[VIHUELA] Re: Private Musicke and Kozuna (was: Foscarini on Radio 3)

2010-08-30 Thread Monica Hall
   i>>?

   No - I think that they might not have hired Private Musicke with a less
   well known singer.



   Maybe I am completely wrong - but I think she would be the big
   attraction.   The other singers which they work with are not so well
   known over here.



   I was thinking a bit more about it right now.   In England we seem to
   prefer the Emma Kirkby/choirboy kind of voice and we assume that this
   is how people sang in the past.  Italian singers today have a
   different,  more dramatic approach and they may actually be closer to
   how the Italian repertoire was performed in the 17th century.   (I know
   that Kozena isn't Italian...)



   As far as the broadcast was concern the imbalence between the singer
   and the group may have been due to the recording.



   And in the end - as ever - it is a matter of personal taste and tastes
   differ.



   Monica

   - Original Message -

   From: [1]jean-michel Catherinot

   To: [2]wikla ; [3]Monica Hall

   Cc: [4]Vihuelalist

   Sent: Monday, August 30, 2010 7:57 AM

   Subject: Re : [VIHUELA] Re: Private Musicke and Kozuna (was: Foscarini
   on Radio 3)

   Dear Monica, I'm not sure I understood your message correctly. Do you
   mean that they might have hired Private Musicke without Kozena?
   --- En date de : Sam 28.8.10, Monica Hall <[5]mjlh...@tiscali.co.uk> a
   ecrit :

 De: Monica Hall <[6]mjlh...@tiscali.co.uk>
 Objet: [VIHUELA] Re: Private Musicke and Kozuna (was: Foscarini on
 Radio 3)
 A: "wikla" <[7]wi...@cs.helsinki.fi>
 Cc: "Vihuelalist" <[8]vihu...@cs.dartmouth.edu>
 Date: Samedi 28 aout 2010, 11h12

   Interesting indeed!
   I though Odi Euterpe was one of the better things she sang - but I
   don't
   know it as well as some of the other songs.
   I listened to the whole broadcast last night.   Perhaps it is simply
   that
   balence of the recording is all wrong.   She is too prominent.  But I
   though
   her interpretation of  many of the songs was often too operatic and
   emotional.   They did a slightly different programme in Edinburgh
   I guess it's the first time early music has much attention at  the
   Edinburgh
   Festival too.   But they might not have hired Private Musicke without
   Magdalena Kozuna.   Who knows.
   Monica
   - Original Message -
   From: "wikla" <[9]wi...@cs.helsinki.fi>
   To: "Vihuelalist" <[10]vihu...@cs.dartmouth.edu>
   Sent: Friday, August 27, 2010 10:03 PM
   Subject: [VIHUELA] Private Musicke and Kozuna (was: Foscarini on Radio
   3)
   >
   > Interesting!
   >
   > I just happened to hear the Private Musicke and Kozuna just before
   the
   > talks here. They happened to have the opening concert here in the
   > "Helsinki
   > Festival": Love Madrigals of the 17th century. Great! Clearly the
   first
   > time "early music" gets that much attention in this festival.
   >
   > I happened to hear the beginning of the concert's direct broadcast on
   my
   > car radio: on that time she was singing the "Odi Euterpe" by Caccini
   that
   > I
   > know well. Something was wrong there... Then to home with better
   audio.
   > The
   > program continued. Here is the list of all:
   >
   >  Filippo Vitali: O bei lumi
   >  Sigismondo D'India: Cruda Amarilli
   >  Claudio Monteverdi: Si dolce e il tormento
   >  Giulio Caccini: Odi Euterpe
   >  Luis de Briceno: Caravanda Ciacona
   >  Tarquino Merula: Canzonetta Spirituale sopra alla nanna
   >  Gaspar Sanz: Canarios
   >  Sigismondo D'India: Ma che? Squallido e oscuro
   >  Biaggio Marini: Con le Stelle in Ciel
   >  Giovanni Girolamo Kapsberger: Felici gl'animi
   >  Giovanni de Macque: Capriccio stravagante
   >  Giovanni Girolamo Kapsberger: Aurilla mia
   >  Sigismondo D'India: Torna il sereno Zefiro
   >  Giovanni Paolo Foscarini: Ciaccona
   >  Barbara Strozzi: L'Eraclito amoroso
   >  Ruiz de Ribayaz: Espanioletta
   >  Tarquino Merula: Folle e ben si crede
   >
   > I knew most of the pieces. And have accopanied nearly all of the
   songs
   > many
   > times.
   >
   > I really was happy that to me so dear repertoire got so important
   place in
   > the festival, and I was as much unhappy that the performance was not
   > good -
   > well I heard only the 3/4 of the concert and on radio broadcast...
   But I
   > got the feeling that the singer did not know the meaning of the
   words, and
   > so she couldn't perhaps so much express the message of the text. And
   she
   > did not always sound very pure and clean...
   >
   > And to me the band did not make a very good impression either: If
   Merula's
   > "sopra alla nanna" is made to sound "flamenco",

[VIHUELA] Re: Private Musicke and Kozuna (was: Foscarini on Radio 3)

