[spectre] CFP: Future Histories of the Moving Image, Nov 2007

2007-06-02 Diskussionsfäden Andreas Broeckmann

Future Histories of the Moving Image

An international conference to be held at University of Sunderland

16-18 November 2007

 Due to growing interest and new confirmed speakers we have 

extended the submission deadline: 30 June 2007

Keynote Speakers: Professor Patricia Zimmermann (Ithaca College, New 
York), and Holly Aylett (Vertigo Magazine and Independent Film 
Parliament, UK)


As is now widely acknowledged, with the advent of digital technology 
the nature of moving image production, distribution and exhibition 
has changed dramatically. In particular, a rapidly increasing number 
of people are now accessing an increasing volume and range of moving 
image material online. This technology is also changing the way in 
which we analyse and document current and historical moving image 
practices, as there has been a recent proliferation of digital 
archive and database projects relating to film, video and television 
practices. It is timely therefore to examine the changing ways in 
which we are circulating and interrogating all areas of our moving 
image culture.

We would particularly welcome papers that address the following areas:

- What impact does the increasing reliance on database resources have 
on the nature of the histories we produce and write?


- History as database vs history as narrative.

- Implications of the proliferation of online critical writing (from 
refereed academic journals through to personal blogs) and its 
dissemination, with the blurring of the traditional distinction 
between professional and amateur writer.


- The role and implication of immediate online distribution/exhibition of works

- What impact is digital distribution having on theatrical exhibition?

- Issues arising from the perceived need on the part of major 
producers/broadcasters to develop content for multiple platforms.


- The implications of multiple producers being able to disseminate a 
wide range of material to multiple niche audiences (giving the idea 
of 'narrowcasting' a new meaning).


- Revival/development of found footage production practices with the 
availability of digital archives such as Library of Congress Internet 
Archive (including the Prelinger Archive) and BBC Open Archive 
initiative.


- Questions relating to the increasing accessibility online of moving 
image material in relation to intellectual property and the 
development of the Creative Commons copyright licence.


- The creative influence of database logic on film structure.

The conference will also host an open workshop - with participation 
by the Arts Council England, the Tate, the British Film Institute, 
Marcel Schwierin (Cinovid Database, Germany) and Gaby Wijers 
(Netherlands Media Art Institute, Montevideo/Time Based Arts) - which 
will address the issues of securing the sustainability and maximising 
the use/visibility of the growing number of film and video 
database/online research resources. The workshop is funded by the 
AHRC Networks and Workshops Scheme.
Check out our blog regularly for latest news: 
myblogs.sunderland.ac.uk/blogs/futurehistories/
Please send proposals of 200-300 words for papers of approx. 20 
minutes, together with a brief biographical note by 30 June 2007 to 
the conference organisers (Steven Ball, Julia Knight and Stephen 
Partridge) at 
mailto:[EMAIL PROTECTED][EMAIL PROTECTED]
Future Histories of the Moving Image is a joint conference organised 
by the University of Sunderland, the British Artists' Film and Video 
Study Collection (University of the Arts, London) and the Visual 
Research Centre REWIND project DJCAD at the University of Dundee, in 
collaboration with Convergence: The International Journal of Research 
into New Media Technologies. All papers delivered at the conference 
will be considered for publication in the journal.



Julia Knight
Reader in Moving Image/Co-editor, Convergence
School of Arts, Design, Media  Culture
University of Sunderland
Media Building
The Sir Tom Cowie Campus at St Peter's
St Peter's Way
Sunderland. SR6 0DD
Tel: 0191 515 2653 (direct line)
Tel: 0191 515 2634 (switchboard)
Fax: 0191 515 3807
email: mailto:[EMAIL PROTECTED][EMAIL PROTECTED]

***Please note NEW author-date style for Convergence**
see 
http://www.beds.ac.uk/convergence/callforpapers/instructionswww.beds.ac.uk/convergence/callforpapers/instructions


Convergence: The Journal of Research into New Media Technologies
Editors: Julia Knight and Alexis Weedon
Editorial assistant: Jason Wilson
Associate editors: Jeanette Steemers (Europe), Rebecca Coyle (Western 
Pacific), Amy Bruckman and Jane Singer (North America)

Published quarterley. ISSN 1354-8564
Copyright of Convergence articles rests with the publisher
Editorial e-mail: mailto:[EMAIL PROTECTED][EMAIL PROTECTED]
Editorial website: 
http://www.beds.ac.uk/convergencewww.beds.ac.uk/convergence

SAGE http://con.sagepub.comhttp://con.sagepub.com


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[spectre] 10 years of Neural online

2007-06-02 Diskussionsfäden Alessandro Ludovico

The first Neural 'online update' was uploaded 10 years ago (31 May 1997).

