Re: Stefano Pesori

2005-06-18 Thread Lex Eisenhardt
Stefano Pesori's Galeria Musicale (1648) has both a tuning chart and a
tuning check in tablature. The tuning check says 'in ottava'. If we check
the tuning like that, there must have been low strings on the fifth and
fourth courses. We cannot even be sure if there were also high octaves on
those courses. I would suppose they were there, but octaves are almost never
mentioned.
Lex




 Not at all...although I'd favor specifics regarding the octave sounded:
 a-a, d-d', g-g, b-b, e'  or  A-a, d-d', g-g, b-b, e', etc.  There is a
nice
 summary table of tunings that can be deciphered from various period
methods
 in Tyler  Sparks (2002), although some of the things they lump with
 guitars probably weren't.

 Bourdons all-'round were common to Spanish music.




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soulful

2005-06-18 Thread bill kilpatrick
soul music has a distinct connotation to me - rhythm
and intonation being part of it as well as profound
sentiments stated in simple words. 

to my limited knowledge, i can't honestly say that i
find anything in the early music repertoire that's
particularly soulful - in the modern context - and i
have only a vague idea of what soul in a musical
sense would mean to those living at that time;
sentiments of gather ye rosebuds while ye may being
about it, i suppose.

when i play some pieces on the oud (deep, mean-tone
notes) they sound sort of soulful but i'm not sure if
that was the composers intent.

laments can sound soulful but - again - i tend to play
those in a rough-hewn way, interpreting them as if i
they were blues. haven't got it down yet but can vei
lauzeta mover could be a contender. 

there may be obvious and striking examples but at the
moment, i can't think of one.  
 
 anyone care to illuminate me? ... mp3's?
 


and thus i made...a small vihuela from the shell of a creepy crawly... - Don 
Gonzalo de Guerrero (1512), Historias de la Conquista del Mayab by Fra Joseph 
of San Buenaventura.  go to:  http://www.charango.cl/paginas/quieninvento.htm



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