[spectre] conf. WOS4 - Information Freedom Rules, Berlin 14-16 Sept

2006-08-16 Thread Andreas Broeckmann 

Wizards of OS 4
Information Freedom Rules
International Conference
14-16 September 2006
in Columbia Hall Berlin
http://wizards-of-os.org/

Four weeks to go till WOS4. We were thinking about holding a beach
volleyball competition during the conference to prevent our joints
from becoming rusty from all the sitting and talking and hacking, but
if the temperature continues to drop at the current rate we might
have to do with snow-ball fights instead.

Fortunately there is a tropical wind blowing into WOS4 from the
Southern hemisphere. The digital revolution will definitely not be
televised but if we believe Brasil‘s Minister of Culture Gilberto Gil
it will be tropicalised. How does the spirit of funky samba and
caipiroshka get into silicon and bits? Hear about it first hand from
Claudio Prado, Head of the Department of Digital Culture at the
Brasilian Ministry of Culture. On the final session of WOS4, „Brazil,
the Free Culture Nation" [1], he will be speaking about hacking the
government, spanning a network of free „culture points" across the
country and achieving autonomy. The „pontos de cultura" [2] will be
powered by the MetaReciclagem movement that Felipe Fonseca will be
introducing, and, of course, by free software. Fernanda Weiden will
be addressing the Women in Free Software Project that she founded in
Brazil.

It‘s well known that free software is good for developing countries,
because of its local- and customisability, its suitability for older
recycled hardware, its community support and zero licensing fees. We
will discuss this in the „Future of Free Software" sessions as well,
that Linux Weekly News editor in chief Jonathan Corbet is chairing
[3]. But what if you turn around and „free" versions of proprietary
software come creeping up on previously free machines? Sergio Amadeu
who was behind the local telecentro movement and then the national
free software strategy in Brazil has the answer: You set up an NGO to
train ten thousand young people to support GNU/Linux and then --
start an anti-piracy campaign.

Expect a lot of Brasilian grass-roots culture coming online from
these „pontos de cultura" [2], including massively cool music. Berlin
DJ and producer Daniel Haaksman has researched the Baile Funk scene
of Rio de Janeiro and published a number of compilations [4]. He will
not only talk about the culture and economics behind it but also play
the first set at the party on Saturday night [5].

In the last announcement I promised to unveil some of the more unruly
aspects of WOS4. In fact, every rule provokes its own transgression.
Beyond what is permitted lies the largely unknown realm of the
possible. What happens when we interpret information freedom in a
radical way, and everyone can actually do what they like? We don‘t
know, therefore we have invited radical researchers to shed light on
this space of possibilities on the „Freedom expanded" panel [6]. What
happens if one starts from the assumption that copyright has become
untenable, as does Rasmus Fleischer from the Swedish Pirate Bay? What
develops when you connect p2p networks to local micro transmitters?
The artist group Bitnik knows a bit or two about it. What could
emerge when you open source and interlink the millions of emedded
computers that make the things around us ‚intelligent‘? That is
exactly what Alexei Blinov is planning to do.

I was just kidding about the snow-ball fights. The first WOS
participants from Brazil have arrived already, so we can expect
Berlin temperatures to rise any minute [7]. Tatiana Wells and Ricardo
Ruiz from Pipa in the North of Brasil have taken up residency at
Tesla [8] in order to construct the Berlin version of their Urban
Intervention and Information Correction Machine „mimoSa." They would
like you to join them in the construction so that the machine will be
ready to record our stories at WOS4. Watch this page for
instructions: [9].

If you haven‘t fully planned your trips for the summer yet and enjoy
event hopping, take a look at our calendar [10]. WOS4 offers a lot of
opportunities for combination with events before, like ars
electronica (Linz), the Eclectic Tech Carnival (Timisoara) and the
6th international literature festival (Berlin). From WOS you can then
go on to EuroOSCON (Brussels), OpComm (Berlin), Social Informatics:
An Information Society for All? (Maribor) or Informatik und Ruestung
(Berlin).