To celebrate this event, here's a link to the amazing software we 
included in the first online issue. It's causing a short 
hallucination, kicking your sense of deepness through an optical 
illusion. It's called Pinwheel (for PC, originally we included a 
Classic Mac version called BugEyes) 
[http://www.eyetricks.com/pinwheel.htm].


Furthermore we also offer a free original Neural issue #1 (printed in 
1993, language: Italian, http://www.neural.it/n/n1.htm) to everyone 
who will subscribe or renew within a week, so till 7 June 
(http://www.neural.it/subscribe.phtml).


Be quick to grab one of the last copies of this quite rare issue!

Have visions!
--


Alessandro Ludovico
Neural Magazine - English (http://neural.it/) Italian 
(http://www.neural.it/neural_it/)

Latest Printed Issue - http://www.neural.it/art/2007/01/neural_26.phtml
Subscribe - http://www.neural.it/subscribe.phtml

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[spectre] CALL FOR CURATORIAL PROPOSALS - LabforCulture.org

2007-06-02 Diskussionsfäden Marieke Istha

CALL FOR CURATORIAL PROPOSALS - LabforCulture.org
*
Deadline July 1, 2007
*
http://www.labforculture.org

LabforCulture.org is the essential online tool for everyone involved  in 
arts and culture who creates, collaborates, shares and produces  across 
borders in Europe. This interactive web platform was launched  in 2006 
to encourage dialogue, networking and collaboration across  physical, 
cultural and imaginative borders across 48 countries in the  broader 
Europe. Initiated by the European Cultural Foundation (ECF)  and jointly 
developed and supported by many of Europe's leading  cultural 
organisations, LabforCulture offers a wealth of essential  information, 
debate and research - including all the latest news,  vital funding 
tips, blogs and a vast searchable database of cultural  organisations 
operating from Rome to Reykjavík.


LabforCulture.org will celebrate its first anniversary in the summer  of 
2007 and in this context we are pleased to announce a call for an  
experienced media art curator or curatorial collaboration to  
conceptualise and manage an online presentation of specially  
commissioned artworks, for presentation in early 2008.


*
Call for proposals
*
This is an open call to Europe-based curators to propose a creative  
concept for the LabforCulture anniversary project, be responsible for  
the ultimate selection of artworks and critically reflect on the  
project throughout its duration and after its end. The concept and  
commissioned artworks should address, challenge and rethink issues  such 
as cross border dialogue, cultural intersections, crossings or  
networks, in the context of LabforCulture and cultural cooperation in  
the broader Europe. The curatorial proposal will contextualise and  
document the work in relation to the scope, content and technological  
framework of LabforCulture.org.


*
Curatorial profile
*
The selected curator/s should:

* have demonstrated experience in either curating Net Art and/or  
artists who use the internet as integral to their practice.

* have a curatorial track record in the field of media art
* have demonstrated cultural project management experience
* demonstrate their ability to write about and critically evaluate the  
presented works


*
Responsibilities
*
The curator/s will be contracted by the European Cultural Foundation  on 
a freelance basis for the period of August 1, 2007 to May 15, 2008,  and 
will receive a fee of 7000 Euro (excluding 2 required trips to  
Amsterdam for work with the LabforCulture team, but including any  
additional travel required to deliver the proposed project, to be  
discussed with the LabforCulture Director). In addition to the fee, a  
fixed commissions and documentation budget will be provided.


