[spectre] Blowing the Whistle, Questioning Evidence: Call No.1 for Web Residencies 2017
Dear all, I would like to post here the announcement of the call for web residencies "Blowing the Whistle, Questioning Evidence" I recently curated for Akademie Schloss Solitude and ZKM. I think the topics will interest this list. Deadline is March 10, 2017. Please forward it to other potential interested people. Below you will read more. I hope in many interesting proposals! All the best, Tatiana -- Call No.1 for Web Residencies 2017 by Solitude & ZKM Curated by Tatiana Bazzichelli *Blowing the Whistle, Questioning Evidence* The submission period for the first joint call for Web Residencies by Akademie Schloss Solitude http://www.akademie-solitude.de/en/ & ZKM Center for Art and Media Karlsruhe http://zkm.de/ in 2017 has started! The call is curated by Tatiana Bazzichelli, artistic director of the Disruption Network Berlin http://www.disruptionlab.org/, with a topic on art & whistleblowing. "What is the role of art in the framework of whistleblowing and leaking? If we expand the concept of art to whistleblowing, leaking and the act of producing awareness of power mechanisms, which kind of tactics and strategies for resistance can we imagine within the technological paradigm and beyond it? How would it be possible to expand forms of agency that are not just technologically determined, but consider technology as a material or political reinvention?" Read the full text of the call and submit your content here https://schloss-post.com/call-web-residencies-solitude-zkm/. Deadline is March 10, 2017. Find all information on the new collaboration by Solitude & ZKM in this press release https://schloss-post.com/web-residencies-2017-cooperation-akademie-schloss-solitude-stuttgart-center-art-media-karlsruhe/. The Web Residencies https://schloss-post.com/category-list/web-residents/ program was initiated by Akademie Schloss Solitude in 2016 to support young talents from the international digital scene as well as artists of all disciplines who deal with web-based practices to present the process and results of their work online. For each call three to four people or teams will be selected by the curator for a four-week Web Residency, which is rewarded with 500 USD. We look forward to receiving your application! -- Clara Herrmann Referentin, Digital Solitude-Programm / Coordinator, digital solitude program -- Tatiana Bazzichelli // Artistic Director http://disruptionlab.org Twitter: @disruptberlin // @t_bazz PGP: A87C 3637 03ED 1D1C E6FE E828 1F55 2B2F F5A5 C9A0 __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] OPENING : SADIQUE MASTER - DEVIANT EXTREME FRENCH FESTIVAL
Bonjour, « De retour pour une 3éme année consécutive, le festival le plus infâme du pays revient s'installer à Paris, au cinéma les 5 Caumartin, juste à côté de la gare saint Lazare. Des films toujours plus transgressifs, extrêmes, déviants seront diffusés dans un cadre intimiste et convivial où vous rencontrerez les réalisateurs et invités provenant parfois des quatre coins du monde. Sur place, un espace de réception disposant d’un bar vous permettra de vous revigorer, et vous pourrez aussi profiter des stands merchandising (proposant DVD, t-shirts, B.O, livres, magazines…) gérés par nos partenaires. Repartez pour 3 jours d'insanités à la chaine et de pur traumatisme. Le premier festival Français consacré au cinéma underground extrême est de retour. » VENDREDI 3 MARS 2017 Séance d’ouverture 18 h 30 Cinéma Les 5 Caumartin (101, rue St Lazare - 9ème P.A.R.I.S) https://www.facebook.com/events/668433753325138 AVEC LES PROJECTIONS DE : Exclusivité Européenne : FLESH TO PLAY de Gamaliel De Santiago (85 mns /-16 / Mexique) « Roberta, une adolescente née avec une malformation étrange au visage, est entretenue par son père, un chirurgien catholique conservateur à la retraite. Il crée son propre monde à l’intérieur de la demeure familiale et tente de faire croire à sa fille que toutes les femmes lui ressemblent. Pour la convaincre, il séquestre des demoiselles qu’il érige en martyrs et mutile. » UNDERCOVER MISTRESS de Giulio Ciancamerla (court métrage /-16 /Mexique) « Dans une galerie d’art se déroule une exposition photographie. Les regard se croisent et un homme au regard plus qu’insistant tente de courtiser une femme. Elle prend peur et s’échappe dans la rue, l’homme la suit.» 22 h Exclusivité Française: ATMO HORROX de Pat Tremblay (101 mns /-16 / Canada) « Dans un monde régit par l’industrie pharmaceutique, une créature étrangement vêtue espionne les humains et les téléporte dans un autre univers. Mais la réalité devient si complexe que la folie pourrait être la seule issue. » J-3_ OUVERTURE DU FESTIVAL https://www.weezevent.com/sadique-master-festival-3eme-edition-2017 †H†H pour Tinam Bordage (programmateur et fondateur du SM) http://syndicat021268.blogspot.fr/2017/02/j-4-ouverture-du-festival-sadique.html __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] CALL FOR PROPOSALS to host the 8th International Conference on the Histories of Media Art, Science and Technology: Re:2019
