Re: [Tex-music] Redefinition of \raisebarno{..}
Am Montag, 20. August 2012, 22:03:41 schrieb dsim...@roadrunner.com: > In this case Hermann's redefinition of \raisebarno does appear to take > effect. I think in the previous example, PMX did temporarily redefine > \raisebarno, some distance after the start, after detecting a high note in > the top staff at the start of a system that would have interfered with > PMX's default barnumber positioning. > > --Don Simons > Don, you are right! If I shift the start of the 2. system from bar 7 to bar 6 the redefinition disappears. Hermann --- TeX-music@tug.org mailing list If you want to unsubscribe or look at the archives, go to http://tug.org/mailman/listinfo/tex-music
Re: [Tex-music] Redefinition of \raisebarno{..}
2012/8/20 :
> In this case Hermann's redefinition of \raisebarno does appear to take
> effect. I think in the previous example, PMX did temporarily redefine
> \raisebarno, some distance after the start, after detecting a high note in
> the top staff at the start of a system that would have interfered with PMX's
> default barnumber positioning.
Idiot (me). I forgot that `\input mtx` does its own `input pmx` which
would then make the later `input pmx` bail out before redefining anything.
I am back at my home machine now and have found the score (written
in 2004). The trick is to put a strut in the bar number:
\let\Writebarno\writebarno
\def\writebarno{\vbox to 40pt{}{\Writebarno}}
Thus, whatever PMX is doing in its \writebarno, the actual vertical
space occupied will be at least 40pt.
Dirk
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Re: [Tex-music] Redefinition of \raisebarno{..}
In this case Hermann's redefinition of \raisebarno does appear to take effect.
I think in the previous example, PMX did temporarily redefine \raisebarno, some
distance after the start, after detecting a high note in the top staff at the
start of a system that would have interfered with PMX's default barnumber
positioning.
--Don Simons
Hermann Hinsch wrote:
> Am Montag, 20. August 2012, 15:58:11 schrieb Dirk Laurie:
> > 2012/8/20 Hermann Hinsch :
> > > Am Montag, 20. August 2012, 10:43:12 schrieb Dirk Laurie:
> > >> Your own redefinition of \raisebarno has no effect, since it appears
> > >> in the tex-file
> > >> before `input pmx`.
> > >
> > > I doubt that this is the reason because it fails in all other of my
> > > scores beginning with the same order of instructions.
> >
> > That second paragraph with inline TeX comes right at the start
> > of the PMX file inside the `---` markers, and by definition (see
> > the PMX manual) will appear in the TeX file _before_ `input pmx`
> > does. Since pmx.tex contains its own definition of \raisebarno,
> > it will override the earlier one.
> > ---
> > TeX-music@tug.org mailing list
> > If you want to unsubscribe or look at the archives, go to
> > http://tug.org/mailman/listinfo/tex-music
>
> Dirk, please try the following source. I cannot find any redefintion.
>
> Style: Solo Bass
> Solo: Voices B ; Clefs F ; Vocal
> Bass: Voices BC ; Clefs F
> Meter: m4206
> Pages: 2
> Systems: 10
> Indent: 0.05
> %Bars/line: 4
> Name: {f{$^3$}} {f{$^3$}}
> Size: 16
>
> %% \def\writebarno{\ifnum\barno>1\lrlap{\tenrm\it\the\barno\barnoadd}\fi}
> %% \def\raisebarno{4mm}
> %% \raggedbottom
> %% \parskip 5\Interligne plus 7\Interligne minus 7\Interligne
> %% \input musixadd
> %% \input musixlit
> %% \input musixdbr
> %% \tenbf
>
> %% P
