Re: [Sursound] Recorder for ORTF-3D OUTDOOR SET

[John Leonard Main]

As with the 788, all eight can be ganged together.

Regards,

John

> On 20 Oct 2020, at 20:20, peterson tooke  wrote:
> 
>  However I am not sure how many channels can be ganged together on their 
> MixPre10ii.

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Re: [Sursound] Recorder for ORTF-3D OUTDOOR SET

[John Leonard Main]

Steve,

The SD 788 can indeed link all eight channels, and a lot of other variations as 
well, except for one which I sometimes need - two sets of M/S linking. Still, 
can’t have everything.

Cheers,

John

> On 19 Oct 2020, at 20:56, Steven Boardman  wrote:
> 
> Can the 788 gang all preamps? Didn't think it could..

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Re: [Sursound] Recorder for ORTF-3D OUTDOOR SET

[John Leonard Main]

Even worse for connections, though: 4 XLRs and 4 TA3s - I had a six-way version 
made up for my 788 when I had a DPA 5001which was rather nice, but not cheap. 
Those multi-pin Lemo connectors are expensive. 

But if you’re going for the Schoeps set up, what’s a  couple of thousand bucks 
or so extra on top for the recorder and breakout? I’m sure someone will do you 
a really good deal on a package. I think you’re in the UK, so try the nice 
people at Pink Noise, SoundKit or Everything Audio, or the BBList for a used 
recorder: there are a ton of them around at the moment as everyone is either 
upgrading in the hope of attracting work when it comes back, or selling up 
because they can’t afford to keep waiting for the work to come back. SD 788s 
are often available used at reasonable prices. Or you could go for the Zoom F8, 
which is inexpensive and seems to have many good reports. I’m using a MixPre 
10Tii with my OctoMic and am pretty happy with it.

Regards,

John

> On 19 Oct 2020, at 19:04, Suso Ramallo  wrote:
> 
> Sound Devices 788T
> 
> Suso
> 

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Re: [Sursound] Recorder for ORTF-3D OUTDOOR SET

[John Leonard Main]

You’ll need a breakout: the 10T uses 8 (low-cost, sadly) XLR/TRS combi sockets.

Regards,

John

> On 19 Oct 2020, at 17:28, Augustine Leudar  wrote:
> 
> Thanks,
> I notice the Schoeps uses this cable :
> 
> https://schoeps.de/en/products/accessories/cables/k-surround-m.html
> 
> Does the sound devices take that or is it a breakout cable scenario  for
> the Sound Devices
> 
> On Mon, 19 Oct 2020 at 16:56, jack reynolds 
> wrote:
> 

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Re: [Sursound] OctaThingy .stl Files

[John Leonard Main]

Here, I think, but I have no real idea what I’m looking at.

https://cm-gitlab.stanford.edu/ambisonics/SpHEAR/

Thanks,

John



> On 19 Mar 2020, at 21:29, Jack Reynolds  wrote:
> 
> Where are they hosted? I can have a go.
> 
> Jack
> 
> Sent from my iPhone
> 
>> On 19 Mar 2020, at 21:09, John Leonard Main  wrote:
>> 
>> Hello chaps,
>> 
>> As all my work has now been cancelled, thanks to Covid-19, I have time on my 
>> hands and a new 3D printer to play with. I’d like to experiment with 
>> building a couple of the SpHEAR microphones, but I can’t seem to work out 
>> how to download the SCAD files so that I convert them to .STL format. 
>> 
>> Has anyone done this? Got the files to share? Any info gratefully received.
>> 
>> Thanks, and remember to wash your hands…
>> 
>> John
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[Sursound] OctaThingy .stl Files

[John Leonard Main]

Hello chaps,

As all my work has now been cancelled, thanks to Covid-19, I have time on my 
hands and a new 3D printer to play with. I’d like to experiment with building a 
couple of the SpHEAR microphones, but I can’t seem to work out how to download 
the SCAD files so that I convert them to .STL format. 

Has anyone done this? Got the files to share? Any info gratefully received.

Thanks, and remember to wash your hands…

John
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Re: [Sursound] Tetramic UK repair options?

