Re: [Tango-L] Gender Imbalance

2008-01-04 Thread Tom Stermitz

On Jan 3, 2008, at 10:24 PM, [EMAIL PROTECTED] wrote:

 Tom Stermitz had a nice post on TANGO-L about this sometime in 2006 or
 2007.  The crux of the matter seems to be selling the possibility of
 being the master of a situation: rather than being swept off their  
 feet
 by passion, they are the ones doing the sweeping.
 
 Christopher

Yes, the important thing for the guys is that they feel successful.  
Like they have achieved mastery of something, and have the knowledge  
and confidence to lead a beautiful woman into a dance.

In tango nothing happens without the guy coming up with an idea and  
then executing. This is the crux of the performance anxiety problem.  
And in tango you are expecting him to succeed or fail in front of a  
woman, which loads it even more.

You want to retain men? Leave them at the end of each class confident,  
with the new ideas well-integrated with things they already know. For  
a beginner, that might just be walking.

The business strategy of teach something difficult so they will take  
privates, doesn't succeed with men. They'll just quit. Maybe they are  
cheap; But really they feel unsuccessful and frustrated.


Tom Stermitz
http://www.tango.org
Denver, CO 80207


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Re: [Tango-L] Gender Imbalance

2008-01-04 Thread Ecsedy Áron
My 2 cents:

I believe there are several things in Western society that promotes the 
gender imbalance.

One of them is women's failure to make dancing something that is 
_required_ for meeting them. It is now considered absolutely normal, 
that women per definitionem are able to dance at some level (as in 
nightclub), but men are OK if they are just drinking beer at the bar. 
Even in places where dancing is more popular, women whom are able to 
dance well vastly outnumber dancing men. If women would at least declare 
that they _expect_ real men to be able to (partner) dance, the 
situation would be a lot different. Many men believes that dancing is a 
sissy type of thing only women do (at least until a few years ago, this 
was the case in Hungary - many dancers put an awful lot of effort to 
change that: result is when I say I'm a tango teacher the answer is 
invariably wow, tango is very hard to learn isn't it? and after a few 
minutes of talking, people ask me about courses and locations).

Within existing communities, the average follower does not tend to 
indicate that she would gladly dance with the guys trying to get a 
dance. Cabeceo was invented for this reason, and really: I can't really 
find anything more interesting (and effective). However, it only works 
well if ladies distinguish between partners and pay attention to those 
they want to dance with. Most lady dancers take whomever asks them to 
dance - mostly because of the gender balance - with the exception of 
dancers they consider bad or repulsive, but it is very hard to see who 
they really prefer. This also creates a situation where men feel that 
they have to do nothing to get partners. There is no challenge, and 
therefore: little reward and little sense of success. If women would be 
more keen to play the GAME, then men would feel that they have to really 
pay attention to the women and would be more into the type of dancing 
that promotes less show, more _real_ tango: guys would face that 
mastering tango is really mastering how to please a women while dancing 
and not just mastering steps. Of course, while a guy in the majority 
urban population may socialize without the possibility of (his ego) 
getting hurt, this is not an easy thing to attract guys with such a 
dangerous environment, however the overall feeling of the milongas 
would be a lot more sexy and therefore the public perception of tango 
dancing would be more appealing (sex sells - especially among men). All 
in all the possibility of being rejected is a lot lower than at a club, 
where no partner dancing is involved. (Oh yes: the idea that men 
generally learn tango for the sake of tango - it is rubbish. My 
experience is: 5 out of 10 guys does tango to meet women or to learn a 
dance with which they can meet women, or consider it a training to learn 
how to handle women, so they are more successful with them. The other 5 
already came with a girlfriend/spouse...)

Cheers,
Aron


-- 
Ecsedy Áron
***
Aron ECSEDY

Tel: +36 20 66-24-071

http://www.milonga.hu/
http://www.holgyvalasz.hu/

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[Tango-L] rhythm breaks

2008-01-04 Thread Crrtango
tangopeer wrote:

- The milonga runs from 9 pm til 12:30 am.
- At 11 pm, a milonga tanda is played
  followed by a latin rhythm break.
- At 11 pm, a lot of dancers get up to leave.

