Re: [Sursound] Looking for mic advice

[jack reynolds]

couple of recordings of a thunder storm i recorded last week.

https://drive.google.com/open?id=1ZaSPOwYvmnojtB8-F-06MpIr6Co2nA6s

On 11 August 2018 at 18:43, Søren Bendixen  wrote:

> Link to audio clip recorded with Mr. Reynolds mic?
> And a hint about price..?
> No info on website but the other mics look beautiful
>
> Med venlig hilsen/Best regards
> Søren Bendixen
> Composer & Producer
> soerenbendixen.com
>
> > Den 11. aug. 2018 kl. 19.29 skrev Axel Drioli :
> >
> > Jack's mic sounds amazing, the soundfield is so clear and less
> > 'in-your-face', as opposed to most FOA mics.
> >
> >
> >
> > On Sat, 11 Aug 2018 at 19:16 jack reynolds 
> > wrote:
> >
> >> I use 14mm electrets, so you can still get them pretty close together.
> They
> >> naturally have a lower noise floor and wide dynamic range.
> >>
> >> Jack
> >>
> >>> On 11 August 2018 at 14:42, Chris Woolf 
> wrote:
> >>>
> >>>
> >>>> On 11/08/2018 10:59, Axel Drioli wrote:
> >>>>
> >>>> ...  I use
> >>>> a prototype made by Reynolds Microphones. ... This mic has much lower
> >>>> self-noise than any other ambi mic you find around.
> >>>>
> >>>> But is that done using large diaphragm capsules? With the inevitable
> >>> consequences in terms of coincidence?
> >>>
> >>> Chris Woolf
> >>>
> >>>
> >>> ---
> >>> This email has been checked for viruses by Avast antivirus software.
> >>> https://www.avast.com/antivirus
> >>>
> >>> ___
> >>> Sursound mailing list
> >>> Sursound@music.vt.edu
> >>> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe
> here,
> >>> edit account or options, view archives and so on.
> >>>
> >>
> >>
> >>
> >> --
> >>
> >> 07889727365
> >>
> >> 02036861372
> >>
> >> 3 Swimmers Lane
> >> Haggerston
> >> London
> >> E2 8FR
> >>
> >>
> >> www.facebook.com/reynoldsmicrophones
> >>
> >> www.sohovr.co.uk
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> >> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> >> edit account or options, view archives and so on.
> >>
> > --
> > *Axel Drioli <http://www.axeldrioli.com/>*
> >
> > *Immersive Audio Designer and Producer for 360 Videos, VR and
> Installations*
> >
> >
> > *Tel-Facetime: +44 7460 223640 *
> > *Skype: axel.drioli*
> > *Website: *
> > *axeldrioli.com <http://axeldrioli.com/>*
> > *E-mail: 3dso...@axeldrioli.com <3dso...@axeldrioli.com>*
> >
> >
> > *LDN. UK*
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-- 

07889727365

02036861372

3 Swimmers Lane
Haggerston
London
E2 8FR


www.facebook.com/reynoldsmicrophones

www.sohovr.co.uk
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Re: [Sursound] Looking for mic advice

[Martin Leese]

Drew Kirkland wrote:
> Hi guys
>
> We have recently decided to record nature in ambisonic format with a
> additional specific mono and stereo recordings added in at edit stage.
>
> I would be interested in current ambisonic mic choice, we don't have loads
> of cash but want to get as transparent a sound field as possible.

There is a list of mics on Wikipedia at:
https://en.wikipedia.org/wiki/List_of_Ambisonic_hardware#Microphone_Arrays

If the list is incomplete then will people please
add to it.

Regards,
Martin
-- 
Martin J Leese
E-mail: martin.leese  stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
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Re: [Sursound] Looking for mic advice

[Søren Bendixen]

Link to audio clip recorded with Mr. Reynolds mic?
And a hint about price..?
No info on website but the other mics look beautiful

Med venlig hilsen/Best regards
Søren Bendixen
Composer & Producer
soerenbendixen.com

