[spectre] Wind As Context/May 24th - 26th 2012 in Hailuoto, Finland

2012-05-14 Diskussionsfäden Antye Greie
(for your information, free for publishing and forwarding appreciated)



Wind As Context
Wilderness Art Conference
May 24th - 26th 2012 in Hailuoto, Finland

This is an international research conference for organizations and artists 
working in remote and rural regions of the EU and furthermore. The conference 
will explore the question of how contemporary and digital arts can be relevant 
within those areas and can be beneficial for local communities, visitors and 
artists alike. Hailuoto is an island in northern Finland located in the Gulf of 
Bothnia.

Presented by Hai Art
www.haiart.net
contact: i...@haiart.net
Phone: +358 400 258 968




Participants:

Dr. Leandro Pisano (Italy)
Exploring rural territory as (new) medium

Leandro Pisano (b. 1973) is a curator, writer and new media producer for 
projects and events focused on new media, sound and technological arts. He is 
also specialized in ICT development strategies for rural areas. He is the 
founder and director of Interferenze new arts festival, an event taking place 
in South of Italy since 2003.

He conducted lectures and presentations for new media art and design events 
worldwide (IST 2010, Tokyo; Doors of Perception 9, New Delhi; ISEA2011 
Istanbul; ISEA2010 Ruhr, Dortmund; Dott07, Newcastle; Offload festival, 
Bristol).

Leandro Pisano received his Master degree with honors in Ancient Greek, Latin 
and Italian Literature from University of Naples, focusing studies on digital 
philology, electronic teaching methodology and relationship between new media 
and classic disciplines.

25.4. morning presentation 11am @ Marjaniemi
25.4. evening presentation 8:30pm @ Cafe Bar Haiku




Glenn Boulter (UK)
Remote Possibilities – Sound Works in Cumbria 2009-2012

Glenn Boulter is an artist and curator based in Cumbria (UK). Graduating from 
the Royal College of Art in 2005, his work incorporates print media, sound and 
performance. 

As a founder of sound art collective Octopus, Glenn co-curates the bi-annual 
Full of Noises festival since 2009. The festival occupies under-used spaces 
across the post-industrial town of Barrow-in-Furness ranging from the canteen 
building of a nuclear submarine plant to a Victorian public park. 

Octopus were recently awarded Arts Council England National Portfolio 
Organisation status in recognition of their approach to developing artists and 
commissioning new work, resulting in an ongoing program of residencies, public 
realm works, radio and education projects during 2012-15.

www.octopuscollective.org

24.4. morning presentation 11am @ Marjaniemi
24.4. evening presentation 8:30pm @ Cafe Bar Haiku




Rael Artel (Estonia)
Life in the Forest

centre and periphery from the point of view of contemporary art and 
cultural production and how these terms affect my lifestyle in the forest.

Rael Artel is an independent curator based in the forests of Estonia. She 
graduated from the Institute of Art History at the Estonian Academy of Arts in 
2003, and participated in the Curatorial Training Program in De Appel, 
Amsterdam (2004/05). 

Since 2000, she has contributed to a number of magazines in Estonia and 
elsewhere, and curated shows in Estonia as well as in Amsterdam, Budapest, 
Lisbon, New York, and Warsaw. In 2007 she initiated Public Preparation, a 
platform for knowledge-production and network-based communication, which since 
the beginning of 2008 has focused on issues of nationalism and contemporary art 
in Europe in the format of international meetings, exhibitions and 
publications. 

http://publicpreparation.org/

26.4. morning presentation 11am @ Marjaniemi
26.4. evening presentation 8:30pm @ Cafe Bar Haiku




Carsten Stabenow (Germany) 
Mediate Space - curating and producing in unusual environments

Carsten Stabenow - Curator and artist, born 1972, studied Communication Design 
and postgraduate Interdisciplinary Studies in Berlin and has worked freelance 
as a communication designer and cultural producer. He is also a member of the 
Staalplaat Soundsystem and has realised several installations and performed 
worldwide at festivals and in museums. Carsten Stabenow is the founder of the 
German Media Art festival garage, initiator and artistic director of Tuned City 
and co-founder of the Berlin art and media production platform DOCK. 

Carsten Stabenow is Artist In Residence for the Sound Room in Marjaniemi which 
opens during the conference.

www.tunedcity.de 

25.4. morning presentation 11am @ Marjaniemi




Leena Valkeapää (Finland) 
Living in the wind with reindeers

Leena Valkeapää (1964) is a Finnish artist most known for her environmental art 
works.
Recently she moved to a very remote location in Lapland off road only to be 
reached by boat or walking to write her doctoral study on Wind, Reindeer and 
Humans.
She recently published In Nature, a dialogue with the works of Nils-Aslak 
Valkeapää.

