On Apr 2, 2008, at 1:13 PM, [EMAIL PROTECTED] wrote:
Robin wrote:
Especially interested in two holds that I observe these days
in the
milongas in BA.
First the draping of the woman's left arm down across the shoulder of
the man with elbow pointed at the ceiling and the other with the
woman's left arm placed very low, almost around the man's waist.
Personally, I think the elbow up and arm coming back down looks really
weird. It also raises the shoulder which can have back injury
consequences. My understanding is that these women are copying an
individual style or one-off they saw someone in Buenos Aires do.
It's a common enough story: A new, pretty young thing becomes belle
of the ball for the year, she has a personal quirk or distinctive
mark, which gets copied and starts a new style.
I heard the same thing with the nose pressed into the leader's cheek.
They saw someone do it, then copied it.
Women with their butt sticking up and arched lower back is another new
style. On that one, all I can say is, these 20-somethings are simply
not yet injured.
As to women looking to the right with the man, I prefer it and teach
it.
(Danel and Maria taught it that way, said it was classic tango de
salon style
whereas looking over the man's shoulder evolved more from the
milonguero camp.)
But I never correct a woman who doesn't do it, because most don't.
It doesn't seem to be that much of an issue to me. If I were
choreographing
something I might prefer the head that way, but at the social
milonga it's no
big deal.
Cheers,
Charles
In Buenos Aires I've seen the woman facing the same way as the man or
different directions over each other's shoulders. Probably 75 or 85%
look over each other's shoulders.
I don't have a stylistic opinion about either pose. But I am fairly
short, so for me, the look the same direction is just not
functional. It cuts of half of my vision. It also feels more
asymmetric, which makes my back hurt.
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