Re: [Sursound] Reynolds mics

[Drew Kirkland]

I have one, I can send some recordings. It is a flatter response than the
sennheiser Ambo. It's very light and the capsules are reasonably well
matched.
I use it mostly for wild landscape receding with a mix pre10

Drew

On Fri, 25 Mar 2022, 12:24 Chris Woolf,  wrote:

> A friend asked me about this mic. Have to admit I have never heard of
> it, or of the company.
>
> Does anyone on the list have any knowledge, thoughts or comments?
>
> Chris Woolf
>
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Re: [Sursound] the facebook group

[Drew Kirkland]

I also feel that the group is very helpful but absolutely detest having to
use Facebook.
I am currently setting up a training facility in the UK where initially
anolog sound recording will become a core skill before moving to digital.
The know lage contained in this group will be invaluable when we are
recording and playing back in multi channel spatial audio.
The perfect solution would be a repository of information with a message
board on its own site, but I understand that requires work and funding.

Drew

On Sun, 2 Jan 2022, 09:29 ,  wrote:

> Hi Sampo, others
>
> > 2 Jan 2022 - Sampo Syreeni :
>
> S> Hi. How about if you all also join the Facebook-group,
>
> Though i'm not the most active poster here, following the discussions
> and pointers to info in this group is extremely useful for my own work,
> and i beleive for many others who as me are not always very active.
>
> I really hope the exchange in sursound can continue in a simple and easy
> accessible way, preferably in this email list, and not move to a closed
> channel where it won't be accessible any more.
>
> Happy new year!
>
> -anders
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Re: [Sursound] SFTMF - call for work

[Drew Kirkland]

Hi Joseph
We are currently involved in a project with a blind artist who has produced
five landscape paintings in conjunction with about 100 hours of field
recordings edited into a 40 minute surround format, at the moment it is
only 5.1 but we are working on a 16. 1 version
Let me know if you would like more information on the project.

Drew

On Wed, 3 Jul 2019, 22:16 Joseph Anderson,  wrote:

> Apologies for cross-postings (deadline upcoming!)
>
> In particular, see the interest in works for ambisonics. Field-recording
> and soundscape works are welcome.
>
>
> *Dr Joseph Anderson | Research Scientist*
>
> DXARTS, Box 353414
>
> University of Washington
>
> Seattle, WA 98195-3680
>
>
>
> http://www.dxarts.washington.edu
>
>
> Subscribe to our events list 
> to receive email updates about lectures, performances, exhibitions and
> more.
>
>
>
> CALL FOR WORKS 
>
> The San Francisco Tape Music Collective and sfSoundRadio are seeking
> acousmatic works for performance in our next festival.
>
> We accept "fixed" electroacoustic works only (no real-time electronics,
> performers, or visual components) to be presented over a multi-speaker
> system.
> Compositions in stereo (performed with live diffusion), multi-channel, or
> ambisonics are welcome.
>
> Only ONE submission is allowed per person in one calendar year.
>
> The 2020 Festival DEADLINE IS July 15, 2019, 11:59pm PDT.
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Re: [Sursound] Hardest wearing outdoor speakers

[Drew Kirkland]

We are a UK installation and design company with close links to the F1
network. I'm sure we could find you reasonably local tech support.

Drew







Drew Kirkland
1 campbleton cottage
Hunterston Estate
KA23 9QF

07876238608

On Thu, 24 Jan 2019, 20:56 Augustine Leudar  Hi Fons,
> All of the people I have approached so far have been professionals (so far
> Meyer, Martin audio and Bose) - if you know of any company that would
> deliver a maintenance package covering all technical infrastructure for 35
> years (speakers, cabling, 8 channel player) then please point me in their
> direction.  Ideally a company would take care of that side and be
> responsible so I could focus on content, I really dont want to be
> responsible for that side of things - however for any budget 35 years is a
> big commitment to make - possibly an unrealistic one. Ive  a lot of
> experience with creepy crawlys  and speakers as a lot of the stuff I do is
> outdoors and has included one at  research station in virgin rainforest in
> Ecuador  - the Eden project in particular had a particularly robust ant
> that ate through even the toughest of 16 amp cabling - used to send the
> technicians up the wall. Eden bought dozens of really hi-end weatherproof
> speakers, they lasted a year an a half. conversely I've seen some
> Behringer ms10s that withstood months of tropical storms in the Amazon - so
> price doesn't always reflect durability either . In this case though its
> temperate climate and there is budget which any company can contact me
> about via PM.
>
> On Thu, 24 Jan 2019 at 19:49, Fons Adriaensen  wrote:
>
> > On Thu, Jan 24, 2019 at 10:41:13AM +, Augustine Leudar wrote:
> >
> > > If you needed speakers for a permanent outdoor installation with
> speakers
> > > than need to last decades - does such a thing exist ? Any
> > recommendations ?
> > > What about media players ?
> >
> > If things have to last outdoors for longer than a year, I'd say to
> consult
> > some professionals for this. If after two winters the cables used to
> > connect
> > your speakers disintegrate, or if the speakers start to fall down because
> > the screws used to attach them are corroded, it doesn't matter much which
> > speakers you use. Also don't underestimate the power of small species
> with
> > 6 or 8 legs to invade your equipment and turn it into their cosy home.
> >
> > Cheap solutions won't last for something like this.
> >
> > --
> > FA
> >
> > ___
> > Sursound mailing list
> > Sursound@music.vt.edu
> > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> > edit account or options, view archives and so on.
> >
>
>
> --
> Dr. Augustine Leudar
> Artistic Director Magik Door LTD
> Company Number : NI635217
> Registered 63 Ballycoan rd,
> Belfast BT88LL
> www.magikdoor.net
> +44(0)7555784775
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Re: [Sursound] Hardest wearing outdoor speakers

[Drew Kirkland]

You may find this interesting, very high fidelity for a horn.
Drew
  F1MST_horn_ISEJan2013.pdf
<https://drive.google.com/file/d/1SChDjihWVcpItoUTiX9y9gJm71y0zc47/view?usp=drivesdk>









Drew Kirkland
1 campbleton cottage
Hunterston Estate
KA23 9QF

07876238608

On Thu, 24 Jan 2019, 15:59 Augustine Leudar  I have used Daytons stuff for a temporary indoor sound installation - lots
> of fun but I have doubts they would last 35 years ! Maybe their outdoor
> stuff is more robust. I guess what I really want is an install company that
> will take care of/responsibility for the technical infrastructure and then
> I could focus on content.
>
> On Thu, 24 Jan 2019 at 15:11, Marc Lavallée  wrote:
>
> > What about transducers? Something like:
> >
> > http://www.daytonaudio.com/index.php/exciters-buyers-guide
> >
> > Marc
> >
> > Le 2019-01-24 à 6:52 a.m., Augustine Leudar a écrit :
> > > Hi John
> > > I'm aware of a lot of outdoor speakers and technical considerations.
> I've
> > > used acoustic energy extreme 5s for the same thing but note permanent
> and
> > > they were fine. They don't have to be Meyer but not super cheap either.
> > > However  here the real issue is who will provide a maintenance
> > > package/guarantee for 35 years ? I can think of one. Would happily hand
> > > over technical side to a company Willi g to do that. Anyone e I treated
> > in
> > > budget can PM me.
> > >
> > > On Thursday, 24 January 2019, John Leonard 
> wrote:
> > >
> > >> Augustine,
> > >>
> > >> There are many outdoor speakers available: most theme parks are full
> of
> > >> them. The question is, what degree of fidelity you’re looking for,
> > >> frequency response, spl, etc.
> > >>
> > >> As for media players, once again, there are many choices, so how many
> > >> tracks, what sample rate, programming method, does it need to have
> show
> > >> control, etc.
> > >>
> > >> And most importantly, what’s your budget?
> > >>
> > >> John
> > >>
> > >>
> > >>> On 24 Jan 2019, at 10:41, Augustine Leudar <
> augustineleu...@gmail.com>
> > >> wrote:
> > >>> If you needed speakers for a permanent outdoor installation with
> > speakers
> > >>> than need to last decades - does such a thing exist ? Any
> > >> recommendations ?
> > >>> What about media players ?
> > >>>
> > >> ___
> > >> Sursound mailing list
> > >> Sursound@music.vt.edu
> > >> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe
> here,
> > >> edit account or options, view archives and so on.
> > >>
> > >
> > ___
> > Sursound mailing list
> > Sursound@music.vt.edu
> > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> > edit account or options, view archives and so on.
> >
>
>
> --
> Dr. Augustine Leudar
> Artistic Director Magik Door LTD
> Company Number : NI635217
> Registered 63 Ballycoan rd,
> Belfast BT88LL
> www.magikdoor.net
> +44(0)7555784775
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Re: [Sursound] Passive small speaker advice

[Drew Kirkland]

If your looking for a small footprint, have a look at ohm boutique 4" tops,
lot of bang for your buck.

Drew

On Thu, 10 Jan 2019, 12:28 dan2...@yotz.org,  wrote:

> PSI A14
>
> I only have a pair so far, but they arrived so well matched that the
> soundstage is huge... When resources allow, would like a large array of
> these myself.
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Re: [Sursound] Passive small speaker advice

[Drew Kirkland]

Hi,
Funktion one are about to launch a 5" top which has excellent acoustics, as
soon as I get pricing and official specs I will post the details.
Drew







Drew Kirkland
1 campbleton cottage
Hunterston Estate
KA23 9QF

07876238608

On Wed, 9 Jan 2019, 13:28 Bruce Wiggins  Hello Sursounders (and Happy New Year!)
>
> For many years, we've been running our Sounds in Space research symposium
> using lots of old passive minipod speakers (as Peter Lennox had lots of
> these at the time of our first symposium, an we've been using them ever
> since https://www.podspeakers.com/)
>
> However, it's come to the time where we really need to invest in a
> replacement for these, essentially hifi, speakers!
>
> We have a large number of flying mole amplifiers (100W into 8ohm - like
> these
> https://www.flyingmole.co.jp/new_en/products/new_product/dadm100pro2/
> ) and are looking for advice on small speakers we could use to replace the
> minipods with.
>
> We'll be wanting around 30 of them, and need to fly them on truss for a 3D
> rig and sounds level wise, the minipods have actually been ok but are a
> little under-spec'ed (having lots of subs on the floor helps!)
>
> Anyone got any good suggestions/experiences they'd be happy to share?
>
> Sounds in Space last year:
> https://www.brucewiggins.co.uk/?page_id=1119
>
> cheers
>
> Bruce Wiggins
> Derby
> UK
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Re: [Sursound] Multi-user head tracked binaural ambisonics query

[Drew Kirkland]

Contact ryan.phillip.sc...@gmail.com

On Fri, 2 Nov 2018, 14:39 Giso Grimm,  wrote:

>
>
> On 01.11.18 11:04, Simon Connor wrote:
> > Hi Sursounders
> >
> > I'm wondering if I could pick some brains if possible…
> >
> > I’m interested in the potential of using head tracked binaural HOA in a
> > gallery setting, but that would support multiple users at the same time
> > (say up to 6 people) so that each could have their own respondent audio
> > experience.
> >
> > Could anyone recommend any Reaper friendly software and cost effective
> head
> > trackers that would allow for multi-user head tracking?
> >
> > I know that Waves NX offers this but only for FOA and I've been less
> > impressed by the sound of the binaural decoding as yet. I've been very
> > impressed by Audio Ease’s 360 pan suite with their suggested headtracking
> > device but currently this doesn’t offer multi-user functionality.
> >
> > Any suggestions would be very welcome!
>
>
> not necessarily Reaper-friendly, but I used five MPU6050 with a ESP8266
> controller, to control the binaural rendering of five headphone pairs on
> a central PC (no network-distributed audio). The motion tracking
> hardware I used has probably more drift problems that the Graz solution,
> which I compensated for in the rendering software (TASCAR,
> https://github.com/gisogrimm/tascar).
>
> The setup worked well on stage for hours (100 Hz motion tracking frame
> rate, 4.5ms audio delay). It provided a minimal externalization benefit
> compared to static in-ear monitoring, but was definitely useful in some
> situations when the sources where acoustically similar, and spatial
> separation was the only cue.
>
>
> Best,
>
> Giso
>
> >
> > Thanks in advance
> > Simon
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> >
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Re: [Sursound] Zoom H3-VR

[Drew Kirkland]

I think maybe that's a bit harsh, I know what you mean but due to a lax
attitude in audio we now have a dynamic free industry, apart from a couple
of major players the whole industry is relying on compression and
electronics rather than design and good engineering.
This is the legacy of mp3 and poor quality teaching within the industry as
a whole. It is something that has gradually become endemic, most engineers
under 40 have had limited access to true anolog source and playback
equipment and very few in my experience have an lp collection where
dynamics are an integral part of the recording.
It's been a situation the industry has kind of sleepwalked into. So I think
it important we keep the "freeks" on board

Drew

On Sun, 16 Sep 2018, 10:47 Drew Kirkland,  wrote:

> L
>
> On Sun, 16 Sep 2018, 10:45 Eero Aro,  wrote:
>
>> Ralf R Radermacher wrote:
>>
>> > Methinks their marketing department know quite well what they're doing.
>> > I could come up with a dozen things they could have done better or
>> > differently with their other portable recorders. Still, they're selling
>> > like hot cakes. There's something like a sweet spot for pricing if
>> > you're targeting the non-pro consumer market.
>> >
>> > I for one can't wait to spend 350 USD on the H3 but I'd think twice at
>> > 450. Seriously, how many people care about numerical specs, apart from
>> a
>> > handful of freaks on this list?
>> >
>> > Ralf
>>
>> Exactly my thoughts as well. Thank you Ralf for saving me for the need to
>> write it.
>>
>> Eero
>> _______
>> Sursound mailing list
>> Sursound@music.vt.edu
>> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
>> edit account or options, view archives and so on.
>>
> --
>
>
>
>
>
> Drew Kirkland
> 1 campbleton cottage
> Hunterston Estate
> KA23 9QF
> 07876 238 608
>
-- 





Drew Kirkland
1 campbleton cottage
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KA23 9QF
07876 238 608
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Re: [Sursound] Zoom H3-VR

[Drew Kirkland]

L

On Sun, 16 Sep 2018, 10:45 Eero Aro,  wrote:

> Ralf R Radermacher wrote:
>
> > Methinks their marketing department know quite well what they're doing.
> > I could come up with a dozen things they could have done better or
> > differently with their other portable recorders. Still, they're selling
> > like hot cakes. There's something like a sweet spot for pricing if
> > you're targeting the non-pro consumer market.
> >
> > I for one can't wait to spend 350 USD on the H3 but I'd think twice at
> > 450. Seriously, how many people care about numerical specs, apart from a
> > handful of freaks on this list?
> >
> > Ralf
>
> Exactly my thoughts as well. Thank you Ralf for saving me for the need to
> write it.
>
> Eero
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Re: [Sursound] Zoom H3-VR

[Drew Kirkland]

https://www.harmonycentral.com/news/the-h3-vr-handy-recorder---vr-audio-youve-arrived

On Fri, 14 Sep 2018, 09:05 Søren Bendixen,  wrote:

> Someone on Facebook mention around 350 USD
>
> https://www.facebook.com/groups/SpatialAudioVRARMR/?multi_permalinks=1454242301385759¬if_id=1536703644190551¬if_t=group_highlights
> <
> https://www.facebook.com/groups/SpatialAudioVRARMR/?multi_permalinks=1454242301385759¬if_id=1536703644190551¬if_t=group_highlights
> >
>
> /Søren Bendixen
>
> > Den 14. sep. 2018 kl. 09.43 skrev David Worrall :
> >
> > Hi All,
> >
> > I didn’t manage to see a price. Any clues?
> >
> >
> >
> > Cheers,
> >
> > David
> >
> >
> >
> >
> >
> > From: Sursound  on behalf of Marc
> Lavallée 
> > Reply-To: Surround Sound discussion group 
> > Date: Thursday, September 13, 2018 at 8:00 PM
> > To: 
> > Subject: Re: [Sursound] Zoom H3-VR
> >
> >
> >
> > Le 13/09/2018 à 14:04, Courville, Daniel a écrit :
> >
> > New tetrahedral mic and recorder from Zoom:
> >
> >
> https://www.zoom.co.jp/products/field-video-recording/field-recording/zoom-h3-vr-handy-recorder
> >
> >
> >
> > I just read the quick guide pdf document (which is only 16 pages long).
> >
> >
> >
> > It has nice features; notably it can work as a 4-channel USB sound
> module.
> >
> >
> >
> > Sadly, the remote control app is for iOS only (no Android version yet);
> >
> > I guess that a market study proved that the target audience is mostly
> >
> > using Apple products.
> >
> >
> >
> > Something odd; the orientation must be set in the menu, and the
> >
> > orientation sensors are just used to adjust the tilt of the microphone
> >
> > (like an integrated level). An orientation tracker, with automatic
> >
> > rotation of the soundfield would have been better (but maybe more
> >
> > expensive). The same tracker could have been used to rotate the
> >
> > soundfield while replaying the recording through the phone out, instead
> >
> > of changing the soundfield rotation in the menu (because small lcd menus
> >
> > are such a pain to use).
> >
> >
> >
> > Marc
> >
> >
> >
> > ___
> >
> > Sursound mailing list
> >
> > Sursound@music.vt.edu
> >
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> >
> >
> >
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>
> Med venlig hilsen/Best regards
>
> Søren Bendixen
> Composer/Sound Designer/Producer
>
> Company: Audiotect
>
> New Exhibition sound design " På Djengis Khans stepper - Mongoliets
> Nomader",
> - Moesgaard Museum, 19 june 2018 - 7 april 2019
> - National Museum of Denmark: From june  2019
>
> Jyllandsposten: 5 (out of 6) Stars: “The illusion of a railroad journey is
> underpinned by the sceneries that stand outside the windows. Sound and
> image are in exemplary harmony, which is just as consistent
> completed when you attend the exhibition. the room is generally enhanced
> by a rather fascinating sound design” (22 juni 2018)
>
>
>
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-- 





Drew Kirkland
1 campbleton cottage
Hunterston Estate
KA23 9QF
07876 238 608
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Re: [Sursound] A mic array I don't recognise

[Drew Kirkland]

Best guess would be a choir in a church or cathedral 8 way and bass.
Commonly known as experimental with additional swearing.

Drew







Drew Kirkland
1 campbleton cottage
Hunterston Estate
KA23 9QF

07876238608

On Mon, 20 Aug 2018, 21:17 Paul Hodges,  wrote:

> Can anyone tell me about this microphone array?
>
> <https://cassland.org/images/query.jpg>
>
> Thanks,
> Paul
>
> --
> Paul Hodges
>
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Re: [Sursound] Looking for mic advice

[Drew Kirkland]

Thanks every one that's brilliant I will do a bit of listening and reading
and let you know what we decide

Drew







Drew Kirkland
1 campbleton cottage
Hunterston Estate
KA23 9QF

07876238608

On Sat, 11 Aug 2018, 20:31 Martin Leese, 
wrote:

> Drew Kirkland wrote:
> > Hi guys
> >
> > We have recently decided to record nature in ambisonic format with a
> > additional specific mono and stereo recordings added in at edit stage.
> >
> > I would be interested in current ambisonic mic choice, we don't have
> loads
> > of cash but want to get as transparent a sound field as possible.
>
> There is a list of mics on Wikipedia at:
> https://en.wikipedia.org/wiki/List_of_Ambisonic_hardware#Microphone_Arrays
>
> If the list is incomplete then will people please
> add to it.
>
> Regards,
> Martin
> --
> Martin J Leese
> E-mail: martin.leese  stanfordalumni.org
> Web: http://members.tripod.com/martin_leese/
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[Sursound] Looking for mic advice

[Drew Kirkland]

Hi guys

We have recently decided to record nature in ambisonic format with a
additional specific mono and stereo recordings added in at edit stage.

I would be interested in current ambisonic mic choice, we don't have loads
of cash but want to get as transparent a sound field as possible.

We have all had experience over the last 30 years or so of using standard
mics and have our favourites for particular situations but have never had
experience of usi g ambisonic mics and relevant field recorders.

Advice welcome

Drew





Drew Kirkland
1 campbleton cottage
Hunterston Estate
KA23 9QF

07876238608
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