You can‘t come to WOS4 at all? WOS4 will not be televised either, but
it will be streamed. [11]

A final word on money. Models for generating income to make free
culture sustainable will be a central issue at WOS4. But the
conference itself has to be sustained as well. If you like what WOS
is doing and are in a position to contribute to making WOS4 happen or
know someone who is, we would love to hear from you. Here are a
number of attractive options for supporting the conference: [12].

Don‘t miss it. Register now [13].

for the WOS team
yours Volker Grassmuck


[1] http://wizards-of-os.org/index.php?

[spectre] Artist Exchange Initiative with Sculptors in Zimbabwe

2006-08-16 Thread Rini Hartman 

To: "nettime-l@bbs.thing.net" 
Subject:  Artist Exchange Initiative
Date: Mon, 14 Aug 2006 12:29:38 +0100
From: "Rini Hartman" <[EMAIL PROTECTED]>


From: David Jamali <[EMAIL PROTECTED]>


Dear friends,

I am the founder of Mavambo Artist Space a community based organisation
in Harare, Zimbabwe. I am currently based in Melbourne Australia. I am
supporting a collective of Stone Sculptors in Zimbabwe, who are also
providing training to Aids Orphans through the Mavambo Artist Space
which is currently housed at my motherˆÇ¬ís place in Tafara a township
located 20km east of Harare.

I was wondering if there are any artists collective particularly in South
Africa or anywhere that could host some of the artists in a residency
program for a period of time. I can contribute transport costs to and
fro South Africa for two artists from Harare to spend some time working
with a collective or more in South Africa. The Artist are prepared to
share their skills with interested groups and at the same time would
love to work in a different environment and organise an exhibition
together with the local artists to highlight some of the challenges
being faced by Zimbabwean Artists. The artist will need help with
accommodation, food for the duration of their stay in South Africa and
in return can also do some volunteer work to compensate any organisation
that would love to host them.

If there are any interested organisations please send me an expression of
interest and together we can develop the Terms of Reference for the
exchange program. In future we can also organise artist from other
places to come and spend some time in Zimbabwe working with local
sculptors through the Mavambo Artist Space.

I am looking forward to hearing from you


David Jamali
Founder/International Relations
[EMAIL PROTECTED]

PS: Perhaps people in the Southern Africa region we could develop a
regional Artist Exchange Initiative to facilitate an skills exchange
program. Anyone love to develop this idea?





ART FOR SOCIAL CHANGE
a belief in cultural, creative and integral expression as a means to
affecting deep and lasting social change

Art for Social Change is creative expression that emerges from artists to
improve individual and collective circumstances. Art for Social Change
involves an understanding of creation that includes not only objects,
but also geographic locations, groups of people and collective
consciousness.

Social artists are concerned with the many ways art can function, like
community development, the environment, education, intergenerational
communication, healthcare, technology, politics, conflict resolution,
community regeneration and cultural citizenship. They are working in all
media, in all disciplines, in all locations.

Social artists are committed to bringing the arts to bear on the widest
possible range of social conditions and challenges facing our society.
These efforts seek to create social change at every level of society,
from personal to political.

At the heart of this social vision is a belief in cultural and creative
expression as a means to affecting deep and lasting social change. Art
becomes a political act, a conscious effort to facilitate and
participate in social change.

Art for Social Change is an expression of both individual and group
identity. All creative expression is an expression of both individual
and group life. Instead of an isolated individual, the artist serves as
a cultural catalyst of social intervention and transformation.

Through art, we can challenge many of our society's deepest assumptions,
such as the boundaries between self and other, 'artist' and
'non-artist', present and past, male and female, young and old,
'normal'
and 'abnormal'. The social artist builds upon the power of artistic
creation and expression to spark new ideas, catalyze critical thinking,
elicit new actions, inspire individuals and create visions.

If the majority of the people do not believe in the possibility and the
rightness of their common cause, nothing long-lasting will be changed.
This is where art and artists play an essential role. If we want
freedom, we must promote free expression. If we want equity, we must
have equal access and support in expressing ourselves.

If we want respect, love and beauty among us and others, we must actively
promote it through our art.

http://www.artforsocialchange.net
http://www.digicarefoundation.org
http://www.chequedelarealidad.org


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[spectre] Two New MAs: Art Museum & Gallery Education/Heritage Management

2006-08-16 Thread Geert Lovink 

From: Bernadette Buckley <[EMAIL PROTECTED]>

Dear Colleagues,

The International Centre for Cultural & Heritage Studies at Newcastle
University welcomes applications for its two exciting new MA  
Programmes:
Art Museum & Gallery Education / Heritage Management, both commencing  
in

September 2006.