> Den 11. aug. 2018 kl. 19.29 skrev Axel Drioli :
> 
> Jack's mic sounds amazing, the soundfield is so clear and less
> 'in-your-face', as opposed to most FOA mics.
> 
> 
> 
> On Sat, 11 Aug 2018 at 19:16 jack reynolds 
> wrote:
> 
>> I use 14mm electrets, so you can still get them pretty close together. They
>> naturally have a lower noise floor and wide dynamic range.
>> 
>> Jack
>> 
>>> On 11 August 2018 at 14:42, Chris Woolf  wrote:
>>> 
>>> 
>>>> On 11/08/2018 10:59, Axel Drioli wrote:
>>>> 
>>>> ...  I use
>>>> a prototype made by Reynolds Microphones. ... This mic has much lower
>>>> self-noise than any other ambi mic you find around.
>>>> 
>>>> But is that done using large diaphragm capsules? With the inevitable
>>> consequences in terms of coincidence?
>>> 
>>> Chris Woolf
>>> 
>>> 
>>> ---
>>> This email has been checked for viruses by Avast antivirus software.
>>> https://www.avast.com/antivirus
>>> 
>>> ___
>>> Sursound mailing list
>>> Sursound@music.vt.edu
>>> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
>>> edit account or options, view archives and so on.
>>> 
>> 
>> 
>> 
>> --
>> 
>> 07889727365
>> 
>> 02036861372
>> 
>> 3 Swimmers Lane
>> Haggerston
>> London
>> E2 8FR
>> 
>> 
>> www.facebook.com/reynoldsmicrophones
>> 
>> www.sohovr.co.uk
>> -- next part --
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>> edit account or options, view archives and so on.
>> 
> -- 
> *Axel Drioli <http://www.axeldrioli.com/>*
> 
> *Immersive Audio Designer and Producer for 360 Videos, VR and Installations*
> 
> 
> *Tel-Facetime: +44 7460 223640 *
> *Skype: axel.drioli*
> *Website: *
> *axeldrioli.com <http://axeldrioli.com/>*
> *E-mail: 3dso...@axeldrioli.com <3dso...@axeldrioli.com>*
> 
> 
> *LDN. UK*
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Re: [Sursound] Looking for mic advice

[Axel Drioli]

Jack's mic sounds amazing, the soundfield is so clear and less
'in-your-face', as opposed to most FOA mics.



On Sat, 11 Aug 2018 at 19:16 jack reynolds 
wrote:

> I use 14mm electrets, so you can still get them pretty close together. They
> naturally have a lower noise floor and wide dynamic range.
>
> Jack
>
> On 11 August 2018 at 14:42, Chris Woolf  wrote:
>
> >
> > On 11/08/2018 10:59, Axel Drioli wrote:
> >
> >> ...  I use
> >> a prototype made by Reynolds Microphones. ... This mic has much lower
> >> self-noise than any other ambi mic you find around.
> >>
> >> But is that done using large diaphragm capsules? With the inevitable
> > consequences in terms of coincidence?
> >
> > Chris Woolf
> >
> >
> > ---
> > This email has been checked for viruses by Avast antivirus software.
> > https://www.avast.com/antivirus
> >
> > ___
> > Sursound mailing list
> > Sursound@music.vt.edu
> > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> > edit account or options, view archives and so on.
> >
>
>
>
> --
>
> 07889727365
>
> 02036861372
>
> 3 Swimmers Lane
> Haggerston
> London
> E2 8FR
>
>
> www.facebook.com/reynoldsmicrophones
>
> www.sohovr.co.uk
> -- next part --
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> edit account or options, view archives and so on.
>
-- 
*Axel Drioli <http://www.axeldrioli.com/>*

*Immersive Audio Designer and Producer for 360 Videos, VR and Installations*


*Tel-Facetime: +44 7460 223640 *
*Skype: axel.drioli*
*Website: *
*axeldrioli.com <http://axeldrioli.com/>*
*E-mail: 3dso...@axeldrioli.com <3dso...@axeldrioli.com>*


*LDN. UK*
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Re: [Sursound] Looking for mic advice

[jack reynolds]

I use 14mm electrets, so you can still get them pretty close together. They
naturally have a lower noise floor and wide dynamic range.

Jack

On 11 August 2018 at 14:42, Chris Woolf  wrote:

>
> On 11/08/2018 10:59, Axel Drioli wrote:
>
>> ...  I use
>> a prototype made by Reynolds Microphones. ... This mic has much lower
>> self-noise than any other ambi mic you find around.
>>
>> But is that done using large diaphragm capsules? With the inevitable
> consequences in terms of coincidence?
>
> Chris Woolf
>
>
> ---
> This email has been checked for viruses by Avast antivirus software.
> https://www.avast.com/antivirus
>
> ___
> Sursound mailing list
> Sursound@music.vt.edu
> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> edit account or options, view archives and so on.
>



-- 

07889727365

02036861372

3 Swimmers Lane
Haggerston
London
E2 8FR


www.facebook.com/reynoldsmicrophones

www.sohovr.co.uk
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Re: [Sursound] Looking for mic advice

[Scott Wood]

Does anyone know if there are any used Soundfield ST 450 Mk available for sale? 
...price?

