[Sursound] PhD position sonic interaction design (University of Music and Performing Arts, Graz) 4yrs.
Dear all, I am forwarding a PhD position opening in Katharina Groß-Vogt's research area at IEM/KUG in Graz, Austria: we are pleased to announce a 4-year PhD position in the field of Sonic Interaction Design at the Institute of Electronic Music and Acoustics (IEM, https://iem.kug.ac.at/),University of Music and Performing Arts Graz, Austria. Current projects are compiled at https://sidlab.iem.sh/. All details can be found in the call for applications (German, English): https://csc-kug.at/fileadmin/usr/all/documents/Stellenausschreibungen_2023_10/mb_01_s_1_Ausschreibungstext_UnivAss_SID.pdf We look forward to receiving your application by December 1st, 2023. Best regards Katharina Groß-Vogt -- Assoz.Prof. Dr. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] Call: Europe's Seventh Student 3D Audio Production Competition, Nov. 2023, Virtual Event(s), ...
Dear colleagues, We extend the submission deadline of the competition to July 15th 2023. Best, Franz Zotter + Matthias Frank > Am 19.04.2023 um 14:05 schrieb Franz Zotter : > > Dear colleagues & friends, > > Call for Europe's Seventh Student 3D Audio Production Competition 2023 > Updates are found here https://ambisonics.iem.at/s3dapc/2023 > :) > > We happily announce the call for Europe's Seventh Student 3D Audio Production > Competition, and vdt (German tonmeisters) will host the event in cooperation > with IEM Graz and present the final ranks of the finalists in a public > ceremony around at Tonmeistertagung in Düsseldorf (Nov. 8th – 11th) live and > via internet live stream, complemented by on-demand browser playback via > Cat3DA. > > IEM calls for students' works to be submitted to Europe's Sixth 3D Audio > Production Competition that is going to be hosted at IEM in Graz, with vdt, > ORF musikprotokoll as partners. The call is issued for the three > production/composition categories: > > (1) contemporary / computer music > (2) audio drama / documentary / soundscapes > (3) music recording / studio production. > > The submission deadline is June 30th 2023. > Submission portal: > https://easychair.org/my/conference?conf=s3dapc2023 > > The required format to deliver is a 5th order Ambisonic track as > multi-channel file in .WAV or .CAF that comply with the AmbiX format (SN3D, > full 3D, ACN channel ordering). Below you find a Reaper template project, > which already has all the necessary settings and routings to create content > for the competition or to check content that was created elsewhere (see > energy visualizer, direction announcement, etc.). > > Note that while the submission length is still max. 4min for categories (2) > and (3), but in the contemporary category (1) submission lengths of up to > 11min will be accepted as this fits common contemporary composition formats. > > Please also note that it is important for us to be given a CC-by license by > you to enable the competition, its awards, and the virtual appearance of the > nominated finalists on https://tonmeister.org. We will have the opportunity > to present the finalists of category (1) at ORF musikprotokoll in Dom im > Berg, Graz, Oct 5th, already before the finals (but without telling the > ranking yet :-), and in Austrian contemporary/classic radio program (ORF OE1) > around the finals. > > More details about submitting: > https://ambisonics.iem.at/s3dapc/2023/2021_student3daudioproductioncompetition.pdf > > If you have any questions, please don't hesitate to contact us via email: > s3d...@iem.at > > Best regards > Franz Zotter and Matthias Frank > > ___ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit > account or options, view archives and so on. Assoz. Prof. Dr. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] PhD position acoustics and audio technology / virtual acoustics (University of Music and Performing Arts Graz, Austria)
BTW: the deadline was extended to June 21st https://www.kug.ac.at/fileadmin/01_Kunstuniversitaet_Graz/05_News/Mitteilungsblatt/SJ202223/Mitteilungsblatt_23/mb_23_s_2a_Ausschreibungstext_UnivAss_Akustik_Audiotechnik_1_Verlaengerung.pdf Best, Franz Am 04.05.2023 um 15:16 schrieb Franz Zotter: Dear colleagues, We have opened an PhD position (4 years, 75% employment) that is associated with my research field (virtual acoustics / acoustics and audio technology). The pdf contains the German and English announcement: https://www.kug.ac.at/fileadmin/01_Kunstuniversitaet_Graz/05_News/Mitteilungsblatt/SJ202223/Mitteilungsblatt_20/mb_20_s_2a_Ausschreibungstext_UnivAss_Akustik_Audiotechnik.pdf Applications will be accepted until May 31st. Best regards, Franz Zotter -- Assoz.Prof. Dr. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] PhD position acoustics and audio technology / virtual acoustics (University of Music and Performing Arts Graz, Austria)
Dear colleagues, We have opened an PhD position (4 years, 75% employment) that is associated with my research field (virtual acoustics / acoustics and audio technology). The pdf contains the German and English announcement: https://www.kug.ac.at/fileadmin/01_Kunstuniversitaet_Graz/05_News/Mitteilungsblatt/SJ202223/Mitteilungsblatt_20/mb_20_s_2a_Ausschreibungstext_UnivAss_Akustik_Audiotechnik.pdf Applications will be accepted until May 31st. Best regards, Franz Zotter -- Assoz.Prof. Dr. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Call: Europe's Seventh Student 3D Audio Production Competition, Nov. 2023, Virtual Event(s), ...
