[Tex-music] Redefinition of \raisebarno{..}
In the M-Tx-source below the position of the barnumber is set by
\def\raisebarno{5mm}. If
you look into the tex-file you will find a redefinition at line 116 and 118.
Why?
Style: Trio Bass
Trio: Voices A T B ; Clefs G8 G8 F ; Choral
Bass: Voices BC ; Clefs F
Meter: m4406
Pages: 2
Systems: 6
Indent: 0.05
%Bars/line: 3
Name: {c{$^3$}} {c{$^4$}}
Size: 16
%% \def\writebarno{\ifnum\barno1\lrlap{\tenrm\it\the\barno\barnoadd}\fi}
%% \def\raisebarno{5mm}
%% \raggedbottom
%% \parskip 5\Interligne plus 7\Interligne minus 7\Interligne
%% \input musixadd
%% \input musixlit
%% \input musixdbr
%% \tenbf
%% P
%% Abe
%% h270m
%% It120
%% \\let\interstaffsav\interstaff\def\interstaff#1{}\interstaffsav{14}\
% Bar 1
A: rp
L:
T: rp
L:
B: r4 c23 c4
L: Qua-re
BC: c03 s
% Bar 2
A: rp
L:
T: rp
L:
B: r4 c83 c g4+d f8
L: fre-mu-e-runt
BC: c03 s s
% Bar 3
A: rp
L:
T: rp
L:
B: g43 g r r8 c
L: gen-tes et
BC: c03 s s
% Bar 4
A: rp
L:
T: rp
L:
B: g83 g g g g g gd f1
L: bel-la me-di-ta-tae sunt ho-
BC: c03 s
% Bar 5
A: rp
L:
T: rp
L:
B: a83d a1 a4 r b8df c1
L: sti-li-a con-tra
BC: f02
% Bar 6
A: XS3 r2 r4 ( g45
L: Qui-
T: rp
L:
B: g23 r
L: nos?
BC: c23 r4 c s
% Bar 7
A: g85 ) e1 e e8d d1 e4 e
L: a ob-li-ti su-mus
T: rp
L:
B: rp
L:
BC: c03 s s
% Bar 8
A: e85 d dd c1 d4 d
L: no-men De-i no-stri
T: rp
L:
B: rp
L:
BC: c23 s g
% Bar 9
A: d85 d dd e1 e8d e1 X1 e4
L: et in-i-que e-gi-mus
T: rp
L:
B: rp
L:
BC: g03
% Bar 10
A: r8 e85 d e ( f2
L: in te-sta-men-
T: rp
L:
B: rp
L:
BC: a23 - d- -
% Bar 11
A: f45 ) e d2
L: to su-
T: rp
L:
B: rp
L:
BC: g03
% Bar 12
A: c25 r
L: o
T: rp
L:
B: r4 c23 c8 c
L: qua-re in-
BC: c03 s
% Bar 13
A: rp
L:
T: rp
L:
B: g43 g8 g g4d f8
L: sur-gunt ad-ver-sum
BC: c03 s s
% Bar 14
A: rp
L:
T: rp
L:
B: g43 r8 c a4 a
L: nos et di-cunt
BC: c23 s f- s
% Bar 15
A: rp
L:
T: rp
L:
B: r8 f13 f f8 f1 X1 e g4 g
L: de-vo-ra-bi-mus e-os?
BC: f22 s c+
% Bar 16
A: rp
L:
T: r4 c25 c8d b1
L: qui-a pec-
B: rp
L:
BC: r4 c23 d4
% Bar 17
A: rp
L:
T: c85d c1 X1 c4 r8 bf b b1 X1 a
L: ca-vi-mus cum pa-tri-bus
B: rp
L:
BC: e03
% Bar 18
A: rp
L:
T: a44 a r8 c cd d1
L: no-stris in-iu-ste
B: rp
L:
BC: f03
% Bar 19
A: rp
L:
T: d85d d1 X1 d8 r1 d d8 d dd e1
L: e-gi-mus in-i-qui-ta-tem
B: rp
L:
BC: d03 7 x146
Hermann
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Re: [Tex-music] Redefinition of \raisebarno{..}
2012/8/20 Hermann Hinsch hermann.hin...@urz.uni-heidelberg.de:
In the M-Tx-source below the position of the barnumber is set by
\def\raisebarno{5mm}. If
you look into the tex-file you will find a redefinition at line 116 and 118.
Why?
Your own redefinition of \raisebarno has no effect, since it appears
in the tex-file
before `input pmx`. PMX works out that its default of 3.5\internote
will clash with
other stuff and temporarily redefines it to 4.5\internote just for
that one place.
Note that pmx.tex has a comment describing the bar number mechanism as
`messy`. I wouldn't dare to disagree with Don on this issue.
Somewhere in my scores I have something that overrides PMX's way of doing
bar numbers, but I can't find it on my office computer (from which I
am typing this,
but which I seldom use since my retirement.)
There must be others (Christian? André?) who have also done that.
Dirk
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Re: [Tex-music] Redefinition of \raisebarno{..}
Am Montag, 20. August 2012, 10:43:12 schrieb Dirk Laurie:
2012/8/20 Hermann Hinsch hermann.hin...@urz.uni-heidelberg.de:
In the M-Tx-source below the position of the barnumber is set by
\def\raisebarno{5mm}. If you look into the tex-file you will find a
redefinition at line 116 and 118. Why?
Your own redefinition of \raisebarno has no effect, since it appears
in the tex-file
before `input pmx`.
I doubt that this is the reason because it fails in all other of my scores
beginning with
the same order of instructions.
Hermann
PMX works out that its default of 3.5\internote
will clash with
other stuff and temporarily redefines it to 4.5\internote just for
that one place.
Note that pmx.tex has a comment describing the bar number mechanism as
`messy`. I wouldn't dare to disagree with Don on this issue.
Somewhere in my scores I have something that overrides PMX's way of doing
bar numbers, but I can't find it on my office computer (from which I
am typing this,
but which I seldom use since my retirement.)
There must be others (Christian? André?) who have also done that.
Dirk
---
TeX-music@tug.org mailing list
If you want to unsubscribe or look at the archives, go to
http://tug.org/mailman/listinfo/tex-music
--
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Re: [Tex-music] Redefinition of \raisebarno{..}
2012/8/20 Hermann Hinsch hermann.hin...@urz.uni-heidelberg.de: Am Montag, 20. August 2012, 10:43:12 schrieb Dirk Laurie: Your own redefinition of \raisebarno has no effect, since it appears in the tex-file before `input pmx`. I doubt that this is the reason because it fails in all other of my scores beginning with the same order of instructions. That second paragraph with inline TeX comes right at the start of the PMX file inside the `---` markers, and by definition (see the PMX manual) will appear in the TeX file _before_ `input pmx` does. Since pmx.tex contains its own definition of \raisebarno, it will override the earlier one. --- TeX-music@tug.org mailing list If you want to unsubscribe or look at the archives, go to http://tug.org/mailman/listinfo/tex-music