Sent from my iPhone

> On Aug 11, 2018, at 11:38 AM, Phillip Westbrook 
>  wrote:
> 
> I will state that after having used the Octomic next to an SPS200 I  very 
> pleased with the Octomic!  Tonally the SPS200 is more musical and is my go to 
> for recording VR musical performances but the Octomic is a good bit more 
> detailed in its sound field and clearer with transients thus likely being a 
> better candidate for ambiance.  Here is a test I did a while back comparing 
> the two.  My suspicion is that the SPS200 could be improved with a calibrated 
> A-to-B Format converter (example decoded using Harpex-X).
> 
> https://www.dropbox.com/sh/clpojnqbmox8ssi/AADMel8S0uCn5-G2KV6sJTeGa?dl=0
> 
> Phillip Westbrook
> (832) 275 3525
> www.sunfirestudios.com
> 
>> On Aug 11, 2018, at 1:51 AM, Bo-Erik Sandholm  wrote:
>> 
>> I have "test" a recording of birds in a Nordic summer night.
>> Recorded with core-sound tetra mic using Tascam dr680
>> 
>> Bo-Erik
>> 
>>> On Fri, 10 Aug 2018 20:37 Søren Bendixen,  wrote:
>>> 
>>> Hi
>>> I´m in the same situation, want to record nature (and other things) in
>>> ambisonics. and I have no experience - and waiting for the new Røde(Rode)
>>> NT- SF1 - I will be just below 1000 USD
>>> Røde took over Soundfield and then bought some knowledge about Ambisonics
>>> equipment and this microphone would be the result ... In Denmark, for
>>> example, Sennheiser ambeo costs around 1900 usd
>>> They announced the NT - SF1 almost 6 months ago - so..
>>> 
>>> BR
>>> Søren Bendixen
>>>> Den 10. aug. 2018 kl. 20.22 skrev Drew Kirkland :
>>>> 
>>>> Hi guys
>>>> 
>>>> We have recently decided to record nature in ambisonic format with a
>>>> additional specific mono and stereo recordings added in at edit stage.
>>>> 
>>>> I would be interested in current ambisonic mic choice, we don't have
>>> loads
>>>> of cash but want to get as transparent a sound field as possible.
>>>> 
>>>> We have all had experience over the last 30 years or so of using standard
>>>> mics and have our favourites for particular situations but have never had
>>>> experience of usi g ambisonic mics and relevant field recorders.
>>>> 
>>>> Advice welcome
>>>> 
>>>> Drew
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> Drew Kirkland
>>>> 1 campbleton cottage
>>>> Hunterston Estate
>>>> KA23 9QF
>>>> 
>>>> 07876238608
>>>> -- next part --
>>>> An HTML attachment was scrubbed...
>>>> URL: <
>>> https://mail.music.vt.edu/mailman/private/sursound/attachments/20180810/3ceb1f7b/attachment.html
>>>> 
>>>> ___
>>>> Sursound mailing list
>>>> Sursound@music.vt.edu
>>>> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
>>> edit account or options, view archives and so on.
>>> 
>>> Med venlig hilsen/Best regards
>>> 
>>> Søren Bendixen
>>> Composer/Sound Designer/Producer
>>> 
>>> Company: Audiotect
>>> 
>>> New Exhibition sound design " På Djengis Khans stepper - Mongoliets
>>> Nomader",
>>> - Moesgaard Museum, 19 june 2018 - 7 april 2019
>>> - National Museum of Denmark: From june  2019
>>> 
>>> Jyllandsposten: 5 (out of 6) Stars: “The illusion of a railroad journey is
>>> underpinned by the sceneries that stand outside the windows. Sound and
>>> image are in exemplary harmony, which is just as consistent
>>> completed when you attend the exhibition. the room is generally enhanced
>>> by a rather fascinating sound design” (22 juni 2018)
>>> 
>>> 
>>> 
>>> -- next part --
>>> An HTML attachment was scrubbed...
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>>> https://mail.music.vt.edu/mailman/private/sursound/attachments/20180810/8f5743a1/attachment.html
>>>> 
>>> -- next part --
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>>> https://mail.music.vt.edu/mailman/private/