Dear colleagues & friends, Call for Europe's Seventh Student 3D Audio Production Competition 2023 Updates are found here https://ambisonics.iem.at/s3dapc/2023 :) We happily announce the call for Europe's Seventh Student 3D Audio Production Competition, and vdt (German tonmeisters) will host the event in cooperation with IEM Graz and present the final ranks of the finalists in a public ceremony around at Tonmeistertagung in Düsseldorf (Nov. 8th – 11th) live and via internet live stream, complemented by on-demand browser playback via Cat3DA. IEM calls for students' works to be submitted to Europe's Sixth 3D Audio Production Competition that is going to be hosted at IEM in Graz, with vdt, ORF musikprotokoll as partners. The call is issued for the three production/composition categories: (1) contemporary / computer music (2) audio drama / documentary / soundscapes (3) music recording / studio production. The submission deadline is June 30th 2023. Submission portal: https://easychair.org/my/conference?conf=s3dapc2023 The required format to deliver is a 5th order Ambisonic track as multi-channel file in .WAV or .CAF that comply with the AmbiX format (SN3D, full 3D, ACN channel ordering). Below you find a Reaper template project, which already has all the necessary settings and routings to create content for the competition or to check content that was created elsewhere (see energy visualizer, direction announcement, etc.). Note that while the submission length is still max. 4min for categories (2) and (3), but in the contemporary category (1) submission lengths of up to 11min will be accepted as this fits common contemporary composition formats. Please also note that it is important for us to be given a CC-by license by you to enable the competition, its awards, and the virtual appearance of the nominated finalists on https://tonmeister.org. We will have the opportunity to present the finalists of category (1) at ORF musikprotokoll in Dom im Berg, Graz, Oct 5th, already before the finals (but without telling the ranking yet :-), and in Austrian contemporary/classic radio program (ORF OE1) around the finals. More details about submitting: https://ambisonics.iem.at/s3dapc/2023/2021_student3daudioproductioncompetition.pdf If you have any questions, please don't hesitate to contact us via email: s3d...@iem.at Best regards Franz Zotter and Matthias Frank ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] CfP: 2023 AES Int. Conf. on Spatial and Immersive Audio, 23-25 Aug 2023, Huddersfield, UK
Dear all, update: The easychair submission pages for the upcoming AES Int.Conf. in Huddersfield are now open for submissions in all categories: https://easychair.org/conferences/?conf=aes2023spatialpapers (cat1) https://easychair.org/conferences/?conf=aes2023spatialabstra (cat2) https://easychair.org/conferences/?conf=aes2023spatialworksh (workshop) For more information check Hyunkook's original message and: https://aes2.org/contributions/2023-spatial-conference/ Best regards, Franz Zotter and Hyunkook Lee Am 27.12.2022 um 15:13 schrieb Hyunkook Lee: (Apologies for cross-postings) Dear all, We are delighted to announce the 2023 AES International Conference on Spatial and Immersive Audio, which will take place at the University of Huddersfield, United Kingdom on August 23 - 25, 2023. https://aes2.org/contributions/2023-spatial-conference/ Conference theme: Production, perception and immersive experience of spatial audio. Spatial/immersive audio is one of the hottest topics in the audio industry, creative and research communities right now. Although spatial audio has been researched and developed over several decades, it has only been several years since it has become a major interest to the general public, thanks to commercial services available on streaming services and mobile devices. Immersive audio is another buzz word that is often used as a synonym to spatial audio, but the potential of spatial audio to provide a truly immersive experience has not been fully explored yet. To maximise industrial and societal impacts of spatial audio, now is the time for researchers, content creators and the industry to get together and inspire each other. Join us at the University of Huddersfield, with its cutting-edge spatial audio facilities, for 3 days of peer reviewed papers, workshops, demonstrations and in-person networking. Call for Submissions: We welcome contributions from researchers and content creators and the industry working in various fields of spatial and immersive audio. For more details, please visit the conference webpage. Key dates: - Category 1: Full paper submission for peer review (8-10 pages): April 3, 2023 - Category 2: Abstract/Précis proposal deadline: April 3, 2023 - Workshop/Demo proposal deadline: April 3, 2023 - Category 2 paper acceptance notification: April 21, 2023 - Workshop/Demo acceptance notification: April 21, 2023 - Category 1 paper acceptance notification: May 12, 2023 - Final manuscript deadline: June 23, 2023 Proposed topics: - Spatial audio psychoacoustics - Spatial audio recording/mixing/mastering - Binaural audio perception and rendering - Virtual acoustics for 3D audio - Audio for extended reality (XR) / metaverse - Spatial audio for vehicles - Spatial audio for games - Spatial audio for live event - Spatial audio for movies - Spatial sound design and music composition - Evaluation of immersive audio experience - Usability of spatial audio tools - Immersive audio over network - Machine learning and AI in immersive audio - HCI in immersive audio Facilities: Three spatial audio rooms with multichannel speaker systems (Atmos 7.1.4, 22.2, 26+ channel Ambisonics) and a room with binaural headphone playback for multiple listeners will be available for workshops and demos. More information about will be available on the conference website in late Jan. Contact: Paper chairs: Steve Fenton, Gavin Kearney - 2023spatial_pap...@aes.org Workshop chairs: Austin Moore, Dale Johnson - 2023spatial_worksh...@aes.org Hyunkook Lee and Franz Zotter, Convention co-chairs 2023spatial_conf_cocha...@aes.org = Hyunkook Lee, PhD, BMus(Tonmeister), FAES, FHEA Reader (Associate Professor) in Music Technology Director of the Centre for Audio and Psychoacoustic Engineering (CAPE)<http://www.hud.ac.uk/apl> Founder/Leader of the Applied Psychoacoustics Lab (APL) Governor of the Audio Engineering Society (AES) Bio and Publications<https://orcid.org/-0001-9066-6946> New book: 3D Audio <https://www.routledge.com/3D-Audio/Paterson-Lee/p/book/9781138590069> Phone: +44 (0)1484 471893 Office: HA2/06 School of Computing and Engineering University of Huddersfield, Huddersfield HD1 3DH, United Kingdom <https://www.routledge.com/3D-Audio/Paterson-Lee/p/book/9781138590069> University of Huddersfield inspiring global professionals. [https://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooterSeptember2021.jpg] This transmission is confidential and may be legally privileged. If you receive it in error, please notify us immediately by e-mail and remove it from your system. If the content of this e-mail does not relate to the business of the University of Huddersfield, then we do not endorse it and will accept no liability. -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20221
Re: [Sursound] Call: Europe's Sixth Student 3D Audio Production Competition, Oct. 2022, Virtual Event(s)
