[Tango-L] Dividing Tango

2008-08-08 Thread Mario
I was at a Milonga last week and following the line of dance.
  A couple in front of me were doing 'Nuevo' and the woman was
  swinging gold stiletto heels in wide swaths that seemed to be
  at chin height. I was feeling like the moving of my partner towards
  that whirling fan of heels was like moving her towards certain injury.'
  What the hell was I to do?  So, I paused and they inched away but
  really not enough nor at any predictable rate that I could safely follow
  behind.  Is this something new that is happening on Tango floors?
  Is this going to be the 'way it is', in the future? Should I worry about this?

   
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Re: [Tango-L] Dividing Tango

2008-07-31 Thread Jack Dylan
David, 
Very well said. I often strike a little pose with my partners, especially at 
the end 
of the dance, or maybe even during a dance. But it's got absolutely nothing to 
do 
with ... "showing off to an audience." I just do it to have little fun with my 
partner. 
But, from the tone of many of the messages on this list, it's beginning to 
sound 
like 'having fun' is another thing that's not really acceptable in tango - at 
least, to 
the tango police.
Jack



- Original Message 
> From: David Thorn <[EMAIL PROTECTED]>
> But it seems a little 
> presumptuous of you to say that you know what is 
> going on in my head and in my partner's head, and that the pose we might 
> strike 
> is not something just between us. 
> 



  


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Re: [Tango-L] Dividing Tango

2008-07-31 Thread David Thorn

Brick wrote
> These couples are obviously dancing for the audience, and not for each other.

I think that one important source of the "hateful views" that I earlier 
lamented is the idea that you (the generic you) 
know what I am thinking.  How do you know?  How is that obvious?  If what 
you are saying is that were _you_ 
posing, it would be for an audience, that's OK.  But it seems a little 
presumptuous of you to say that you know what is 
going on in my head and in my partner's head, and that the pose we might strike 
is not something just between us. 

Are tango dancers generally so repressed that they can't express their feelings 
with / to their partners without 
first looking over their shoulders to see who might be watching??? 

Cheers

D. David Thorn

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Re: [Tango-L] Dividing Tango

2008-07-30 Thread Astrid
Brick Robbins wrote:
> Running into people is
> not good FOR your partner, so of course good navigation is part of
> this focus.
>   
You forgot that it also annoys the other people you run into!
> In my experience, when a "Salon" couple strikes a dramatic, but
> obviously uncomfortable pose, many of my social tango friends are
> somewhat offended. They feel the same when a "Neuvo" couple is
> obviously showing off. I think this stems from the change of focus.
>   
It is not so much the change of focus but mainly, again, that they are 
not alone on the floor and again, instead of going with the flow, they 
are disrupting the line of dance with their posing and thus presenting a 
disturbance for the other dancers. Everybody wants to enjoy dancing with 
their partners and does not want to be thrown out of the mood by some 
couple bumping into them, extending legs into their path and such.


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Re: [Tango-L] Dividing Tango

2008-07-30 Thread Jack Dylan
Hmmm, this might be true in principle, but in my experience, every 
woman who dances wants to look beautiful. I don't think they'd agree 
that ... "It doesn't really matter what the dance looks like,"
 
And isn't it part of the man's job to help his partner look beautiful 
as well as feel beautiful? Just my opinion.

Jack


- Original Message 
> From: Brick Robbins [EMAIL PROTECTED]

> In social tango the dancers dance FOR each other. It doesn't really
> matter what the dance looks like, what matters is how it feels. > 


  


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[Tango-L] Dividing tango

2008-07-30 Thread Sergio Vandekier



Brick says "These couples are obviously dancing for the audience, and not for 
each other. If only they knew what the "audience" really thought of them".

It could be the wrong audience?  Nobody wants to dance for an audience that 
cannot appreciate his performance.  Showing off is not well liked .


This is a problem of the particular dancers and not one of the Tango Style. 
Dancing "out of place" is wrong. 

Most of the time when a couple dances well, and decides to gift the audience 
with an improvised performance this "gift" is greatly appreciated; the 
attendants ask the couple to give an exhibition. This happens all the time in 
Buenos Aires. Then everyone applauds and is very happy.

As a rule it is better to dance the same style that everyone else is doing.  
One should not show off.

He adds "Performance Tango. In performance tango, the dancers are dancing FOR 
someone outside thepartnership. They are still dancing WITH one another, but 
they are dancing FOR someone else."

If they are performing then they are dancing to please the audience with their 
art.

But where I think you are wrong is in  assuming that those that dance, 
traditional tango, canyengue, nuevo, etc, are always, and only, dancing for the 
audience.

They are not, when they use those tango styles to dance "socially" they dance 
with the same attributes that the other "milonguero style" dancers so much 
cherish.

They have good connection, both physical and spiritual, they dance for each  
other, as all the other couples in the room do the same (as they are all 
dancing the same style). They have perfect lead and follow skills and navigate 
the floor without disturbing anyone.

It happens that their dance is so beautiful that many people take turns to sit 
and admire the other dancers as well.  

Summary: It is wrong to assume that those that dance traditional (Villa 
Urquiza) tango, Canyengue, or nuevo "only" dance to perform, "no way", they 
dance socially as well.  They dance for each other with perfect connection and 
reciprocal spirituality.

It is also wrong to dance "out of place" where your style is not appreciated. 

The problem is not the tango style, is the poor dancer, the show off, the one 
that dances out of place.  Beginners should dance at practicas and not at the 
milongas.

Best regards, Sergio

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[Tango-L] Dividing Tango

2008-07-30 Thread Brick Robbins
It seems convenient to me to divide Tango into two basic types based
on the intent and focus of the partners:

1) Social Tango.
In social tango the dancers dance FOR each other. It doesn't really
matter what the dance looks like, what matters is how it feels. They
may be striving for an intimate emotional connection, for a playful
interaction, or something else entirely. But they are dancing FOR each
other. Neither the shape of the embrace, nor the size of the movement
really matters. It is the focus of the dancers. Running into people is
not good FOR your partner, so of course good navigation is part of
this focus.

2) Performance Tango.
In performance tango, the dancers are dancing FOR someone outside the
partnership. They are still dancing WITH one another, but they are
dancing FOR someone else.

I do a lot of other dances, and none of the others present themselves
to me this way. Ballroom, Salsa, Swing, all have performance (or
competitive, which is really the same thing) aspects deeply embedded
in the philosophy of the dance. Good dancers are expected to show off.
It seems to me that many Argentine Tango dancers feel that Performance
Tango belongs on the stage, and Social Tango belongs at the Milonga,
and never the twain should meet.

In my experience, when a "Salon" couple strikes a dramatic, but
obviously uncomfortable pose, many of my social tango friends are
somewhat offended. They feel the same when a "Neuvo" couple is
obviously showing off. I think this stems from the change of focus.

These couples are obviously dancing for the audience, and not for each
other. If only they knew what the "audience" really thought of them.

All IMHO, YMMV.
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