Re: [TeX-Music] changes in number of voices

2008-01-29 Thread Christof Biebricher
On Mon, 28 Jan 2008, Don Simons wrote:

 
 I have published one vocal piece, and I used M-Tx for it. I spent a great
 deal of time resolving issues exactly like the ones you mention. And it got
 even worse when I went to make parts. I think changing the number of voices
 in the score is doable, but I ended up finding no good overall solution for
 partmaking, and among other tricks I wrote a FORTRAN program to do some
 intermediate parsing of the PMX file generated by M-Tx.
 
There are indeed problems with part extracting of M-Tx made scores. 
Since  many of my scores have voices and instruments and I need parts 
for the instruments, I use the following procedure:
1) Using an older M-Tx-version that avoids redefinitions of pmx-macros like
   \MtxEM and makes the mtx.tex macro collection unnecessary;
2) Editing the pmx file to throw out unnecessary additions, including the
   lyrics;
3) then scor2prt operation.
This works. I have no idea what in mtx.tex interferes with scor2prt.

Christof


-- 
Prof. Dr. Christof K. Biebricher
Max-Planck-Institute for Biophysical Chemistry
D-37070 Göttingen
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FAX: +49 (551) 201 1578
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Re: [TeX-Music] changes in number of voices

2008-01-29 Thread Dirk Laurie
Christof Biebricher skryf:

 This works. I have no idea what in mtx.tex interferes with scor2prt.
 
The reason is that I have never needed scor2prt and therefore
did not know enough about it to include it in the design.  
The 'Only' feature is a not very well conceived alternative.

The undesired appearance of incompatibilities is a major problem with 
all pieces of software that give extra flexiblity to the user by 
'passing through' untranslated code to the next stage.  Basically
this practice provides undocumented features, and we all know what
that is a euphemism for.  So:
  M-Tx allowing raw PMX
  PMX allowing raw TeX
  The TeX command \special
are recipes for disaster, but treated by our little community as
challenges to its ingenuity. 

Caveat!
Dirk
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Re: [TeX-Music] changes in number of voices

2008-01-29 Thread Christian Mondrup
Dirk Laurie wrote:
 Christof Biebricher skryf:
 
 This works. I have no idea what in mtx.tex interferes with scor2prt.

 The reason is that I have never needed scor2prt and therefore
 did not know enough about it to include it in the design.  
 The 'Only' feature is a not very well conceived alternative.

Yet another approach for extracting parts is to use a preprocessor with 
prepmx. In the 'Tips and Tricks' section of WIMA's software pages I've 
given a detailed example on how to use the preprocessor software 'abcpp' 
for exctracting parts, see 
http://icking-music-archive.org/software/pmxtricks/abcpp.html

I'm using that method for my ongoing edition of 'Selva di Varia 
Ricreatione', a collection of secular vocal pieces by Orazio Vecchi.

 
 The undesired appearance of incompatibilities is a major problem with 
 all pieces of software that give extra flexiblity to the user by 
 'passing through' untranslated code to the next stage.  Basically
 this practice provides undocumented features, and we all know what
 that is a euphemism for.  So:
   M-Tx allowing raw PMX
   PMX allowing raw TeX
   The TeX command \special
 are recipes for disaster, but treated by our little community as
 challenges to its ingenuity. 
 
 Caveat!
 Dirk
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[TeX-Music] changes in number of voices

2008-01-28 Thread Carlo Centemeri
Dear all
I have also another question: I know that both in pmx ans mtx I can
switch from a higher number of voices to a lower one. Let's consider
and example, the typical cantata with an intro for strings, then a
recitative for solo voice and continuo and then strings are back again
together with voice. I'd expect to start with a system for all the
voices (including the voice, as mute part), which later is reduced to
only two staves (voice and continuo), to have later strings back in
the score.

Let's suppose then to have the following voice (from high to low
looking at the score) voice, violin I, violin II, continuo

Three questions:
1. which is the right syntax to move from the aforementioned 4 voices
to just voice and bass? Looking at the documentation I'd expect
LxxMn2d1d4 (because I want only two voices, which are the highest and
the lowest)
2. while strings are silent, do I have in any case to add rp to the
score, even if the parts are not displayed?
3. If I want to have strings back, is enough to write LxxMn4d1d2d3d4?

THank you, guys!

Carlo





-- 
*
Sine musica, nulla disciplina potest
esse perfecta: nihil enim est sine illa
Rabanus (X. sec)

Ing. Carlo Centemeri
Via Montepulciano, 5
20124 Milano
Tel +39.02.2847169
Cell +39.329.2239138
Email: [EMAIL PROTECTED]
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Re: [TeX-Music] changes in number of voices

2008-01-28 Thread Don Simons
Carlo--

I have published one vocal piece, and I used M-Tx for it. I spent a great
deal of time resolving issues exactly like the ones you mention. And it got
even worse when I went to make parts. I think changing the number of voices
in the score is doable, but I ended up finding no good overall solution for
partmaking, and among other tricks I wrote a FORTRAN program to do some
intermediate parsing of the PMX file generated by M-Tx.

I don't remember the details, and it will take me some time to get them
straight enough in my head to pass them along. I'll keep watch to see if
anyone else has quicker answers, and if not, I'll have something in a few
days. Meanwhile, I'd suggest trial-and-error, starting with an idea of
exactly what you want the PMX file to look like.

--Don Simons

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:tex-music-
 [EMAIL PROTECTED] On Behalf Of Carlo Centemeri
 Sent: Monday, January 28, 2008 9:17 AM
 To: Werner Icking Music Archive
 Subject: [TeX-Music] changes in number of voices
 
 Dear all
 I have also another question: I know that both in pmx ans mtx I can
 switch from a higher number of voices to a lower one. Let's consider
 and example, the typical cantata with an intro for strings, then a
 recitative for solo voice and continuo and then strings are back again
 together with voice. I'd expect to start with a system for all the
 voices (including the voice, as mute part), which later is reduced to
 only two staves (voice and continuo), to have later strings back in
 the score.
 
 Let's suppose then to have the following voice (from high to low
 looking at the score) voice, violin I, violin II, continuo
 
 Three questions:
 1. which is the right syntax to move from the aforementioned 4 voices
 to just voice and bass? Looking at the documentation I'd expect
 LxxMn2d1d4 (because I want only two voices, which are the highest and
 the lowest)
 2. while strings are silent, do I have in any case to add rp to the
 score, even if the parts are not displayed?
 3. If I want to have strings back, is enough to write LxxMn4d1d2d3d4?
 
 THank you, guys!
 
 Carlo
 
 
 
 
 
 --
 *
 Sine musica, nulla disciplina potest
 esse perfecta: nihil enim est sine illa
 Rabanus (X. sec)
 
 Ing. Carlo Centemeri
 Via Montepulciano, 5
 20124 Milano
 Tel +39.02.2847169
 Cell +39.329.2239138
 Email: [EMAIL PROTECTED]
 *
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Re: [TeX-Music] changes in number of voices

2008-01-28 Thread Andre Van Ryckeghem
sorry, i did not see you wanted to make parts


44   2 2 0 0  0  -1
1   316   .08
continuo
violin2
violin1
voice
bttt
./
w170m h257m
f03 /
c04  /
a04 /
rp /
%
%%
L2M+5ci.07n214bt
f43 g a a /
%3rp /
%2rp /
f44 g a a /
%
%%
L3M+10i.09cn41234bttt
f03 /
c04 /
a04 /
r0 /
=

- Original Message - 
From: Andre Van Ryckeghem [EMAIL PROTECTED]
To: Werner Icking Music Archive tex-music@icking-music-archive.org
Sent: Tuesday, January 29, 2008 5:53 AM
Subject: Re: [TeX-Music] changes in number of voices


 This is an pmx example that reduces the number of staves.
 
 You may see ie:
 
 Choosing the stafnumbers (ie 'n214bt' result in a correct place for the 
 intrument names, i see no other reason
 for not choosing an other set, ie 'n212bt' (am i right Don?))
 
 If you dont want to see the rests, use rbp in stead of rp
 
 Andre
 
 ==
44   2 2 0 0  0  -1
1   316   .08
 continuo
 violin2
 violin1
 voice
 bttt
 ./
 w170m h257m
 f03 /
 c04  /
 a04 /
 rp /
 %
 L2M+5ci.07n214bt
 f43 g a a /
 f44 g a a /
 %
 L3M+10i.09cn41234bttt
 f03 /
 c04 /
 a04 /
 r0 /
 =
 
 
 - Original Message - 
 From: Carlo Centemeri [EMAIL PROTECTED]
 To: Werner Icking Music Archive tex-music@icking-music-archive.org
 Sent: Monday, January 28, 2008 6:17 PM
 Subject: [TeX-Music] changes in number of voices
 
 
 Dear all
 I have also another question: I know that both in pmx ans mtx I can
 switch from a higher number of voices to a lower one. Let's consider
 and example, the typical cantata with an intro for strings, then a
 recitative for solo voice and continuo and then strings are back again
 together with voice. I'd expect to start with a system for all the
 voices (including the voice, as mute part), which later is reduced to
 only two staves (voice and continuo), to have later strings back in
 the score.

 Let's suppose then to have the following voice (from high to low
 looking at the score) voice, violin I, violin II, continuo

 Three questions:
 1. which is the right syntax to move from the aforementioned 4 voices
 to just voice and bass? Looking at the documentation I'd expect
 LxxMn2d1d4 (because I want only two voices, which are the highest and
 the lowest)
 2. while strings are silent, do I have in any case to add rp to the
 score, even if the parts are not displayed?
 3. If I want to have strings back, is enough to write LxxMn4d1d2d3d4?

 THank you, guys!

 Carlo





 -- 
 *
 Sine musica, nulla disciplina potest
 esse perfecta: nihil enim est sine illa
 Rabanus (X. sec)

 Ing. Carlo Centemeri
 Via Montepulciano, 5
 20124 Milano
 Tel +39.02.2847169
 Cell +39.329.2239138
 Email: [EMAIL PROTECTED]
 *
 ___
 TeX-music mailing list
 [EMAIL PROTECTED]
 http://mailman.daimi.au.dk/mailman/listinfo/tex-music
 
 
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