Dear list, we extended the deadline to July 17th 2022 (was June 3th). More details are found at: https://iaem.at/ambisonics/s3dapc/2022 https://tonmeister.org/en/rubrics/3d-audio-competition/2022/ and if there are questions, our contact is s3d...@iem.at Best regards, Franz Am 25.04.2022 um 14:09 schrieb Franz Zotter: Sorry for the old year, month, and number of S3DAPC in the subject: now corrected ;) Am 21.04.2022 um 12:54 schrieb Matthias Frank: Dear colleagues & friends, We happily announce the call for Europe's Sixth Student 3D Audio Production Competition. IEM Graz will host the event via live internet stream in cooperation with vdt, ORF musikprotokoll (Oct. 6th-9th) to award, honour, and present the final ranks of the finalists in a public ceremony around Oct. 8th 2022 (+- 1 day). Call: Students who are interested in 3D-spatialized sound and work on spatial music, spatial audio productions or recordings are invited to participate by submitting short works (4min/11min) to the Sixth Student 3D Audio Production Competition. There are three submission categories: (1) contemporary / computer music (11min), (2) audio drama / documentary / soundscapes (4min), (3) music recording / studio production (4min). The format requirements for preparing a submission and exemplary tools to check are given here https://iaem.at/ambisonics/s3dapc/2022 and of course you can get in touch if there are questions: The submission portal https://easychair.org/conferences/?conf=s3dapc2022 is open until the June 30th 2022. An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at our virtual award ceremony in Oct. 2022. We are working on the opportunities to present these finalist works prior to the awards ceremony at audiomostly; and for category (1) at musikprotokoll and in Austrian contemporary/classic radio program (ORF OE1) around the finals. The finalists will be notified and requested to attend the meeting to virtually receive their award, the jury’s comments, and say a few words about their submissions. The nominated submissions will be made available via the Cat3DA player at tonmeister.org for head-tracked binaural playback on demand, and we will air a live video stream of the S3DAPC finals over the internet. The S3DAPC finals with the awards ceremony will be the platform to present and celebrate the nominees and their submissions. We encourage institutions with loudspeaker facilities and space for this celebration to organize live breakout sessions. These are connected via stereo live stream for the speech parts of the event, but local listeners enjoy 5th-order playback of the submissions on loudspeakers. Best regards, Matthias Franz Franz Zotter -- Ass.Prof. Dr. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] Call: Europe's Sixth Student 3D Audio Production Competition, Oct. 2022, Virtual Event(s)
Sorry for the old year, month, and number of S3DAPC in the subject: now corrected ;) Am 21.04.2022 um 12:54 schrieb Matthias Frank: Dear colleagues & friends, We happily announce the call for Europe's Sixth Student 3D Audio Production Competition. IEM Graz will host the event via live internet stream in cooperation with vdt, ORF musikprotokoll (Oct. 6th-9th) to award, honour, and present the final ranks of the finalists in a public ceremony around Oct. 8th 2022 (+- 1 day). Call: Students who are interested in 3D-spatialized sound and work on spatial music, spatial audio productions or recordings are invited to participate by submitting short works (4min/11min) to the Sixth Student 3D Audio Production Competition. There are three submission categories: (1) contemporary / computer music (11min), (2) audio drama / documentary / soundscapes (4min), (3) music recording / studio production (4min). The format requirements for preparing a submission and exemplary tools to check are given here https://iaem.at/ambisonics/s3dapc/2022 and of course you can get in touch if there are questions: The submission portal https://easychair.org/conferences/?conf=s3dapc2022 is open until the June 30th 2022. An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at our virtual award ceremony in Oct. 2022. We are working on the opportunities to present these finalist works prior to the awards ceremony at audiomostly; and for category (1) at musikprotokoll and in Austrian contemporary/classic radio program (ORF OE1) around the finals. The finalists will be notified and requested to attend the meeting to virtually receive their award, the jury’s comments, and say a few words about their submissions. The nominated submissions will be made available via the Cat3DA player at tonmeister.org for head-tracked binaural playback on demand, and we will air a live video stream of the S3DAPC finals over the internet. The S3DAPC finals with the awards ceremony will be the platform to present and celebrate the nominees and their submissions. We encourage institutions with loudspeaker facilities and space for this celebration to organize live breakout sessions. These are connected via stereo live stream for the speech parts of the event, but local listeners enjoy 5th-order playback of the submissions on loudspeakers. Best regards, Matthias Franz Franz Zotter -- Ass.Prof. Dr. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] Call: Europe's Fifth Student 3D Audio Production Competition, Nov. 2021, Virtual Event(s)
Hello list, we extended the submission deadline to 31st of July. (see also https://iaem.at/ambisonics/s3dapc/2021) Best regards Franz Am 02.06.2021 um 16:40 schrieb Franz Zotter: Dear colleagues & friends, We are happy to announce Europe’s Fifth Student 3D Audio Production Competition as a satellite event of Tonmeistertagung 31 with IEM as host of the award ceremony that is scheduled between Nov 18th and 20th, 2021 Call: Students who are interested in 3D-spatialized sound and work on spatial music, spatial audio productions or recordings are invited to participate by submitting short works (4min/11min) to the fifth Student 3D Audio Production Competition. There are three submission categories: (1) contemporary / computer music (11min) (2) audio drama / documentary / soundscapes (4min) (3) music recording / studio production (4min); The format requirements for preparing a submission and exemplary tools to check are given here https://iaem.at/ambisonics/s3dapc/2021 and of course you can get in touch if there are questions: The submission portal https://easychair.org/conferences/?conf=s3dapc2021 is open until the July 15th 2021. An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at our virtual award ceremony in Nov 2021. The finalists will be notified and requested to attend the meeting to virtually receive their award, the jury’s comments, and say a few words about their submissions. The nominated submissions will be made available via the Cat3DA player for head-tracked binaural playback on demand, and we will air a live video stream of the S3DAPC finals over the internet. ( as announced at https://tonmeistertagung.com later this year) The S3DAPC finals with the awards ceremony will be the platform to present and celebrate the nominees and their submissions. We encourage institutions with loudspeaker facilities and space for this celebration to organize live breakout sessions. These are connected via stereo live stream for the speech parts of the event, but local listeners enjoy 5th-order playback of the submissions on loudspeakers. Best regards, Franz Zotter Matthias Franz -- Ass.Prof. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Call: Europe's Fifth Student 3D Audio Production Competition, Nov. 2021, Virtual Event(s)