[John Leonard Main]

Jamie,

Just a note about the HMRC import charges rip-off: someone looks at the 
declared insurance value of the microphone and charges VAT on that, plus a 
handling charge. You have to spend time on the phone explaining that to the 
drones who answer and then ask for the matter to be escalated to a supervisor. 
If there was a charge for the repair, then that should show up on the invoice, 
but as I think it’s unlikely that Len charged you over £500 for the repair, the 
added VAT should be minimal. This happens all the time with kit sent overseas 
for repair and I’ve lost count of the number of times I’ve had to call the 
courier company and go through the process of explaining that there’s been no 
added value to an under-warranty repair, so no VAT is applicable. Of course, 
this will only get worse following Brexit, with companies like Sound Devices 
requiring that you send your recorder to Germany for repair.

Also, if you’re paying £85 to ship to the US, you’re being massively 
overcharged again: go online to somewhere like Parcels2Go and you should be 
able to get UPS or equivalent express service to the USA, with insurance and 
guaranteed delivery for under £50.

Finally, if you do decide to send the mic back, you’re welcome to borrow my 
TetraMic until such time as yours is returned.

All the best,

John


> On 24 Sep 2019, at 07:37, Jamie Smith  wrote:
> 
> Hi Sursounders,
> I wonder if you might be able to help - I have a core sound Tetramic that
> needs repair and I'm looking for someone in the UK that is qualified to do
> so.

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[Sursound] Soundfield Repairs via RØDE

[John Leonard Main]

For those of you who aren’t part of the various surround Facebook groups where 
I’ve already posted this, and who might have been frustrated by the lack of 
information on how to get your Soundfield microphones serviced, thanks to an 
introduction via Tony Faulkner, I’ve been able to make contact with the 
appropriate people at RØDE and make a couple of suggestions. 

They now have a link on their Soundfield.com website that gives some detail as 
to how to go about it. Tell your friends.

The link is here: https://www.soundfield.com/#/service

All the best,

John




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Re: [Sursound] ST250 Control Box Pouch & Strap thing - free to anyone who wants it.

[John Leonard Main]

It’s going to a good home. Thanks, chaps.


John

> On 27 Mar 2018, at 23:32, John Leonard Main  wrote:
> 
> What it says. I found one whilst having a clear-out. It seems to be almost 
> new. I can stick it in the post if someone would like it.
> 
> Off-list replies, please.
> 
> Thanks,
> 
> John
> 
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[Sursound] ST250 Control Box Pouch & Strap thing - free to anyone who wants it.

[John Leonard Main]

What it says. I found one whilst having a clear-out. It seems to be almost new. 
I can stick it in the post if someone would like it.

Off-list replies, please.

Thanks,

John

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[Sursound] Twirling 720 Microphone

[John Leonard Main]

Mine (pre-ordered for some small amount) arrived a couple of days ago and I’ve 
got it hooked up to my MacBook via a suitable USB adapter and an old Apple 
keyboard extension cable. At first, I couldn't get a sensible signal out of it, 
but then discovered that it needs to be connected via USB3, or it won’t work. 
Then I took a look at the capsule orientation, which, although it is indeed a 
tetrahedral array, seems to be skewed by 45º off centre, but as the output is 
encoded in some way into two channels, this may not be a problem. By using 
their 720 Studio app, I can get a sort-of surround signal out of it, although 
it appears to have no vertical information. The skimpy on-line manual is pretty 
useless for Mac users, so I wonder in anyone else has had better or more 
consistent results? 

Bruce - I could send it to you for chamber analysis, if you’re interested.

All the best,

John
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Re: [Sursound] Sounds in Space 2018

[John Leonard Main]

Actually, if we’re talking about the track I used in the demo, it should indeed 
be Voodoo Chile, as that’s how it’s spelled on the UK release of Electric 
Ladyland. Actually, on the album, it’s Voodoo Chile (Slight Return) and it does 
need to be that track, as opposed to the longer Voodoo Child. I first 
experimented with it on a sampler called Blues News, which I bought in Germany 
and which I still have, which was pressed in white vinyl and which lists the 
track simply as Voodoo Chile. The same Wikipedia entry that Bruce referenced 
has the details of where the confusion arose.

So no need for apologies, Bruce, you were right the first time.

Regards,

John


> On 23 Feb 2018, at 16:24, Bruce Wiggins  wrote:
> 
> In case you're wondering how I managed to remember the name of the iconic
> track incorrectly, here's a bit of background!

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[Sursound] SPS200s for rent in NYC?