Also working with http://bioartsociety.fi

24.4. morning presentation 11am @ Marjaniemi
24.4. evening 

[spectre] Salon Ecosophy #2: Michael Saup: May 18(fri) 19-21:00 (JST) with USTREAM

2012-05-14 Diskussionsfäden yukiko shikata
Salon Ecosophy #2

Michael Saup
“1001 SUNS – The Archeology of Future”

Date: May 18 (fri) 19:00-21:00 (JST)
Location: Iidabashi Bunmei, Tokyo http://bun-mei.org/
*Entrance: Donation welcome!
USTREAM:http://www.ustream.tv/channel/salon-ecosophy

Host: Yukiko Shikata / Salon Ecosophy
Translation: Shuichi Fukazawa (German/Japanese)
Co-operation: Iidabashi Bunmei
Support: Andreas Erhart



Split the atom's heart, and lo! Within it thou wilt find a sun. --
Persian mystic poem quoted by Bahá'u'lláh in The Seven Valleys 1860, Baghdad

If the radiance of a thousand suns were to burst at once into the sky,
that would be like the splendor of the mighty one. Now I am become
Death (Time), destroyer of worlds.
(Robert Oppenheimer quoting the Hindu Scripture Bhagavad Gita on the
occasion of the first nuclear detonation Trinity in New Mexico 1945,
putting Albert Einstein's abstract equation E=mc2 into reality)

And when the thousand years are expired, Satan shall be loosed out of
his prison, and shall go out to deceive the nations. -- Bible,
Revelation 20:7

In this talk I will examine the shift from nuclear culture employing
radiation released via atoms and bits stored via electrons towards the
point we face now: mainstream paradigms of society are being inverted
by the discovery of our possible final cultural heritage: a large
drawing with an atomic pencil on the canvas of time, all accomplished
by only two generations. It is at about time to base culture again on
cultural values instead of technological assets.

1001 Suns is the title of the feature movie I am currently working
on. The promethean ancient North American Indian story Raven steals
the Sun sets the frame for the analysis of the beginning and ending
of the nuclear age. A story as old as mankind already encarved on a
column in Göbekli Tepe, Turkey, the oldest temple of mankind dating
back to 11000 - 9000 BC. 1001 Suns will be a Human Fiction movie.

Since we have the ability to make a choice, our collective that became
connective will have to become corrective. As long as we transform our
thoughts and words into a new reality, there is hope that we will
invent a concept of a new future. This is what we must model for our
children.

Since the 1000 years (1000 suns) of imprisonment of Evil have
obviously expired 1945 in the desert of New Mexico right after the
fall of the German 1000-Year Empire, I have a lot of hope, that we
will be able to take a step back in order to step out of the nuclear
cave - the cave where Werner Heisenberg and his colleagues have left
the forgotten first nuclear cave painting on the skin of time.

Radioactive traces will be the heritage to the next generations and
not the cultural artifacts.
Margit Rosen/ZKM on Pulse8 by Michael Saup 1992


[Michael Saup]
Born in Hechingen 1961, based in Berlin. Studied Music at Dominican
University, San Rafael, California, USA, Computer Science at the
University Furtwangen and Visual Communication at the Hochschule für
Gestaltung (University of Design), Offenbach. Instructed at the
Akademie der Bildenden Künste (Academy of Visual Arts), Munich;
artistic-scholarly staff member at the Institute for New Media at the
Städelschule, Frankfurt/M.; from 1999 to 2005 Professor at the
Hochschule für Gestaltung (University of Design)/ZKM, Karlsruhe. In
Japan he exhibited the media art work “R111” at “ARTLAB-Prospect”
exhibition in 2001, Tokyo, by Canon ARTLAB. Currently Saup is working
on the new film “1001 Suns”. In Japan, he will show his latest work
“SHIMA” at the “Possible Water” exhibition curated by Yukiko Shikata
(July 7 – 21, 2012, Goethe Institut Tokyo). http://1001suns.com/

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[spectre] Lecture on collecting library music by Jonny Trunk: May 16, 9 pm. MACBA Auditorium. Free admission

2012-05-14 Diskussionsfäden Radio Web MACBA
*Lecture on collecting library music, by Jonny Trunk: May 16, 9 pm. MACBA
Auditorium. Free admission
*
Teaser: http://rwm.macba.cat/en/extra/teaser_memorabilia_jonny_trunk/capsula

In this hybrid lecture/audition, Jonny Trunk will be sharing his collection
of library music records, which he started in 1982 and now contains around
6000 LPs. Also known as *sonorizzazioni*, the term library music
encompasses the audio productions made for professional use in the context
of film, television and radio. This exciting musical underworld is part of
the collective imagination, and yet it remains practically unknown to the
general public.

Jonny Trunk founded the label Trunk Records in 1995, and it soon gained a
cult following as a result of its specialisation in unpublished jazz
recordings and film and television soundtracks. Trunk Records was the first
label to feature non-commercial library music, a genre that Trunk has
written about extensively. Trunk hosts a radio programme at London radio
station Resonance FM, and he regularly DJs around the world. He began
collecting records around 1982, but rather than focusing on traditional
record stores, he chose to comb second hand outlets and street markets. It
didn't take long for him to realise that his obsession was not pop music or
modern sounds, but film soundtracks and television music. His record
collection now consists of around six thousand LPs.

More info: http://www.macba.cat/en/lecture-memorabilia
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