Dear colleagues & friends, We are happy to announce Europe’s Fifth Student 3D Audio Production Competition as a satellite event of Tonmeistertagung 31 with IEM as host of the award ceremony that is scheduled between Nov 18th and 20th, 2021 Call: Students who are interested in 3D-spatialized sound and work on spatial music, spatial audio productions or recordings are invited to participate by submitting short works (4min/11min) to the fifth Student 3D Audio Production Competition. There are three submission categories: (1) contemporary / computer music (11min) (2) audio drama / documentary / soundscapes (4min) (3) music recording / studio production (4min); The format requirements for preparing a submission and exemplary tools to check are given here https://iaem.at/ambisonics/s3dapc/2021 and of course you can get in touch if there are questions: The submission portal https://easychair.org/conferences/?conf=s3dapc2021 is open until the July 15th 2021. An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at our virtual award ceremony in Nov 2021. The finalists will be notified and requested to attend the meeting to virtually receive their award, the jury’s comments, and say a few words about their submissions. The nominated submissions will be made available via the Cat3DA player for head-tracked binaural playback on demand, and we will air a live video stream of the S3DAPC finals over the internet. ( as announced at https://tonmeistertagung.com later this year) The S3DAPC finals with the awards ceremony will be the platform to present and celebrate the nominees and their submissions. We encourage institutions with loudspeaker facilities and space for this celebration to organize live breakout sessions. These are connected via stereo live stream for the speech parts of the event, but local listeners enjoy 5th-order playback of the submissions on loudspeakers. Best regards, Franz Zotter Matthias Franz -- Ass.Prof. Dr. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] University Professorship for Acoustics and Audio Engineering at IEM/KUG
Dear colleagues, a professorship position is offered at University of Music and Performing Arts in Graz, Institute of Electronic Music and Acoustics (IEM), in the field of Acoustics and Audio Enginering. Find details here (English info starts p.3): https://www.kug.ac.at/fileadmin/01_Kunstuniversitaet_Graz/05_News/Mitteilungsblatt/SJ201920/Mitteilungsblatt_27/mb_27_s_1_Ausschreibungstext_Proffesur_Akustik_und_Audiotechnik.pdf Best regards Franz -- Ass.Prof. Dr. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] Europe's Fourth Student 3D Audio Production Competition, Oct 2020, Virtual, HOAST
Dear collegues & friends, we extend the submission deadline by two weeks until July 31st 2020. Feel free to submit, make changes to your submission, or encourage candidates to submit until then. Best regards, Franz Zotter Matthias Frank Am 10.06.2020 um 18:12 schrieb Franz Zotter: Dear colleagues & friends, We are happy to announce that the virtual fall event of the German Tonmeister Society will host Europe’s Fourth Student 3D Audio Production Competition, Oct. 7th to 10th 2020, that is just being set up, https://tonmeister.org/en/events/2020-10-07-online-tonmeister-event/ Call: Students who are interested in 3D-spatialized sound and work on spatial music, spatial audio productions or recordings are invited to participate by submitting short works (4min/11min) to the fourth Student 3D Audio Production Competition. There are three submission categories: (1) contemporary / computer music (11min) (2) audio drama / documentary / soundscapes (4min) (3) music recording / studio production (4min); The format requirements for preparing a submission and tools to check are given here https://iaem.at/ambisonics/s3dapc/2020 and of course you can get in touch if there are questions: The submission portal https://easychair.org/conferences/?conf=s3dapc2020 is open until the July 15th 2020. An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at in our virtual award ceremony in Oct 2020. The finalists will be notified and requested to attend the meeting to virtually receive their award, the jury’s comments, and say a few words about their submissions. The finalists' work will be presented during the finals and awards celebration and in addition to the streaming that is probably in binaural stereo, we are working on making the finalists works available through the higher-order Ambisonic streaming tool HOAST (http://hoast.iem.at). Best regards, Franz Zotter Matthias Franz -- Dr Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Europe's Fourth Student 3D Audio Production Competition, Oct 2020, Virtual, HOAST
Dear colleagues & friends, We are happy to announce that the virtual fall event of the German Tonmeister Society will host Europe’s Fourth Student 3D Audio Production Competition, Oct. 7th to 10th 2020, that is just being set up, https://tonmeister.org/en/events/2020-10-07-online-tonmeister-event/ Call: Students who are interested in 3D-spatialized sound and work on spatial music, spatial audio productions or recordings are invited to participate by submitting short works (4min/11min) to the fourth Student 3D Audio Production Competition. There are three submission categories: (1) contemporary / computer music (11min) (2) audio drama / documentary / soundscapes (4min) (3) music recording / studio production (4min); The format requirements for preparing a submission and tools to check are given here https://iaem.at/ambisonics/s3dapc/2020 and of course you can get in touch if there are questions: The submission portal https://easychair.org/conferences/?conf=s3dapc2020 is open until the July 15th 2020. An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at in our virtual award ceremony in Oct 2020. The finalists will be notified and requested to attend the meeting to virtually receive their award, the jury’s comments, and say a few words about their submissions. The finalists' work will be presented during the finals and awards celebration and in addition to the streaming that is probably in binaural stereo, we are working on making the finalists works available through the higher-order Ambisonic streaming tool HOAST (http://hoast.iem.at). Best regards, Franz Zotter Matthias Franz -- Dr Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Call extension: Audio Mostly Sep 15-17 Graz/online 2020 submit paper/workshop/music contribution until June 1st.
Dear Sursounders, we decided to extend the submission deadlines of audiomostly in Graz: Audio Mostly 2020 (AM'20) calls for Papers, Demos, Workshops, and Music & Installations on the topic of audio mostly in extended realities. # Virtual Participation AM'20 is prepared to be hosted virtually if the international situation does not allow for a physical gathering. Upon submission, you may indicate if you prefer virtual or physical attendance. Accepted papers will be published in the ACM Digital Library, presented via video, and discussed via live stream. Furthermore, virtual participation includes a live stream of demos, concerts, and other virtual meeting formats. # Important Dates Final Submission Deadline: June 01, 2020 Notification of Acceptance: July 01, 2020 Workshops: September 14, 2020 Conference: September 15-17, 2020 Details can be found on https://audiomostly.com/2020/call/ Submit your papers, demos, music & installations, and workshop proposals here: https://easychair.org/conferences/?conf=am20 The Conference Chairs Katharina Groß-Vogt and Robert Höldrich a...@iem.at PS. Audio Mostly is an audio-focused interdisciplinary conference on design, technology, and interaction with sound that embraces applied theory and practice-oriented research. As in previous years, the conference will be in cooperation with ACM/SIGCHI. The Institute of Electronic Music and Acoustics (IEM, https://iem.at/) is your host for AM'20 in Graz/ Austria: we are looking forward to an interdisciplinary event extending mostly -but not exclusively- the audio reality! ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Call: Audio Mostly Sep 15-17 Graz 2020 submit paper/workshop/music contribution until May 1st.
