[videoblogging] Re: Pricing Media (difficult question)

2006-02-15 Thread Enric
With time shifting, I would think the value (or more the lack of
value) of not only the content changes but also the ad, probably more
so.  A company can go out of business, change hands, change products,
and would probably have a new version of the product at a later date.
 If the ad was generic enough it may have longer pertinence.  But I
would think the ad would be less meaningful and valuable to the
company paying for it in time.

  -- Enric
  -==-
  http://www.cirne.com  

--- In videoblogging@yahoogroups.com, robert a/k/a r
[EMAIL PROTECTED] wrote:

 Adam, correct, the time-shift thing is very true, I'm thinking the 
 pricing of the forward commodity, the advert, are and time-shifting are 
 both in that equation some where. In the past, when calculating CPM and 
 such the time-shift was not as significant because the media was better 
 controlled. And today, when you lose control of the media you can't 
 control first-run vs re-run pricing in the same way, if at all.
 
 Further, continuing with the RB example, they chose to sell a weeks 
 worth, which bundles mondays, tuesdays, etc and makes a unit. They 
 could have auctioned just next monday and separately next tuesday, but 
 they didn't. They made a conscious decision to sell a strip, which 
 homogenises the price. Is a friday worth more than a tuesday? Who 
 knows. If you watch the RB episode manufactured on tuesday time-shifted 
 to friday is it worth more? If you watch it a year from now what is 
 that advert worth?
 
 And they chose the length of the strip as a risk / reward decision. 
 What if RB had sold a months worth of adverts as a block. If they had, 
 RB would have had less risk, though they may have received a lower 
 price. Risk/reward at work there too.
 
 Seems like there's a lot of blending going on in new media pricing. 
 This is not totally new science, however it is good to think about in 
 the context of vlog economics.
 
 
 
 
 On Feb 15, 2006, at 11:28 AM, Adam Quirk wrote:
 
   On 2/15/06, robert a/k/a r [EMAIL PROTECTED] wrote:
 
   Obviously such variable pricing works because the number of seats in
   the theatre is limited and they have a half life. It's not
dissimilar
   to the freshness of vegetables on the shelf at the grocer which 
  expire
   or the freshness of media. If a seat in the theatre goes unsold it's
   not recoverable. If a bunch of carrots go unsold they are not
   recoverable.
 
   What happens to the price for a show on the Internet once it is no
   longer fresh, can it still be sold as new? Can a secondary market
   develop and, if so, how will it work?
  One of the things that internet distribution has going for it is the 
  ability to time-shift the media, which cuts into this theory a little 
  bit.  Although for shows like Rocketboom that deal with current 
  events, or news shows, I guess the carrot analogy holds true. 
  Most stuff I watch doesn't necessarily lose value as time goes by.
 
  Sites like the NYtimes charge people for archive diving.  Maybe 
  there's something there.  The latest week's worth of media is freely 
  distributable by all the available means, but anything older than a 
  week costs X, where X is a reasonable price for a short video that 
  someone wants to watch.
 
  AQ








 
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[videoblogging] Re: Pricing Media (difficult question)

2006-02-15 Thread davecircumnavigator
John Wanamaker, the founder of Macy's said, I know half my 
advertising is wasted, I just don't know which half.

Big advertising agencies use very sophisticated math models and 
software to plan, execute and manage their ad buys for their 
clients.  They can track the effectiveness of every ad in every media 
with a great deal of accuracy and precision.  And yet and ad with an 
old lady saying where's the beef, or a bunch of young urban men 
saying, wassup can capture the attention of the audience and blow 
all those metrics out of the water.  As Internet advertising came 
online, a concomitant push for performance-measured advertising also 
developed.  Advertisers got hard-nosed and wanted a proven ROI for 
every dollar spent.  Well, where's the beef and wassup?  Advertising 
is an art and a science.  Get your head too buried in the statistics 
and you miss the point that really good creative execution can make 
those metrics meaningless.  Ignore the numbers and you end up with 
wonderful art that sells nothing. 

-David
The Captain Humphreys Project:
A Man Alone. Around The World.
The Smallest Boat. A World Record.

http://www.captainhumphreys.com

[EMAIL PROTECTED]


--- In videoblogging@yahoogroups.com, Enric [EMAIL PROTECTED] wrote:

 With time shifting, I would think the value (or more the lack of
 value) of not only the content changes but also the ad, probably 
more
 so.  A company can go out of business, change hands, change 
products,
 and would probably have a new version of the product at a later 
date.
  If the ad was generic enough it may have longer pertinence.  But I
 would think the ad would be less meaningful and valuable to the
 company paying for it in time.
 
   -- Enric
   -==-
   http://www.cirne.com  
 
 --- In videoblogging@yahoogroups.com, robert a/k/a r
 robert.videoblogging@ wrote:
 
  Adam, correct, the time-shift thing is very true, I'm thinking 
the 
  pricing of the forward commodity, the advert, are and time-
shifting are 
  both in that equation some where. In the past, when calculating 
CPM and 
  such the time-shift was not as significant because the media was 
better 
  controlled. And today, when you lose control of the media you 
can't 
  control first-run vs re-run pricing in the same way, if at all.
  
  Further, continuing with the RB example, they chose to sell a 
weeks 
  worth, which bundles mondays, tuesdays, etc and makes a unit. 
They 
  could have auctioned just next monday and separately next 
tuesday, but 
  they didn't. They made a conscious decision to sell a strip, 
which 
  homogenises the price. Is a friday worth more than a tuesday? Who 
  knows. If you watch the RB episode manufactured on tuesday time-
shifted 
  to friday is it worth more? If you watch it a year from now what 
is 
  that advert worth?
  
  And they chose the length of the strip as a risk / reward 
decision. 
  What if RB had sold a months worth of adverts as a block. If they 
had, 
  RB would have had less risk, though they may have received a 
lower 
  price. Risk/reward at work there too.
  
  Seems like there's a lot of blending going on in new media 
pricing. 
  This is not totally new science, however it is good to think 
about in 
  the context of vlog economics.
  
  
  
  
  On Feb 15, 2006, at 11:28 AM, Adam Quirk wrote:
  
On 2/15/06, robert a/k/a r robert.videoblogging@ wrote:
  
Obviously such variable pricing works because the number of 
seats in
the theatre is limited and they have a half life. It's not
 dissimilar
to the freshness of vegetables on the shelf at the grocer 
which 
   expire
or the freshness of media. If a seat in the theatre goes 
unsold it's
not recoverable. If a bunch of carrots go unsold they are not
recoverable.
  
What happens to the price for a show on the Internet once 
it is no
longer fresh, can it still be sold as new? Can a secondary 
market
develop and, if so, how will it work?
   One of the things that internet distribution has going for it 
is the 
   ability to time-shift the media, which cuts into this theory a 
little 
   bit.  Although for shows like Rocketboom that deal with current 
   events, or news shows, I guess the carrot analogy holds true. 
   Most stuff I watch doesn't necessarily lose value as time goes 
by.
  
   Sites like the NYtimes charge people for archive diving.  Maybe 
   there's something there.  The latest week's worth of media is 
freely 
   distributable by all the available means, but anything older 
than a 
   week costs X, where X is a reasonable price for a short video 
that 
   someone wants to watch.
  
   AQ
 







 
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Re: [videoblogging] Re: Pricing Media (difficult question)

2006-02-15 Thread Caution Zero
--- Enric [EMAIL PROTECTED] wrote:
  If the ad was generic enough it may have longer
 pertinence.  But I
 would think the ad would be less meaningful and
 valuable to the
 company paying for it in time.

seems like sponsorship campaigns would potentially
have a greater chance of maintaining value in this
time-shifting situation - associating your brand with
the brand halo of a RB has a value, even if you're not
selling a specific product.  one of the reasons
internet advertising at the level of raw banner ad
units is hard to effectively measure is that even if a
user doesn't click on the ad, there's value in just
getting your message or your brand in front of a user
in the first place.  

i can easily see google ad sense extended into
videoblogging by way of intelligent tagging, however. 
imagine a protocol that calls their ad server when you
start watching the file and has a relevant, contextual
ad to show you by the end of the file.  sure, in
today's world, shifting video to the ipod would break
that - but these video players will definitely not be
without wireless connectivity forever (if phones don't
simply usurp these devices' role altogether).

-scotto


--
CHERUB - the vampire with bunny slippers
http://www.cautionzero.net/cherub/

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[videoblogging] Re: Pricing Media (difficult question)

2006-02-15 Thread Chuck Olsen

There's definitely value in the archives, and in genres of information.

Now that I have a good library of Minnesota Stories videos, all categorized,
I'm going to make those categories prominent. It's something we take
for granted on text blogs, but I think if you call it something other than
Archives by Category (yawn) -- more like Videos by Category, people
will want to explore. 

That opens up an opportunity for sponsorship by type of content. Obviously
this doesn't apply to most vlogs, but my content is all over the map. A local
club might want to sponsor the music genre of videos, for example. 
It's basically the PBS model, where you see Science programming on WGBH
is brought to you by 3M.

I've actually got an opportunity brewing along these lines, for architecture/
urban development. It was triggered by a video I made about an old mill
building being renovated into riverfront condos in downtown Minneapolis. 
The real estate community really latched on to this and saw the power of
video, and how it could benefit them. 

Where it gets tricky is they want me to make a series of videos about
a new condo development.. follow the citizen meetings, the building, etc.
I'm interested in that kind of long-term video project, and having access.
But there's the huge question of editorial integrity and editorial control.
Sponsorship and content are ideally completely separate, though you see
it blurring all the time. It's something I'm struggling with... I think 
maintaining
editorial control is of utmost important if it's going to be on my vlog, instead
of a straight-up corporate video they put on their site. It also has much more
value to them being on my vlog, much more integrity and reach. Just as
it would if a news station followed a condo development, that has a lot of
influence. 

Anyway, the only way I can imagine doing it is if they sponsor that *type*
of vlog programming, which would include following the condo development
but also anything else related to architecture, housing issues, and so on.

(any thoughts??)

I also have no idea how to price something like this.

-chuck
http://mnstories.com

--- In videoblogging@yahoogroups.com, Caution Zero [EMAIL PROTECTED] wrote:

 --- Enric [EMAIL PROTECTED] wrote:
   If the ad was generic enough it may have longer
  pertinence.  But I
  would think the ad would be less meaningful and
  valuable to the
  company paying for it in time.
 
 seems like sponsorship campaigns would potentially
 have a greater chance of maintaining value in this
 time-shifting situation - associating your brand with
 the brand halo of a RB has a value, even if you're not
 selling a specific product.  one of the reasons
 internet advertising at the level of raw banner ad
 units is hard to effectively measure is that even if a
 user doesn't click on the ad, there's value in just
 getting your message or your brand in front of a user
 in the first place.  





 
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