> %% Ab
> %% h280m
> %% It100
> %% \\let\interstaffsav\interstaff\def\interstaff#1{}\interstaffsav{14}\
> % Bar 1
> B: g23d f8 X.5 e X.5 d4 e ( f2
> L: De-dit a-bys-sus vo-
> BC: g23d f8 e d4 e f2 s
>
> % Bar 2
> B: f23 ) g d0
> L: cem su-
> BC: f23 s g d0 4 x14#3
>
> % Bar 3
> B: g02 d2+d c8 b
> L: am, de-dit a-
> BC: g02 d2+d c8 b
>
> % Bar 4
> B: a42 b c0 d2
> L: bys-sus vo-cem
> BC: a42 b c0 d2
>
> % Bar 5
> B: a02 d
> L: su-am
> BC: a02 4 x14#3 d #
>
> % Bar 6
> B: XS2 r2 (~ g23d f4 e d
> L: al-
> BC: r2 g23d f4 e d
>
> % Bar 7
> B: c43 d e f g a b )~ g
> L: ti-
> BC: c43 d e f g a b g
>
> % Bar 8
> B: d04 g2- ( g
> L: tu-do ma-
> BC: d04 #3 x144 x123 g2- g s
>
> % Bar 9
> B: g23 ) e f0s
> L: nus su-
> BC: g23 s e f0s
>
> % Bar 10
> B: g23 e ( d0
> L: as le-va-
> BC: g23 e #6 d0 s 8# x146 x125
>
> % Bar 11
> B: d03 ) g-
> L: vit,
> BC: d03 s 4 x143 g-
>
> % Bar 12
> B: (~ g23d a4 b g c2 s
> L: ma-
> BC: g23d a4 b g c2 s
>
> % Bar 13
> B: c44 s )~ g a2 e4 f g2
> L: nus su-as le-va-
> BC: c44 s g a2 e4 6 f g2 4 x143
>
> % Bar 14
> B: c23 g+d d4 e2
> L: vit ma-nus su-
> BC: c23 g+d d4 e2
>
> % Bar 15
> B: b42 c d2 g- g4+ g
> L: as ste-te-runt sol et
> BC: b42 6 c d2 4 x14#3 g2- g4+ g
>
> % Bar 16
> B: a43 a8 X.5 b X.5 c2 g g4 g
> L: lu-na ste-te-runt, sol et
> BC: a43 a8 b c2 g g4 g
>
> % Bar 17
> B: e43 e8 X.5 f X.5 g2 c- f
> L: lu-na ste-te-runt in
> BC: e43 6 e8 f g2 4 x143 c- f
>
> Hermann
> --
>
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Re: [Tex-music] Redefinition of \raisebarno{..}
Am Montag, 20. August 2012, 15:58:11 schrieb Dirk Laurie:
> 2012/8/20 Hermann Hinsch :
> > Am Montag, 20. August 2012, 10:43:12 schrieb Dirk Laurie:
> >> Your own redefinition of \raisebarno has no effect, since it appears
> >> in the tex-file
> >> before `input pmx`.
> >
> > I doubt that this is the reason because it fails in all other of my
> > scores beginning with the same order of instructions.
>
> That second paragraph with inline TeX comes right at the start
> of the PMX file inside the `---` markers, and by definition (see
> the PMX manual) will appear in the TeX file _before_ `input pmx`
> does. Since pmx.tex contains its own definition of \raisebarno,
> it will override the earlier one.
> ---
> TeX-music@tug.org mailing list
> If you want to unsubscribe or look at the archives, go to
> http://tug.org/mailman/listinfo/tex-music
Dirk, please try the following source. I cannot find any redefintion.
Style: Solo Bass
Solo: Voices B ; Clefs F ; Vocal
Bass: Voices BC ; Clefs F
Meter: m4206
Pages: 2
Systems: 10
Indent: 0.05
%Bars/line: 4
Name: {f{$^3$}} {f{$^3$}}
Size: 16
%% \def\writebarno{\ifnum\barno>1\lrlap{\tenrm\it\the\barno\barnoadd}\fi}
%% \def\raisebarno{4mm}
%% \raggedbottom
%% \parskip 5\Interligne plus 7\Interligne minus 7\Interligne
%% \input musixadd
%% \input musixlit
%% \input musixdbr
%% \tenbf
%% P
%% Ab
%% h280m
%% It100
%% \\let\interstaffsav\interstaff\def\interstaff#1{}\interstaffsav{14}\
% Bar 1
B: g23d f8 X.5 e X.5 d4 e ( f2
L: De-dit a-bys-sus vo-
BC: g23d f8 e d4 e f2 s
% Bar 2
B: f23 ) g d0
L: cem su-
BC: f23 s g d0 4 x14#3
% Bar 3
B: g02 d2+d c8 b
L: am, de-dit a-
BC: g02 d2+d c8 b
% Bar 4
B: a42 b c0 d2
L: bys-sus vo-cem
BC: a42 b c0 d2
% Bar 5
B: a02 d
L: su-am
BC: a02 4 x14#3 d #
% Bar 6
B: XS2 r2 (~ g23d f4 e d
L: al-
BC: r2 g23d f4 e d
% Bar 7
B: c43 d e f g a b )~ g
L: ti-
BC: c43 d e f g a b g
% Bar 8
B: d04 g2- ( g
L: tu-do ma-
BC: d04 #3 x144 x123 g2- g s