On-line Application Forms can be found at
http://www.ncl.ac.uk/postgraduate/apply/applicationforms.phtml.

MA in Art Museum & Gallery Education

This innovative new programme has been created specifically to meet the
growing national and international need for qualified visual arts
educators. It offers an exciting opportunity for those wishing to  
pursue
graduate-level professional training as gallery, art museum and  
freelance
art educators. It combines cutting edge research with the chance to  
learn
directly from the practical experience of professionals from Tate  
Modern,

BALTIC and others operating in the field.

For further information about Art Museum & Gallery Education, please  
see
http://www.ncl.ac.uk/postgraduate/taught/subjects/culturalheritage/ 
courses/462
 .  Prospective students can also contact Dr Bernadette Buckley on
[EMAIL PROTECTED]   or
tel. + 44 (0) 191 222 3940.

MA in Heritage Management

This programme is designed to provide students with a good  
understanding

and working knowledge of the management of heritage resources and sites
which will enable them to gain employment in the sector or to conduct
further research. Modules are delivered intensively in weekly teaching
blocks making access to the programme easier for part time students and
heritage professionals.

For further information about Heritage Management, please  see
http://www.ncl.ac.uk/postgraduate/taught/subjects/culturalheritage/ 
courses/462
 .  Prospective students can also contact Dr Aron Mazel on
[EMAIL PROTECTED] or tel. + 44 (0) 191 222 7845.

Best Regards

Bernadette.Buckley & Aron Mazel


Dr. Bernadette Buckley
Lecturer in Art Gallery and Museum Studies
ICCHS
Bruce Building
International Centre for Cultural & Heritage Studies
University of Newcastle
NE1 7RU

Tel: +44 191 222 3940
[EMAIL PROTECTED]

Dr Bernadette Buckley
Lecturer in Art Gallery & Museum Studies
International Centre of Cultural & Heritage Studies
Bruce Building
University of Newcastle upon Tyne
Newcastle
NE1 7RU

0191 222 3940
[EMAIL PROTECTED]



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[spectre] sagasnet __masterclass interactive entertainment___sept 1 - 7 2006___ call for participation___

2006-08-16 Thread Brunhild Bushoff 
___
call for participation
___
sagasnet

Master Class for Independent Producers of Interactive Entertainment
Munich, September 1 - September 7 2006
___

Held by Frank Alsema (4xM, NL) and Frank Boyd (Unexpected Media, UK)

Guest Speakers:
Stefan Baier, Streamline Studios, NL; Ingeborg Degener , MEDIA Antenna
Munich, D; Steve Fitton, Wise Monkey Ltd, UK; Dieter Marchsreiter,
Marchsreiter Communications GmbH, D; Heikki Masalin, CIM, Fin; Vincent
Scheurer, Sarassin LLP, UK


Five day master class on team management, production management, risk
management, outsourcing, marketing and distribution for independent creative
producers.

Lectures and integrated exercises with ample opportunities for the
participants to bring in their own scenarios.

Producing interactive entertainment often means managing innovation plus
innovative management - this is particularly true for independent producers.

Apply now...
Details and preliminary timetable: www.sagas.de

A limited  number of scholarships available for participants
from (EU) MEDIA member countries


Best regards,
Brunhild Bushoff

If you do not want to receive emails from [EMAIL PROTECTED]  any longer, please
reply to this note with the subject 'unsubscribe' . Thanks!


