[Tango-L] Note to Kathryn Charles.

2008-04-11 Thread David Hodgson
Hello Kathryn;
The Tango Festival is not mine, it is run by Tom Stermit’s who runs a
fantastic tango festival in a great community.

There are always a lot of great dancers and Leads that attend. Which I am
only one out of many. If your choice is based on my opinions expressed that
may have offended you. I would be happy to introduce my self so that you do
not have to dance with me and have lots of opportunity to dance with other
Leads.

Take care.
David Hodgson



From: Kathryn Johns [mailto:[EMAIL PROTECTED] 
Sent: Friday, April 11, 2008 8:09 PM
To: David Hodgson
Subject: Re: [Tango-L] touchy subject, huh?

I just canceled my plans to attend your festival!
 
Kathryn Johns
Charleston Argentine Tango Society



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Re: [Tango-L] touchy subject, huh?

2008-04-11 Thread David Hodgson
Hello All;
Being one of the men in the Denver community, also one of the teachers and
dancers here. This matter is really blown out of proportion. On a personal
level, are the issues brought up important to address, absolutely!!! This is
not about pointing the finger at Chaz to put him up on a pedestal. He just
came to light, is the part of the iceberg everyone can see, and that we are
all involved with to one extent or another (Both men and women alike). He
wrote his own ticket on this. I may not know the details, but the over all
image that has been brought to light are not surprising. As the old adage
goes (that I just made up) “If your going to wreck a room,,, wreck the
bloody room, and do it well by gum”.

I am not going to damn him for being human, he has his good qualities (I
understand he has a real talent for humor, making people laugh and a good
insight to a few things). He also has his stuff, his shadows, and
perceptions. How he chose to express them,,, not the most aware way. Which
has offended a lot of people and become a legal matter.
So goes life, so goes the dance, and so expresses tango.

Darleen, can you say you are expressing your self any better. It may not
look like it is happing in the same way as Chaz, but the intent behind it,
not much different except that you think you are trying to pull out a very
sharp knife to emasculate him. When all is said and done would have
perpetuated the very thing you are accusing and pointing the finger at.

One of the gifts that I see in you Darleen is that you are fantastic in
organizing, being outrageous, out spoken and bringing things to light.
Really great stuff!!! The way you are choosing to express your self here, I
know you can do better.

There was a woman from our community here who wrote a great commentary
concerning the situation with Chaz, and I would include you with this. I
have added a little embellishment in this.
 
There is a village and in it there is a person who has wronged other members
of the village. The person who performed the wrongs was required to set
things right through service to the community. This person was also to sit
on a stage in the middle of the village. Each villager stopped and with
respect said something they appreciated about the offender. As the people
said what they needed to, the person who had offended could not say anything
except “Thank you”.

Sex is part of being human and even a monk has to make choices about their
sexuality and expression. Just like a gigolo, and everyone else on this
list. Welcome to being human.

So I ask you Darleen, Chaz and everyone else involved in this dance we
express. Consider for a moment what I have wrote here.

I my self will be out to dance tonight. I expect some dances will be blah,
some will be friendly or fun. Some will be sexy, and some will be really
hot.

Enjoy the evening my friends and have at least one nice dance.
David Hodgson/ Zorrito  

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Re: [Tango-L] Speak up if you are uncomfortable

2008-04-11 Thread Dubravko Kakarigi
Without seemingly trying to minimize the problem, let me point out that it is 
not only the male (teachers) who may be abusive. Please let us not lose sight 
of the fact that sexual harassment and abuse come from all directions. I am 
speaking out of personal experience both as a child and as an adult. Stay 
vigilant and do not tolerate it!

...dubravko

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this life is not a rehearsal
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Re: [Tango-L] Speak up if you are uncomfortable

2008-04-11 Thread buffmilonguera
Joe - I was very happy to see your e-mailI don't know the 
particular case being discussed, but I was hopeful that the 
over-arching point would not be missed.

I have talked to women who have had things like this happen to them - 
if not as overt. Two women cried when talking about it and the others 
were so horribly embarrassed about it that they made me promise not to 
tell anyone. Not all of these incidents happened in my own community, 
but I now make it a point whenever I am working with new dancers, male 
or female, to talk about this.  I say that at the moment that it 
becomes uncomfortable, it is no longer tango.  I acknowledge that that 
a dancer's comfort zone may change over time - for example, I am very 
comfortable and prefer close embrace - but it certainly wasn't 
something I would have been comfortable with 2 years ago.  Tango is 
about a partnership - which, as I have said before, is why we use the 
words "dance partner" and not victor and vanquished.  It is an equal 
partnership, with each partner making a contribution.  This can not 
happen without mutual respect and trust.

How could that elusive connection we all seek in every dance and with 
every partner happen with out feeling safe, respected and trusting.  
For me, if those things are missing, then it is just not tango

Barbra

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[Tango-L] Competition and fair play

2008-04-11 Thread NANCY

--- Darlene Robertson <[EMAIL PROTECTED]>
wrote:

> hello...
>
>   just for the record i think i should point out
> that i am not an instructor and am not interested in
> "stealing" Chas Gale's students away from him nor
> Gaia Banovich nor The Tango House in Denver,
> Colorado.


Your MySpace page indicates otherwise.  You offer
tango lessons there.

http://www.myspace.com/luv2dancetango

Also curious to know if you are a part of the group
which has taken over the Turnverin.  That would remove
some competition if you could shut down The Tango
House where several instructors hold classes,
milongas, practicas and out of town teachers hold
workshops.  I keep hearing from his competition how
awful he has been for years.  I never realized the
Colorado women were so helpless.  Certainly not the
ones I know well.  Some of his most vocal attackers
actually dated him for a time.

And you are on record as having decided he was guilty
before the trial. 

So...do we bring our own stones or will you
provide them?

Nancy

 

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Re: [Tango-L] Speak up if you are uncomfortable

2008-04-11 Thread Joe Grohens

OK. I'll speak up.

I am uncomfortable with gratuitous tittle-tattle about this particular  
lawsuit. It should be possible to make constructive remarks about  
ethical conduct for dance teachers, or how women should stand up for  
themselves against sexual harrassment, without seeking to spread this  
gossipy sensationalistic tabloid news about the case in Denver.

And I agree with Astrid - it seems that Darlene has more to her agenda  
than trying to lift up other dancers.

I also think that this particular problem of a tango lesson becoming  
sexual misconduct - regardless of whatever really happened in the  
aforementioned lawsuit - is connected to a rather warped and shallow  
idea of tango that is popularized by tango teachers and promoters.

I am uncomfortable with tango promoters and teachers representing  
tango as a Latin antidote to Puritan inhibition. I wish people would  
stop selling tango as 'intimate," a "vertical expression of a  
horizontal desire," the "most sexual dance," a "dance of seduction,"  
etc. I have seen tango teachers actually say such things in a class  
for first-time dancers. It's not only banal, it's disgusting! And it  
leads to distorted ideas.

I am really uncomfortable that the popular image of tango dancing,  
inculcated by people in the tango business, is _so sleazy_ that  
attorneys could reasonably construct a BS legal defense like the  
following:

"[His attorneys] argued that Gale was simply touching the woman for  
purposes of teaching her the sensual dance steps of the tango."

That is quoted from the link that Darlene sent.

You know, tango is not strip tease - they are two different dance  
worlds. I wish people would stop trying to combine them.

I am uncomfortable with middle-aged women dressing for the milonga as  
if they were turn-of-the-century prostitutes.

I am uncomfortable with "best lingerie contest" as a theme for milongas.

I am not a prude, but really, what is the idea here? Is the dance  
itself not interesting enough for you?

I am uncomfortable with guys who make tango dancing into an overt  
grope fest and public seduction ritual. Please, have some taste! And I  
am uncomfortable with the widely popularized fantasy ideas of tango  
that seem to define tango in this way.

I am uncomfortable with men who take advantage of women who are in the  
vulnerable position of learning a new dance. In tango it is not  
unusual to hear the line that the man is the boss, the woman needs to  
surrender, submit, give herself. Many new dancers (men as well as  
women) are already way out of their comfort zone just due to the fact  
that they are trying to learn a new dance. It can be a very big deal  
for some people simply to be touching others, or to be moving their  
own body to music, or to be taken out on a dance floor where other  
people can see their timid efforts. Sometimes people have worked up a  
lot of courage to try tango. They fight back insecurity, fear,  
memories of past criticism, and sometimes past abuse. It is easy to  
confuse and abuse people in this situation. It is wrong to mix  
teaching with picking people up.

People who are teaching dance ought to protect and care for new  
dancers, and make them comfortable, and not treat them like prey.

Sex is part of life, and sex certainly is an underyling component of  
tango dancing. I just think it should remain underlying both at the  
milonga and at the dance studio. I would like to be able to bring my  
daughters and their friends to tango.

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Re: [Tango-L] Speak up if you're uncomfortable

2008-04-11 Thread Lois Donnay
Oh, this is SO the wrong way to think of this! Tango teachers know that every 
other tango 
instructor is a benefit - their marketing means more students coming into the 
community. 
All you have to do is be a good teacher with a good reputation, and others in 
the community 
will recommend you. A bigger community alone can create more buzz, which means 
more people 
interested in starting tango, which means more students for everyone.

However, a teacher who is sleazy will cause people to drop out very fast. Some 
will try 
another teacher, but most will just go away, and further the myth of tango 
being a sleazy 
dance full of sleazy, groping, stalking men. The ones who stay aren't 
mentioning it, or if 
they are, it is only to very trusted teachers or their closest friends. Those 
people cannot 
warn anyone else, or if they do, it is limited and never changes anything.

I too enjoyed Chas's posts and I also enjoyed dancing with him.  However, I am 
glad that 
the woman who was uncomfortable said something. I'm sure she wasn't the first, 
and has had 
a difficult time. Many people in Denver knew about the situation for some time, 
but could 
do nothing. This negative publicity will be hard on the Denver tango community 
for awhile, 
but it will recover and be better for it.

Loisa Donnay
Minneapolis, MN


>
> In my eyes, it is a question of "What would a someone do who is planning to
> establish himself as a tango teacher in a community where there are only so
> many potential tango students to go around? What are the motives of someone
> who publically defames someone who runs a business in the form of a
> reasonably successful tango studio? Is that person maybe trying to help
> someone who has an interest in taking over that teacher's students and does
> not feel confident enough in using his teaching credentials only and needs
> to resort to methods like these when the opportunity offers itself?"
>
> These are the questions that come to my mind in a case like this. And it
> would be an important  reason for me to avoid that teacher who tried to take
> advantage of such a situation.
>
> purely hypothetical of course, I do not live in Denver but this whole affair
> got me thinking...
> Astrid


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[Tango-L] touchy subject, huh?

2008-04-11 Thread Darlene Robertson
hello...
   
  just for the record i think i should point out that i am not an instructor 
and am not interested in "stealing" Chas Gale's students away from him nor Gaia 
Banovich nor The Tango House in Denver, Colorado.
   
  it's an uncomfortable subject.  i'm UNCOMFORTABLE... that's why i want people 
to know about it.  in 2008, with the internet, this is an easier way to notify 
people.  my motivation is simple: to INFORM women (and to a lesser degree, men) 
of Chas' history... and to encourage us all to take the caveat "buyer beware" 
seriously.
   
  i will continue to remain on "high alert" about this issue and will, with 
your consternation or your blessing, let everyone know about the outcome of his 
sentencing and his status.
   
  he will be required to register as a convicted sex offender.
   
  he will continue to be prohibited from teaching "privates" alone (he is 
currently on probation for two years regarding a previous indecent exposure 
case in lieu of jail time).
   
  the onus is NOW on any community that decides to hire him as a teacher.  
simply, i don't want to take lessons from a registered, convicted sex offender. 
 Chas' might be prevented from teaching in the US.  Do you think he's not 
interested in continuing to pursue venues outside this country?  last year, he 
travelled to Gaia's homeland to teach.
   
  for those of you around the world what criticism of me, or any of the rest of 
the Denver Tango Community, would you have if you hired someone that "some of 
us" knew about but didn't feel concerned enough you, my fellow tangueros y 
tangueras, to tell you?  i would think you'd be pretty disappointed in me.  i 
would be remorseful.  that's why i posted it in the first place and stand 
STRONGLY by it.
   
  shoot the messenger if you want to (actually, thanks to most of you for 
sending words of praise) because, on this issue... i've got my bullet-proof 
vest on.
   
  Darlene Robertson
  Denver, Colorado

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Re: [Tango-L] Speak up if you're uncomfortable

2008-04-11 Thread Astrid
>However, given the fact that only
the two people involved know what happened, is it really
fair for them to be judged by others who aren't privy to
this same information?

I appreciate your sense of justice, Trini.

>It is a difficult issue.  Sometimes it's a case of people
not being able to set boundaries.  Sometimes it's a case of
people not respecting other's boundaries.  With more
experienced dancers, it can get rather murky.
For teachers and community leaders, I think the question
would be "What would an accredited college do?"

In my eyes, it is a question of "What would a someone do who is planning to 
establish himself as a tango teacher in a community where there are only so 
many potential tango students to go around? What are the motives of someone 
who publically defames someone who runs a business in the form of a 
reasonably successful tango studio? Is that person maybe trying to help 
someone who has an interest in taking over that teacher's students and does 
not feel confident enough in using his teaching credentials only and needs 
to resort to methods like these when the opportunity offers itself?"

These are the questions that come to my mind in a case like this. And it 
would be an important  reason for me to avoid that teacher who tried to take 
advantage of such a situation.

purely hypothetical of course, I do not live in Denver but this whole affair 
got me thinking...
Astrid


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Re: [Tango-L] Coaching the Lead

2008-04-11 Thread Jay Rabe


Mario,

My 2c:

Posture for both leader and follower:
Imagine your body pulled by two strings. The first is from your crown, pulling 
straight up. This aligns your head and vertebrae vertically along your spine. 
The second is pulling from a point in the center of your chest, mid-way between 
your throat and your breasts, and is pulling out and up at a 45deg angle. This 
pull results in your shoulders going back and dropping down, and lifting your 
chest, of course. Finally, keep your abs/core engaged, with your belly button 
pulled back towards your spine. This tips your pelvis slightly and slightly 
flattens your lower, "sway" back.

Attitude for both leader and follower:
"Stand up" to your partner. Maintain your autonomy and sovereignty. Regardless 
of how ethereal you feel when you get into the zone, do not swoon, do not cave, 
do not compromise the integrity of your posture. Even for a very tall leader 
and very short follower, stand as tall as possible. Tall leaders avoid bending 
over no matter how nurturing and protecting you are feeling towards her. Short 
followers avoid tipping head back as if "looking up" to your leader. it will 
tend to arch your back. Instead stand tall (string pulling on crown) and 
maintain your own wholeness and individuality.

Balance:
For both leader and follower:
When you step, visualize moving your tailbone, which is very near the center of 
your body's mass, to position it directly above the foot you are stepping onto.
For leaders: Pay attention to your followers axis/balance. To some degree you 
have a responsibility for maintaining your follower balanced. on her axis. If 
she has taken a step, and you follow her (in the Gavito sense), yet perhaps you 
slightly misjudged your step and you can feel that she is slightly off-balance 
and leaning or pulling on you in one direction or another, then it behooves you 
to slightly sway or lean your upper body (still keeping yourself vertical, of 
course) to a position that allows her to be more comfortably balanced without 
straining and using your for support. One way to think of it is that she moves 
her foot according to her interpretation of your lead, and you move her torso 
(by moving your own torso which is connected to hers) to a position that is 
directly above her standing foot, thereby keeping her balanced on her axis.

 J
TangoMoments.com

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[Tango-L] Coaching the Lead

2008-04-11 Thread Mario
Yesterday, I had my first real breakthru in Tango. I took a private class from 
a very
  advanced dancer/follow. She helped me with my posture and balance, 
continuously
  stopping and reminding me when it went out, which was often. 
  My head had been dropping forward which was a lot of weight going off balance 
and
  I was always concaving my chest as if to scoop her into my arms as I began 
the embrace.
  She taught me how to stand erect but relaxed and invite the woman into my 
embrace.
  At first, I was completely amazed and defeated by the additional complexity 
of the walk.
  I had to do all this and hold a woman in my arms at the same time??
  When at last, I understood the connection of the embrace (apilado) as a 
communication,
  it started to click..when I could feel my chest (sternum) connection as THE 
communication 
  of where we were going..the arms seemed to disappear and I began to really 
lead for the first time.
  I'm asking here for more coaching on posture, balance, etc...what helped you?
  What do you remind yourself of, in order to get it right each time??  thanks

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[Tango-L] Tara Shoes News

2008-04-11 Thread robin tara
Just a note to let everyone know what's going on at Tara Tango Shoes.
We have formed an alliance with Diva Boutique which has enabled us to
announce that we now have a huge inventory of styles and sizes
available immediately.

To see what we're stocking now, go to: http://www.taratangoshoes.com

You can also check Diva Boutique's extensive collection of shoes at:
http://www.diva_boutique.com

We are adding new styles every month so keep checking back.

All the best,

Robin Tara
Tara Tango Shoes
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Re: [Tango-L] Speak up if you're uncomfortable

2008-04-11 Thread Trini y Sean (PATangoS)

--- Darlene Robertson <[EMAIL PROTECTED]> wrote:
 
>   Sometimes tango dancers overstep their bounds...
> sometimes it's exacerbated because the situation involves
> an INSTRUCTOR, which damages the reputation of the entire
> community.

Darlene,

While I completely understand where you're coming from and
I agree that those who feel that they've been abused should
speak up, we differ on WHO needs to be informed.  As an
instructor, I keep the same policy that school teachers
take, i.e., I don't share a student's grade, concerns, or
contact info with the public.  Other teachers I may inform
on a need-to-know basis.  However, given the fact that only
the two people involved know what happened, is it really
fair for them to be judged by others who aren't privy to
this same information?  Although we often think of tango
communities as families, there's a point in which it needs
to be looked at it professionally from a liability
standpoint.  Another way of thinking about it is if one
employee informed their supervisor about sexual harassment
of another employee to his/her management, would you expect
the supervisor to go around telling everyone else about the
incident?  

It is a difficult issue.  Sometimes it's a case of people
not being able to set boundaries.  Sometimes it's a case of
people not respecting other's boundaries.  With more
experienced dancers, it can get rather murky.

For teachers and community leaders, I think the question
would be "What would an accredited college do?"

Trini de Pittsburgh


PATangoS - Pittsburgh Argentine Tango Society
  Our Mission: To make Argentine Tango Pittsburgh’s most popular social dance!
  http://patangos.home.comcast.net/
   


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