% Bar 9
B: g23 ) e f0s
L: nus su-
BC: g23 s e f0s
% Bar 10
B: g23 e ( d0
L: as le-va-
BC: g23 e #6 d0 s 8# x146 x125
% Bar 11
B: d03 ) g-
L: vit,
BC: d03 s 4 x143 g-
% Bar 12
B: (~ g23d a4 b g c2 s
L: ma-
BC: g23d a4 b g c2 s
% Bar 13
B: c44 s )~ g a2 e4 f g2
L: nus su-as le-va-
BC: c44 s g a2 e4 6 f g2 4 x143
% Bar 14
B: c23 g+d d4 e2
L: vit ma-nus su-
BC: c23 g+d d4 e2
% Bar 15
B: b42 c d2 g- g4+ g
L: as ste-te-runt sol et
BC: b42 6 c d2 4 x14#3 g2- g4+ g
% Bar 16
B: a43 a8 X.5 b X.5 c2 g g4 g
L: lu-na ste-te-runt, sol et
BC: a43 a8 b c2 g g4 g
% Bar 17
B: e43 e8 X.5 f X.5 g2 c- f
L: lu-na ste-te-runt in
BC: e43 6 e8 f g2 4 x143 c- f
Hermann
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Re: [Tex-music] Redefinition of \raisebarno{..}
2012/8/20 Hermann Hinsch : > Am Montag, 20. August 2012, 10:43:12 schrieb Dirk Laurie: >> >> Your own redefinition of \raisebarno has no effect, since it appears >> in the tex-file >> before `input pmx`. > > I doubt that this is the reason because it fails in all other of my scores > beginning with > the same order of instructions. > That second paragraph with inline TeX comes right at the start of the PMX file inside the `---` markers, and by definition (see the PMX manual) will appear in the TeX file _before_ `input pmx` does. Since pmx.tex contains its own definition of \raisebarno, it will override the earlier one. --- TeX-music@tug.org mailing list If you want to unsubscribe or look at the archives, go to http://tug.org/mailman/listinfo/tex-music
Re: [Tex-music] Redefinition of \raisebarno{..}
Am Montag, 20. August 2012, 10:43:12 schrieb Dirk Laurie:
> 2012/8/20 Hermann Hinsch :
> > In the M-Tx-source below the position of the barnumber is set by
> > \def\raisebarno{5mm}. If you look into the tex-file you will find a
> > redefinition at line 116 and 118. Why?
>
> Your own redefinition of \raisebarno has no effect, since it appears
> in the tex-file
> before `input pmx`.
I doubt that this is the reason because it fails in all other of my scores
beginning with
the same order of instructions.
Hermann
> PMX works out that its default of 3.5\internote
> will clash with
> other stuff and temporarily redefines it to 4.5\internote just for
> that one place.
> Note that pmx.tex has a comment describing the bar number mechanism as
> `messy`. I wouldn't dare to disagree with Don on this issue.
>
> Somewhere in my scores I have something that overrides PMX's way of doing
> bar numbers, but I can't find it on my office computer (from which I
> am typing this,
> but which I seldom use since my retirement.)
>
> There must be others (Christian? André?) who have also done that.
>
> Dirk
>
> ---
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> http://tug.org/mailman/listinfo/tex-music
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Re: [Tex-music] Redefinition of \raisebarno{..}
2012/8/20 Hermann Hinsch :
> In the M-Tx-source below the position of the barnumber is set by
> \def\raisebarno{5mm}. If
> you look into the tex-file you will find a redefinition at line 116 and 118.
> Why?
Your own redefinition of \raisebarno has no effect, since it appears
in the tex-file
before `input pmx`. PMX works out that its default of 3.5\internote
will clash with
other stuff and temporarily redefines it to 4.5\internote just for
that one place.
Note that pmx.tex has a comment describing the bar number mechanism as
`messy`. I wouldn't dare to disagree with Don on this issue.