_
__sagasnet  & sagas writing interactive fiction
c/o Bayerisches Filmzentrum
Bavariafilmplatz 7 
D-82031 Muenchen-Gruenwald___

tel + 49 89   64 98 11 29 /30
fax + 49 89  64 98 13 29/30
mobile  + 49 (0) 171 45 28 0 52
URL   http://www.sagasnet.de
  http://www.sagas.de
e-mail [EMAIL PROTECTED]
   [EMAIL PROTECTED]
  
__a non profit training initiative of the GDF
(Supporting Society of the University for
Television and Film Munich) with the support of
the MEDIA Programme of the European Community_
__

/
sagas_sagasnet_reader:
Developing Interactive Narrative Content.
München: HighText 2005 (ISBN 3-933269-92-X)
Online ordering possible via
http://www.ibusiness.de/shop/db/shop.7544hr.html
/
_
/
Interactive Digital Cinema Workshop
ZKM, Karlsruhe, Oct 19 - 26 2006
Developing Interactive Narrative Content
http://www.sagas.de
/
_






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[spectre] PERFORM.MEDIA

2006-08-16 Thread Andrew Bucksbarg 

PERFORM.MEDIA
http://performthemedia.net

Perform.Media is a transdisciplinary festival and symposium of  
creativity, theory, research and technoculture.

September 29th-October 14th, 2006
Indiana University, Bloomington, Indiana

Perform.Media presents a ground breaking first for Indiana University  
and the Midwest, with a festival and symposium creating intimate  
discussion, performances, gallery environments, presentations and  
workshops, both online and off.  Perform.Media brings together  
artists, directors, writers, composers, musicians, DJs/VJs,  
researchers and theorists, in a festival and symposium, to share work  
and engage in discourse at the confluence of performance, new media,  
and technoculture.


Perform.Media traverses transdisciplinary territories in the  
collaboration and social feedback of creative/artistic work, research  
and theory.  The festival and symposium will include experiments in  
live audio-visual improvisations, interactive and game media,  
performance processes, mobile and locative works, mixed and virtual  
reality presentations, net.art and “all things newer media.”


With over fifty participants from around the globe, Perform.Media  
will explore the "performing" and "playing" of participatory and  
collaborative new media and technology.  Perform.Media supports  
collisions as much as intersections and affirmations, including  
creative/artistic, cultural or science/research approaches to the  
activity of new media performing and technology.


Perform.Media will take place on the campus of Indiana University,  
Bloomington, and will include a gallery program at The Henry Radford  
Hope School of Fine Arts Gallery from September 29th-October 14th,  
2006. The event will additionally feature a symposium with  
presentations and workshops on wikis, virtual communities, mobile and  
translocal work, a talk show produced in the video game Halo 2 and  
more, on September 30th and October 1st.  There will also be an  
evening of performance work on  September 30th, including DJs/VJs and  
audio-visual improvisers, collaborations of writers, artists and  
musicians, experimental/new media composers, ambient sounds, Game Boy  
beats and much more.  For current information and scheduling, please  
see the website- http://performthemedia.net


--> Festival opening- September 29th, 2006, 7-9PM @ The School of  
Fine Arts Gallery
--> Evening of performances- September 30th, 2006, 8-11PM @ The John  
Waldron Arts Center Rose Firebay
--> Symposium- September 30th, from 9AM-5PM and October 1st, 2006,  
from 9AM-1PM


Focus areas for the festival and symposium include-

Performing the Audio-Visual
Performing the Virtual or Mixed Reality
Performing the Mapped, Mobile, Translocal, or Distributed
Performing Identities and Personalized Media
The Performing Participant and Embodied Media

Some of the participants include-

Aerostatic, NY, will perform a set of down tempo atmospheres,  
ambience and microbeats performed with an array of interactive  
sensors, software and gestural interfaces.


Isabelle Arvers is a French new media curator, based in Geneva (CH).
She will discuss video and computer games, networks and digital  
cinema telematically.


Robert Allen, Assistant Professor of Theater at the University of  
Maryland and Antoinette LaFarge, Associate Professor of Digital Media  
at the University of California, Irvine will present Demotic, a mixed- 
reality performance work about American Memory.


Eli Blevis and Kevin Makice, Indiana University School of  
Informatics, will present a talk and workshop on media wikis.


Peter Brinson, a filmmaker, game developer, and educator living in  
Los Angeles will present his piece "No Animals Were Hurt," a short  
film about Alan Turing that increases in length as more people view it.


Susan Broadhurst, Brunel University, London, will explore digital  
performance practices and her theorizations on liminality and new  
media performance.


Erik Bucy, Indiana University, will present a talk on the  
relationship between interactivity in artistic spaces, and research  
on interactivity in the academy.


