[spectre] DATA DATING - Opening 17/05 - Galerie Charlot Paris

[Valentina Peri]

DATA DATING 

!Mediengruppe Bitnik, Adam Basanta, Olga Fedorova, Zach Gage, Tom Galle,
Pablo Garcia, Thomas Israël, Moises Sanabria, Antoine Schmitt, Jeroen van
Loon, Addie Wagenknecht, John Yuyi

Curated by Valentina Peri

What does it mean to love in the Internet age? How are digital interfaces
reshaping our personal relationships? What do new technologies imply for
the future of the romantic sphere? How do screens affect our sexual
intimacy? Are the new means of connection shifting the old paradigms of
adult life?

By bringing together the work of several international artists, the
exhibition Data Dating attempts to explore new directions in modern
romance: new forms of intimate communication, the process of
commodification of love through online dating services and hookup
applications, unprecedented meeting and mating behaviors, the renegotiation
of sexual identities, and changing erotic mores and taboos.

Opening : May 17 /// Exhibition from May 18 to July 7, 2018.
Galerie Charlot, 47 rue Charlot 75003 Paris, France

http://www.galeriecharlot.com/en/expo/152/Data-Dating

/// Love/Sex/Intimacy/Internet ///

What does it mean to love in the Internet age? How are digital interfaces
reshaping our personal relationships? What do new technologies imply for
the future of the romantic sphere? How do screens affect our sexual
intimacy? Are the new means of connection shifting the old paradigms of
adult life?

The advent of the Internet and smartphones has brought about a split in the
romantic lives of millions of people, who now inhabit both the real world
and their very own “phone world”. In terms of romance and sexual intimacy
these phenomena have generated new complexities that we are still trying to
figure out.

By bringing together the work of several international artists, the
exhibition Data Dating attempts to explore new directions in modern
romance: new forms of intimate communication, the process of
commodification of love through online dating services and hookup
applications, unprecedented meeting and mating behaviors, the renegotiation
of sexual identities, and changing erotic mores and taboos.

Over the past century, the history of dating practices has shown that the
acquisition of new freedoms is often accompanied by suspicions and
stereotypes: what appears disturbing to one generation often ends up being
acceptable for the next.

>From the early computers algorithms of the 1960s, to the video cameras of
the 1970s, the bulletin board systems of the 1980s, the Internet of the
1990s, and the smartphones of the last decade, every new format of
electronically mediated matching has faced a stigma of some kind.

Today, the lack of broadly defined norms is creating a disconnected,
two-tiered world in which some exist in a pre-internet reality, while
others – who have grown up as individuals and sexual beings online – see
the Internet not as an arcane elsewhere where people go to escape reality,
but as reality proper.

What has changed is the “sexual script”: the roles that people feel are
available for them to perform, thanks to the fact that the Internet,
perhaps more than any other medium, enables self and identity to be played
with.

Several authors –like Aaron Ben-Ze'ev and Laurent Rosewarne–have stressed
that the online affairs world is disrupting the monogamous nature of
romantic relationships and facilitating different sexual and romantic
behavior, eventually confirming the “prophecy” of Herbert Marcuse’s 1955
book, Eros and Civilization.

According to a recent study, 1 couple on 5 has met through a dating
website: the massive scale of this phenomenon is evidence enough of its
potential for profit and an extensive collection of user data. Dating
websites and hookup applications will be the most rentable business in the
future of the Internet. Today they are ranking third among paid content
sites online, outpacing even pornography. This aspect raises questions
about the planned obsolescence that is supposedly inherent in this business
model: the idea that online dating companies, having a latent interest in
matches failing, acknowledge the search for partners as a recreational
activity and product to be endless consumed.

As Eva Illouz has stated in Consuming the Romantic Utopia, “romantic love
is a collective arena within which the social divisions and the cultural
contradictions of capitalism are played out”.

Data Dating aims to promote debate on the ways in which society is
responding to one of the greatest challenges of today: mapping the new
connections between emotion, desire, culture, technology, and economy by
considering Internet as a social practice, a shift of society at large.

Valentina Peri, 2018

Press Kit


Press release


More info 

[spectre] HATE NEWS: Manipulators, Trolls & Influencers - May 25-26 - Berlin

[Tatiana Bazzichelli]

Dear all,

I hope to see many of you at our next Disruption Network Lab conference.

All the best,
Tatiana
///

Berlin - MAY 25-26 - 2018:
HATE NEWS: Manipulators, Trolls & Influencers

Misinformation Ecosystems Series - Part I - 2018
Investigating online opinion manipulation, strategic hate speech and
misinformation – and their impact on civil rights.
The 13th conference of the Disruption Network Lab

Location: Studio 1, Kunstquartier Bethanien, Mariannenplatz 2, 10997 Berlin.
Partner Event at SPEKTRUM, Bürknerstr. 12, 12047, Berlin.
Curated by Tatiana Bazzichelli.
Info: http://www.disruptionlab.org/hate-news/
FB Event: https://www.facebook.com/events/368901680184340/

///

Friday May 25 - 2018

16:30 - Doors open
17:00-18:30 – KEYNOTE
Nanjala Nyabola (Kenyan Political Analyst, Writer, and Humanitarian
Advocate, KE).
Moderated by Jo Havemann (Communication Scientist, r0g_agency for Open
Culture and Critical Transformation, DE)

19:00-21:00 – PANEL
David Carroll (Associate Professor of Media Design, Parsons School of
Design, USA)
Bernd Fix (Hacker and Computer Security Expert, Wau Holland Stiftung, DE)
Marloes de Valk (Software Artist and Writer, NL)
Moderated by Theresa Züger (Project Lead, Media Policy Lab, Media
Authority Berlin-Brandenburg, DE)

///

Saturday May 26 - 2018

15:30 - Doors open
16:00-17:30 – KEYNOTE
Andrea Noel (Mexico-based Journalist, Covering the Drug war, Politics &
Gender-Based Violence, USA/MX)
Renata Avila (Human Rights & Tech Lawyer, Senior Digital Rights Advisor
for the World Wide Web Foundation, GT)

18:00-18:40 – SHORT DOCUMENTARY PREVIEW
The Cleaners (DE, 2018). Moritz Riesewieck and Hans Block (Filmmakers, DE)

19:00-21:00 – PANEL
Caroline Sinders (Machine Learning Designer/User Researcher, Artist,
Digital Anthropologist, USA)
Øyvind Strømmen (Author and Journalist, Expert on Extreme Movements,
Hate Speech and Hate Crimes, NO)
Cathleen Berger (Policy Expert & Lead, Mozilla's Strategic Engagement
with Global Internet Fora, DE)
Moderated by Margarita Tsomou (Author, Dramaturge and Curator, GR/DE)

///

Sunday May 27 - 2018
20:00-22:00 + Open End Bar - PARTNER EVENT @ SPEKTRUM

Hate, Digital Cleaning and Control on Social Media
Introduced by Tatiana Bazzichelli (Founding Artistic Director,
Disruption Network Lab, IT/DE)
A look at the shadowy underworld of the Internet where questionable
content is removed. Who is controlling what we write and what we read on
social media?

///

Funded by: Senatsverwaltung für Kultur und Europa (Senate Department for
Culture and Europa, Berlin), Reva & David Logan Foundation, Checkpoint
Charlie Foundation. In partnership with: Friedrich-Ebert-Stiftung.

In cooperation with: Kunstraum Kreuzberg/Bethanien, SPEKTRUM. In
collaboration with: Wau Holland Stiftung, r0g_agency for Open Culture
and Critical Transformation, Alexander von Humboldt Institute for
Internet and Society (HIIG). Media Partners: ExBerliner, Furtherfield.

Entrance Studio 1: 5€/day (Conference) · Spektrum: Donation.
In English language.

More info:
http://www.disruptionlab.org/hate-news/
FB Event: https://www.facebook.com/events/368901680184340/
-- 
Tatiana Bazzichelli // Artistic Director
http://disruptionlab.org
Twitter: @disruptberlin // @t_bazz
PGP: A87C 3637 03ED 1D1C E6FE E828 1F55 2B2F F5A5 C9A0
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