Re: [Tango-L] First trip to BA, the tango mecca

2009-04-13 Thread JOANNEPROCHASKA
GREAT to read Michael's observations of the milonga, cabeceo, embrace etc.  
 For those of you who have yet to visit BA, please take note, as these 
observations will aid anyone in preparing for a visit by reducing the learning 
curve.  After all, no need to re-invent the wheel.
Michael, thanks for taking the time to write, and don't forget to try the 
veal napolitana for your next dinner.
Looking forward to your next post.
Joanne Pogros
Cleveland, Ohio


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Re: [Tango-L] Report from Buenos Aires #2

2009-04-13 Thread Trini y Sean (PATangoS)

Hi Michael,

Thanks for your observations, and I look forward to hearing more from you.


--- On Sun, 4/12/09, Michael tangoman...@cavtel.net wrote:

 New term
 Suggestion of new term for ´`authentic Argentine Tango´´
 (I´m using a keyboard that isn´t conventionally used in the states and
 it´s difficult to find special keys.) Instead of
 ´¨authentic¨`, I suggest `¨original.¨ The milonguero style (named by Susana 
 Miller) is what I call the original style. It´s NOT the style I dance in the 
 States but I consider what I dance to be authentic.

original wouldn't work either since no one really knows what the original 
looked like and predates what developed in the 1940's.  It could be closer to 
Canyengue than the tango we know today.  Probably the only term that people 
would agree with would be something related to downtown or center city.  
It's accepted that those in the center of the city dance close due partly to 
space issues.  Living very close to downtown of a 200+ year old port city, I 
can easily see that.


Trini de Pittsburgh





  

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Re: [Tango-L] First trip to Bs. As.

2009-04-13 Thread Crrtango
re Michael's experience in Buenos Aires, a couple of observations, and a 
reality check.

Over the years I have heard horror stories from people, both men and women, 
that went down and didn't dance even one dance with the locals, and 
sometimes none at all (!) for two weeks.   Although the men there will make 
exceptions for attractive women, of course, generally if the men don't know how 
to 
dance well (or are beginners) women won't respond to their cabeceo, even if 
they are wearing a suit.   Many people from the U.S. go down thinking they 
are good dancers only to have a rude reality check. 

Also remember that if they don't know you, they may wait to see if you know 
how to dance well.   I sat for two hours dressed up in Lo de Celia a few 
years back trying to get a dance when I finally realized that women weren't 
responding because no one knew me and had no idea whether I could dance or 
not.   Finally I asked someone sitting at the next table to dance, who didn't 
know how to dance very well it turned out, but it worked.   After that I got 
responses from my cabeceos.

Also keep in mind that nowadays there are different styles of milongas so 
first make sure you are going to one that fits your style of dancing, and 
possibly dress.   Dancing open-embrace, nuevo-style tango, (and wearing baggy 
cargo pants with T-shirts hanging out) won't get you many dances at 
Sunderland, but on the other hand, it will at other venues.

Cheers,
Charles


 


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Re: [Tango-L] Report from Buenos Aires #2

2009-04-13 Thread Jack Dylan

Michael,

Thanks for the reports - very accurate from my experiences and 
very useful for first-time visitors to BsAs.

But I don't agree with your term 'original style' because, as Trini has 
already pointed out, we don't really know what that is and it would 
result in a lot of disagreements. 

To me 'authentic Argentine Tango' is what predominates in the 
traditional milongas of modern-day Buenos Aires and you've already 
described that very well. You say you don't dance that style in the 
States so I'd be interested to know why you consider it to be 'authentic'.

I now use the term 'Buenos Aires Style' to describe what I consider 
to be 'authentic Argentine Tango. I don't really see how anyone could 
disagree with that but I'm sure many will find a way :-).

Jack



 From: Michael tangoman...@cavtel.net
 
 New term
 Suggestion of new term for ´`authentic Argentine Tango´´ (I´m using a
 keyboard that isn´t conventionally used in the states and it´s
 difficult to find special keys.) Instead of ´¨authentic¨`, I suggest
 `¨original.¨ The milonguero style (named by Susana Miller) is what I
 call the original style. It´s NOT the style I dance in the States but
 I consider what I dance to be authentic.
 