Chris Burke, NY, producer of This Spartan Life, a talk show shot  
entirely in the Xbox Live game Halo 2, will explore Gamespace and  
Glitching, live in Halo 2 with special guests.


Brendan Byrne and Ana Carvalho, iRes Research Cluster, University  
College Falmouth, Cornwall, UK, will present a talk on VJing based on  
the initial findings from the forthcoming VJtheory project collection  
of essays.


Marjorie Cohee Manifold, Indiana University, Bloomington, will  
present her work Images of Fan-Art and Cosplay as Neo-teatrum Mundi.


Robert Ladislas Derr, Ohio State University, will perform Chance, a  
live performance using chance operations to explore the  
psychogeography of the urban landscape with video and a mirrored suite.


Mark Deuze, Indiana University, Leiden University, will present  
research based on in-depth in

[spectre] video competition: The Residents at MoMA

2006-08-16 Thread Andreas Broeckmann 

08/16/06 

MoMA



The Residents: The River of Crime,
an online community art project
Submissions requested August 15–September 15
<
http://www.moma.org/residents> http://www.moma.org/residents

The Residents: Re-Viewed
October 19–23

The Museum of Modern Art
11 W. 53 St. (212) 708-9480
<
http://www.moma.org/film> http://www.moma.org/film






You are invited to take part in an online project with The Museum of
Modern Art and The Residents. The famously anonymous multimedia
visual artists and musicians seek video to go with their audio.

Between August 15 and September 15, visit< http://www.residents.com>
http://www.residents.com to download the audio excerpt from The River
of Crime episode 1 and read the directions for submitting your clip.

The Residents and MoMA curator Barbara London will judge submissions.
On October 1, thirty shortlist videos will be posted on YouTube.com.

London and the Residents will select the final videos for screening
at MoMA on October 19. YouTube popularity will be taken into
consideration in the judging process. On October 20, the selections
will be posted on< http://www.moma.org/residents>
http://www.moma.org/residents


The Residents: Re-Viewed
October 19–23

This survey features the musical videos and films of The Residents.
Originally from Louisiana, they moved to San Francisco in the early
1970s and formed Ralph Records. With wit and rarified electronic
inventiveness, The Residents fuse a dark storytelling tradition of
the South with an eccentric countercultural spirit of the Bay Area.
The exhibition includes material such as Eskimo (1979), the bizarre
2002 Demons Dance Alone show, and footage from their ambitious
Vileness Fats film project, which was reluctantly cancelled after
four years (1972–76) of filming.

Throughout their thirty-year history, The Residents have cloaked
their lives and music in obscurity. Band members (always four in
number) refuse to grant interviews, do not identify themselves by
name (or even individual pseudonyms), and never appear without masks
(usually giant eyeballs with top hats.) Their management team, The
Cryptic Corporation, coordinates their productions and tours.

A representative will introduce the opening program and discuss The
River of Crime, their recently released downloadable "Crimecast"
series modeled after radio dramas of the 1940s.

The Museum of Modern Art
11 W. 53 St. (212) 708-9480
<
http://www.moma.org/film> http://www.moma.org/film


TERMS AND CONDITIONS: IN ORDER TO PARTICIPATE, YOU MUST REVIEW AND
AGREE TO THE TERMS AND CONDITIONS GOVERNING SUBMISSION TO YOUTUBE,
WHICH MAY BE LOCATED AT< http://www.youtube.com/t/terms>
http://www.youtube.com/t/terms, AND THE TERMS AND CONDITIONS
GOVERNING SUBMISSION TO MoMA, WHICH MAY BE LOCATED AT<
http://www.moma/residents> http://www.moma/residents, EACH OF WHICH
ARE INCORPORATED HEREIN BY REFERENCE. IF YOU DO NOT AGREE TO ANY OF
THESE TERMS, THEN PLEASE DO NOT SUBMIT MATERIALS FOR THIS PROJECT.


email to a friend  
contact  
subscribe
electronic flux corporation / www.e-flux.com
295 greenwich street #532, nyc ny 10007

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[spectre] SEP 15 video competition: The Residents at MoMA

2006-08-16 Thread caitlin e. berrigan 

08/16/06 

MoMA



The Residents: The River of Crime,
an online community art project
Submissions requested August 15–September 15
<
http://www.moma.org/residents> http://www.moma.org/residents

The Residents: Re-Viewed
October 19–23

The Museum of Modern Art
11 W. 53 St. (212) 708-9480
<
http://www.moma.org/film> http://www.moma.org/film






You are invited to take part in an online project with The Museum of
Modern Art and The Residents. The famously anonymous multimedia
visual artists and musicians seek video to go with their audio.