Responsibilities:

* design a concept and thematic framework for the project
* make the final selection of artists
* maintain an appropriate timeline for agreed outputs
* be the main contact person for the commissioned artists  
(LabforCulture will be responsible for the administration of the  
project in terms of contracts, payments and overall coordination of  the 
project)
* manage the agreed commissions and documentation budget, which will  be 
overseen and administrated by LabforCulture
* write an engaging curatorial statement to be published on  
LabforCulture in November 2007 and a subsequent series of texts to  
accompany the presentations in 2008, introducing and reflecting on the  
selected artists/artworks
* be available to travel to Amsterdam as required, to meet with  
LabforCulture staff over the course of the project
* work in close collaboration with the LabforCulture team in relation  
to the technical framework and requirements of the commissioned artworks
* work with the LabforCulture team to agree and implement an  
appropriate page/section for the project that integrates with the  
current website design and branding
* work with the LabforCulture Communications team to promote the  
project and be available for press interviews
* gather and prepare documentation about the commissioned artists and  
artworks for presentation on LabforCulture.org
* ensure appropriate documentation of the project is undertaken and  
after its end, reflect on the process, challenges and experience of  the 
project in a final text/public discussion forum.


*
Selection panel
*
Annet Dekker (Head of Exhibitions and Artlab, Netherlands Media Art  
Institute, Amsterdam, NL) and Kelli Dipple (Webcasting Curator, Tate,  
London, UK) will join the LabforCulture content development team to  
select the curatorial proposal.


*
Submissions
*
Interested curators are asked to submit the following material BY  EMAIL 
ONLY no later than July 1, 2007:


1. Cover letter
2. 

[Spectre]Digicult_Digimag 24_May 07_English Vesion Online

2007-06-02 Diskussionsfäden Redazione Digicult

Sorry for any crosspostings

The english version of Digimag, Italian monthly e-magazine of digital 
culture and electronic arts, is available online.



DIGIMAG ENGLISH VERSION -  #ISSUE 24 - MAY 07
http://www.digicult.it/digimag_eng/index.asp


[Interviews]:  Warren Neidich, Cristophe Bruno, 99Rooms, , Osvaldo 
Cavandoli, Andrea Brogi


[Featuring]:  Alberto Grifi homage

[Reports]:  Sonar 2007, Sonarmagica, Art Tech Media, Elektra 8, Futuresonic, 
Deaf 2007, Interactiva 07, Icra 07


[Themes]:  Digital Art Market

[Cover]:  Arianna D'Angelica

[Translations]: Monica Amboni, Giulia Artioli, Claudia Contino, Ornella 
Pesenti


/

Digicult:
http://www.digicult.it/en/

Digipod:
http://www.digicult.it/podcast

Digimag:
http://www.digicult.it/digimag_eng/index.asp

Network
http://www.digicult.it/en/Credits.asp

/

Marco Mancuso
Digicult Director

Ripa di Porta Ticinese 39
20134 Milano - Italy
Mob. +39.340.8371816

www.digicult.it
www.digicult.it/digimag
www.digicult.it/digipod
[EMAIL PROTECTED] 


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[spectre] NEW CITY TERRITORY: 12/13 June - Venice (confidential and protected by law)

2007-06-02 Diskussionsfäden Geert Lovink

From: PRESS - aMAZElab [EMAIL PROTECTED]
Date: 31 May 2007 3:12:14 PM
To: PRESS - aMAZElab [EMAIL PROTECTED]
Subject: NEW CITY TERRITORY: 12/13 June - Venice

NEW CITY TERRITORY
VENICE BIENNIAL: Art and Theory as cultural practices.

 The department of Industrial Arts  Design of the IUAV in Venice and  
aMAZElab offer a moment of reflection in collaboration with Venice  
International Biennial. An experimental and multi-disciplinary debate  
on  “case study” cities (Istanbul, Beirut, Nicosia, Tel Aviv,  
Alexandria, Barcelona and Venice), on contemporary perceptions of the  
city, as well as on the theme of new territories. Migratory flows of  
people, cultures and economies. The writing on the walls of  
contemporary city-territories, open maps with multiple meanings  
between their emotional, geographical, historical and social layers.  
International seminar; publishing and journalistic presentations;  
conferences and video projections, visual materials, on the subject  
Atlante Mediterraneo. New City-Territory.