  


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Re: [Tango-L] First trip to Bs. As.

2009-04-13 Thread macfroggy

 Well put, Charles.
It's also good to choose milongas where people are more or less your same age, 
especially if you are over 35.
Of course, a young beautiful girl who dances well, or even not that well, will 
dance anyplace she wants to!

Cherie
http://tangocherie.blogspot.com


 



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Re: [Tango-L] genre bendre

2009-04-13 Thread Myk Dowling
Joe Grohens wrote:
 http://www.youtube.com/watch?v=AvMPXyR0qg0
 
 How would you classify the following things?
 
 - The music? (e.g., swing)

Yes, I'd say that was fast swing music.

 - The dancing they are doing to this music? (e.g., swing)

No, they are definitely not dancing swing. I'd call that a fusion of 
tango and jazz dancing, leaning heavily on the tango side. Most of what 
they are doing is standard tango stuff, with a few jazzy bits thrown in.

 - The dancers?

They are tango performers, as simple as that. Performance dancing rarely 
fits precisely into a particular dance genre. Performers fuse elements 
from different styles to create a distinctive style of their own in 
order to be visually interesting.

-- 
Myk,
in Canberra
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Re: [Tango-L] Report from Buenos Aires #2

2009-04-13 Thread Michael
I accept Buenos Aires style. I{ve read so many postings about what is
authentic. Who wants to admit that after years of lessons and
practice, (s)he isn{t dancing authentic. I wanted to come up with a
different term.

Michael

On Mon, Apr 13, 2009 at 12:41 PM, Jack Dylan jackdylan...@yahoo.com wrote:

 Michael,

 Thanks for the reports - very accurate from my experiences and
 very useful for first-time visitors to BsAs.

 But I don't agree with your term 'original style' because, as Trini has
 already pointed out, we don't really know what that is and it would
 result in a lot of disagreements.

 To me 'authentic Argentine Tango' is what predominates in the
 traditional milongas of modern-day Buenos Aires and you've already
 described that very well. You say you don't dance that style in the
 States so I'd be interested to know why you consider it to be 'authentic'.

 I now use the term 'Buenos Aires Style' to describe what I consider
 to be 'authentic Argentine Tango. I don't really see how anyone could
 disagree with that but I'm sure many will find a way :-).

 Jack



 From: Michael tangoman...@cavtel.net

 New term
 Suggestion of new term for ´`authentic Argentine Tango´´ (I´m using a
 keyboard that isn´t conventionally used in the states and it´s
 difficult to find special keys.) Instead of ´¨authentic¨`, I suggest
 `¨original.¨ The milonguero style (named by Susana Miller) is what I
 call the original style. It´s NOT the style I dance in the States but
 I consider what I dance to be authentic.







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-- 
I'd rather be dancing Argentine Tango

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Re: [Tango-L] genre bendre

2009-04-13 Thread Jack Dylan

The first thing they are is professional dancers. My very first Tango 
lessons, in the mid-90s, were with Pablo Inza [with his then-wife, 
Gladys Fernandez] when they were already travelling the world as 
tango teachers. Back then Pablo was super-traditional and 
conservative with short slicked-back hair and suit. Almost 
unrecognizable from his later nuevo reincarnation.

I guess Pablo just likes to push the boundaries and constantly 
experiment with new stuff. But at least he has the training in 
traditional tango to back it up. IMHO, this is often lacking in 
some of the newer Nuevo dancers.

Jack



 From: Myk Dowling poli...@gmail.com

  http://www.youtube.com/watch?v=AvMPXyR0qg0
  
 
  - The dancers?
 
 They are tango performers, as simple as that. Performance dancing rarely 
 fits precisely into a particular dance genre. Performers fuse elements 
 from different styles to create a distinctive style of their own in 
 order to be visually interesting.
 



  

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