I am surprised they waited that long before leaving. What a weird way to 
space out the songs. No milongas for two hours!? Do they at least play any 
waltzes?

- Is a rhythm break needed at a 3 1/2 hour milonga?

- Is the combination of a milonga tanda with a rhythm
break appropriate at a 3 1/2 hour milonga?

Nothing wrong with a rhythm break, but why include the milongas with it? Not 
only is that overkill for the rhythm break but implies that the milongas are 
different from the other tangos. It is still tango. The rhythm break should be 
different music, not mixed with more tangos. Sounds like the rhythm break is 
chasing them away and I can't blame them for leaving. I think they should get 
another DJ. (I am not being facetious.) I realize every community is different, 
but people here in NYC would probably leave even before the rhythm break.

Thanks for warning us.

Cheers,
Charles




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[Tango-L] Gender imbalance, tips for female followers

2008-01-04 Thread Nussbaum, Martin
Tip one: come to NYC. Unlike other cities I travel to,  here most
milongas have more male leaders than female followers.  There are also
more female leaders than there are male followers, which makes the
gender imbalance even worse, as it takes two eligible women out of
circulation.  Through Darwinian laws of survival, more men work  harder
to improve their tango, so the number of very good male leaders
outnumbers the number of very good female followers.  
Tip two: Arrive late, stay late. For example, at the all night milonga,
even if there is close to gender balance early in the evening, or rarer
still,  more women than men, this is very temporary; after a few hours
it skews heavily male, and closer to the end of the night almost two to
one male/female ratio.  Seems at around 1 or so, women leave early en
masse, as if on cue. The men who are dancing are aware of this, latch on
to their partner, and rotation of partners ceases.  Also, better dancers
tend to come later and stay later. Dont ask me why.  Maybe the people
who come early are there for the free beginner or intermediate lesson
early in the night and have had enough after a few hours.  So if you are
a woman visiting NYC, take a nap in the afternoon, have a leisurely
dinner, see a show, come to the milonga after midnight, you will not be
sitting out any tandas.  Also, the floor craft improves as the night
goes on and the crowd thins out.  And if you are willing to dance with a
non-professional, you will have very little competition, as the better
local women will only dance with their best friends or one of the many
male teachers or professionals in attendance. 
I disagree with Igor, who says that becoming a better dancer gives you
more dance partners. It is just the opposite.  There are less partners
that you will be interested in dancing with.  

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Re: [Tango-L] Gender Imbalance

2008-01-04 Thread desdelasnubes

   Sitting in one spot all night thing. WHERE you sit is supremely 
 important. At any venue there will be predominate traffic flows - to and 
 from: the front door, the bathroom, the dancefloor, and the food, as Trini 
 pointed out. Women who want to dance, do well to put themselves in or near 
 the traffic flows. 

Thank you for the tips, but they might not apply to everyone. I like to sit in 
one spot,  but that's not where the traffic flows. Sometimes dancers tell me: 
you should sit where the traffic flows so that I can easily see you. But I 
rather prefer a more quiet spot where I can listen to the music and watch the 
dancers and I won't be disturbed by a stop-and-go-traffic back and forth from 
the bar or bathroom.  I won't cruise around either. I'm convinced sitting is 
more rewarding. Why should I go hunting and ask a man to dance? I think the man 
I like to dance with will have eyes to see and he will find me. I prefer to be 
invited.  A good leader will have the initiative and good eyes. I also consider 
patience is a prerequisite for tango. For instance I would watch one of the 
best dancers, he has more than 20 years of dancing experience and I love to 
watch him dance. I guess I have watched him for years,  thinking how wonderful 
it would be to dance with him. And then a few weeks ago, he came to me and 
invited me to dance. It was worth waiting for it;)

Anna


  Another tip: After the tanda has started, get up and cruise around. Any 
 men hanging around instead of dancing are fair game. Like Trini said, being 
 sociable at the food table can result in an invitation. It can be even more 
 effective to be moving as a tanda is ending and people are coming off the 
 floor, looking for their next partners.
  Another tip: Never be shy about asking a man to dance (at least outside 
 of BsAs).
 