Dear Sursounders, I forward you the call for contributions to Audio Mostly 2020 and hope to see you in Graz in September ;-), Franz = Audio Mostly 2020 (AM'20) calls for Papers, Demos, Workshops, and Music & Installations on the topic of audio mostly in extended realities. Audio Mostly is an audio-focused interdisciplinary conference on design, technology, and interaction with sound that embraces applied theory and practice-oriented research. As in previous years, the conference will be in-cooperation with ACM/SIGCHI (tbc). The Institute of Electronic Music and Acoustics (IEM, https://iem.at/) is hosting AM'20 in Graz/ Austria: we are looking forward to an interdisciplinary event extending mostly -but not exclusively- the audio reality! Details can be found below and on https://audiomostly.com/2020/call/ The Conference Chairs Katharina Groß-Vogt and Robert Höldrich a...@iem.at # Virtual Participation AM'20 offers virtual participation for oral paper presentations. Accepted papers may be presented and discussed via video live stream and are part of the proceedings. Passive virtual participation will be possible for a small fee and includes a live stream of all paper sessions and concerts and other virtual meeting formats. # Call for Papers Please submit your research as full papers (5-8 pages) or short papers (4 pages). Both will be fully peer-reviewed in a double blind process. Accepted papers will be published in the ACM Digital Library (tbc). # Call for Demos We encourage authors to contribute demonstrations to be displayed at the conference. Demos require a paper submission. # Call for Workshops We invite proposals for workshops to be held at AM'20. Selected workshops will take place the day before the main conference (September 14th). We encourage hands-on/interactive workshops and regular workshops that last from 2 hours to a full day. Workshops are proposed in the form of a submitted paper. # Call for Music & Installations We call for Music for auditory virtual environments and sound art to be performed in a concert hall and as sound installations around the conference site. # Important Dates Submission Deadline: May 01, 2020 Notification of Acceptance: June 15, 2020 Workshops: September 14, 2020 Conference: September 15-17, 2020 Registration opens in June, with fees in the range of 30 EUR (virtual) to 150-400 EUR (physical). ___ https://lists.iem.at/listinfo/staff ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] Europe's Third Student 3D Audio Production Competition, Sep 2019, Ilmenau
Dear colleagues & friends, the official submission deadline for the competition has ended, and this message is to inform you about a grace period that runs for the upcoming days until Wednesday, July 3rd. Whoever interested can use the upcoming days as a brief deadline extension to submit or re-submit. (...for the nosy receivers of the message: the number of submissions that we got until now is exactly the same as in the past: **happy**, **yay** :) ) Best regards, Franz, Daniel, Matthias. Am 06.03.2019 um 16:39 schrieb Franz Zotter: Dear colleagues & friends, We are happy to announce that the 5th Int. Conference on Spatial Audio will host Europe’s Third Student 3D Audio Production Competition, Sept. 26th to 28th 2019 in Ilmenau, Germany, https://vdt-icsa.de/en/2019/ . Call: Students who are interested in 3D-spatialized sound and work on spatial music, spatial audio productions or recordings are invited to participate by submitting short works (4min/11min) to the third Student 3D Audio Production Competition. There are three submission categories: (1) contemporary / computer music (11min) (2) audio drama / documentary / soundscapes (4min) (3) music recording / studio production (4min); For the first time, category (1) permits more common contemporary/academic composition formats of eleven minutes. The format requirements for preparing a submission and tools to check are given here https://iaem.at/ambisonics/s3dapc/2019 and of course you can get in touch if there are questions: The submission portal https://easychair.org/conferences/?conf=s3dapc2019 is open until the end of June 2019. An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at 5th ICSA. The finalists will be notified and requested to attend the finals at ICSA in Ilmenau in order to receive their award, the jury’s comments, and say a few words about their submissions. The finalists' work will be presented during the finals and awards celebration, played back with powerful hemispherical loudspeaker setup with about 30 loudspeakers. Best regards, Franz Zotter Matthias Frank Daniel Rudrich ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. -- Ass.Prof. Dr. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] Europe's Third Student 3D Audio Production Competition, Sep 2019, Ilmenau
tructive: Maybe using COMPASS could help to achieve some true 5th order result. (As long as you can reproduce this...) Further work (for next year): 7th order?! (Losing patience...) - - - - Citando Franz Zotter : Dear colleagues & friends, We are happy to announce that the 5th Int. Conference on Spatial Audio will host Europe’s Third Student 3D Audio Production Competition, Sept. 26th to 28th 2019 in Ilmenau, Germany, https://vdt-icsa.de/en/2019/ . Call: Students who are interested in 3D-spatialized sound and work on spatial music, spatial audio productions or recordings are invited to participate by submitting short works (4min/11min) to the third Student 3D Audio Production Competition. There are three submission categories: (1) contemporary / computer music (11min) (2) audio drama / documentary / soundscapes (4min) (3) music recording / studio production (4min); For the first time, category (1) permits more common contemporary/academic composition formats of eleven minutes. The format requirements for preparing a submission and tools to check are given here https://iaem.at/ambisonics/s3dapc/2019 and of course you can get in touch if there are questions: The submission portal https://easychair.org/conferences/?conf=s3dapc2019 is open until the end of June 2019. An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at 5th ICSA. The finalists will be notified and requested to attend the finals at ICSA in Ilmenau in order to receive their award, the jury’s comments, and say a few words about their submissions. The finalists' work will be presented during the finals and awards celebration, played back with powerful hemispherical loudspeaker setup with about 30 loudspeakers. Best regards, Franz Zotter Matthias Frank Daniel Rudrich ___ Sursound mailing list surso...@music.vt.eduhttps://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20190306/841ebad3/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. -- Ass.Prof. Dr. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Europe's Third Student 3D Audio Production Competition, Sep 2019, Ilmenau
Dear colleagues & friends, We are happy to announce that the 5th Int. Conference on Spatial Audio will host Europe’s Third Student 3D Audio Production Competition, Sept. 26th to 28th 2019 in Ilmenau, Germany, https://vdt-icsa.de/en/2019/ . Call: Students who are interested in 3D-spatialized sound and work on spatial music, spatial audio productions or recordings are invited to participate by submitting short works (4min/11min) to the third Student 3D Audio Production Competition. There are three submission categories: (1) contemporary / computer music (11min) (2) audio drama / documentary / soundscapes (4min) (3) music recording / studio production (4min); For the first time, category (1) permits more common contemporary/academic composition formats of eleven minutes. The format requirements for preparing a submission and tools to check are given here https://iaem.at/ambisonics/s3dapc/2019 and of course you can get in touch if there are questions: The submission portal https://easychair.org/conferences/?conf=s3dapc2019 is open until the end of June 2019. An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at 5th ICSA. The finalists will be notified and requested to attend the finals at ICSA in Ilmenau in order to receive their award, the jury’s comments, and say a few words about their submissions. The finalists' work will be presented during the finals and awards celebration, played back with powerful hemispherical loudspeaker setup with about 30 loudspeakers. Best regards, Franz Zotter Matthias Frank Daniel Rudrich ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] Call: Europe's Second Student 3D Audio Production Competition, Nov 2018, TMT, Cologne