Re: [Sursound] Looking for mic advice

[Phillip Westbrook]

I will state that after having used the Octomic next to an SPS200 I  very 
pleased with the Octomic!  Tonally the SPS200 is more musical and is my go to 
for recording VR musical performances but the Octomic is a good bit more 
detailed in its sound field and clearer with transients thus likely being a 
better candidate for ambiance.  Here is a test I did a while back comparing the 
two.  My suspicion is that the SPS200 could be improved with a calibrated 
A-to-B Format converter (example decoded using Harpex-X).

https://www.dropbox.com/sh/clpojnqbmox8ssi/AADMel8S0uCn5-G2KV6sJTeGa?dl=0

Phillip Westbrook
(832) 275 3525
www.sunfirestudios.com

> On Aug 11, 2018, at 1:51 AM, Bo-Erik Sandholm  wrote:
> 
> I have "test" a recording of birds in a Nordic summer night.
> Recorded with core-sound tetra mic using Tascam dr680
> 
> Bo-Erik
> 
>> On Fri, 10 Aug 2018 20:37 Søren Bendixen,  wrote:
>> 
>> Hi
>> I´m in the same situation, want to record nature (and other things) in
>> ambisonics. and I have no experience - and waiting for the new Røde(Rode)
>> NT- SF1 - I will be just below 1000 USD
>> Røde took over Soundfield and then bought some knowledge about Ambisonics
>> equipment and this microphone would be the result ... In Denmark, for
>> example, Sennheiser ambeo costs around 1900 usd
>> They announced the NT - SF1 almost 6 months ago - so..
>> 
>> BR
>> Søren Bendixen
>>> Den 10. aug. 2018 kl. 20.22 skrev Drew Kirkland :
>>> 
>>> Hi guys
>>> 
>>> We have recently decided to record nature in ambisonic format with a
>>> additional specific mono and stereo recordings added in at edit stage.
>>> 
>>> I would be interested in current ambisonic mic choice, we don't have
>> loads
>>> of cash but want to get as transparent a sound field as possible.
>>> 
>>> We have all had experience over the last 30 years or so of using standard
>>> mics and have our favourites for particular situations but have never had
>>> experience of usi g ambisonic mics and relevant field recorders.
>>> 
>>> Advice welcome
>>> 
>>> Drew
>>> 
>>> 
>>> 
>>> 
>>> 
>>> Drew Kirkland
>>> 1 campbleton cottage
>>> Hunterston Estate
>>> KA23 9QF
>>> 
>>> 07876238608
>>> -- next part --
>>> An HTML attachment was scrubbed...
>>> URL: <
>> https://mail.music.vt.edu/mailman/private/sursound/attachments/20180810/3ceb1f7b/attachment.html
>>> 
>>> ___
>>> Sursound mailing list
>>> Sursound@music.vt.edu
>>> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
>> edit account or options, view archives and so on.
>> 
>> Med venlig hilsen/Best regards
>> 
>> Søren Bendixen
>> Composer/Sound Designer/Producer
>> 
>> Company: Audiotect
>> 
>> New Exhibition sound design " På Djengis Khans stepper - Mongoliets
>> Nomader",
>> - Moesgaard Museum, 19 june 2018 - 7 april 2019
>> - National Museum of Denmark: From june  2019
>> 
>> Jyllandsposten: 5 (out of 6) Stars: “The illusion of a railroad journey is
>> underpinned by the sceneries that stand outside the windows. Sound and
>> image are in exemplary harmony, which is just as consistent
>> completed when you attend the exhibition. the room is generally enhanced
>> by a rather fascinating sound design” (22 juni 2018)
>> 
>> 
>> 
>> -- next part --
>> An HTML attachment was scrubbed...
>> URL: <
>> https://mail.music.vt.edu/mailman/private/sursound/attachments/20180810/8f5743a1/attachment.html
>>> 
>> -- next part --
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>> Size: 20401 bytes
>> Desc: not available
>> URL: <
>> https://mail.music.vt.edu/mailman/private/sursound/attachments/20180810/8f5743a1/attachment.jpeg
>>> 
>> ___
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Re: [Sursound] Looking for mic advice

[Chris Woolf]

On 11/08/2018 10:59, Axel Drioli wrote:

...  I use
a prototype made by Reynolds Microphones. ... This mic has much lower
self-noise than any other ambi mic you find around.

