[VIHUELA] Re: G chord on Baroque Guitar

2012-09-09 Thread Monica Hall
My ears have no problem with doubling the 3rd. As I pointed out Chords 
B, & and N all have the major 3rd doubled.  And the consonant form of chord 
L has the minor 3rd doubled.   That doesn't seem to have bothered guitarists 
in the 17th century and it shouldn't bother you today either.


I doubt whether you have encountered the dissonant form of Chord L in your 
harmony lessons either.  That is a purely practical device.


Monica


- Original Message - 
From: "David van Ooijen" 

To: "Vihuelalist" 
Sent: Sunday, September 09, 2012 10:12 PM
Subject: [VIHUELA] Re: G chord on Baroque Guitar



On 9 September 2012 23:08, Monica Hall  wrote:
I don't think that doubling the 3rd is an issue or that what people learn 
in

their harmony lessons today is particularly relevant.   I doubt whether
guitarists at the beginning of the 17th century thought in those terms.


Neither do today's guitarists who chose for 33002(3), but their ears
tell them it's the better choice. In harmony lessons you just learn to
give names to what your ears already told you. In other words, don't
turn the argument around.

David

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[VIHUELA] Re: G chord on Baroque Guitar

2012-09-09 Thread David van Ooijen
On 9 September 2012 23:08, Monica Hall  wrote:
> I don't think that doubling the 3rd is an issue or that what people learn in
> their harmony lessons today is particularly relevant.   I doubt whether
> guitarists at the beginning of the 17th century thought in those terms.

Neither do today's guitarists who chose for 33002(3), but their ears
tell them it's the better choice. In harmony lessons you just learn to
give names to what your ears already told you. In other words, don't
turn the argument around.

David

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[VIHUELA] Re: G chord on Baroque Guitar

2012-09-09 Thread Monica Hall
I don't think that doubling the 3rd is an issue or that what people learn in 
their harmony lessons today is particularly relevant.   I doubt whether 
guitarists at the beginning of the 17th century thought in those terms.


In any case Chord B - the C major chord has the 3rd doubled and so does its 
transposition - Chord &.   So does Chord N.   All sound beautifully 
sonorous.


As I have already pointed out the G major chord originally did have the 2nd 
course unstopped.  It changes in later sources.


If you stop to think about it all the chords in the basic sequence form 
major and minor pairs, each fingered the same way except for the 3rd which 
will be major or minor.So you have A/O;  C/E;  D/I; F/+; G/P; H/K.


Certainly it is convenient when alternating between chords A (or O) and C to 
play D on the 2nd course in both chords.


The point is that these things are determined by practical considerations - 
not by what you may have learnt in your harmony course.


Monica


Original Message - 
From: "Stewart McCoy" 

To: "Vihuela List" 
Sent: Sunday, September 09, 2012 9:15 PM
Subject: [VIHUELA] G chord on Baroque Guitar



Hello Edward,

20033 sounds better (to be subjective), because you get a fuller-sounding
chord, with the three notes of the G major triad well-balanced (BDGDG).
20003 would have the note b twice, at the open second course and at the
second fret of the fifth course (BDGBD). You will know from your harmony
lessons that is not usually a good idea to double the third of a major
chord, so having just one b with 20033 means the third of the chord is not
over-emphasised. The same thing applies whether or not there is a bourdon 
on

the fifth course.

There is also a practical reason for preferring 20033. The G major chord 
may

well be followed or preceded by a chord of D major (alfabeto C). It is
easier to find the notes of that chord, if you use 20033 for G major,
because your third finger stays in the same place.

Hope that helps.

Best wishes,

Stewart McCoy.

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On 
Behalf

Of Edward Chrysogonus Yong
Sent: 09 September 2012 18:03
To: Vihuelalist
Subject: [VIHUELA] G chord on Baroque Guitar

Hi chaps,

I'm slightly curious about the G chord on the Baroque Guitar. Sources like
the Alfabeto seem to indicate it should be played 20033, but is there any
reason why this is preferred over 20003?

Thanks!

Edward Chrysogonus Yong
ky...@pacific.net.sg






To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html







[VIHUELA] G chord on Baroque Guitar

2012-09-09 Thread Stewart McCoy
Hello Edward,

20033 sounds better (to be subjective), because you get a fuller-sounding
chord, with the three notes of the G major triad well-balanced (BDGDG).
20003 would have the note b twice, at the open second course and at the
second fret of the fifth course (BDGBD). You will know from your harmony
lessons that is not usually a good idea to double the third of a major
chord, so having just one b with 20033 means the third of the chord is not
over-emphasised. The same thing applies whether or not there is a bourdon on
the fifth course.

There is also a practical reason for preferring 20033. The G major chord may
well be followed or preceded by a chord of D major (alfabeto C). It is
easier to find the notes of that chord, if you use 20033 for G major,
because your third finger stays in the same place.

Hope that helps.

Best wishes,

Stewart McCoy.

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Edward Chrysogonus Yong
Sent: 09 September 2012 18:03
To: Vihuelalist
Subject: [VIHUELA] G chord on Baroque Guitar

Hi chaps,

I'm slightly curious about the G chord on the Baroque Guitar. Sources like
the Alfabeto seem to indicate it should be played 20033, but is there any
reason why this is preferred over 20003? 

Thanks!

Edward Chrysogonus Yong
ky...@pacific.net.sg






To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[VIHUELA] Re: G chord on Baroque Guitar

2012-09-09 Thread Monica Hall
I am not a chap but I think I can answer your question.   The earliest 
sources of alfabeto - Montesardo and the

Cancionero Bezon  give the version of
chord A = G major with the 2nd course open.

The reason for this is because on the 4-course guitar
the 3rd of the chord had to be on the 2nd course as there was no 5th course. 
Many of the standard alfabeto chords occur in 4-course music but without the 
5th course.


The earliest source I can think of which has the 3rd on the 5th
course only is Colonna.   This was probably so that the fingering, or at 
least the chord shape  was the same

as the G minor chord - Chord O.

Cheers

Monica


- Original Message - 
From: "Edward Chrysogonus Yong" 

To: "Vihuelalist" 
Sent: Sunday, September 09, 2012 6:03 PM
Subject: [VIHUELA] G chord on Baroque Guitar



Hi chaps,

I'm slightly curious about the G chord on the Baroque Guitar. Sources like
the Alfabeto seem to indicate it should be played 20033, but is there any
reason why this is preferred over 20003?

Thanks!

Edward Chrysogonus Yong
ky...@pacific.net.sg






To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[VIHUELA] Re: G chord on Baroque Guitar

2012-09-09 Thread David van Ooijen
On 9 September 2012 19:03, Edward Chrysogonus Yong  wrote:
> Hi chaps,
>
> I'm slightly curious about the G chord on the Baroque Guitar. Sources like 
> the Alfabeto seem to indicate it should be played 20033, but is there any 
> reason why this is preferred over 20003?

Like the same preference in (acoustic) pop these days: perhaps just to
avoid the double third and get a nice strong fifth.

David

-- 
***
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davidvanooi...@gmail.com
www.davidvanooijen.nl
***



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[VIHUELA] G chord on Baroque Guitar

2012-09-09 Thread Edward Chrysogonus Yong
Hi chaps,

I'm slightly curious about the G chord on the Baroque Guitar. Sources like the 
Alfabeto seem to indicate it should be played 20033, but is there any reason 
why this is preferred over 20003? 

Thanks!

Edward Chrysogonus Yong
ky...@pacific.net.sg






To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html