Dear all, due to numerous requests, the deadline for submissions will be extended to July 8th; so doors are wide open again, happy submitting! Cheers, Franz online information: https://iaem.at/ambisonics/s3dapc/call-for-europes-second-student-3d-audio-production-competition submission page: https://iaem.at/ambisonics/s3dapc/call-for-europes-second-student-3d-audio-production-competition/easychair-website-for-submission Am 27.06.2018 um 19:03 schrieb Franz Zotter: Hi, A reminder: the regular deadline (June 30th) for those who would like to submit contributions to Europe's Second Student 3D Audio Production Competition is approaching. Don't miss submitting! :) Franz Am 03.04.2018 um 09:49 schrieb Franz Zotter: Dear colleagues & friends, We are happy to announce that the 30th Tonmeistertagung will host Europe’s Second Student 3D Audio Production Competition in Ambisonics, Nov. 14th to 17th, 2018, Cologne, Germany. Call: Students working with spatial music, spatial recording, and who are interested in spatialized sound are invited to participate by submitting short works (4min) to the second Student 3D Audio Production Competition. The submission portal https://easychair.org/conferences/?conf=s3dapc2018 is open for submissions until the end of June 2018. There are three submission categories: (1) contemporary / computer music (2) audio drama / documentary / soundscapes (3) music recording / studio production. The format requirements for preparing a submission and tools to check are given here https://iaem.at/ambisonics/s3dapc/call-for-europes-second-student-3d-audio-production-competition/ and of course you can get in touch if there are questions: An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at TMT30. The finalists will be notified and requested to attend the finals at TMT30 in order to receive their award, the jury’s comments, and say a few words about their submissions. The Tonmeistertagung is the large Convention of the Tonmeister Society of Germany. The finalists’ work will be presented during the finals and awards played back with a hemispherical loudspeaker setup with over 20 loudspeakers. (https://tonmeistertagung.com/) Best regards, Franz Zotter Matthias Frank Daniel Rudrich Jörn Nettingsmeier Stefani Renner ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] Call: Europe's Second Student 3D Audio Production Competition, Nov 2018, TMT, Cologne
Hi, A reminder: the regular deadline (June 30th) for those who would like to submit contributions to Europe's Second Student 3D Audio Production Competition is approaching. Don't miss submitting! :) Franz Am 03.04.2018 um 09:49 schrieb Franz Zotter: Dear colleagues & friends, We are happy to announce that the 30th Tonmeistertagung will host Europe’s Second Student 3D Audio Production Competition in Ambisonics, Nov. 14th to 17th, 2018, Cologne, Germany. Call: Students working with spatial music, spatial recording, and who are interested in spatialized sound are invited to participate by submitting short works (4min) to the second Student 3D Audio Production Competition. The submission portal https://easychair.org/conferences/?conf=s3dapc2018 is open for submissions until the end of June 2018. There are three submission categories: (1) contemporary / computer music (2) audio drama / documentary / soundscapes (3) music recording / studio production. The format requirements for preparing a submission and tools to check are given here https://iaem.at/ambisonics/s3dapc/call-for-europes-second-student-3d-audio-production-competition/ and of course you can get in touch if there are questions: An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at TMT30. The finalists will be notified and requested to attend the finals at TMT30 in order to receive their award, the jury’s comments, and say a few words about their submissions. The Tonmeistertagung is the large Convention of the Tonmeister Society of Germany. The finalists’ work will be presented during the finals and awards played back with a hemispherical loudspeaker setup with over 20 loudspeakers. (https://tonmeistertagung.com/) Best regards, Franz Zotter Matthias Frank Daniel Rudrich Jörn Nettingsmeier Stefani Renner ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. -- Dr Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Call: Europe's Second Student 3D Audio Production Competition, Nov 2018, TMT, Cologne
Dear colleagues & friends, We are happy to announce that the 30th Tonmeistertagung will host Europe’s Second Student 3D Audio Production Competition in Ambisonics, Nov. 14th to 17th, 2018, Cologne, Germany. Call: Students working with spatial music, spatial recording, and who are interested in spatialized sound are invited to participate by submitting short works (4min) to the second Student 3D Audio Production Competition. The submission portal https://easychair.org/conferences/?conf=s3dapc2018 is open for submissions until the end of June 2018. There are three submission categories: (1) contemporary / computer music (2) audio drama / documentary / soundscapes (3) music recording / studio production. The format requirements for preparing a submission and tools to check are given here https://iaem.at/ambisonics/s3dapc/call-for-europes-second-student-3d-audio-production-competition/ and of course you can get in touch if there are questions: <s3d...@iem.at> An international jury will assess the submissions concerning the creative and technical quality, providing feedback to all the participants of the competition. Based on the resulting ranking, the finalists will be selected for presentation at TMT30. The finalists will be notified and requested to attend the finals at TMT30 in order to receive their award, the jury’s comments, and say a few words about their submissions. The Tonmeistertagung is the large Convention of the Tonmeister Society of Germany. The finalists’ work will be presented during the finals and awards played back with a hemispherical loudspeaker setup with over 20 loudspeakers. (https://tonmeistertagung.com/) Best regards, Franz Zotter Matthias Frank Daniel Rudrich Jörn Nettingsmeier Stefani Renner ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Deadine Extension: Call for Works for Europe's First Student 3D Audio Production Competition at ICSA, Graz, Sept. 2017
Hi, upon repeated requests submission deadline was extended to Monday July 10th, 2017. Students are still happily and warmly welcome to participate by contributing short pieces to the competition. (Pls. also encourage students to do so). Best regards Franz Am 20.06.2017 um 12:05 schrieb Franz Zotter: Dear colleagues+students, The deadline to the Student 3D Audio Production Competition in Ambisonics is approaching (June 30th). To go to submission directly, please follow the link to the submission portal https://easychair.org/conferences/?conf=3dcompicsa (please create login if you don't have one yet) For more information about the competition, procedures, event, etc., please refer to: https://iaem.at/ambisonics/icsa2017-music/student3daudioproductioncompetition_icsa2017.pdf Best regards Franz Am 03.05.2017 um 15:20 schrieb Gerriet K. Sharma: Dear colleagues & friends, ICSA 2017 (International Conference on Spatial Audio, Graz, September 7th to 10th, 2017) calls for students' submissions to: "Europe's First Student 3D Audio Production Competition - in Ambisonics" There are three submission categories: (1) contemporary music (2) audio drama /documentary (3) music recording and _June 30th_ is the submission deadline. An international jury will assess the submissions concerning the creative and technical quality, providing feedback to the participants of the competition. Based on the resulting ranking, pieces will be selected for presentation at ICSA, and the best of them will be awarded. Authors/composers of selected pieces will be notified and should attend ICSA to present their submissions and discuss with the jury at the listening sessions in Ligeti Hall at MUMUTH. Ligeti hall is equipped with a powerful 29-channel hemispherical loudspeaker system and several subwoofers, which can accommodate 200 listeners. For more details and formal requirements, please check: https://iaem.at/ambisonics/icsa2017-music/student3daudioproductioncompetition_icsa2017.pdf <https://iaem.at/ambisonics/icsa2017-music/student3daudioproductioncompetition_icsa2017.pdf> Best regards, Gerriet K. Sharma Markus Zaunschirm Franz Zotter Alois Sontacchi Matthias Frank -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20170503/2b176732/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. -- Dr Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] Call for Works for Europe's First Student 3D Audio Production Competition at ICSA, Graz, Sept. 2017