CALL FOR PROPOSALS to host the 8th International Conference on the Histories of Media Art, Science and Technology: Re: 2019 The Media Art Histories Board invites applications to host the 8th International Conference on the Histories of Media Art, Science and Technology. The international conference series, which was inaugurated in 2005 in Banff, Canada, has since been held in several international venues around the globe including Berlin in 2007, Melbourne 2009, Liverpool 2011, Riga 2013, Montreal 2015 and will be held this fall in Paris. The conference series aims to engage the growing community of scholars from a range of disciplines including art history, contemporary art practice, art theory, history of science, history of technology, science and technology studies, media studies, image science, visual studies, philosophy, cultural studies, anthropology, architecture theory, sound studies, computer science among others to develop and share new research and scholarship in the intersecting fields of the histories of media art, science and technology. The host of the conference in 2019 will have the opportunity to continue to build on the impressive history of the conference series. CONFERENCE SERIES MISSION *Recognizing the increasing significance of media art for our culture, the conference series on the Histories of Media Art will discuss the history of media arts within the interdisciplinary and intercultural contexts of the histories of the arts. Numerous individuals and institutions collaborate to produce the international art history conference series covering the media arts, the arts and technology, art-science interaction, and the history of media as pertinent to the contemporary arts.* GUIDELINES, SELECTION CRITERIA AND DEADLINES Proposals to host the conference will include the following information: 1. Proposed Dates 2. Proposed Venues (including information on number, capacity and AV and network capabilities of spaces) 3. Rationale for hosting the conference 4. Host Local Organizing Committee 5. Relevant previous experience (e.g., committee members* experience in hosting conferences, events, etc.) 6. Publicity Plan 7. Funding / Sponsorship plan 8. Preliminary Budget Those interested in making a bid to host the conference can download GUIDELINES here (http://www.mediaarthistory.org/wp-content/uploads/2016/07/MAH-conf-guidelines_2019.pdf) Deadline for final submission of proposals: March 31, 2017 MAH Advisory Boards final decision for the 2015 host: June 31, 2017. *** MediaArtHistory Board (Steering Committee) Sean CUBITT Goldsmiths College, University of London Jorge LAFERLA University of Buenos Aires Oliver GRAU Danube University Linda HENDERSON, University of Texas, Austin Erkki HUHTAMO University of California Los Angeles Douglas KAHN University of New South Wales Martin KEMP Oxford University Timothy LENIOR Duke University Machiko KUSAHARA Waseda University, Tokyo Gunalan NADARAJAN University of Michigan Paul THOMAS UNSW Sydney MEDIA ART HISTORIES PLATTFORM http://www.mediaarthistory.org ARCHIVE OF DIGITAL ART http://www.digitalartarchive.at LIVERPOOL DECLARATION: http://www.mediaarthistory.org/declaration CONFERENCE PUBLICATIONS http://www.mediaarthistory.org/pub/mediaarthistories.html http://www.mediaarthistory.org/pub/place_studies.html http://mitpress.mit.edu/books/relive __ SPECTRE list for media culture in Deep Europe Info, archive and help: http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
[spectre] ARTISTIC PRACTICE SYMPOSIUM'17 | PORTO
SYMPOSIUM DE PRÁTICAS ARTÍSTICAS 25 de Março a 15 de Abril, 2017 Inscrições Abertas | Toda a programação será anunciada brevemente. Interpelando o ecossistema artístico através de sessões de práticas artísticas, conversas com artistas e performances, o SPA 2017 considera os modos de produção e o regime de visibilidade das artes performativas dentro do presente contexto sociopolítico em que vivemos. Cada vez mais, existe a urgência de um modus operandi que insista na imanência da inclusão e no poder da imaginação para implementar tendências refratárias que possibilitem reinventar tipologias e topologias dentro de uma comunidade. Actualmente, as práticas artísticas têm tido um papel fundamental na forma como os artistas transmitem seu know-how e as suas metodologias de trabalho. A investigação artística reside cada vez mais em processos experimentais e relacionais dentro de uma lógica em que ideias e a expressão material destas, distribuem movimentos e matérias que equacionam performatividades e especulam percepções e transduções que vão para além do agenciamento humano. A multiplicidade de dispositivos e modos do fazer artístico que irão ser partilhadas por uma série de artistas neste symposium ao público em geral, revela um espaço discursivo de reflexão artística que é de uma importância fulcral para as artes performativas no Porto. MÓDULO I _ 25.03 - 31.03 25.03 - 26.03 27.03 - 31.03 10h-12h | Cuqui Jérez (a confirmar) 12h-14h | Marcus Bergner 15h-17h | Marcos Simões 17h-19h | Sara Manente Inscrição: 55€ ou inscrição por prática: 20€ 10h00-12h30 | Anna Gaïotti 14h00-17h00 | Valentina Desideri 16h30-19h00 | Von Calhau Inscrição: 75€ | Inscrição por prática: 30€ MÓDULO II _01.04 – 07.04 01.04 - 02.04 03.04 - 07.04 10h-12h | Philipp Gehmacher 12h-14h | Vladimir Miller 15h-17h | Dinis Machado 17h-19h | Mónica Calle Inscrição: 55€ ou inscrição por prática: 20€ 10h00-12h30 | Litó Walkey 14h00-16h30 | Nadia Lauro 16h30-19h30 | Isabel Margarita Lewis Inscrição: 75€ | Inscrição por prática: 30€ MÓDULO III _ 08.04 – 14.04 08.04 - 09.04 10.04 - 14.04 10h-12h | Anne Juren 12h-14h | Hamish Macpherson 15h-17h | Sabina Holzer 17h-19h | Jack Hauser Inscrição: 55€ ou inscrição por prática: 20€ 10h00-12h30 | Antonija Livingstone 14h00-16h30 | Jennifer Lacey 16h30-19h30 | Alice Cauchat Inscrição: 75€ | Inscrição por prática: 30€ PREÇOS Inscrição em 1 Módulo: 130€ Inscrição em 2 Módulos: 235€ Inscrição em 3 Módulos: 310€ Desconto