2010-08-29 Thread jean-michel Catherinot
Dear Monica, I'm not sure I understood your message correctly. Do you
   mean that they might have hired Private Musicke without Kozena?
   --- En date de : Sam 28.8.10, Monica Hall  a
   A(c)crit :

 De: Monica Hall 
 Objet: [VIHUELA] Re: Private Musicke and Kozuna (was: Foscarini on
 Radio 3)
 A: "wikla" 
 Cc: "Vihuelalist" 
 Date: Samedi 28 aoA>>t 2010, 11h12

   Interesting indeed!
   I though Odi Euterpe was one of the better things she sang - but I
   don't
   know it as well as some of the other songs.
   I listened to the whole broadcast last night.   Perhaps it is simply
   that
   balence of the recording is all wrong.   She is too prominent.  But I
   though
   her interpretation of  many of the songs was often too operatic and
   emotional.   They did a slightly different programme in Edinburgh
   I guess it's the first time early music has much attention at  the
   Edinburgh
   Festival too.   But they might not have hired Private Musicke without
   Magdalena Kozuna.   Who knows.
   Monica
   - Original Message -
   From: "wikla" <[1]wi...@cs.helsinki.fi>
   To: "Vihuelalist" <[2]vihu...@cs.dartmouth.edu>
   Sent: Friday, August 27, 2010 10:03 PM
   Subject: [VIHUELA] Private Musicke and Kozuna (was: Foscarini on Radio
   3)
   >
   > Interesting!
   >
   > I just happened to hear the Private Musicke and Kozuna just before
   the
   > talks here. They happened to have the opening concert here in the
   > "Helsinki
   > Festival": Love Madrigals of the 17th century. Great! Clearly the
   first
   > time "early music" gets that much attention in this festival.
   >
   > I happened to hear the beginning of the concert's direct broadcast on
   my
   > car radio: on that time she was singing the "Odi Euterpe" by Caccini
   that
   > I
   > know well. Something was wrong there... Then to home with better
   audio.
   > The
   > program continued. Here is the list of all:
   >
   >  Filippo Vitali: O bei lumi
   >  Sigismondo D'India: Cruda Amarilli
   >  Claudio Monteverdi: Si dolce A" il tormento
   >  Giulio Caccini: Odi Euterpe
   >  Luis de Briceno: Caravanda Ciacona
   >  Tarquino Merula: Canzonetta Spirituale sopra alla nanna
   >  Gaspar Sanz: Canarios
   >  Sigismondo D'India: Ma che? Squallido e oscuro
   >  Biaggio Marini: Con le Stelle in Ciel
   >  Giovanni Girolamo Kapsberger: Felici gl'animi
   >  Giovanni de Macque: Capriccio stravagante
   >  Giovanni Girolamo Kapsberger: Aurilla mia
   >  Sigismondo D'India: Torna il sereno ZA(c)firo
   >  Giovanni Paolo Foscarini: Ciaccona
   >  Barbara Strozzi: L'Eraclito amoroso
   >  Ruiz de Ribayaz: Espanioletta
   >  Tarquino Merula: Folle A" ben si crede
   >
   > I knew most of the pieces. And have accopanied nearly all of the
   songs
   > many
   > times.
   >
   > I really was happy that to me so dear repertoire got so important
   place in
   > the festival, and I was as much unhappy that the performance was not
   > good -
   > well I heard only the 3/4 of the concert and on radio broadcast...
   But I
   > got the feeling that the singer did not know the meaning of the
   words, and
   > so she couldn't perhaps so much express the message of the text. And
   she
   > did not always sound very pure and clean...
   >
   > And to me the band did not make a very good impression either: If
   Merula's
   > "sopra alla nanna" is made to sound "flamenco", I do not want to hear
   it.
   > Not to speak of one of the greatest pieces by Barbara Strozzi,
   > "L'Eraclito amoroso". That was the biggest flop in their performance;
   > just singing the notes and improvising kitchen flamenco around -- no
   idea
   > of the story and text, even no idea of the sober(?) passagaglia in
   places.
   > Rubbish in that piece, spoiled possibilities...
   >
   > But when that repertoire is taken to the wide public, perhaps there
   will
   > be
   > more gigs also to a tiny theorbist with a big theorbo... ;-)
   >
   > All the best,
   >
   > Arto
   >
   >
   >
   >
   > On Fri, 27 Aug 2010 19:53:05 +0100, "Monica Hall"
   <[3]mjlh...@tiscali.co.uk>
   > wrote:
   >> I am also a fan of Private Musicke and have several of their CDs.
   >>Magdalena Kozuna is not one of their regular singers as far as I
   am
   >>aware.
   >>
   >>
   >>
   >>I suspect that she was co-opted for commercial considerations -
   in
   >>order to sell more tickets.   She is well know whereas Raquel and
   >>Stephan van Dyck and Marco Beasley are not - at least ov

[VIHUELA] Re: Private Musicke and Kozuna (was: Foscarini on Radio 3)

2010-08-28 Thread Monica Hall

Interesting indeed!

