Re: New Tune/January '11

2010-12-27 Thread Michael Hedding
Johnson City Rag is a good one off the Molsky CD...I have been working on
that one a little bit.

Mike

On Mon, Dec 27, 2010 at 1:47 PM, Brian Ray  wrote:

> Not sure what the rules are for choosing SOTM... but if'n y'all want a
> great tune to learn, I'll suggest Mississippi Palisades by Chirps Smith. I'm
> very likely the only one in the group that knows it and that should
> definitely change 'cause it's a great one. I have Chirps doing it
> (banjo/fiddle) and it's also on the new Rhys Jones record
> (fiddle/piano/banjo). I could make the audio available should folks decide
> they'd like to do it. It'd have to be an exercise in ear training 'cause no
> tab exists...
>
> Brian
>
>
> On Dec 27, 2010, at 1:16 PM, mistertaterbug wrote:
>
> > Boy, this page has gone dead silent since the Facebutt page got
> > started. Crickets...So, what're we gonna do about the January tune? I
> > suggest we go to another key and get outa A. Who's gonna pick the
> > tune? Shall we go alphabetically? Youngest? Oldest? Best looking(no
> > wait, I already did one )? What say you folks?
> >
> > Taterbug
> >
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Re: More listening suggestion requests...

2010-05-13 Thread Michael Hedding
not always a ton of mando but Bruce Molsky's CD's are all awesome if you
like solo performances. Compton plays some good mando on Contented Must Be,
one of Bruce's CD's as well.

On Thu, May 13, 2010 at 8:12 AM, Steve Cantrell wrote:

> Hey all,
> I hope eveyone is staying safe and relatively dry/oil-free wherever you
> might happen to be. Just a question
>
> I have found myself increasingly interested in duo/trio stringband music.
> It seems like the more I do it the simpler my own playing becomes out of
> necessity. You don't have that dirge of fiddle/banjo/bass/guitar to cover
> the flaws...of which there are unfortunately many. So I have been doing a
> ton of listening in that vein--"Stomp", live recordings of Mike and David,
> The Foghorn Duo (Kaleb Clauder is an excellent mandolin picker), the Kitchen
> Tapes, Skip Gorman and Richard Starkey...you get the idea. I am hoping that
> folks might be able to throw out some similar suggestions for me.
>
> I also saw where Mr. Long will be doing a duo tour in July, so maybe
> someone can post some audio/video? David, I have relied heavily on a bootleg
> recording of you and KC Groves. You pick some familiar tunes and it is
> almost a Monroe double-stop seminar. Great picking.
>
> Anyway, thanks for any suggestions you folks might have. Amazon is just
> dying for me to spend some money over there.
> Thanks,
> Steve
>
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Re: Thinking more outside of a Jam

2009-11-20 Thread Michael Hedding
I am still waiting for the Compton endorsed Capo to come outWhat would
that be called anywaysA Tater Clamp or something?



On Fri, Nov 20, 2009 at 10:10 AM, mistertaterbug wrote:

> Has everyone bought their capos yet?
> TBug
>
> On Nov 19, 11:02 am, mistertaterbug  wrote:
> > There are a few versions of "Sally..." played in G printed in the more
> > available fiddle tune books. One version I like, "Black Sally Goodin"
> > was played by black fiddler Bill Caton from Missouri (maybe where Gene
> > got it?) and can be found in the first edition of R.P. Christeson's
> > "Old-Time Fiddler's Repertory".
> >
> > TBug
> >
> > On Nov 19, 8:39 am, Mike Hoffmann  wrote:
> >
> > > Some fiddlers in New England play a Sally Gooden in G, I also have
> > > heard Gene Goforth doing it out of G.  I really like the idea of
> > > learning an A tune in G "in case the banjo player doesn't have a
> > > capo."  Just another excuse to see how different keys relate/differ
> > > from each other.
> >
> > > On Nov 19, 2009, at 9:29 AM, 14strings wrote:
> >
> > > > "Erik I like your idea about learning tunes that are traditionally
> > > > played out of A, in G."
> >
> > > > Jody Stecher does a real nice version of Sally Goodin out of G; it's
> > > > on the "Mandolin 2000" Mel Bay book.(I think Mel changed the
> title
> > > > of that book since it's initial publication)
> >
> > > > Elliot is my favorite guitar capo; it has a thumb screw on there so
> > > > you can get just the right amoint of tension to get a clear note but
> > > > without putting the strings out of tune. The design lets you "store"
> > > > it right behind the nut when not capoing; a major advantage in my
> > > > book.
> >
> > > > D'Addario's Planet Waves just came out with a $15 capo that works on
> > > > the same principle.
> >
> > > > --
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Re: Mike and David Radio Interview

2009-10-07 Thread Michael Hedding

screw my playing, I want to be coddled, is there an appropriate box I
can check so you'll make the necessary adjustments in your teaching
style?