But is that done using large diaphragm capsules? With the inevitable 
consequences in terms of coincidence?


Chris Woolf

---
This email has been checked for viruses by Avast antivirus software.
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Re: [Sursound] Looking for mic advice

[Axel Drioli]

Recording natural soundscapes in ambisonics is damn difficult because you
need to be close enough to the action, to the have a good signal-to-noise
ratio, but at the same time, I like to hear the overall soundscape.  I use
a prototype made by Reynolds Microphones. Jack Reynolds is a super cool
dude and he is prototyping lots of stuff. This mic has much lower
self-noise than any other ambi mic you find around.

Axel Drioli

On Sat, 11 Aug 2018 at 11:29 Chris Woolf  wrote:

> When I reviewed the Sennheiser Ambeo some while ago I was distinctly
> underwhelmed by many aspects of it. A shame, but I got the feeling it
> wasn't something that the company felt any deep interest in.
>
> Røde did indeed buy the Soundfield company, but perhaps more importantly
> bought Pieter Shillebeeckx and have given him freedom and budget to develop
> stuff. I suspect the NT-SF1 will be a lot more intersting as well as
> inexpensive.
>
> Chris Woolf
>
>
> On 10/08/2018 19:37, Søren Bendixen wrote:
> > Hi
> > I´m in the same situation, want to record nature (and other things) in
> ambisonics. and I have no experience - and waiting for the new Røde(Rode)
> NT- SF1 - I will be just below 1000 USD
> > Røde took over Soundfield and then bought some knowledge about
> Ambisonics equipment and this microphone would be the result ... In
> Denmark, for example, Sennheiser ambeo costs around 1900 usd
> > They announced the NT - SF1 almost 6 months ago - so..
> >
> > BR
> > Søren Bendixen
> >> Den 10. aug. 2018 kl. 20.22 skrev Drew Kirkland :
> >>
> >> Hi guys
> >>
> >> We have recently decided to record nature in ambisonic format with a
> >> additional specific mono and stereo recordings added in at edit stage.
> >>
> >> I would be interested in current ambisonic mic choice, we don't have
> loads
> >> of cash but want to get as transparent a sound field as possible.
> >>
> >> We have all had experience over the last 30 years or so of using
> standard
> >> mics and have our favourites for particular situations but have never
> had
> >> experience of usi g ambisonic mics and relevant field recorders.
> >>
> >> Advice welcome
> >>
> >> Drew
> >>
> >>
> >>
> >>
> >>
> >> Drew Kirkland
> >> 1 campbleton cottage
> >> Hunterston Estate
> >> KA23 9QF
> >>
> >> 07876238608
> >> -- next part --
> >> An HTML attachment was scrubbed...
> >> URL: <
> https://mail.music.vt.edu/mailman/private/sursound/attachments/20180810/3ceb1f7b/attachment.html
> >
> >> ___
> >> Sursound mailing list
> >> Sursound@music.vt.edu
> >> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe
> here, edit account or options, view archives and so on.
> > Med venlig hilsen/Best regards
> >
> > Søren Bendixen
> > Composer/Sound Designer/Producer
> >
> > Company: Audiotect
> >
> > New Exhibition sound design " På Djengis Khans stepper - Mongoliets
> Nomader",
> > - Moesgaard Museum, 19 june 2018 - 7 april 2019
> > - National Museum of Denmark: From june  2019
> >
> > Jyllandsposten: 5 (out of 6) Stars: “The illusion of a railroad journey
> is underpinned by the sceneries that stand outside the windows. Sound and
> image are in exemplary harmony, which is just as consistent
> > completed when you attend the exhibition. the room is generally enhanced
> by a rather fascinating sound design” (22 juni 2018)
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Re: [Sursound] Looking for mic advice

[Chris Woolf]

When I reviewed the Sennheiser Ambeo some while ago I was distinctly 
underwhelmed by many aspects of it. A shame, but I got the feeling it 
wasn't something that the company felt any deep interest in.


Røde did indeed buy the Soundfield company, but perhaps more importantly bought 
Pieter Shillebeeckx and have given him freedom and budget to develop stuff. I 
suspect the NT-SF1 will be a lot more intersting as well as inexpensive.

Chris Woolf


On 10/08/2018 19:37, Søren Bendixen wrote:

Hi
I´m in the same situation, want to record nature (and other things) in 
ambisonics. and I have no experience - and waiting for the new Røde(Rode) NT- 
SF1 - I will be just below 1000 USD
Røde took over Soundfield and then bought some knowledge about Ambisonics 
equipment and this microphone would be the result ... In Denmark, for example, 
Sennheiser ambeo costs around 1900 usd
They announced the NT - SF1 almost 6 months ago - so..

BR
Søren Bendixen

Den 10. aug. 2018 kl. 20.22 skrev Drew Kirkland :

Hi guys

We have recently decided to record nature in ambisonic format with a
additional specific mono and stereo recordings added in at edit stage.

I would be interested in current ambisonic mic choice, we don't have loads
of cash but want to get as transparent a sound field as possible.

We have all had experience over the last 30 years or so of using standard
mics and have our favourites for particular situations but have never had
experience of usi g ambisonic mics and relevant field recorders.

Advice welcome

Drew





Drew Kirkland
1 campbleton cottage
Hunterston Estate
KA23 9QF

07876238608
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Med venlig hilsen/Best regards

Søren Bendixen
Composer/Sound Designer/Producer

Company: Audiotect

New Exhibition sound design " På Djengis Khans stepper - Mongoliets Nomader",
- Moesgaard Museum, 19 june 2018 - 7 april 2019
- National Museum of Denmark: From june  2019

Jyllandsposten: 5 (out of 6) Stars: “The illusion of a railroad journey is 
underpinned by the sceneries that stand outside the windows. Sound and image 
are in exemplary harmony, which is just as consistent
completed when you attend the exhibition. the room is generally enhanced by a 
rather fascinating sound design” (22 juni 2018)



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Re: [Sursound] Looking for mic advice

[Bo-Erik Sandholm]

I have "test" a recording of birds in a Nordic summer night.
Recorded with core-sound tetra mic using Tascam dr680

Bo-Erik

On Fri, 10 Aug 2018 20:37 Søren Bendixen,  wrote:

> Hi
> I´m in the same situation, want to record nature (and other things) in
> ambisonics. and I have no experience - and waiting for the new Røde(Rode)
> NT- SF1 - I will be just below 1000 USD
> Røde took over Soundfield and then bought some knowledge about Ambisonics
> equipment and this microphone would be the result ... In Denmark, for
> example, Sennheiser ambeo costs around 1900 usd
> They announced the NT - SF1 almost 6 months ago - so..
>
> BR
> Søren Bendixen
> > Den 10. aug. 2018 kl. 20.22 skrev Drew Kirkland :
> >
> > Hi guys
> >
> > We have recently decided to record nature in ambisonic format with a
> > additional specific mono and stereo recordings added in at edit stage.
> >
> > I would be interested in current ambisonic mic choice, we don't have
> loads
> > of cash but want to get as transparent a sound field as possible.
> >
> > We have all had experience over the last 30 years or so of using standard
> > mics and have our favourites for particular situations but have never had
> > experience of usi g ambisonic mics and relevant field recorders.
> >
> > Advice welcome
> >
> > Drew
> >
> >
> >
> >
> >
> > Drew Kirkland
> > 1 campbleton cottage
> > Hunterston Estate
> > KA23 9QF
> >
> > 07876238608
> > -- next part --
> > An HTML attachment was scrubbed...
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> https://mail.music.vt.edu/mailman/private/sursound/attachments/20180810/3ceb1f7b/attachment.html
> >
> > ___
> > Sursound mailing list
> > Sursound@music.vt.edu
> > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> edit account or options, view archives and so on.
>
> Med venlig hilsen/Best regards
>
> Søren Bendixen
> Composer/Sound Designer/Producer
>
> Company: Audiotect
>
> New Exhibition sound design " På Djengis Khans stepper - Mongoliets
> Nomader",
> - Moesgaard Museum, 19 june 2018 - 7 april 2019
> - National Museum of Denmark: From june  2019
>
> Jyllandsposten: 5 (out of 6) Stars: “The illusion of a railroad journey is
> underpinned by the sceneries that stand outside the windows. Sound and
> image are in exemplary harmony, which is just as consistent
> completed when you attend the exhibition. the room is generally enhanced
> by a rather fascinating sound design” (22 juni 2018)
>
>
>
> -- next part --
> An HTML attachment was scrubbed...
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> https://mail.music.vt.edu/mailman/private/sursound/attachments/20180810/8f5743a1/attachment.html
> >
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