I though Odi Euterpe was one of the better things she sang - but I don't 
know it as well as some of the other songs.


I listened to the whole broadcast last night.   Perhaps it is simply that 
balence of the recording is all wrong.   She is too prominent.  But I though 
her interpretation of  many of the songs was often too operatic and 
emotional.   They did a slightly different programme in Edinburgh


I guess it's the first time early music has much attention at  the Edinburgh 
Festival too.   But they might not have hired Private Musicke without 
Magdalena Kozuna.   Who knows.


Monica


- Original Message - 
From: "wikla" 

To: "Vihuelalist" 
Sent: Friday, August 27, 2010 10:03 PM
Subject: [VIHUELA] Private Musicke and Kozuna (was: Foscarini on Radio 3)




Interesting!

I just happened to hear the Private Musicke and Kozuna just before the
talks here. They happened to have the opening concert here in the 
"Helsinki

Festival": Love Madrigals of the 17th century. Great! Clearly the first
time "early music" gets that much attention in this festival.

I happened to hear the beginning of the concert's direct broadcast on my
car radio: on that time she was singing the "Odi Euterpe" by Caccini that 
I
know well. Something was wrong there... Then to home with better audio. 
The

program continued. Here is the list of all:

 Filippo Vitali: O bei lumi
 Sigismondo D’India: Cruda Amarilli
 Claudio Monteverdi: Si dolce è il tormento
 Giulio Caccini: Odi Euterpe
 Luis de Briceno: Caravanda Ciacona
 Tarquino Merula: Canzonetta Spirituale sopra alla nanna
 Gaspar Sanz: Canarios
 Sigismondo D’India: Ma che? Squallido e oscuro
 Biaggio Marini: Con le Stelle in Ciel
 Giovanni Girolamo Kapsberger: Felici gl’animi
 Giovanni de Macque: Capriccio stravagante
 Giovanni Girolamo Kapsberger: Aurilla mia
 Sigismondo D’India: Torna il sereno Zéfiro
 Giovanni Paolo Foscarini: Ciaccona
 Barbara Strozzi: L’Eraclito amoroso
 Ruiz de Ribayaz: Espanioletta
 Tarquino Merula: Folle è ben si crede

I knew most of the pieces. And have accopanied nearly all of the songs 
many

times.

I really was happy that to me so dear repertoire got so important place in
the festival, and I was as much unhappy that the performance was not 
good -

well I heard only the 3/4 of the concert and on radio broadcast... But I
got the feeling that the singer did not know the meaning of the words, and
so she couldn't perhaps so much express the message of the text. And she
did not always sound very pure and clean...

And to me the band did not make a very good impression either: If Merula's
"sopra alla nanna" is made to sound "flamenco", I do not want to hear it.
Not to speak of one of the greatest pieces by Barbara Strozzi,
"L’Eraclito amoroso". That was the biggest flop in their performance;
just singing the notes and improvising kitchen flamenco around -- no idea
of the story and text, even no idea of the sober(?) passagaglia in places.
Rubbish in that piece, spoiled possibilities...

But when that repertoire is taken to the wide public, perhaps there will 
be

more gigs also to a tiny theorbist with a big theorbo... ;-)

All the best,

Arto




On Fri, 27 Aug 2010 19:53:05 +0100, "Monica Hall" 
wrote:

I am also a fan of Private Musicke and have several of their CDs.
   Magdalena Kozuna is not one of their regular singers as far as I am
   aware.



   I suspect that she was co-opted for commercial considerations - in
   order to sell more tickets.   She is well know whereas Raquel and
   Stephan van Dyck and Marco Beasley are not - at least over here.  All
   them are very accomplished singers in this repertoire.   So is Kozuna
   in the right repertoire - but the announcer did make the point that

she

   is better know for doing other things.



   Monica



   - Original Message -

   From: [1]jean-michel Catherinot

   To: [2]Martyn Hodgson ; [3]Monica Hall

   Cc: [4]Vihuelalist

   Sent: Friday, August 27, 2010 12:39 PM

   Subject: Re : [VIHUELA] Re: Foscarini on Radio 3

   I'm quite surpised by this, because that is not at all usually their
   stuff: and that's one of the reason why I like this band so much. Is
   that Magdalena Kozena's choice? They played this type of programm few
   weeks ago near my house with Raquel Andueza, and it  was a quite
   wonderful concert, with both very elegant swing and dignity. Pierre
   Pitzl is really a preeminent baroque guitar performer on my opinion,
   who makes with his incredible sound easy to understand why the guitar
   seduced so much people during the 17th.
   --- En date de : Ven 27.8.10, Monica Hall  a
   ecrit :

 De: Monica Hall 
 Objet: [VIHUELA] Re: Foscarini on Radio 3
 A: "Martyn Hodgson" 
 Cc: "Vihuelalist" 
 Date: Vendredi 27 aout 2010, 11h00

   Dear Martyn
   Yes - I agree with everything you say.   I haven't listened to the
   whole
   concert yet - I got as far as the "Foscarini" piece and gave
   up.   Maybe I
   will have t