On 10/7/09, ljt  wrote:
>
> I appreciate the encouragement.
>
> On Oct 8, 1:57 am, mistertaterbug  wrote:
>> I think you're letting yourself get in a stew here, ljt. I can't say
>> that I understand quite what your aggravation is. We're all frustrated
>> and overcome by the process of learning how to express ourselves with
>> tones, no matter how far or short we've come. I can say that with
>> confidence. I am in it up to my ears just like you are and have talked
>> to some of the most respected people in the business who say the same
>> thing. It appears that the art takes no prisoners regardless of level
>> of accomplishment. There is always another tier, more questions, more
>> answers.
>>
>> Enjoy the process and be fearless in your quest for more. If you hold
>> back, you will not progress. If you are shy you will live to regret
>> your decision to take that stance. I have fought holding back all my
>> life. Don't let it overcome you. Just go for it, just do it, carpe
>> diem or whatever the current phrase is.
>>
>> Socra-tater
>>
>> On Oct 7, 8:22 am, ljt  wrote:
>>
>> > I guess those poor dumb folks who fronted up with their money in hopes
>> > of learning something just have no dang reason to live ..what so ever.
>>
>> > On Oct 8, 12:15 am, Will Dennis  wrote:
>>
>> > > Does Grier normally do workshops? Being a great player does not
>> > > necesarrily equate to being a good teacher. (caveat before I get
>> > > slammed - I'm not specifically talking about Grier here.) I am also in
>> > > IT, and realize the challenges when someone wants to learn something
>> > > in 5 minutes that took me a year of plugging away at it before I fully
>> > > understood it. Sometimes you just have to learn by doing. I go to my
>> > > share of workshops, and you gotta admit, some of the questions posed
>> > > are kinda dumb sometimes... It's like the perennial "what kind of pick
>> > > do you use" question - like that's the key or something. (Aside - I
>> > > love the "day-glo pick" story in Richard Smith's Monroe book :)
>> > > Anyways, unless there's a real track record of rudeness, I'd let it
>> > > slide as a good person having a bad day. The man's musical ability
>> > > certainly speaks for itself.
>>
>> > > Will
> >
>

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Re: Cotton Fields

2009-08-07 Thread Michael Hedding
Definitely some really good stuff on there, I have all four of them from
1936 through the 70's. I won't comment on the price because I didn't pay for
them myself but there's pretty much enough stuff to keep you busy for a
lifetime. Probably 500 songs between the 4 of them.

Mike

On Fri, Aug 7, 2009 at 9:38 AM, Steve Cantrell  wrote:

>  Speaking of, I have that Bear Family set on the Christmas list this year.
> Worth the 200, Mike?
>
>
>  --
> *From:* Mike Hedding 
> *To:* "taterbugmando@googlegroups.com" 
> *Sent:* Friday, August 7, 2009 10:14:26 AM
> *Subject:* Re: Cotton Fields
>
> I've got this one, I could try to dig it up. I believe it's on the 1960's
> box set from bear family.
>
> This song has a great mandolin break.
>
> Mike Hedding
>
> On Aug 7, 2009, at 7:38 AM, Steve Cantrell  wrote:
>
>   I hate to come begging again, but I'm looking for the Monroe recording
> of this tune. I've heard CCR and Leadbelly's version and never realized
> Monroe had recorded it, I guess for Decca in the 60s. I've gone through all
> the online resources and my even my flea market Monroe compilations and
> can't find the tune for sell or listen. I'm eager to hear this one, being a
> fan of the CCR version...well, pretty much anything they did. If anyone is
> willing to shoot me a copy I won't tell.
> Thanks,
> Steve
>
>
>
>
>
> >
>

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