J
  TangoMoments.com
 
 
  From: [EMAIL PROTECTED]
  Subject: Re: [Tango-L] Gender Imbalance
  
  One solution to teach them how to get dances.  Sitting in
  one spot all night, expecting someone to come up to you is
  not a very effective way to meet people.  The women who are
  successful in getting dances are the ones who aren't afraid
  to get up, will visit the food table which is a great place
  to strike up a conversation (without hinting about a
  dance), and act more sociable.  I don't think that acting
  like a prima donna works in the States.
  
  Trini de Pittsburgh
  
 
 
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[Tango-L] Gender imbalance, tips for female followers

2008-01-04 Thread Igor Polk
Martin:
I disagree with Igor, who says that becoming a better dancer gives you
more dance partners. It is just the opposite.  There are less partners
that you will be interested in dancing with.

Martin, I did not write that.
I wrote:
the better you dance, the easier it is to make friends

And of course the better quality that friends are.

Then one comes to a stage, like you described, when one has a handful of the
best friends and dance with them. However, if a new one is needed - here
you are, no problemo !

So, learn quality dancing, make tango friends, and you always be dancing !!!
This is the best tip which surely works for the rest of you life.


Igor Polk



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Re: [Tango-L] Gender Imbalance/Advertising for men

2008-01-04 Thread rockies
I sent a private reply to TFH, but he suggested it was probably worth sharing 
with the group, so here it is.

   -- Original message
  --
  From: Tango For Her [EMAIL PROTECTED]
   Actually, I should clarify on the advertising.  I,
   originally, ran the ad with a model in the
  picture.  I
   called the newspaper to ask why I had such success
  and
   she told me that women wanted to be like the
  model. 
   (Don't shoot me!  SHE said it!)
  
Yup, therein lies the rub with advertising. Women
often look at other women and evaluate them, especially if they are beautiful. 
Look at women's
magazines, when they are advertising for beauty products, they will show 
beautiful women in the ads.
The association for women is that if they use that product, they will be as 
beautiful as the model in
the photo. Men too are attracted by models (although unlike women, will NOT 
look at photos of other men
and make the association that the product will make them look as good as 'him,' 
they simply don't care
to compare to other men), but the subject matter is not compelling enough with 
the way you have worded
it.  You might want to consider running your ad with wording like this-

Single Men: Would you like to meet attractive single women? Come to our 
Argentine Tango classes

-in a very male dominated magazine and STILL keep the photo of the model. 
*Then* you will get the
response from only men. So... maybe put it in a car magazine (if you had lots 
of cash). Alternatives
would be  Autotrader type magazines, or on bulletin boards at 
motorcycle/powerboat
sales rooms, mens locker rooms at the gym, locker rooms in colleges (hand some 
out to the players), mens bathrooms where they have the cork boards above the, 
er, facilities, etc. 

I agree with Eron, there is a stereotype, especially in North America that 
dancing is not for real men. Rather, sports are thought of as a manly activity. 
However, the overall allure of meeting available women WILL outweigh for most 
men the stereotypical view of the activity. Sex sells, as Eron said, and, 
therefore, so does the opportunity to meet available women. The retention rate 
in the community of these men may be low, but even if it's 10% there will still 
be 10% more men than were available before. I think men in North American don't 
realize how much women universally love to dance. It is extremely rare that a 
woman doesn't like to dance. Changing the stereotype is quite difficult, but 
targeted advertising may do just that, eventually.


Cheers!
 
Randy
  
 
 
 
   
 
 
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