Dear colleagues+students, The deadline to the Student 3D Audio Production Competition in Ambisonics is approaching (June 30th). To go to submission directly, please follow the link to the submission portal https://easychair.org/conferences/?conf=3dcompicsa (please create login if you don't have one yet) For more information about the competition, procedures, event, etc., please refer to: https://iaem.at/ambisonics/icsa2017-music/student3daudioproductioncompetition_icsa2017.pdf Best regards Franz Am 03.05.2017 um 15:20 schrieb Gerriet K. Sharma: Dear colleagues & friends, ICSA 2017 (International Conference on Spatial Audio, Graz, September 7th to 10th, 2017) calls for students' submissions to: "Europe's First Student 3D Audio Production Competition - in Ambisonics" There are three submission categories: (1) contemporary music (2) audio drama /documentary (3) music recording and _June 30th_ is the submission deadline. An international jury will assess the submissions concerning the creative and technical quality, providing feedback to the participants of the competition. Based on the resulting ranking, pieces will be selected for presentation at ICSA, and the best of them will be awarded. Authors/composers of selected pieces will be notified and should attend ICSA to present their submissions and discuss with the jury at the listening sessions in Ligeti Hall at MUMUTH. Ligeti hall is equipped with a powerful 29-channel hemispherical loudspeaker system and several subwoofers, which can accommodate 200 listeners. For more details and formal requirements, please check: https://iaem.at/ambisonics/icsa2017-music/student3daudioproductioncompetition_icsa2017.pdf <https://iaem.at/ambisonics/icsa2017-music/student3daudioproductioncompetition_icsa2017.pdf> Best regards, Gerriet K. Sharma Markus Zaunschirm Franz Zotter Alois Sontacchi Matthias Frank -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20170503/2b176732/attachment.html> ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. -- Dr Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] ambisonics audio for 360 film (VR)
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[Sursound] five-year post Doc position at IEM/KUG
I forward a message to you. Cheers, Franz: Dear colleagues, I want to make you aware of a vacant five-year position at the University of Music and Performing Arts Graz, Institute for Electronic Music and Acoustics for a Senior Scientist with a Doctorate matching the field of Sonic Interaction Design / Psychoacoustics in 3D Audio. Note, that applications should be submitted within two weeks from now, until 23rd of June. Further details can be found here: https://cloud.iem.at/public.php?service=filest=b9ce5d2c2d2e1b7755cddb39aaa0ab4d Kind regards, Alois Sontacchi -- Dr. Alois Sontacchi Vorstand Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst Inffeldgasse 10/3 A - 8010 Graz Tel.: +43(0)316/389 - 3548 Fax: +43(0)316/389 - 3171 Mob.:+43(0)650/45 80 388 ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Reminder: ICSA 2015, Sept. 18th...20th, Call for contributions, extended deadline: April 26th
The ICSA (International Conference on Spatial Audio) Reminder: The extended deadline for abstract submission (papers/workshops) will be next week, Sunday April 26th 2015, and it is happily waiting for even more submissions :-) http://icsa2015.iem.at Best regards Franz ...next stop: ICSA's Ambisonic music submission until June 1st *** IEM/KUG will be hosting VDT's 3rd International Conference on Spatial Audio (ICSA), September 18th...20th, 2015, Graz, Austria. We are calling for contributions covering 3D audio topics named on our website http://icsa2015.iem.at, and of the following forms: 1) Talk/Poster: please submit Abstracts of papers until _April 26th_. On acceptance, you will be asked to give a talk or poster presentation at ICSA and to finish a full paper for publication. 2) Workshops: Proposals to show 3D audio production steps and to convey listening experience can be submitted until _April 26th_. 3) Music: ICSA and IEM's 50th anniversary host a long Ambisonics concert night (Friday, Sept. 18th), to which you are warmly invited to submit Ambisonic music proposals, with _June 1st_ as deadline. The venue of ICSA 2015 will be the campus of the University of Music and Performing Arts in Graz. In particular: MUMUTH's Orchestra Rehearsal Hall (talks), Ligeti Hall (workshop/concert), Foyer (exhibition area/coffee+cake), TiP's Theater Stage (workshop), Foyer (exhibition/registration/poster/coffee+cake), etc., as you can see on our website. There will be at least three spatial audio facilities. ICSA 2015's motto is “The 3D Audio Production Chain”, which will be especially reflected in workshops, keynote lectures, and panel discussions. Moreover, the Ambisonic concert night will be broadcasted via radio in binaural (terrestrial) and 5.1 format (satellite). -- Dr Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst (Stv Institutsvorstand) Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] ICSA 2015, Sept. 18th...20th, Call for contributions, deadline extension: April 26th
Dear colleagues, IEM/KUG will be hosting VDT's 3rd International Conference on Spatial Audio (ICSA), September 18th...20th, 2015, Graz, Austria. We are calling for contributions covering 3D audio topics named on our website http://icsa2015.iem.at, and of the following forms: 1) Talk/Poster: please submit Abstracts of papers until _April 26th_. On acceptance, you will be asked to give a talk or poster presentation at ICSA and to finish a full paper for publication. 2) Workshops: Proposals to show 3D audio production steps and to convey listening experience can be submitted until _April 26th_. 3) Music: ICSA and IEM's 50th anniversary host a long Ambisonics concert night (Friday, Sept. 18th), to which you are warmly invited to submit Ambisonic music proposals, with _June 1st_ as deadline. The venue of ICSA 2015 will be the campus of the University of Music and Performing Arts in Graz. In particular: MUMUTH's Orchestra Rehearsal Hall (talks), Ligeti Hall (workshop/concert), Foyer (exhibition area/coffee+cake), TiP's Theater Stage (workshop), Foyer (exhibition/registration/poster/coffee+cake), etc., as you can see on our website. There will be at least three spatial audio facilities. ICSA 2015's motto is “The 3D Audio Production Chain”, which will be especially reflected in workshops, keynote lectures, and panel discussions. Moreover, the Ambisonic concert night will be broadcasted via radio in binaural (terrestrial) and 5.1 format (satellite). Best regards Franz -- Dr Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst (Stv Institutsvorstand) Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
Re: [Sursound] CfA: Alps Adria Acoustics Congress Oct 2014 Deadline extension
Hi there, abstract submission deadline was extended until July 31st Franz Am 12.06.2014 11:14, schrieb Franz Zotter: Dear sursounders, I send you a call for abstracts for the 6th Alps Adria Acoustics Congress that will be hosted in Graz, October 16th and 17th 2014 in Graz. The call for abstracts ends in a couple of weeks (June 30th), upon acceptance, authors are requested to submit a full paper until the end of summer, and students get a largely reduced fee to support their attendance. For more details check: http://alpsadriaacoustics.org/ Best regards and happy summer Franz Zotter -- Dr Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst (Stv Institutsvorstand) Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] CfA: Alps Adria Acoustics Congress Oct 2014
Dear sursounders, I send you a call for abstracts for the 6th Alps Adria Acoustics Congress that will be hosted in Graz, October 16th and 17th 2014 in Graz. The call for abstracts ends in a couple of weeks (June 30th), upon acceptance, authors are requested to submit a full paper until the end of summer, and students get a largely reduced fee to support their attendance. For more details check: http://alpsadriaacoustics.org/ Best regards and happy summer Franz Zotter -- Dr Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst (Stv Institutsvorstand) Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