Somewhere in my scores I have something that overrides PMX's way of doing
bar numbers, but I can't find it on my office computer (from which I
am typing this,
but which I seldom use since my retirement.)
There must be others (Christian? André?) who have also done that.
Dirk
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[Tex-music] Redefinition of \raisebarno{..}
In the M-Tx-source below the position of the barnumber is set by
\def\raisebarno{5mm}. If
you look into the tex-file you will find a redefinition at line 116 and 118.
Why?
Style: Trio Bass
Trio: Voices A T B ; Clefs G8 G8 F ; Choral
Bass: Voices BC ; Clefs F
Meter: m4406
Pages: 2
Systems: 6
Indent: 0.05
%Bars/line: 3
Name: {c{$^3$}} {c{$^4$}}
Size: 16
%% \def\writebarno{\ifnum\barno>1\lrlap{\tenrm\it\the\barno\barnoadd}\fi}
%% \def\raisebarno{5mm}
%% \raggedbottom
%% \parskip 5\Interligne plus 7\Interligne minus 7\Interligne
%% \input musixadd
%% \input musixlit
%% \input musixdbr
%% \tenbf
%% P
%% Abe
%% h270m
%% It120
%% \\let\interstaffsav\interstaff\def\interstaff#1{}\interstaffsav{14}\
% Bar 1
A: rp
L:
T: rp
L:
B: r4 c23 c4
L: Qua-re
BC: c03 s
% Bar 2
A: rp
L:
T: rp
L:
B: r4 c83 c g4+d f8
L: fre-mu-e-runt
BC: c03 s s
% Bar 3
A: rp
L:
T: rp
L:
B: g43 g r r8 c
L: gen-tes et
BC: c03 s s
% Bar 4
A: rp
L:
T: rp
L:
B: g83 g g g g g gd f1
L: bel-la me-di-ta-tae sunt ho-
BC: c03 s
% Bar 5
A: rp
L:
T: rp
L:
B: a83d a1 a4 r b8df c1
L: sti-li-a con-tra
BC: f02
% Bar 6
A: XS3 r2 r4 ( g45
L: Qui-
T: rp
L:
B: g23 r
L: nos?
BC: c23 r4 c s
% Bar 7
A: g85 ) e1 e e8d d1 e4 e
L: a ob-li-ti su-mus
T: rp
L:
B: rp
L:
BC: c03 s s
% Bar 8
A: e85 d dd c1 d4 d
L: no-men De-i no-stri
T: rp
L:
B: rp
L:
BC: c23 s g
% Bar 9
A: d85 d dd e1 e8d e1 X1 e4
L: et in-i-que e-gi-mus
T: rp
L:
B: rp
L:
BC: g03
% Bar 10
A: r8 e85 d e ( f2
L: in te-sta-men-
T: rp
L:
B: rp
L:
BC: a23 - d- -
% Bar 11
A: f45 ) e d2
L: to su-
T: rp
L:
B: rp
L:
BC: g03
% Bar 12
A: c25 r
L: o
T: rp
L:
B: r4 c23 c8 c
L: qua-re in-
BC: c03 s
% Bar 13
A: rp
L:
T: rp
L:
B: g43 g8 g g4d f8
L: sur-gunt ad-ver-sum
BC: c03 s s
% Bar 14
A: rp
L:
T: rp
L:
B: g43 r8 c a4 a
L: nos et di-cunt
BC: c23 s f- s
% Bar 15
A: rp
L:
T: rp
L:
B: r8 f13 f f8 f1 X1 e g4 g
L: de-vo-ra-bi-mus e-os?
BC: f22 s c+
% Bar 16
A: rp
L:
T: r4 c25 c8d b1
L: qui-a pec-
B: rp
L:
BC: r4 c23 d4
% Bar 17
A: rp
L:
T: c85d c1 X1 c4 r8 bf b b1 X1 a
L: ca-vi-mus cum pa-tri-bus
B: rp
L:
BC: e03
% Bar 18
A: rp
L:
T: a44 a r8 c cd d1
L: no-stris in-iu-ste
B: rp
L:
BC: f03
% Bar 19
A: rp
L:
T: d85d d1 X1 d8 r1 d d8 d dd e1
L: e-gi-mus in-i-qui-ta-tem
B: rp
L:
BC: d03 7 x146
Hermann
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