Between August 15 and September 15, visit< http://www.residents.com>
http://www.residents.com to download the audio excerpt from The River
of Crime episode 1 and read the directions for submitting your clip.

The Residents and MoMA curator Barbara London will judge submissions.
On October 1, thirty shortlist videos will be posted on YouTube.com.

London and the Residents will select the final videos for screening
at MoMA on October 19. YouTube popularity will be taken into
consideration in the judging process. On October 20, the selections
will be posted on< http://www.moma.org/residents>
http://www.moma.org/residents


The Residents: Re-Viewed
October 19–23

This survey features the musical videos and films of The Residents.
Originally from Louisiana, they moved to San Francisco in the early
1970s and formed Ralph Records. With wit and rarified electronic
inventiveness, The Residents fuse a dark storytelling tradition of
the South with an eccentric countercultural spirit of the Bay Area.
The exhibition includes material such as Eskimo (1979), the bizarre
2002 Demons Dance Alone show, and footage from their ambitious
Vileness Fats film project, which was reluctantly cancelled after
four years (1972–76) of filming.

Throughout their thirty-year history, The Residents have cloaked
their lives and music in obscurity. Band members (always four in
number) refuse to grant interviews, do not identify themselves by
name (or even individual pseudonyms), and never appear without masks
(usually giant eyeballs with top hats.) Their management team, The
Cryptic Corporation, coordinates their productions and tours.

A representative will introduce the opening program and discuss The
River of Crime, their recently released downloadable "Crimecast"
series modeled after radio dramas of the 1940s.

The Museum of Modern Art
11 W. 53 St. (212) 708-9480
<
http://www.moma.org/film> http://www.moma.org/film


TERMS AND CONDITIONS: IN ORDER TO PARTICIPATE, YOU MUST REVIEW AND
AGREE TO THE TERMS AND CONDITIONS GOVERNING SUBMISSION TO YOUTUBE,
WHICH MAY BE LOCATED AT< http://www.youtube.com/t/terms>
http://www.youtube.com/t/terms, AND THE TERMS AND CONDITIONS
GOVERNING SUBMISSION TO MoMA, WHICH MAY BE LOCATED AT<
http://www.moma/residents> http://www.moma/residents, EACH OF WHICH
ARE INCORPORATED HEREIN BY REFERENCE. IF YOU DO NOT AGREE TO ANY OF
THESE TERMS, THEN PLEASE DO NOT SUBMIT MATERIALS FOR THIS PROJECT.


email 
to a friend 
contact 
subscribe

electronic flux corporation / www.e-flux.com
295 greenwich street #532, nyc ny 10007

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--
Please be advised that as of August 15th, 2006 my 
phone number and e-mail remain the same but my 
new mailing address is:


Caitlin Berrigan
10 Maple Street, Apt. F8
Brooklyn, NY 11225-5040

My address was formerly:
699 Classon Ave, Apt 311
Brooklyn, NY 11238


(o)

http://www.membrana.us

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[spectre] Apologies

2006-08-16 Thread caitlin e. berrigan 

Hello massive listserve of Spectre!

Sometimes I re-send Spectre posts to myself with the deadline in the 
subject... and accidentally post it to the whole list. But usually I 
don't, and usually I don't send an apology because it just adds to 
the e-mail mess. But here is my apology for any past, present and 
future double-sendings: I'm sorry!


Very best,
Caitlin


--
Please be advised that as of August 15th, 2006 my phone number and 
e-mail remain the same but my new mailing address is:


Caitlin Berrigan
10 Maple Street, Apt. F8
Brooklyn, NY 11225-5040

My address was formerly:
699 Classon Ave, Apt 311
Brooklyn, NY 11238


(o)

http://www.membrana.us

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