[Sursound] Job offer: position as University Assistant in Graz, Austria
University Assistant Position @ KUG, AUSTRIA Interdisciplinary research on spatial organ sound generation and analysis thereof, in terms of artistically aesthetics, sound design and perceptual evaluation. The University of Music and Performing Arts Graz, Austria, announces a vacant position at the Institute of Church Music and Organ, for a University Assistant according to §26 of the current Austrian academic wage agreements. The employment contract is for a 75% part-time employee and for a period of four years. The minimal monthly gross payment for the vacant 75% position is currently € 1.899,-- (14 x annually). Increased salary for persons with specific professional experience is according to the wage agreements (http://www.goed.at/documents/kv_uni_Internet.pdf). General Application Requirements: Master (Diploma) degree preferably in Electrical Engineering and Audio Engineering, or equal experience in independent scientific research. Specific Application Requirements: The applicant has comprehensive practical experience in audio recording techniques. Main area of interest implies musical acoustics and sound aesthetics. Knowledge of organ making is desirable. Moreover, profound background knowledge in acoustical signal processing, electro acoustics, room acoustics and psycho-acoustics are expected. Furthermore, your abilities should comprise comprehensively programming skills in MATLAB, Pure Data (PD) and/or C as well as self-management. Candidates with proper qualifications who meet the required expertise and skills are invited to send their written application along with commonly required documents (curriculum vitae, short description of expertise, and preferably a letter of recommendation with name and address of the author from the academic world - (physical/e-mail/FAX) by 23. April 2013 Under the document code GZ: 25/13 to the following address: An das Personalservice der Universität für Musik und darstellende Kunst Graz, 8010 Graz, Leonhardstraße 15. The university encourages qualified women to apply for the vacant job. Women with comparable qualification will be treated with higher priority. Job interviews will take place soon after the application deadline. The employment should start as early as possible. Travel costs and accommodation that might arise during the application procedure will not be refunded by the university. In accordance with the university's social sustainability guidelines that interpret special needs in all aspects, people with special needs and given comparable qualification will be preferred in the application procedure. Managing Vice-Rector Robert Höldrich -- Dr Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Universität für Musik und darstellende Kunst (Stv Institutsvorstand) Tel.: +43(0)316/389 - 3382 Mob.:+43(0)650/9688373 Inffeldgasse 10 A - 8010 Graz -- next part -- An HTML attachment was scrubbed... URL: https://mail.music.vt.edu/mailman/private/sursound/attachments/20130415/69bc7c9b/attachment.html ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound
Re: [Sursound] approximate solutions to the ambisonic decoding problem
Seems not... I already got some of the papers from personal websites and via e-mail; I will try to gather this year's papers and put them on our webspace. Franz Zotter http://iaem.at/Members/zotter Institut für Elektronische Musik und Akustik Kunstuniversität Graz Am 30.12.2011 um 03:37 schrieb Aaron Heller hel...@ai.sri.com: On Thu, Dec 29, 2011 at 3:06 PM, Franz Zotter zot...@iem.at wrote: ... see papers of last Ambisonics Symposia ... Are these available? The conference site still shows To be determined. http://www.vis.uky.edu/ambisonics2011/proceedings.php Aaron Heller (hel...@ai.sri.com) Menlo Park, CA US ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound
Re: [Sursound] approximate solutions to the ambisonic decoding problem
Hi, Am 24.12.2011 um 07:38 schrieb Sampo Syreeni de...@iki.fi: I wouldn't dare to claim I have a solution to this overall problem, of course. But one part of it interests me above most, and seems to me to be a stepping stone to more general solutions as well: the problem with ill-conditioned decoder matrices. They after all come from too irregularly spaced speakers, either in space, or with regard to the highest order spherical harmonical function being decoded. A big part of the problem is even obvious in a continuous representation: if we were able to synthesize spherical harmonics on a dense (nearly continuous) surrounding loudspeaker setup with gaps that were left uncovered by loudspeakers, we could try to do so by driving the setup with the spherical harmonic patterns. However, the analysis of this continuous pattern with holes would differ from the original. If we try to pre-condition the synthesized pattern so that the analysis matches the original wish, this pre-conditioning is also ill-conditioned when the gaps are big. Abstractly, this explains the biggest reason for ill-conditioning on 3D arrangements. One solution is to build Slepian functions from the spherical harmonics for the domain between the gaps, as suitable analysis-synthesis pair (see papers of last Ambisonics Symposia). However, everything stays in the L2 norm sense. In there I somehow feel one of the numerical L^1 optimization methods such as basis pursuit could perhaps be brough to bare, in a dual formulation. Especially because of the connection with the usual L^2 norm, so essential to the HF optimization problem, via regularization. Has anybody ever worked with something like this? I mean, even if it's numerical and not closed-form, this sort of stuff at least has solid convergence proofs behind it and all. And at least my hind-brain tells me it could lead to a solid, systematic means of controlling undue gain in even highly irregular rigs. You will find papers from Nicolas Epain and his colleagues using the keyword compressive sensing or sampling. They did some work that can be seen as a starting point for L1 norm based rendering with sparsity in space. For decoding, I assume that sparsity in the SH domain is more reasonable... someone should try... There will be a paper in the first acta acustica issue in the coming year that improves our work on decoding in Graz. We fixed the L2 norm for Ambisonic decoding there by avoiding mode matching or sampling. This is relevant for outside sweet spot, reverberant field, and HF, and gets rid of the uncontrolled loudness problem of ill-conditioned decoders. It finally yields decoding with constant energy (as it was called usually) for all playback arrangements. This was the biggest drawback of Ambisonics compared to other panning strategies, which can now be solved. Finally, at time there's been some talk of forbidden harmonics in some of the controlled opposites kinda work. Could somebody perhaps tell me how that theory came to be? Because I have a serious feeling it could be systematized and placed into the general framework I seem to be seeing glimpses of, above. Are there?- I would rather say that harmonics become linearly dependent. But you have to employ SVD or eigendecomposition to see which combinations of harmonics are weakly represented in your loudspeaker setup; it often is a complicated complex of combinations. The talk was about forbidden frequencies somewhen, a purely numerical/mathematical problem that can be circumvented and lies mainly in the boundary integral formulations that cannot easily separate interior and exterior problems. It does not occur with other formulations and will never occur with listening environments of realistic electro and room acoustic accuracy. Best regards and a Happy New Year Franz Zotter Institut für Elektronische Musik und Akustik Kunstuniversität Graz ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound
Re: [Sursound] approximate solutions to the ambisonic decoding problem
Forget my last paragraphs...misunderstanding. (did not refer to in some of the controlled opposites kinda work). Am 30.12.2011 um 00:06 schrieb Franz Zotter zot...@iem.at: Finally, at time there's been some talk of forbidden harmonics in some of the controlled opposites kinda work. Could somebody perhaps tell me how that theory came to be? Because I have a serious feeling it could be systematized and placed into the general framework I seem to be seeing glimpses of, above. Are there?- [rubbish]. The [rubbish as well]. ___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound
