[Videolib] Big Picture Cataloging Advice

2012-04-17 Thread Mary Hanlin
Hi Videolibbers,

I have a brooding sense that I really am about to ask a pretty dumb question, 
but this is generally a fairly forgiving listserv. So here it is:  our 
cataloger (i.e. mainly, our media cataloger) has just retired.  It's never an 
expeditious process here to get a position filled (I'm thinking 6 months).  In 
the meantime, we're continuing to receive media.  In terms of cataloging 
knowledge, the rest of the librarians (including myself) are worthless, and 
though we have a paraprofessional she does only copy cataloging and no media.  
So, do I have any other options besides waiting? I know a lot of places 
(Midwest for example) provide MaRC records, but in truth I'm hoping there might 
exist something more "robust".  If not, is it worth the effort for someone here 
to learn media cataloging if in all likelihood they'll be replacement for my 
retired colleague... eventually.

PS -I think they do a consistently weak job of teaching cataloging (in library 
school), but I also blame myself for not taking it seriously enough.

Mary Hanlin
Media Collection Development Librarian
Tidewater Community College
120 Campus Drive
Portsmouth, VA 23701
P: 757.822.2133
F: 757.822.2149
mhan...@tcc.edu



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VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


Re: [Videolib] Help w Establishing video company

2012-04-17 Thread ghandman
Hi

It's not really rocket science.  You contact the person(s) responsible for
acquisition and if they're interested, they'll ask for a screener for
consideration.

The alternative, of course, is to set up your own lemonade stand on the
internet and hope for the best...

Maybe our vendor friends on this list will chime in?

gary handman


>
> Hey,
>
> I'd like to start producing educational videos.  Would someone be willing
> to explain how the industry works or point me out to web resources.  How
> does an educational DVD end up with a group like films.com?  Do they come
> from independent development companies?  Are they licensed by films.com?
> How does it work?
>
> James  Leftwich
> Berkeley College
> Director, Westchester Campus Library
> 99 Church Street
> White Plains, NY 10601
> 914-694-1122 x3370
> j...@berkeleycollege.edu
>
>
> VIDEOLIB is intended to encourage the broad and lively discussion of
> issues relating to the selection, evaluation, acquisition,bibliographic
> control, preservation, and use of current and evolving video formats in
> libraries and related institutions. It is hoped that the list will serve
> as an effective working tool for video librarians, as well as a channel of
> communication between libraries,educational institutions, and video
> producers and distributors.
>


Gary Handman
Director
Media Resources Center
Moffitt Library
UC Berkeley

510-643-8566
ghand...@library.berkeley.edu
http://www.lib.berkeley.edu/MRC

"I have always preferred the reflection of life to life itself."
--Francois Truffaut


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


Re: [Videolib] Help w Establishing video company

2012-04-17 Thread Elizabeth Stanley

Hello, James,

Thanks for your interest in producing educational videos.  I would be happy to 
speak with you about Bullfrog Films and our distribution process.  John 
Hoskyns-Abrahall and Winnie Scherrer are filmmakers who founded Bullfrog Films 
in 1973, and have had lots of experience with the educational market for 
independent documentaries.  I've been with Bullfrog Films since 1987, and could 
offer some insight into the way Bullfrog Films acquires new titles.  Send me an 
email or call when you have a moment.  This is an exciting time for all of us. 
(She says, smiling.)

Best,
Elizabeth Stanley
Bullfrog Films 
800-543-3764
elizab...@bullfrogfilms.com
www.bullfrogfilms.com



-Original Message-
From: videolib-boun...@lists.berkeley.edu 
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of James Leftwich
Sent: Monday, April 16, 2012 8:26 PM
To: videolib@lists.berkeley.edu
Subject: [Videolib] Help w Establishing video company


Hey,

I'd like to start producing educational videos.  Would someone be willing to 
explain how the industry works or point me out to web resources.  How does an 
educational DVD end up with a group like films.com?  Do they come from 
independent development companies?  Are they licensed by films.com?
How does it work?

James  Leftwich
Berkeley College
Director, Westchester Campus Library
99 Church Street
White Plains, NY 10601
914-694-1122 x3370
j...@berkeleycollege.edu


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


Re: [Videolib] Security System Recommendation (Josh Moorman)

2012-04-17 Thread Tygett, Rob
Josh, at SLPL we are using the 3M security strips and laminating labels,
which cover our discs. They do have some positive attributes. The
plastic coating does a nice job of protecting the top sides of discs
from being scratched. This has been great, because once the top layer of
a disc is marred, they typically produce irreparable defects.
Conversely, we have had many problems with the security strips throwing
off the balance of discs during playback. This can lead to loud noises
during playback (especially in laptops), stuck discs in car CD players,
inconsistent playback (skips and stutters) and I have seen one (first
hand) destroy a laptop CD drive. When contacting 3M about the problem
they denied that their security strips would affect playback. However,
when I point blank said, "I have a DVD with a 3M strip that will not
play in my player. I have now removed the security label and strips and
it plays fine. Please explain." At that point the rep began telling me
about differences in tolerance between DVD players. In short, there are
some playback issues when using the 3M security strips. My two cents.

-Rob Tygett

-Original Message-
From: videolib-boun...@lists.berkeley.edu
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of
videolib-requ...@lists.berkeley.edu
Sent: Tuesday, April 17, 2012 11:19 AM
To: videolib@lists.berkeley.edu
Subject: videolib Digest, Vol 53, Issue 51

Send videolib mailing list submissions to
videolib@lists.berkeley.edu

To subscribe or unsubscribe via the World Wide Web, visit

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When replying, please edit your Subject line so it is more specific
than "Re: Contents of videolib digest..."


Today's Topics:

   1. Security System Recommendation (Josh Moorman)
   2. Help w Establishing video company (James Leftwich)
   3. FYI - CDL-ALCTS webinar: You Ought to be in Pictures:
  Bringing Streaming Video to your Library (Deg Farrelly)
   4. Wal-Mart Launches Vudu Disc-to-Digital Store Program (Chris Lewis)
   5. Big Picture Cataloging Advice (Mary Hanlin)
   6. Re: Help w Establishing video company
  (ghand...@library.berkeley.edu)
   7. Re: Help w Establishing video company (Elizabeth Stanley)


--

Message: 1
Date: Mon, 16 Apr 2012 16:59:31 -0700
From: Josh Moorman 
Subject: [Videolib] Security System Recommendation
To: videolib@lists.berkeley.edu
Message-ID:


Content-Type: text/plain; charset="iso-8859-1"

Hi Everyone,



My name is Josh Moorman and I just started as the new Head Librarian at
the
New York Film Academy - Los Angeles. We're currently looking at
upgrading
the library in a variety of ways with one of these being the selection,
installation, and implementation of a security system for the
collection.
Almost half of the collection consists of DVD titles with the remainder
being books and screenplays. With having the sheer number of options
appearing daunting at best, I thought I would ask those on the list who
may
have experience with a project such as this. Please reply to me off
list.
Thanks in advance. Best regards.
-- 
*Josh Moorman*
*Head Librarian*
*New York Film Academy - Los Angeles*
*josh.moor...@nyfa.edu*
*(818) 295-2021*
-- next part --
An HTML attachment scrubbed and removed.
HTML attachments are only available in MIME digests.

--

Message: 2
Date: Mon, 16 Apr 2012 20:26:24 -0400
From: James Leftwich 
Subject: [Videolib] Help w Establishing video company
To: videolib@lists.berkeley.edu
Message-ID:



Content-Type: text/plain; charset=US-ASCII


Hey,

I'd like to start producing educational videos.  Would someone be
willing
to explain how the industry works or point me out to web resources.  How
does an educational DVD end up with a group like films.com?  Do they
come
from independent development companies?  Are they licensed by films.com?
How does it work?

James  Leftwich
Berkeley College
Director, Westchester Campus Library
99 Church Street
White Plains, NY 10601
914-694-1122 x3370
j...@berkeleycollege.edu




--

Message: 3
Date: Tue, 17 Apr 2012 02:21:53 +
From: Deg Farrelly 
Subject: [Videolib] FYI - CDL-ALCTS webinar: You Ought to be in
Pictures: Bringing Streaming Video to your Library
To: "videolib@lists.berkeley.edu" 
Message-ID:


Content-Type: text/plain; charset="us-ascii"

I have not seen this posted to the VideoLib list yet

Not much notice to you all.

I suspect that many of us already know most of this content, but...

deg farrelly
ASU Libraries
Arizona State University
P.O. Box 871006
Tempe, Arizona  85287-1006
480.965.1403  
_

Re: [Videolib] Security System Recommendation (Josh Moorman)

2012-04-17 Thread Josh Moorman
Thanks for the heads up, Rob. We'll keep playback issues in mind while
looking at our options. Although since you're still using the 3M security
stripes, does that mean the pros still outweigh the cons with this system?

On Tue, Apr 17, 2012 at 11:20 AM, Tygett, Rob  wrote:

> Josh, at SLPL we are using the 3M security strips and laminating labels,
> which cover our discs. They do have some positive attributes. The
> plastic coating does a nice job of protecting the top sides of discs
> from being scratched. This has been great, because once the top layer of
> a disc is marred, they typically produce irreparable defects.
> Conversely, we have had many problems with the security strips throwing
> off the balance of discs during playback. This can lead to loud noises
> during playback (especially in laptops), stuck discs in car CD players,
> inconsistent playback (skips and stutters) and I have seen one (first
> hand) destroy a laptop CD drive. When contacting 3M about the problem
> they denied that their security strips would affect playback. However,
> when I point blank said, "I have a DVD with a 3M strip that will not
> play in my player. I have now removed the security label and strips and
> it plays fine. Please explain." At that point the rep began telling me
> about differences in tolerance between DVD players. In short, there are
> some playback issues when using the 3M security strips. My two cents.
>
> -Rob Tygett
>
> -Original Message-
> From: videolib-boun...@lists.berkeley.edu
> [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of
> videolib-requ...@lists.berkeley.edu
> Sent: Tuesday, April 17, 2012 11:19 AM
> To: videolib@lists.berkeley.edu
> Subject: videolib Digest, Vol 53, Issue 51
>
> Send videolib mailing list submissions to
>videolib@lists.berkeley.edu
>
> To subscribe or unsubscribe via the World Wide Web, visit
>
> https://calmail.berkeley.edu/manage/list/listinfo/videolib@lists.berkele
> y.edu
>
> or, via email, send a message with subject or body 'help' to
>videolib-requ...@lists.berkeley.edu
>
> You can reach the person managing the list at
>videolib-ow...@lists.berkeley.edu
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of videolib digest..."
>
>
> Today's Topics:
>
>   1. Security System Recommendation (Josh Moorman)
>   2. Help w Establishing video company (James Leftwich)
>   3. FYI - CDL-ALCTS webinar: You Ought to be in Pictures:
>  Bringing Streaming Video to your Library (Deg Farrelly)
>   4. Wal-Mart Launches Vudu Disc-to-Digital Store Program (Chris Lewis)
>   5. Big Picture Cataloging Advice (Mary Hanlin)
>   6. Re: Help w Establishing video company
>  (ghand...@library.berkeley.edu)
>   7. Re: Help w Establishing video company (Elizabeth Stanley)
>
>
> --
>
> Message: 1
> Date: Mon, 16 Apr 2012 16:59:31 -0700
> From: Josh Moorman 
> Subject: [Videolib] Security System Recommendation
> To: videolib@lists.berkeley.edu
> Message-ID:
>
> 
> Content-Type: text/plain; charset="iso-8859-1"
>
> Hi Everyone,
>
>
>
> My name is Josh Moorman and I just started as the new Head Librarian at
> the
> New York Film Academy - Los Angeles. We're currently looking at
> upgrading
> the library in a variety of ways with one of these being the selection,
> installation, and implementation of a security system for the
> collection.
> Almost half of the collection consists of DVD titles with the remainder
> being books and screenplays. With having the sheer number of options
> appearing daunting at best, I thought I would ask those on the list who
> may
> have experience with a project such as this. Please reply to me off
> list.
> Thanks in advance. Best regards.
> --
> *Josh Moorman*
> *Head Librarian*
> *New York Film Academy - Los Angeles*
> *josh.moor...@nyfa.edu*
> *(818) 295-2021*
> -- next part --
> An HTML attachment scrubbed and removed.
> HTML attachments are only available in MIME digests.
>
> --
>
> Message: 2
> Date: Mon, 16 Apr 2012 20:26:24 -0400
> From: James Leftwich 
> Subject: [Videolib] Help w Establishing video company
> To: videolib@lists.berkeley.edu
> Message-ID:
>
>  ge.edu>
>
> Content-Type: text/plain; charset=US-ASCII
>
>
> Hey,
>
> I'd like to start producing educational videos.  Would someone be
> willing
> to explain how the industry works or point me out to web resources.  How
> does an educational DVD end up with a group like films.com?  Do they
> come
> from independent development companies?  Are they licensed by films.com?
> How does it work?
>
> James  Leftwich
> Berkeley College
> Director, Westchester Campus Library
> 99 Church Street
> White Plains, NY 10601
> 914-694-1122 x3370
> j...@berkeleycollege.edu
>
>
>
>
> --
>
> Message: 3
> Date: Tue, 17 Apr 2012 02:21:53 +
> From: Deg Farrelly 
> Subject: [Videolib] FYI 

[Videolib] Re: Help w Establishing video company

2012-04-17 Thread Bradley Kloza
Hello all,

I initially replied directly to James, but since he mentioned us
specifically I thought I should share with everyone.

There are two sides to what we do: Acquisitions, and Productions.

Acquisitions is when a producer (whether large like the BBC, or a small
independent shop, or even just a talented and energetic individual) has a
finished product, and we craft an agreement to add it to our collection
and promote/market/sell it, with royalties going to the producer. We have
a large and entrenched distribution network and reach a lot of educators
with very targeted marketing.

Productions is when a video is created from the ground up. This might be a
straight contract job where the producer is a work for hire, paid by us,
and then we own the film and keep all revenue from it. Or it could be a
situation where we give a modest advance to seed the project, the producer
completes it with our input/review, and collects royalties in perpetuity
(once the advance is recouped). And there are some other models and shades
of gray here ­ creative contract modeling to suit what works best for all
parties. 

There are hybrid situations as well, where a producer has ideas and
intends to create certain films, with or without us, but speaks to me for
advice, guidance, review, etc., to make sure that the film gets made in a
way that suits the market. And when it's done, we license it and pay
royalties to the producer like other acquisitions.

I'm always on the lookout for new talent, new partners, and new producers.
 

Brad Kloza
--
Director of Video Development
Infobase Learning
Films Media Group - Facts On File Group
132 West 31st Street, 17th Floor
New York, NY 10001



VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


Re: [Videolib] Security System Recommendation (Josh Moorman)

2012-04-17 Thread Kielley, Elizabeth
Rob,
What do you do to provide security for your double-sided discs when you can't 
cover either side?
Liz
Liz Kielley
Technical Services Librarian
Messiah College
717-691-6006 x3850
ekiel...@messiah.edu

-Original Message-
From: videolib-boun...@lists.berkeley.edu 
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Tygett, Rob
Sent: Tuesday, April 17, 2012 2:21 PM
To: videolib@lists.berkeley.edu
Subject: Re: [Videolib] Security System Recommendation (Josh Moorman)

Josh, at SLPL we are using the 3M security strips and laminating labels, which 
cover our discs. They do have some positive attributes. The plastic coating 
does a nice job of protecting the top sides of discs from being scratched. This 
has been great, because once the top layer of a disc is marred, they typically 
produce irreparable defects.
Conversely, we have had many problems with the security strips throwing off the 
balance of discs during playback. This can lead to loud noises during playback 
(especially in laptops), stuck discs in car CD players, inconsistent playback 
(skips and stutters) and I have seen one (first
hand) destroy a laptop CD drive. When contacting 3M about the problem they 
denied that their security strips would affect playback. However, when I point 
blank said, "I have a DVD with a 3M strip that will not play in my player. I 
have now removed the security label and strips and it plays fine. Please 
explain." At that point the rep began telling me about differences in tolerance 
between DVD players. In short, there are some playback issues when using the 3M 
security strips. My two cents.

-Rob Tygett

-Original Message-
From: videolib-boun...@lists.berkeley.edu
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of 
videolib-requ...@lists.berkeley.edu
Sent: Tuesday, April 17, 2012 11:19 AM
To: videolib@lists.berkeley.edu
Subject: videolib Digest, Vol 53, Issue 51

Send videolib mailing list submissions to
videolib@lists.berkeley.edu

To subscribe or unsubscribe via the World Wide Web, visit

https://calmail.berkeley.edu/manage/list/listinfo/videolib@lists.berkele
y.edu

or, via email, send a message with subject or body 'help' to
videolib-requ...@lists.berkeley.edu

You can reach the person managing the list at
videolib-ow...@lists.berkeley.edu

When replying, please edit your Subject line so it is more specific than "Re: 
Contents of videolib digest..."


Today's Topics:

   1. Security System Recommendation (Josh Moorman)
   2. Help w Establishing video company (James Leftwich)
   3. FYI - CDL-ALCTS webinar: You Ought to be in Pictures:
  Bringing Streaming Video to your Library (Deg Farrelly)
   4. Wal-Mart Launches Vudu Disc-to-Digital Store Program (Chris Lewis)
   5. Big Picture Cataloging Advice (Mary Hanlin)
   6. Re: Help w Establishing video company
  (ghand...@library.berkeley.edu)
   7. Re: Help w Establishing video company (Elizabeth Stanley)


--

Message: 1
Date: Mon, 16 Apr 2012 16:59:31 -0700
From: Josh Moorman 
Subject: [Videolib] Security System Recommendation
To: videolib@lists.berkeley.edu
Message-ID:


Content-Type: text/plain; charset="iso-8859-1"

Hi Everyone,



My name is Josh Moorman and I just started as the new Head Librarian at the New 
York Film Academy - Los Angeles. We're currently looking at upgrading the 
library in a variety of ways with one of these being the selection, 
installation, and implementation of a security system for the collection.
Almost half of the collection consists of DVD titles with the remainder being 
books and screenplays. With having the sheer number of options appearing 
daunting at best, I thought I would ask those on the list who may have 
experience with a project such as this. Please reply to me off list.
Thanks in advance. Best regards.
--
*Josh Moorman*
*Head Librarian*
*New York Film Academy - Los Angeles*
*josh.moor...@nyfa.edu*
*(818) 295-2021*
-- next part --
An HTML attachment scrubbed and removed.
HTML attachments are only available in MIME digests.

--

Message: 2
Date: Mon, 16 Apr 2012 20:26:24 -0400
From: James Leftwich 
Subject: [Videolib] Help w Establishing video company
To: videolib@lists.berkeley.edu
Message-ID:



Content-Type: text/plain; charset=US-ASCII


Hey,

I'd like to start producing educational videos.  Would someone be willing to 
explain how the industry works or point me out to web resources.  How does an 
educational DVD end up with a group like films.com?  Do they come from 
independent development companies?  Are they licensed by films.com?
How does it work?

James  Leftwich
Berkeley College
Director, Westchester Campus Library
99 Church Street
White Plains, NY 10601
914-694-1122 x3370
j...@berkeleycollege.edu




--

Message: 3
Date: Tue, 17 Apr 2012 02:21:53 +
From: Deg Farrelly 

Re: [Videolib] Big Picture Cataloging Advice

2012-04-17 Thread Helen P. Mack
I think it depends on the volume of your ordering and the level of 
demand for "immediate" use.  If a WorldCat/Connexion record is poor or 
non-existent, we do "quick-and-dirty" cataloging with the best record 
that can be found -- just enough to be able to identify it and charge it 
out.  When there is a lull in the demand, you can get it back and do a 
more thorough job.


You might consider getting your videos from Midwest Tape or Action! 
Library Media Service.  We do not use either one at this time, but it is 
my understanding that both companies supply catalog records.


Don't call yourself "worthless," but since you are Media Collection 
Development, it would serve you well to know the basics in terms of 
cataloging policies & practices.  Your retiree's replacement will likely 
need someone to consult.


And you're right: I wanted to be a cataloger when I was in library 
school back in the 1970s.  The instruction back then was terrible, and 
perhaps it is even worse now.  This is unfortunate: cataloging is a 
really important job but not a very sexy one.  It's a wonder that any 
new graduates want to do it.


On 4/17/2012 10:48 AM, Mary Hanlin wrote:


Hi Videolibbers,

I have a brooding sense that I really am about to ask a pretty dumb 
question, but this is generally a fairly forgiving listserv. So here 
it is:  our cataloger (i.e. mainly, our media cataloger) has just 
retired.  It's never an expeditious process here to get a position 
filled (I'm thinking 6 months).  In the meantime, we're continuing to 
receive media.  In terms of cataloging knowledge, the rest of the 
librarians (including myself) are worthless, and though we have a 
paraprofessional she does only copy cataloging and no media.  So, do I 
have any other options besides waiting? I know a lot of places 
(Midwest for example) provide MaRC records, but in truth I'm hoping 
there might exist something more "robust".  If not, is it worth the 
effort for someone here to learn media cataloging if in all likelihood 
they'll be replacement for my retired colleague... eventually.


PS --I think they do a consistently weak job of teaching cataloging 
(in library school), but I also blame myself for not taking it 
seriously enough.


Mary Hanlin

Media Collection Development Librarian

Tidewater Community College

120 Campus Drive

Portsmouth, VA 23701

P: 757.822.2133

F: 757.822.2149

mhan...@tcc.edu



CONFIDENTIALITY NOTICE: This email message, including any attachments, 
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VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


--
Helen P. Mack, Acquisitions Librarian
Lehigh University, Linderman Library
30 Library Drive
Bethlehem, PA 18015-3013  USA

Phone 610 758-3035 * Fax 610 758-5605
E-mail h...@lehigh.edu

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


Re: [Videolib] Big Picture Cataloging Advice

2012-04-17 Thread Mike Tribby
Ah, a video cataloging question; where to begin?

These are heady days in cataloging. The Library of Congress has announced that 
they are changing to the new cataloging rules titled RDA (for Resource 
Description and Access) after years of following the current AACR2r 
(Anglo-American Cataloging Rules, 2nd edition, revised) rules. As its title 
implies, AACR2 followed AACR1, though of course the "1" was merely implied 
until "2" came along. RDA changes--or attempts to change--the entire 
perspective of how cataloging is undertaken. The fact that LC is changing to 
RDA means all of their cataloging output will be in RDA format beginning April 
1, 2013. Until then LC is outputting both AACR and RDA records with RDA 
gradually replacing AACR-- or so the plan is.

For book cataloging LC's change means libraries will either have to change to 
RDA or start doing a good bit more fiddling with LC-supplied records. But since 
LC is hardly a prolific producer of cataloging records for videos, this factor 
won't be as important for video collections, but if media cataloging goes the 
way of book cataloging, academic libraries, research libraries, and large 
public libraries seem most likely to adopt RDA. Therefore, depending on your 
cataloging needs, your next media cataloger may well need to be trained in RDA. 
FWIW LC's video cataloging output follows archival cataloging rules which 
aren't specifically designed for circulating collections.

Which brings me to the state of library school cataloging education.
>From the original poster: "PS -I think they do a consistently weak job of 
>teaching cataloging (in library school)"

Perhaps not surprisingly, many catalogers agree with the above statement. In my 
case I had two very good cataloging instructors 20 years ago at the University 
of Iowa, but it can be an overwhelmingly technical and detail-oriented course 
of study. Two problems with the teaching of cataloging in 2012 are that not 
that many library schools do it (it's not required at most library schools 
anymore), and that we're emerging from a period of uncertainty--sometimes 
resembling a pitched battle--about adopting RDA or not, and this comes after 
several previous years of debate, argument, and turmoil in the cataloging world 
during the writing of RDA. RDA is a product of committee development, and it 
tends to show in the writing.

I like Helen Mack's suggestion as far as a practical approach:
"I think it depends on the volume of your ordering and the level of demand for 
"immediate" use.  If a WorldCat/Connexion record is poor or non-existent, we do 
"quick-and-dirty" cataloging with the best record that can be found -- just 
enough to be able to identify it and charge it out.  When there is a lull in 
the demand, you can get it back and do a more thorough job."

Assuming you are not required to load your records to a consortium or utility 
that has unattainable technical requirements, this sort of record might 
function well enough in your local system, but the danger is that you'll 
accumulate quite a backlog in need of more attention. I also like Helen's 
suggestion of seeking out a vendor that will provide cataloging for your 
acquisitions. We do that, but we don't have the selection that Midwest has. We 
encounter Midwest's records on OCLC fairly frequently, and they know what 
they're doing. In fact, you could probably pick up some tips on how to fill out 
your local records by looking at records in OCLC.

Also from Helen Mack:
"The instruction back then was terrible, and perhaps it is even worse now.  
This is unfortunate: cataloging is a really important job but not a very sexy 
one.  It's a wonder that any new graduates want to do it."

It hasn't gotten any sexier, thought the RDA/AACR battles have made the 
listservs more interesting or at least incendiary. RDA is touted as allowing 
library cataloging to interact better on the "Semantic Web," which will be 
quite a boon if the semantic web ever becomes a reality, but in any case RDA 
does have a more information science-oriented application and is less 
library-centric (some catalogers think this is a good idea, others disagree). I 
would suggest looking for a job applicant with a strong database/info sci 
background and an MLS. The specific cataloging training can be picked up 
through online discussions and utilizing resources mentioned frequently on 
cataloging discussion lists like Autocat and OLAC-L (OnLine Audiovisual 
Catalogers electronic discussion list).

Bottomline: ask the applicants if they know anything about RDA.



Mike Tribby
Senior Cataloger
Quality Books Inc.
The Best of America's Independent Presses

mailto:mike.tri...@quality-books.com




VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list wi