[John Leonard Main]

Two people on another list are looking to rent SPS200s in the New York City 
area. One of them is looking for 4(!) for the 21st of this month and the other 
for one for December 10th. Any info or offers, please let me know and I'll pass 
on contact details.

Thanks,

John

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Re: [Sursound] BBC Proms in 4.0

[John Leonard Main]

Sadly, I'm sitting in a church on the other side of town making my own surround 
recording of works by Nick and Tony Bicât, so will miss it. Impressed with what 
I've heard so far, though. If anyone makes a recording, I'd love a copy.

Hope it all goes well and thanks for putting the test together. 

John

Sent from my iPad

> On 13 Sep 2014, at 17:23, David Pickett  wrote:
> 
> Today is the last opportunity to hear the BBC live experimental 4.0 internet 
> transmissions of this year's Proms from the Royal Albert Hall.  The Last 
> Night is made for sursound and should be worth hearing with the BBC's mic 
> setup.  The concert starts at 7:30 pm BST, which is 2:30 pm EDT.  The 
> traditional party part of the concert really gets going about two hours later.
> 
> 
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Re: [Sursound] TSL SoundField new, and free, SurroundZone2

[John Leonard Main]

SurroundZone2 is not too bad, either. Not quite as versatile as Harpex, but a 
definite upgrade on version 1, and you can't argue with the price. As to the Mk 
2 mic, I did enquire about the cost of upgrading the existing ST450 control 
unit, but was quoted just under £2,000.00 exc. VAT, which is too rich for my 
blood, so I'll stick with the original box for few more years.

Regards,

John

Sent from my iPad

> On 20 Mar 2014, at 12:16, Daniel Courville  wrote:
> 
> 
> 
> Supported Input Formats:
> * A-Format (SPS200)
> * B-Format
> 
> Supported Output Formats:
> 
> * Stereo (and Mono)
> * 5.0, 5.1, 6.0, 6.1, 7.0, 7.1
> * B-Format
> 
> Especially a good news for Pro Tools users as this makes the SurroundZone2
> a good, free, B-Format manipulator.
> 
> 
> Thanks to TSL and Pieter Schillebeeckx!
> 
> - Daniel
> 
> 
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Re: [Sursound] Core Sound TetraMic

[John Leonard Main]

Not arguing with the figures, just stating empirical findings. 

Will see if I can find details of the two machines at some point. Ditched one 
manufacturer because of poor quality control, so may just have been unlucky.

John
Sent from my iPad

> On 5 Nov 2013, at 22:41, Fons Adriaensen  wrote:
> 
>> On Tue, Nov 05, 2013 at 10:20:35PM +, John Leonard wrote:
>> 
>> Hmm, not what I've found: I mean, really not what I've found.
> 
> No point in discussing basic physics, a self noise of 19 dB(A)
> and a sensitivity of 7 mv/Pa amount to -116 dBm(A) at the
> input of the preamp. Unless I botched up the the calculations:
> 
> 7 mV = -43.1 dBV = -40.9 dBm 
> 1 Pa = 94 dB SPL
> 
> 19 - 40.9 - 94 = -115.9
> 
>> Sorry to disagree, but I've tried a number of systems and have
>> found that the low-cost recorders that I've used, un-modded, have
>> had unacceptable noise levels when cranked up.
> 
> And what EIN levels do the specs of these recorders state ?
> 
> There may be a different issue at work here. EIN is normally 
> measured at maximum gain. A well-designed preamp should have
> more or less constant EIN for the upper 25..30 dB of the gain
> range, but many don't.
> 
> Ciao,
> 
> -- 
> FA
> 
> 
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Re: [Sursound] Flying Scotsman programme

[John Leonard Main]

Possibly Peter Handford, he of Argo Transacord fame.

Sent from my iPad

> On 22 Oct 2013, at 12:45, Dave Malham  wrote:
> 
> I was watching the BBC programme on the Flying Scotsman the other nigh when
> I spotted something at just over 37'40" in - in a film from between 1963
> and 1968, the guy recording an interview with Alan Pegler, the then owner
> of the famous loco, was using a dummy head - or at least a head sized
> sphere with mics either side. Does anyone know anything about this, who it
> was and so on? The programme is still available on iPlayer so at least the
> Brits (and those of you with IP faking) should be able to pick this up.
> 
> Dave
> 
> 
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