PROGRAMME @ IUAV/DADI, ex Convento Terese,12-13 June, Venice

 Contributs by: Tony Chakar, Markus Miessen, Paolo Fabbri, Pierluigi  
Sacco, Peter Lang, Vasif Kortun, Domenec, Martí Peran, Eleni Xenou,  
Elena Parpa, Alessandro Petti, Tom Trevor, Umberto Pastore, Yannis  
Papadakis, Sigal Barnir  Yael Moria, Nadim Karam, Heba Habuelfadl,  
Achilleas Kentonis, Pelin Tan, Francesca Cogni + Donatello de Mattia,  
Gudran, Pep Dardanya, Ofri Cnaani, Claudia Zanfi, xurban_collective,  
others
In collaboration with: International universities and institutions;  
Venice Biennial
With the support: Anna Lindh Foundation, Alexandria; European Cultural  
Foundation, Amsterdam


 Complete programme attached

Info and images:
[EMAIL PROTECTED]

 MAST (Museo di Arte Sociale e Territoriale)

aMAZElab
via Cola Montano 8
 20159 Milan, Italy
 Ph/Fax +39 02 6071623
[EMAIL PROTECTED]
www.amaze.it

--- 
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confidential and protected by law. Any un-authorized use or  
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[spectre] Fwd:Concerning AHRC withdrawal of AHDS funding

2007-06-02 Diskussionsfäden Natalie Waldbaum

#  Původní zpráva 
# Od: Barry Smith [EMAIL PROTECTED]
# Předmět: Concerning AHRC withdrawal of AHDS funding
# Datum: 01.6.2007 13:41:11
# 
# * PLEASE NOTE: if you click 'reply' to this email, you will be sending an
# email to over 1000 subscribers. Please do so only if you wish to respond to 
all
# **
#
#
#
# Concerning AHRC withdrawal of AHDS funding
# On the 14th May 2007 the UK Arts and Humanities Research Council (AHRC) 
publicly
# announced its intention to withdraw funding from its digital service provider,
# the Arts and Humanities Data Service (AHDS) from March 2008. The announcement 
is
# available on:
#
# 
http://www.ahrc.ac.uk/news/news_pr/2007/information_for_applicants_to_AHRC_june_deadline.asp
#
# An initial response by AHDS is available at:
#
# http://ahds.ac.uk/news/ahrc-news-may07.htm
#
# The AHDS Homepage outlining their full range of services is available at:
#
# http://www.ahds.ac.uk/index.htm
#
#
#
# For reasons outlined below this action severely threatens UK based arts and
# humanities digital research and development and has now developed to the stage
# of petitioning the Prime Minister to request AHRC to reconsider their 
decision.
# The petition is available at
#
#
#
# http://petitions.pm.gov.uk/AHDSfunding
#
#
#
#
# Only British citizens and those resident in the UK are permitted to sign the
# petition but international colleagues may choose to send emails to the
# appropriate authorities outlining the detrimental effect this action will 
cause
# to UK and international arts and humanities digital research, learning and
# teaching.  Further details are given below.
#
#
#
# Please feel free to cross-post this request as you feel is appropriate.
#
#
#
# -
#
#
# -- Forwarded message --
# From: 10 Downing Street
# Subject: Your petition to the Prime Minister has been approved
#
# Your petition has been approved by the Number 10 web team, and
# is now available on the Number 10 website at the following
# address:
# http://petitions.pm.gov.uk/AHDSfunding/
#
# Your petition reads:
#
# We the undersigned petition the Prime Minister to urge the Arts
#  and Humanities Research Council to revisit its decision to
#  withdraw funding from the Arts and Humanities Data Service,
#  which has played a fundamental part in developing and
#  supporting use of new digital technologies to support
#  innovative research by UK researchers
#
#  On 11 May 2007, Professor Philip Esler, Chief Executive of the
#  AHRC, wrote to University Vice-Chancellors informing them of
#  the Council's decision to withdraw funding from the AHDS after
#  eleven years. The AHDS has pioneered and encouraged awareness
#  and use among Britain's university researchers in the arts and
#  humanities of best practice in preserving digital data created
#  by research projects funded by public money. It has also
#  ensured that this data remains publicly available for future
#  researchers. It is by no means evident that a suitable
#  replacement infrastructure will be established and the AHRC
#  appears to have taken no adequate steps to ensure the continued
#  preservation of this data. The AHDS has also played a prominent
#  role in raising awareness of new technologies and innovative
#  practices among UK researchers. We believe that the withdrawal
#  of funding for this body is a retrograde step which will
#  undermine attempts to create in Britain a knowledge economy
#  based on latest technologies. We ask the Prime Minister to urge
#  the AHRC to reconsider this decision.
#
#
#
# --
#
#
#
# Further considerations:
#
#
#
#   1.. Building an interconnected collection of digital research data - which 
can
# only be undertaken by a national organisation - is essential to the future
# development of arts and humanities research.
#   2.. The current AHRC action will inevitably cause the UK arts and humanities
# to fall behind international standards and to lose research findings of 
interest
# and value to future generations
#   3.. Creating an on-line representation of digital research data is a form of
# publication of research knowledge similar, and complementary, to printed
# publications.
#   4.. Whereas copyright libraries preserve standard publications there is as 
yet
# no national equivalent for digital research outputs and this action by the 
AHRC
# increases the likelihood of fragmentation and loss.
#   5.. Digital research outputs need to be properly curated and preserved for 
the
# long-term (and long-term means longer than the 3 years being suggested by AHRC
# as a new orthodoxy).
#   6.. Research data is complex requiring an infrastructure which can ensure 
the
# long term sustainability and accessibility of these materials.
#   7.. Preservation of digital materials is not simply back-up, another copy 
in a
# 

[spectre] [Fwd: AHRC/AHDS (fwd)]

2007-06-02 Diskussionsfäden Gabriella Giannachi
Dear colleagues

On the 14th May 2007 the UK Arts and Humanities Research Council (AHRC)
publicly announced its intention to withdraw funding from its digital
service provider, the Arts and Humanities Data Service (AHDS) from March
2008. The announcement is available on:

http://www.ahrc.ac.uk/news/news_pr/2007/information_for_applicants_to_AHRC_
june_deadline.asp

An initial response by AHDS is available at:

http://ahds.ac.uk/news/ahrc-news-may07.htm

The AHDS Homepage outlining their full range of services is available at:

http://www.ahds.ac.uk/index.htm

This action severely threatens UK based arts and
humanities digital research and development and has now developed to the
stage of petitioning the Prime Minister to request AHRC to reconsider their
decision to withdraw funding.  The petition is available at

http://petitions.pm.gov.uk/AHDSfunding

please consider signing it.

Gabriella Giannachi
-- 
Prof. Gabriella Giannachi
Associate Professor in Performance and New Media
Co-Director Centre for Intermedia
Co-Director ISN
Department of Drama
School of Performance Arts
Exeter University
Thornlea, New North Road
Exeter EX4 4LA
Tel : (01392) 264580
Fax : (01392) 264594
http://www.spa.ex.ac.uk/drama/staff/staff_giannachi.html


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[spectre] ICC in June: Symposium series: Media Technology and, the Emergence of new 'Knowledge'

2007-06-02 Diskussionsfäden yukiko shikata
ICC 10th Anniversary Session Series Vol. 2
Symposium series
Media Technology and the Emergence of new 'Knowledge'
at ICC on June 9, 16, 23(all saturday) 14:00-17:00.


-admission free / japanese only / live on the Internet.
-moderated by SHIKATA Yukiko



June 9(sat) 14:00-17:00
Potentials of the Interface: Surfing the edges of creation
panelists:
GUNJI Pegio-Yukio(Professor, Department of Earth  Planetary Science, Faculty 
of Science/ Graduate School of Science  Technology, Kobe University)
OKAZAKI Kenjiro(Artist/ Professor, Kinki University Internatilnal Center For 
Human Sciences)
YANAIHARA Mikuni(nibroll director/ Choreographer)

June 16(sat) 14:00-17:00
The Future in Archives: Data reorganized
panelists:
ISHIDA Hidetaka(Professor, Interfaculty Initivative in Information Studies, The 
University of Tokyo)
MINAKA Nobuhiro(Evolutionary biologist, Senior Researcher of the National 
Institute for Agro-Environmental Sciences  )
NAKATANI Norihito(Associate Professor, Department of Architecture, Waseda 
University)

June 23(sat) 14:00-17:00
Networks Now: Now worlds can be connected
panelists:
BABA Masataka(Architect/Open A Ltd.)
MASUDA Naoki(Network Science/Lecturer, Graduate School of Information Science 
and Technology Mathematical Informatics Course, The University of Tokyo)
NAKAJIMA Kengo(Community Engine Inc. President/CEO)

http://www.ntticc.or.jp/Exhibition/2007/MediaTechnologyAndKnowledge/symposium2_1.html

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