".

Do you know "Blow the Man Down" on your side of the pond? (I'm in America...) Six notes, but lots of pettern repeats make it a good teaching tune. 

Skye Boat Song, of coursefamiliar as the day is long, and only 5 notes though again it's not limited to the range of one octave. Almost.

May I put on my Pedagogy Hat? Now, I don't play the fiddle, and maybe it's different from my experience. But I look more for tunes that have lots of repetition in pattern, rather than focus solely on tunes that have just a few notes. The Steve Foster tune "Oh! Susanna" for example, works real well with my American students, because it is very familiar (they already know the tune, so I don't have to teach that) and the first, second and fourth phrases are identical. Au Clair de la Lune is the same way.

Besides looking for tunes with absolute, dead-on repeated passages, I also look for repeating *patterns* (sequences and/or repeating rhythmic patterns). Skye Boat comes back to mind...the same rhythm over and over again. You learn the rhythm once, you got it. They Stole My Wife Last Night has a great repeated melodic pattern (if you ignore the gaps. I tell my harp students to pretend the gapped strings are not even there.)

BTW, anyone know what "Stole My Wife" is about? Is it reflective of some old wedding tradition, like the American tradition of decorating the newlyweds' car so they can't get away quietly for the honeymoon?

--Cynthia Cathcart
http://www.cynthiacathcart.net/


[scots-l] Re: Few Notes

2002-04-14 Thread Nigel Gatherer

Cynthia Cathcart wrote:

 May I put on my Pedagogy Hat? Now, I don't play the fiddle...

Neither do I... :-) However, the situation I'm considering is the very
first lesson for a Beginners Whistle class. I would like to start off
by getting them to learn, say, three notes: G, A and B. We'll noodle
around on that for a while and then I'd introduce two more notes, say E
and D. From that it would be a short way to introducing a tune which
used all these notes and only these notes. The high D is a problem
because it takes a particular skill to play it, and I'd like to wait a
while before learning that skill. 

 ...I look more for tunes that have lots of repetition in pattern,
 rather than focus solely on tunes that have just a few notes. The
 Steve Foster tune Oh! Susanna for example, works real well with my
 American students, because it is very familiar (they already know the
 tune, so I don't have to teach that) and the first, second and fourth
 phrases are identical...

This is the ideal: a well-kent tune with few notes so that, very
quickly, the students would achieve the playing of a tune on a new
instrument to them. The polka I posted is a good example in some ways,
but it's not well-known. I'll be looking for suitable tune, but I
thought I'd ask y'all for help.

 ...Au Clair de la Lune is the same way...

Yes, and the first part uses only three notes (e.g. G, A, B)!

 BTW, anyone know what Stole My Wife is about? Is it reflective of
 some old wedding tradition, like the American tradition of
 decorating the newlyweds' car so they can't get away quietly for the
 honeymoon?

I can't say I know that tune. Where does it come from?

-- 
Nigel Gatherer, Crieff, Scotland
[EMAIL PROTECTED]
http://www.argonet.co.uk/users/gatherer/

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Re: [scots-l] Re: Few Notes

2002-04-14 Thread Celtic World

Bluebells - eight actually, at least in pipe music where it is unusual 
because it is not pentatonic in structure.
I always found it very easy to teach because it is mostly crotchet or tied 
crotchet single note beats. I used it for teaching learner pipers who could 
even pick it up and play it quite well within  day or so.
Anyway.
Bruce Campbell


From: Nigel Gatherer [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: [scots-l] Re: Few Notes
Date: Sun, 14 Apr 2002 16:21:21 +0100

Bruce Campbell wrote:

  Bluebells of Scotland springs immediately to mind.

[Humming it in my head.] Um, unless I have the wrong tune, Bluebells
uses nine different notes, counting low doh and high doh as two
different notes:

ABC notation:
A|d2 cB A2 Bc/d/|FFGE D3 A|FDFA d2 Bc/d/|cAB^G A2 z|

Tonic Sol-Fa:
.s |d'   :t .l | s  :l .t,d' |m .m :f .r  |d :-
.s |m .d :m .s | d' :l .t,d' |t .s :l .fe |s :- ||

--
Nigel Gatherer, Crieff, Scotland
[EMAIL PROTECTED]
http://www.argonet.co.uk/users/gatherer/

Posted to Scots-L - The Traditional Scottish Music  Culture List - To 
subscribe/unsubscribe, point your browser to: 
http://www.tullochgorm.com/lists.html



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Re: [scots-l] Re: Few Notes

2002-04-14 Thread Clarsaich
In a message dated 4/14/02 4:16:02 PM Eastern Daylight Time, [EMAIL PROTECTED] writes:


Neither do I... :-) 

Fancy that! All this time I imagined you with the fiddle, but goodness, I know better than that, don't I? Dear me, wake up, Cynthia.

I will start scouting tunes for you! Anything to launch new musicians! Besides, there might be something that would work for me and my students, too.

Re: They Stole My Wife Last Night. It is in the Patrick McDonald collection (1784). My Gaelic is very shaky (read that V-E-R-Y shaky) and so I ran it past a friend who has pretty solid Gaelic for a translation, and he came up with the same thing.

Ghoid iad mo bhean uam an reir.

It's a very cool tune, pentatonic. I should try my hand at ABC notation so y'all can see it...it's also in my second book, where I have arranged it so one can play it on a clarsach tuned with either one sharp (F), one flat (B) or no sharps or flats. It's my perenial "workshop tune". Great for teaching fixed finger, gapped scale theory, and wire-strung clarsach ornaments.

Do you have the McDonald collection? It's in the middle of page 3. I'm putting it on my CD with some really rhythmic damping. Verycool.

--Cynthia Cathcart
http://www.cynthiacathcart.net/