Re: [Tango-L] The Basic Elements of Tango

2010-07-07 Thread Sergey Kazachenko
Just got this today in the email from a local (Argentinian by origin) teacher:

A class to learn, review and polish the fundamental elements in Tango:
ochos, paradas, boleos, barridas, ganchos, amagues, giros, sacadas,
etc. We will work on those elements in their most basic form, as well
as balance, posture and coordination with your partner in order to
attain accurate technique and comfortable execution.

I guess it's the case of having the demand dictate what gets tossed
into the fundamentals basket.

Sergey
May you be forever touched by His Noodly Appendage... (
http://en.wikipedia.org/wiki/Flying_Spaghetti_Monster )

 --- On Wed, 7/7/10, RonTango ronta...@rocketmail.com wrote:
 The assertion is that “ganchos, volcadas, colgadas, and sacadas” are basic
 elements of tango. Assuming this refers to social tango (“a few miles on the
 crowded dance floors”), there is a problem of misrepresentation of tango here.
 By these standards the milongueros in Buenos Aires have not yet reached the
 intermediate level, despite some having danced 40-50 years.

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[Tango-L] The Basic Elements of Tango

2010-07-07 Thread Keith Elshaw

Just got this today in the email from a local (Argentinian by origin)
teacher:

A class to learn, review and polish the fundamental elements in Tango:
ochos, paradas, boleos, barridas, ganchos, amagues, giros, sacadas,
etc.

To me, this is all still teacher talk to make tango complicated so people
think they have to endure level 1 though 89, etc.

Tango is basically a walking dance, no? There are so many ways to walk to
different kinds of music.

THAT is surely the fundamental element of tango. The rest of it is
basically stuff to ensure one can make money teaching people who haven't a
clue what it really is?

Sorry.

It seems to me no one in Argentina ever took a class to learn tango. You
danced on the weekend with your family and neighbourhood friends and you
picked it up. You developed your own way.

Returning to roots seems to me the best way of getting it.




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Re: [Tango-L] The Basic Elements of Tango

2010-07-07 Thread Michael
I think the real problem is some dancers feel their vocabulary is incomplete 
if the latest fad isn't included. Some people emphasize figures while others 
emphasize connection. When the connection is so good your heart is 
palpitating, why would somebody want to break the connection for a colgada? 
Some dancers concentrate on themselves while others concentrate on their 
partner.

Michael
I danced Argentine Tango --with the Argentines

- Original Message - 
From: Keith Elshaw ke...@totango.net
Subject: [Tango-L] The Basic Elements of Tango



Just got this today in the email from a local (Argentine by origin) 
teacher:

A class to learn, review and polish the fundamental elements in Tango: 
ochos, paradas, boleos, barridas, ganchos, amagues, giros, sacadas, etc.

 To me, this is all still teacher talk to make tango complicated so people 
 think they have to endure level 1 though 89, etc.

 Tango is basically a walking dance, no? There are so many ways to walk to 
 different kinds of music.

 THAT is surely the fundamental element of tango. The rest of it is 
 basically stuff to ensure one can make money teaching people who haven't a 
 clue what it really is? 

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[Tango-L] Basic

2010-07-07 Thread Keith Elshaw
I pressed send by mistake!

Walking, ochos, gyros. With the music.

So many people learn all the fancy stuff on top of that they they never
learn the real basics.

If the above three were all you knew and could do well, you could dance
all night with anybody in the world (except people who had been taught
how to dance tango).
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Re: [Tango-L] Basic

2010-07-07 Thread Tom Stermitz
Yes.

It is important to add the idea that you need to be good, DAMNED GOOD,  
with walking, ochos, giros/sacadas (Turns, not greek sandwiches!),  
music.

In fact, if you are really good at those things, cool moves and  
workshops are really easy. If you aren't really good with those  
things, then you are wasting a $30 master workshop and the teachers  
have to slow down the class and dumb down the material.

To be a little rude, if you think this doesn't apply to you, it  
probably does.

I also want to give a shout out to LOCAL TEACHERS. You get good at the  
basics through lots and lots of repetition, week after week, in group  
classes, practices and private lesson with someone better than you.

On Jul 7, 2010, at 6:36 PM, Keith Elshaw wrote:

 I pressed send by mistake!

 Walking, ochos, gyros. With the music.

 So many people learn all the fancy stuff on top of that they they  
 never
 learn the real basics.

 If the above three were all you knew and could do well, you could  
 dance
 all night with anybody in the world (except people who had been  
 taught
 how to dance tango).

Tom Stermitz
http://www.tango.org
Denver, CO 80207



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[Tango-L] Basic

2010-07-07 Thread Sergio Vandekier

Dear friends,
 
What you learn as basic depends on what tango style you are learning.
 
 If you are learning Social dancing, then you learn how to walk in the 
milonguero style.  You walk in many different ways. In front of the woman, 
inside, outside, intercalating double timing, etc.
 
Naturally you learn to dance in close embrace. Then you learn how to change 
front.
 
Progressive back ochos, ocho milonguero.
 
Right and left turns.
 
 
If you learn Classical Tango,  you learn all the above but you add some 
elements.
 
You also learn open embrace, you  learn how to change your embrace open/close 
back and forth as needed.
 
You learn back ochos with a different technique and front ochos.
 
Then you learn figures that use a combination of front and back ochos: The half 
moon, the sandwich, etc.
 
Then you learn basic moves such as boleos, amagues, barridas, ganchos, etc.
 
 
If you learn Nuevo Tango you learn all the above plus you learn to dance in a 
very open embrace. You learn to lead with a different technique as well.
 
In summary: your basic tango may vary somewhat depending on what style you are 
learning at the moment.
 
Best regards, Sergio
 
 
 
  
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